Freda Payne - I'll Do Anything For You
Disco - Freda Payne - I'll Do Anything For You - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1978. Manufactured By – Capitol Records, Inc.
Phonographic Copyright ℗ – Capitol Records, Inc.
Copyright © – Capitol Records, Inc. Credits – David Nelson Crawford, Jerome Albert Evans Sr. & Freda Payne (Freda Charcilia Payne). Producer – Skip Scarborough (Clarence Alexander Scarborough).
Remix – Cecil Hale & John Luongo (John Patrick Luongo).
Written-By – D. Crawford (David Nelson Crawford) & J. Evans (Jerome Albert Evans Sr.). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
25
views
Chemise - She Can't Love You
Disco - Chemise - She Can't Love You (Vocal) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1982. Manufactured By – Emergency Records & Filmworks Inc.
Distributed By – Emergency Records & Filmworks Inc.
Published By – Rickie Rock Time Music
Published By – Emergency Music (4)
Produced For – Muldrow Rock Productions
Copyright © – Emergency Records
Phonographic Copyright ℗ – Emergency Records Mastered At – Frankford/Wayne Mastering Labs
Pressed By – Sound Makers. Credits – Ricki Byars Muldrow (Rickie Byars-Beckwith), Ronald Stephen Muldrow & Chemise (Ricki Byars Muldrow, Rickie Byars-Beckwith). Mastered By – Herb Powers Jr. (Herbert Powers Jr.)
Producer, Arranged By, Written-By – Rickie Byars Muldrow (Rickie Byars-Beckwith), & Ron Muldrow (Ronald Stephen Muldrow). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
14
views
Gayle Adams - Stretch In Out
Disco - Stretchin' Out - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1980. Phonographic Copyright ℗ – Prelude Records
Produced For – Mainline Productions Inc.
Published By – Diamond In The Rough Music
Published By – Trumar Music
Mastered At – CBS Studios, New York
Manufactured By – Prelude Records
Distributed By – Prelude Records. Credits – Rodney Maurice Brown, William Lester & Gayle Adams. Mastered By – Stanley Kalina
Mixed By [Special Disco Mix By] – Francois K. (François Kevorkian).
Producer – Willie Lester (William Lester) & Rodney Brown (Rodney Maurice Brown). Recorded On A Reloop RP-8000 MK2 Turntable With An Audio Technica VM540ML MicroLine Stylus Cartridge And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
43
views
Gayle Adams - Your Love Is A Lifesaver
Disco - Your Love Is A Life Saver - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1980. Phonographic Copyright ℗ – Prelude Records
Produced For – Mainline Productions Inc.
Published By – Diamond In The Rough Music
Published By – Trumar Music
Mastered At – CBS Studios, New York
Manufactured By – Prelude Records
Distributed By – Prelude Records. Credits – Rodney Maurice Brown, William Lester & Gayle Adams. Mastered By – Stanley Kalina
Mixed By [Special Disco Mix By] – Francois K. (François Kevorkian).
Producer – Willie Lester (William Lester) & Rodney Brown (Rodney Maurice Brown). Recorded On A Reloop RP-8000 MK2 Turntable With An Audio Technica VM540ML MicroLine Stylus Cartridge And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
43
views
Marvin Gaye - Sexual Healing
Soul, Disco - Marvin Gaye - Sexual Healing (Club Mix) - Vinyl, 12", 45 RPM (H.Q.) - 1982. Copyright © – CBS Records
Phonographic Copyright ℗ – CBS Inc.
Licensed To – CBS Records
Published By – April Music Ltd.
Pressed By – CBS Pressing Plant, Aston Clinton. Credits – Marvin Gaye (Marvin Pentz Gay Jr.) & Odell Elliott Brown Jr. Lacquer Cut By – Timtom (Tim Young).
Producer – Marvin Gaye (Marvin Pentz Gay Jr.).
Written-By – M. Gaye (Marvin Pentz Gay Jr.) & D. Brown (Odell Elliott Brown Jr.). Recorded On A Reloop RP-8000 MK2 Turntable With An Audio Technica VM540ML MicroLine Stylus Cartridge And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
80
views
Marvin Gaye - Got To Give It Up
Disco, Soul - Got To Give It Up - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1977. Phonographic Copyright ℗ – Motown Record Corporation
Published By – Jobete Music Co., Inc.
Pressed By – Monarch Record Mfg. Co.
Pressed By – Monarch Record Mfg. Co. Credits – Marvin Gaye (Marvin Pentz Gay Jr.). Arranged By – Marvin Gaye (Marvin Pentz Gay Jr.).
Producer – Art Stewart (Arthur Stewart).
Written-By – M. Gaye ((Marvin Pentz Gay Jr.). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
47
views
Laid Back - White Horse
Electro, Synth-pop - Laid Back - White Horse (U.S. Edit) - Vinyl, 12", 45 RPM (H.Q.) - 1983. Published By – Sing A Song Publishing. Medley Records (Denmark). Credits – John Guldberg & Tim Peter Stahl. Producer – Laid Back, The Dwarfs
Written-By – John Guldberg & Tim Stahl (Tim Peter Stahl). Recorded On Reloop RP-8000 MK2 Turntable Using a Audio Technica VM540ML MicroLine Stylus Cartridge And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
181
views
Grandmaster & Melle Mel - White Lines
Electro, Hip Hop - Grandmaster & Melle Mel - White Lines (Don't Don't Do It) (Long Version) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1983. Copyright © – Sugar Hill Records Ltd.
Phonographic Copyright ℗ – Sugar Hill Records Ltd.
Published By – Sugar Hill Music Publishing Ltd. Credits – Melvin Glover (Grandmaster Flash & Melle Mel) & Sylvia Robinson (Sylvia Robinson (née Vanderpool). Producer – Joey Robinson Jr. (Joseph Roy Robinson Jr.), Melle Mel (Melvin Glover), Sylvia Robinson (Sylvia Inc) ((Sylvia Robinson (née Vanderpool). Recorded On Reloop RP-8000 MK2 Turntable Using a Audio Technica VM540ML MicroLine Stylus Cartridge And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
30
views
Grandmaster Flash & The Furious Five - The Message
Electro, Hip Hop - Grand Master Flash & The Furious Five (Feat. Melle Mel & Duke Bootee) - The Message - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1982. Published By – Sugar Hill Music Publishing Ltd.
Recorded At – Sweet Mountain Studios
Phonographic Copyright ℗ – Sugar Hill Records Ltd.
Copyright © – Sugar Hill Records Ltd.
Mastered At – Sterling Sound. Credits – Edward Morris (Mr. Ness, Scorpio), Guy Todd Williams (Rahiem), Joseph Robert Saddler (Grandmaster Flash), Robert Keith Wiggins (Cowboy) & Nathaniel Glover, Jr. (Kid Creole). Producer – Jiggs Chase (Clifton Nathaniel Chase), E. Fletcher (Edward G. Fletcher), Sylvia Inc. (Sylvia Robinson (née Vanderpool).
Written-By – J. Chase (Clifton Nathaniel Chase), E. Fletcher (Edward G. Fletcher), M. Glover (Melvin Glover -
Big Melle, Grandmaster Flash & Melle Mel, Grandmaster Melle Mel, Melle Mel), S. Robinson (Sylvia Robinson (née Vanderpool). Recorded On Reloop RP-8000 MK2 Turntable Using a Audio Technica VM540ML MicroLine Stylus Cartridge And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
64
views
Rod - Shake It Up
Disco, Funk - Rod - Shake It Up (Do The Boogaloo) (Special Disco Mix) Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1980. Phonographic Copyright ℗ – Atoll Music – PRL D 601
Published By – Jessica & Jonathan Music Co. – PRL D 601
Pressed By – Columbia Records Pressing Plant, Pitman – PRL D 601
Manufactured By – Prelude Records – PRL D 601
Distributed By – Prelude Records – PRL D 601. Credits – Rod (Roch Niangandoumou). Arranged By – Thierry Durbet
Directed By – Michel Elie
Lyrics By, Music By – R. Niangandoumou (Roch Niangandoumou).
Producer – Charles Ibgui. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
12
views
Edwin Starr - H.A.P.P.Y. Radio
Disco - Edwin Starr - H.A.P.P.Y. Radio (H.Q.) - 1979. Phonographic Copyright ℗ – 20th Century-Fox Record Corporation
Copyright © – 20th Century-Fox Record Corporation
Recorded At – Power Station
Recorded At – Total Experience Studios
Recorded At – Sierra Pacific Studios
Mixed At – Producers Workshop
Mixed At – Larrabee Sound Studios
Mastered At – MCA Whitney Recording Studios
Pressed By – RCA Records Pressing Plant, Indianapolis
Manufactured By – RCA Records
Distributed By – RCA Records. Credits – Edwin Starr (Charles Edwin Hatcher). Arranged By [Horns, Rhythm] – Edwin Starr (Charles Edwin Hatcher).
Arranged By [Horns] – David Stout (Tracks: A1, B2, to B4)
Art Direction, Design – Glen Christensen
Backing Vocals – The Waters - Julia Ardelia Waters Tillman née Waters, Luther N. Waters, Lorna Maxine Waters Willard née Waters & Oren Wayne Waters Jr.
Drums – M. Singer (Marc Steven Singer).
Engineer – Bob D'Orleans (Robert D'Orleans) (Tracks: A1, A3, B2 to B4), Ty Blair (Tracks: A2, B1)
Flute – D. Stout (David Stout), H. Kim (Harry Kim), H. Preston (Hush Preston), J.C. Peskin (Joel Cary Peskin).
Horns – A. Hamilton (Andrew Kevin Hamilton), C. Sletteu (Curtis Sletten), K. Peachy (Kevin Peachy).
Illustration – David Mattingly (David Burroughs Mattingly)
Keyboards – P. Edney & Spike (Philip 'Spike' Edney).
Mixed By – Jack Roubeu* (Tracks: A2, B1 to B4), Rick Gianatos (Tracks: A1, A3)
Percussion – E. Fletcher (Edward G. Fletcher), M. Singer (Marc Steven Singer).
Producer – Edwin Starr (Charles Edwin Hatcher).
Written By [Bass] – J. Roberts
Written By [Drums] – R. Reed
Written By [Guitar] – L. Middleton
Written By [Horns] – E. Hill. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
151
views
The Rolling Stones - Miss You
Disco, Pop Rock - The Rolling Stones - Miss You (Special Disco Version) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1978. Phonographic Copyright ℗ – Promotone B.V.
Copyright © – Promotone B.V.
Published By – Colgems-EMI Music Inc.
Distributed By – Atlantic Recording Corporation
Record Company – Warner Communications
Mastered At – Sterling Sound
Pressed By – Specialty Records Corporation. Credits – Mick Jagger (Michael Philip Jagger), Keith Richards & The Rolling Stones - Bill Wyman (William George Perks Jr.), Brian Jones (Lewis Brian Hopkin Jones), Charlie Watts (Charles Robert Watts), Dick Taylor (Richard Clifford Taylor), Ian Stewart (Ian Andrew Robert Stewart), Keith Richards, Mick Jagger (Michael Philip Jagger), Mick Taylor (Michael Kevin Taylor), Ron Wood (Ronald David Wood) & Tony Chapman (Anthony Chapman). Arranged By, Producer – The Glimmer Twins – Mick Jagger (Michael Philip Jagger), Keith Richards.
Written-By – Jagger (Michael Philip Jagger) / Richards (Keith Richards). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
49
views
Stargard - Wear It Out
Disco - Stargard - Wear It Out (H.Q.) - 1979. Phonographic Copyright ℗ – Warner Bros. Records Inc.
Published By – Patmos Publishing
Published By – Charleville Music
Published By – Chaz Music
Published By – Modern American Music
Mastered At – Allen Zentz Mastering. Credits – Charles Julian Fearing, Robert Byron Wright, Rochelle Cecile Runnells & Stargard - Debra Lyn Anderson, Janice Cecelia Williams & Rochelle Cecile Runnells. Co-producer – Robert Wright
Engineer – F. Byron Clark
Producer – Mark Davis (Mark Kevin Davis), Verdine White (Verdine Adams White).
Written-By – C. Fearing (Charles Julian Fearing), R. Wright (Robert Byron Wright), R. Runnells (Rochelle Cecile Runnells). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
29
views
Debbie Deb - When I Hear Music
Freestyle, Electro - Debbie Deb - When I Hear Music (Re-Edit) (H.Q.) - 1983. Phonographic Copyright ℗ – Jam Packed Records
Manufactured By – Sunnyview Records, Inc.
Distributed By – Sunnyview Records, Inc.
Published By – In The Mix Publishing
Recorded At – M.S.I. Studios. Credits – "Pretty" Tony Butler (Anthony Ray Butler) & Debbie Deb (Deborah Claire Wesoff-Kowalski). Executive-Producer – Sherman Nealy Recorded By, Engineer, Mixed By, Producer – "Pretty" Tony (Anthony Ray Butler).
Written-By – Tony Butler (Anthony Ray Butler). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
30
views
Phyllis Hyman - You Know How To Love Me
Disco, Soul - Phyllis Hyman - You Know How To Love Me Vinyl, 12", 33 ⅓ RPM, 45 RPM (Joey Negro Extended Disco Mix) (H.Q.) - 1979. Phonographic Copyright ℗ – Z Records
Pressed By – GZ Media – 162369E
Pressed By – GZ Media – 162369M Phonographic Copyright ℗ – Arista Records, Inc.
Produced For – Mtume/Lucas Production. Credits – James Mtume (James Foreman), Reggie Lucas (Reginald Grant Lucas), Phyllis Hyman (Phyllis Linda Hyman) & Joey Negro (David Russell Lee). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
42
views
1
comment
Temper - No Favors
Disco - Temper - No Favors (Unreleased Extended Mix) (H.Q.) - 1984. Phonographic Copyright ℗ – MCA Records, Inc.
Published By – Unitonic Music. Credits – Anthony Malloy, Cleveland Wright III. Engineer – Martin Bisi
Lacquer Cut By – Tone (Tony Bridges).
Producer – Anthony Malloy, Cleveland Wright III
Written-By – Malloy (Anthony Malloy), Wright (Cleveland Wright III). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix
2
views
Yong & Company - I Like
Disco - I Like (What You're Doing To Me) Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1980. Manufactured By – Brunswick Record Corporation
Phonographic Copyright ℗ – Brunswick Record Corporation
Published By – Lena Music
Published By – That Right
Pressed By – Columbia Records Pressing Plant, Pitman. Credits – Buddy Hankerson, Michael C. Young, William G. Young & Young & Company - Buddy Hankerson, Dave Reyes, Jacqueline Thomas, Kenneth Young, Michael C. Young & William G. Young. Arranged By – Bob Miller, Frank Dickerson
Executive-Producer – Ray Daniels
Mastered By – Jose Rodriguez (José L. Rodriguez)
Mixed By – Lyonel Sampeur, Tommy Weber
Producer – Young & Young
Written-By – B. Hank (Buddy Hankerson), Mike Young (Michael C. Young), B. Young (William G. Young). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
48
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The S.O.S. Band - Just be Good To Me
Funk, Disco - The S.O.S. Band - Just Be Good To Me (Unreleased Extended Mix # 1) (H.Q.) - 1983. Produced For – Flyte Tyme Productions
Phonographic Copyright ℗ – CBS Inc.
Distributed By – CBS Records
Distributed By – CBS Inc.
Mastered At – Allen Zentz Mastering
Pressed By – Columbia Records Pressing Plant, Pitman. Credits – Terry Steven Lewis, James Samuel Harris & The S.O.S. Band – Abdul Ra'oof, William "Billy" Ellis, Bruno Speight, Fredi "Grace" Deg Rawls, James Earl Jones III, Jason Bryant, Jerome Thomas, John Alexander Simpson, Mary Davis, Penny Ford & William "Willie" Killebrew. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
76
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Temper - No Favors
Disco - Temper - No Favors (Ureleased Extended Mix) (H.Q.) - 1984. Phonographic Copyright ℗ – MCA Records, Inc.
Copyright © – MCA Records, Inc.
Manufactured By – MCA Records, Inc.
Pressed By – MCA Pressing Plant, Gloversville
Lacquer Cut At – Frankford/Wayne Mastering Labs
Produced For – Wright/Malloy Productions
Published By – Unitonic Music. Credits – Anthony Malloy, Cleveland Wright III. Engineer – Martin Bisi
Producer – Anthony Malloy, Cleveland Wright III
Written-By – Malloy (Anthony Malloy), Wright (Cleveland Wright III). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
1
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Yong & Company - I Like What You're Doing To Me
Disco - I Like (What You're Doing To Me) (Re-Edit) (H.Q.) - 1980. Manufactured By – Brunswick Record Corporation
Phonographic Copyright ℗ – Brunswick Record Corporation
Published By – Lena Music
Published By – That Right
Pressed By – Columbia Records Pressing Plant, Pitman. Credits – Buddy Hankerson, Michael C. Young, William G. Young & Young & Company - Buddy Hankerson, Dave Reyes, Jacqueline Thomas, Kenneth Young, Michael C. Young & William G. Young. Arranged By – Bob Miller, Frank Dickerson
Executive-Producer – Ray Daniels
Mastered By – Jose Rodriguez (José L. Rodriguez)
Mixed By – Lyonel Sampeur, Tommy Weber
Producer – Young & Young
Written-By – B. Hank (Buddy Hankerson), Mike Young (Michael C. Young), B. Young (William G. Young). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
47
views
The S.O.S. Band - Just be Good To Me
Funk, Disco - The S.O.S. Band - Just Be Good To Me (Unreleased Extended Mix) - 1983. Produced For – Flyte Tyme Productions
Phonographic Copyright ℗ – CBS Inc.
Distributed By – CBS Records
Distributed By – CBS Inc.
Mastered At – Allen Zentz Mastering
Pressed By – Columbia Records Pressing Plant, Pitman. Credits – Terry Steven Lewis, James Samuel Harris & The S.O.S. Band – Abdul Ra'oof, William "Billy" Ellis, Bruno Speight, Fredi "Grace" Deg Rawls, James Earl Jones III, Jason Bryant, Jerome Thomas, John Alexander Simpson, Mary Davis, Penny Ford & William "Willie" Killebrew. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
13
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Raw Silk - Do It To The Music
Disco, Funk - Raw Silk - Do It To The Music (Unreleased Mix) (H.Q.) - 1982. Produced For – Just Hits Productions
Published By – Sugar Biscuit
Published By – Fresh Ideas
Published By – Bert Reid Music
Copyright © – West End Records
Phonographic Copyright ℗ – West End Records
Pressed By – Hauppauge Record Manufacturing Ltd. Credits – Bert Reid (Bertram Charles Reid Jr.), Ronald Dean Miller & Raw Silk - Jessica Marguerite Cleaves, Tenita Jordan Dreher & Valarie Pettiford. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
44
views
Siedah Garret - Do You Want It Right Now
Synth-pop - Siedah Garrett - Do You Want It Right Now (Original Extended Mix) (H.Q.) - 1985. Phonographic Copyright ℗ – Qwest Records, Warner Bros. Records, Tinted Records. Credits – China Burton, Nick Straker (Nicholas Charles Bailey) & Siedah Garrett (Deborah Christine Garrett). Executive-Producer – Quincy Jones (Quincy Delight Jones, Jr.).
Producer – Tom Bahler (Thomas Lee Bahler). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
31
views
Phyllis Nelson - I Like You
Disco, Hi NRG - Phyllis Nelson - I Like You (Unreleased Mix) (H.Q.) - 1985. Phonographic Copyright ℗ – Carrere Recording Corp.
Copyright © – CBS Inc.
Manufactured By – CBS Records
Manufactured By – CBS Inc.
Distributed By – CBS Records
Distributed By – CBS Inc.
Lacquer Cut At – Sterling Sound
Mastered At – Customatrix
Pressed By – Columbia Records Pressing Plant, Pitman. Credits – Phyllis Nelson. Arranged By – Ben Knuier, Yves Dessca (Yves Lavot-Dessca de Brancourt).
Design – Joel Zimmerman (2)
Lacquer Cut By [Runout Etching ✩] – Greg Calbi (Gregory Calbi).
Photography By – Beverly Parker (2)
Producer – Yves Dessca (Yves Lavot-Dessca de Brancourt).
Written-By – P. Nelson (Phyllis Nelson). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
4
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Paul Laurences - Strung Out
Soul, Funk - Paul Laurence - Strung Out (Unreleased Mix) (H.Q.) - 1985. Produced For – StoneJones Productions
Published By – Bush Burnin' Music Inc.
Phonographic Copyright ℗ – Capitol Records, Inc.
Manufactured By – Capitol Records, Inc.
Copyright © – Capitol Records, Inc. Credits – Paul Laurence (Paul Lawrence Jones III). Producer, Written-By – Paul Laurence (Paul Lawrence Jones III). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.
20
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