Snowlion 1

Disco - David Joseph - You Can't Hide (Your Love From Me) (Original 12" Mix) (H.Q.) - 1983. Phonographic Copyright ℗ – Island Records Ltd. Record Company – Island Records Ltd. Published By – Screen Gems-EMI Lacquer Cut At – The Sound Clinic Pressed By – EMI Records. Credits – David Joseph (David Nathaniel Joseph) Lacquer Cut By – Jonz (John Dent) Producer – Godwin Logie Written-By – D. Joseph (David Nathaniel Joseph). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk - Sly & The Family Stone - Family Affair (Unreleased Mix) (H.Q.) - 1971. Produced For – Stone Flower Productions Mastered At – Columbia Recording Studios Mastered At – Sterling Sound Pressed By – Columbia Records Pressing Plant, Pitman. Credits – Sylvester Stewart & Sly & The Family Stone - Andrew Newmark, William Lordan, Cynthia Robinson, Dawn Silva, Frederick Jerome Stewart, Gerald Gibson, Greg Errico, Jerry Martini, John Victor Colla, Larry Graham, Jr., Lynn Mabry, Pat Rizzo, Rosemary Stewart, Rustee Allen, Sidney Page, Sylvester Stewart & Vaetta Stewart. Producer – Sly Stone (Sylvester Stewart) Written-By – S. Stewart (Sylvester Stewart). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Donna Summer - I Feel Love (Vinyl, 12", 33 ⅓ RPM) (H.Q.) - 1977. Phonographic Copyright ℗ – Casablanca Record And Filmworks, Inc. Copyright © – Casablanca Record And Filmworks, Inc. Manufactured By – Casablanca Record And Filmworks, Inc. Distributed By – Casablanca Record And Filmworks, Inc. Pressed By – Columbia Records Pressing Plant, Santa Maria. Mastered At – Allen Zentz Mastering Published By – Rick's Music, Inc. Published By – Gold Horizon Music Corp. Credits – Donna Summer (LaDonna Andrea Gaines), Giorgio Moroder (Giovanni Giorgio Moroder) & Peter John Bellotte. Mastered By – Brian Gardner (Brian Knapp Gardner). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Donna Summer - Last Dance (Unreleased Mix) (H.Q.) - 1978. Distributed By – Casablanca Record And Filmworks, Inc. Manufactured By – Casablanca Record And Filmworks, Inc. Phonographic Copyright – Casablanca Record And Filmworks, Inc. Copyright – Casablanca Record And Filmworks, Inc. Pressed By – Columbia Records Pressing Plant, Terre Haute Mastered At – Allen Zentz Mastering Published By – Primus Artists Music Published By – Olga Music Published By – Rick's Music, Inc. Credits – Paul Jabara (Paul Frederick Jabara) & Donna Summer (LaDonna Adrian Gaines). Mastered By [Runout Etching] – CB (Chris Bellman) Producer – Giorgio Moroder. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco, Funk - Imagination - Just An illusion (Unreleased Mix) (H.Q.) - 1982. Phonographic Copyright – R & B Division Ltd. Copyright – MCA Records, Inc. Published By – MCA Music Published By – MCA Inc. Manufactured By – MCA Records, Inc. Pressed By – MCA Pressing Plant, Gloversville. Credits – Ashley Ingram, Leslie McGregor John, Steven Nicholas Jolley, Anthony John Swain & Imagination - Ashley Ingram, Errol Kennedy & Leee John (Leslie McGregor JOHN). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Rick James & Teena Marie Mix (H.Q.). Tracklist: 1. Rick James ‎– So Soft So Wet (Raging Bull Records, Private I Records, Mercury) - 1997, 2. Rick James ‎– Mary Jane (Gordy) - 1978, 3. Rick James (Feat. Roxanne Shante) ‎– Loosey's Rap (Marley Marl Mix) (Reprise Records) - 1988, 4. Teena Marie ‎– I Need Your Lovin' (Gordy) - 1980, 5. Teena Marie ‎– Square Biz (Motown) - 1981, 6. Teena Marie ‎– Behind The Groove (Gordy) - 1980, 7. Rick James ‎– Ghetto Life (Gordy) - 1981, 8. Rick James ‎– You Turn Me On (Gordy) - 1984, 9. Rick James ‎– Cold Blooded (Motown) - 1983, 10. Rick James ‎– You And I (Motown) - 1981, 11. Rick James ‎– Give It To Me Baby (Gordy, Motown) - 1981, 12. Rick James ‎– Dance Wit' Me (Gordy, Motwon) - 1981, 13. Teena Marie ‎– Lovergirl (Extended Remix) (Epic Records) - 1984, 14. Rick James ‎– Super Freak (Gordy, Motown) - 1981, 15. Teena Marie ‎– Jammin (Epic Records) - 1984, 16. Teena Marie – Wishing On A Star (MCA Records) - 1998, 17. Rick James (Feat. Teena Marie) – Happy (Gordy) - 1982, 18. Rick James (Feat. Teena Marie) – Teardrops (Gordy) - 1982 & 19, Rick James (Feat. Teena Marie) – Fire And Desire (Gordy, Motown) - 1981. This mix is for Rick James (James Ambrose Johnson, Jr.) & Teena Marie (Mary Christine Brockert). These two artists with thier talents, left a permanent mark on the music industry that will never be forgotten. I am just thankful that we were able to bask in the love that they gave to all of us while they were here. Thank you again, for all that you gave us. R.I.P. Rick James And Teena Marie. We love you and we will never forget you. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul Mix (60's, 70's & 80's)(Old School) (H.Q.). Tracklist: 1. The Chi-Lites ‎– Have You Seen Her (Brunswick) - 1971, 2. The Stylistics ‎– You Are Everything (Avco) - 1971, 3. The Stylistics ‎– You're A Big Girl Now (AVCO Embassy) - 1970, 4. Dramatics ‎– In The Rain (Volt) - 1971, 5. The Stylistics ‎– You Make Me Feel Brand New (Avco) - 1973, 6. Bloodstone ‎– Natural High (London Records) - 1972, 7. The Main Ingredient ‎– Just Don't Want To Be Lonely (RCA Victor) - 1974, 8. The Stylistics ‎– Break Up To Make Up (Avco) - 1972, 9. The Isley Brothers ‎– Footsteps In The Dark (Part 1&2) (T-Neck) - 1977, 10. The Jackson 5 ‎– Who's Lovin You (Motown) - 1969, 11. The Main Ingredient ‎– Everybody Plays The Fool (RCA Victor) - 1972, 12. The Isley Brothers ‎– Between The Sheets (T-Neck) - 1983, 13. Heatwave ‎– The Star Of A Story (GTO) (U.K.) - 1977, 14. Commodores ‎– Zoom (Motown) - 1977, 15. Shalamar ‎– This Is For The Lover In You (Solar) - 1980, 16. The Temptations ‎– I Wish It Would Rain (Gordy) - 1967, 17. The Temptations ‎– Just My Imagination (Running Away With Me) (Gordy) - 1970, 18. Marvin Gaye ‎– Sexual Healing (Columbia) - 1982 & 19. Ben E. King ‎– Supernatural Thing (Atlantic) - 1975. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco, Synth-pop - Billy Ocean - Caribbean Queen (No More Love On The Run) (Unreleased Mix) (H.Q.) - 1984. Marketed By – Arista Records, Inc. Distributed By – Arista Records, Inc. Manufactured By – Arista Records, Inc. Phonographic Copyright – Zomba Productions Ltd. Copyright – Zomba Productions Ltd. Made By – Zomba Productions Ltd. Published By – Willesden Music Published By – Zomba Enterprises, Inc. Mastered At – Frankford/Wayne Mastering Labs. Credits – Billy Ocean (Leslie Sebastian Charles) & Keith Diamond (Keith Vincent Constantine Alexander). Engineer – Brian "Chuck" New Mastered By – Herbie Jr. (Herbert Powers Jr.) Producer – Keith Diamond Written-By – B. Ocean (Leslie Sebastian Charles), K. Diamond (Keith Vincent Constantine Alexander). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Move On Up (H.Q.) - 1979. Phonographic Copyright – Butterfly Records Copyright – Butterfly Records Manufactured By – MCA Records, Inc. Distributed By – MCA Records, Inc. Recorded At – Star Track Studios Mixed At – Alpha International Studios. Credits – Curtis Lee Mayfield & Destination - Danny Lugo, Kathleen Bradley & Lovechyle Theus. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Mary Jane Girls - In My House (H.Q.) - 1985. Published By – Stone City Music Co. Published By – National League Music Co. Copyright – Motown Record Corporation Produced For – Motown Record Corporation Distributed By – MCA Distributing Corporation Lacquer Cut At – Sterling Sound. Credits – Candice Ghant (Candy), Cheryl Ann Bailey (Cheri Wells), Joanne "JoJo" McDuffie-Funderburg, Kim Wuletich (Maxi), Taborah "Tabby" Johnson, Valaria Marie Young & Yvette Marine Barlowe (Corvette) & Rick James (James Ambrose Johnson, Jr.). Producer, Written-By, Arranged By – Rick James (James Ambrose Johnson, Jr.). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Mary Jane Girls - All Night Long (H.Q.) - 1983. Phonographic Copyright – Motown Record Corporation Copyright – Motown Record Corporation Distributed By – MCA Distributing, Inc. Recorded At – Record Plant, Sausalito Published By – Stone City Music. Credits – Candice Ghant (Candy), Cheryl Ann Bailey (Cheri Wells), Joanne "JoJo" McDuffie-Funderburg, Kim Wuletich (Maxi), Taborah "Tabby" Johnson, Valaria Marie Young & Yvette Marine Barlowe (Corvette) & Rick James (James Ambrose Johnson, Jr.). Producer, Written-By, Arranged By – Rick James (James Ambrose Johnson, Jr.). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Thelma Houston Don't Leave Me This Way (Unreleased Mix) (H.Q.) - 1976. Phonographic Copyright – Motown Record Corporation Record Company – Motown Record Corporation Copyright – Motown Record Corporation Mixed At – Motown Recording Studios Mastered At – Motown Recording Studios. Credits – Cary Grant Gilbert, Kenneth Gamble, Leon A. Huff, Thelma Houston (Thelma Jackson). Arranged By – Art Wright (Arthur G. Wright) Producer – Hal Davis (Harold Edward Davis). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Diana Ross - Love Hangover (Unreleased Mix) (H.Q.) - 1976. Phonographic Copyright – Motown Record Corporation Published By – Jobete Music Co., Inc. Published By – DerGlenn Pub., Co. Published By – Old Brompton Road Publishing Mastered At – Motown Recording Studios Mastered At – Monarch Record Mfg. Co. – 99172 Pressed By – Superior Record Pressing Corp., Somerdale, NJ. Credits – Marilyn McLeod, Pamela Joan Sawyer & Diana Ross (Diana Ernestine Earle Ross). Executive-Producer – Berry Gordy (Berry Gordy III). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Electro - Paulette - I Want You Back (Vocal) (H.Q.) - Vinyl, 12", 33 ⅓ RPM. - 1984. Published By – Music Specialists Publishing Phonographic Copyright – Prelude Records Manufactured By – Prelude Records Distributed By – Prelude Records. Credits – "Pretty" Tony (Anthony Ray Butler), Paulette (Debbie Deb) Executive-Producer – Sherman Nealy Producer, Recorded By, Mixed By, Engineer – "Pretty" Tony (Anthony Ray Butler), Written-By – T. Butler (Anthony Ray Butler). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle - Nanette - In The Heat Of The Night (Vocal) (H.Q.) - Vinyl, 12", 33 ⅓ RPM. - 1984. Phonographic Copyright – Prelude Records. Credits – M. Minichino (Maurice Minichino), N. Garcia (Nanette Garcia). Engineer – James Dougherty Mastered By – Dominick Romeo Mixed By – Jonathan Fearing Producer – Maurice Minichino Written-By – M. Minichino (Maurice Minichino) , N. Garcia (Nanette Garcia). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Synth-pop, Funk - Sheila E. - Special Medley Of The Glamorous Life / Sister Fate / A Love Bizarre (H.Q.) Vinyl, 12", Maxi-Single, 45 RPM - 1985. Made By – WEA Musik GmbH Phonographic Copyright – WEA International Inc. Pressed By – Record Service Alsdorf Published By – Girlsongs Published By – Toy Box Music Published By – Controversy Music. Credits – Sheila E. (Sheila Cecilia Escovedo) & The Starr ★ Company - Prince (Prince Rogers Nelson) (Jamie Starr). Lacquer Cut By – Tone (Tony Bridge). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Synth-pop, Funk - Sheila E. - Sister Fate (Extended Version) (H.Q.) Vinyl, 12", Maxi-Single, 45 RPM - 1985. Phonographic Copyright – Toy Box Music Copyright – Warner Bros. Records Inc. Phonographic Copyright – Warner Bros. Records Inc. Filmed At – Warner Bros. Records Inc. Distributed By – Warner Bros. Records Inc. Phonographic Copyright ℗ – WEA International Inc. Pressed By – Allied Record Company. Credits – Sheila E. (Sheila Cecilia Escovedo). Photography By – Rebecca Blake. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Synth-pop, Funk - Sheila E. - Holly Rock (Extended Version) (From "Krush Grioove") (H.Q.) Vinyl, 12", 33 ⅓ RPM, Promo. - 1985. Phonographic Copyright – Warner Bros. Records Inc. Published By – Sister Fate Music. Credits – Sheila E. (Sheila Cecilia Escovedo). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Synth-pop, Funk - Sheila E. - A Love Bizarre (Part 1 And 2) (H.Q.) - Vinyl, 12", 45 RPM - 1985. Made By – WEA Musik GmbH Phonographic Copyright – WEA International Inc. (Warner Bros. Records) Pressed By – Record Service Alsdorf Published By – Girlsongs Published By – Toy Box Music Published By – Controversy Music. Credits – Prince (Prince Rogers Nelson) & Sheila E. (Sheila Cecilia Escovedo). Lacquer Cut By – Tone (Tony Bridge). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Synth-pop, Funk - Sheila E. - A Love Bizarre (H.Q.) - 1985. Published By – Sister Fate Music Published By – Controversy Music Copyright – Warner Bros. Records Inc. Phonographic Copyright – Warner Bros. Records Inc. Phonographic Copyright – WEA International Inc. Pressed By – Specialty Records Corporation Manufactured By – Warner Bros. Records Inc. Distributed By – Warner Bros. Records Inc. Record Company – Warner Communications. Credits – Prince (Prince Rogers Nelson), Sheila E. (Sheila Cecilia Escovedo). Arranged By, Producer, Written-By – Sheila E. (Sheila Cecilia Escovedo). Backing Vocals – Susie Davis (Susan Davis-Appleman) (Tracks: A1, A2, B3) Bass – Benny R. (Benny Rietveld) Costume Designer – Marie France (Marie-France Drouin), Sheila E. (Sheila Cecilia Escovedo) Design – Laura LiPuma (Laura LiPuma Nash) Design [Logo Design] – Margo Chase Drums – Karl Perazzo Engineer [Engineers] – David Tickle, Peggy Mac (Peggy McCreary), Susan Rogers Engineer [First Assistant Engineers] – Coke (Coke Alan Johnson), Sal (Sal Greco) Hair, Make-Up – Gareth Green (4), James Hajdukiewicz, Philip Carreon Horns – The Horn E. Players (Tracks: B2) Horns [The Horn E. Players] – Dick (17) (Tracks: B2), John (70) (Tracks: B2), Robert (82) (Tracks: B2), Ron (59) (Tracks: B2), Steve (215) (Tracks: B2), Tim (28) (Tracks: B2) Keyboards – Ken Grey, Susie D.(Susan Davis-Appleman) Management [Directors] – Cavallo (Robert Cavallo), Ruffalo (Joseph Ruffalo) & Fargnoli (Steven Fargnoli) Mastered By [Musicmaster] – Bernie Grundman (Bernard Grundman) Other [First Assistant Director] – Constance Guzman Other [Second Assistant Directors] – Karen & Nikki Photography By [Additional Photography] – Stuart Watson (4) Photography By [Still Photography] – Rebecca Blake (2) Saxophone – Eddie M. (Eddie Mininfield) (Tracks: A1 to B1, B3 to B5) Stylist [Wardrobe Stylist] – Jennifer Walton (4) Vocals, Timbales, Drums, Congas, Bongos, Percussion, Bass Guitar, Keyboards – Sheila Escovedo (Sheila Cecilia Escovedo). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Synth-pop, Funk - Sheila E. - The Glamorous Life (Club Edit) (H.Q.). Vinyl, 12", 45 RPM, Maxi-Single - 1984. Published By – Girlsongs Copyright – Warner Bros. Records Inc. Phonographic Copyright – Warner Bros. Records Inc. Pressed By – Allied Record Company – B-19873 Pressed By – Allied Record Company – B-19874 Mastered At – Sheffield Lab Matrix – △7657 Mastered At – Specialty Records Corporation. Credits – Sheila E. (Sheila Cecilia Escovedo). Directed By – Sheila E. (Sheila Cecilia Escovedo), The Starr ★ Company - Prince (Prince Rogers Nelson) Written-By – Sheila E. (Sheila Cecilia Escovedo). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Synth-pop, Funk - Sheila E. - The Glamorous Life (Album Version) (H.Q.) - 1984. Warner Bros. Records, Pressed By – Capitol Records Pressing Plant, Winchester. Credits – Sheila E. (Sheila Cecilia Escovedo). Art Direction – Jeff Ayeroff (Jeffrey Kent Ayeroff), Laura LiPuma (Laura LiPuma Nash). The Starr Company – Prince (Prince Rogers Nelson). Directed By – Sheila E. (Sheila Cecilia Escovedo) The Starr Company – Prince (Prince Rogers Nelson). Director Of Photography – Larry Williams Mastered By [Originally Mastered By] – Bernie Grundman (Bernard Grundman) Mixed By [Sound Mixer] – Bill Jackson, Peggy Mac (Peggy McCreary), Terry Christian Other [Hairdresser] – Earl Jones Other [Make-up] – Jayson Jefferys Other [Wardrobe] – Louise & Vaughn, Marie France Voice [Lead Voice], Percussion [All Percussion] – Sheila E. (Sheila Cecilia Escovedo). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Grace Jones - Pull Up To The Bumper (Long Version) (H.Q.) - 1996. Original Release - 1981. Phonographic Copyright – PolyGram Records, Inc., Island Records. Copyright – PolyGram Records, Inc., Island Records. Manufactured By – Polygram Special Markets Marketed By – Polygram Special Markets. Credits – Dana McBroom Manno, Sly Dunbar (Lowell Fillmore Dunbar) & Grace Jones (Grace Beverly Jones). Coordinator [Project] – Marjorie Golde, Stacey Komninos Design Concept – Howard Smiley Design [Art] – Mitchell Kanner Illustration – Chuck Gonzales. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Grace Jones - Pull Up To The Bumper (Remix) (H.Q.) - 1985. Original Release - 1981. Record Company – Island Records Phonographic Copyright – Island Records Inc. Copyright – Island Records Inc. Made By – WEA Manufacturing Inc. Pressed By – Specialty Records Corporation Credits – Dana McBroom Manno, Sly Dunbar (Lowell Fillmore Dunbar) & Grace Jones (Grace Beverly Jones). Costume Designer [Jacket] – Giorgio Armani Engineer [Assistant] – Benji Armbrister (Benjamin Armbrister) Engineer [Recording] – Alex Sadkin Lacquer Cut By – TJ (Ted Jensen) Mastered By – Ted Jensen Mixed By – Alex Sadkin, Chris Blackwell (Christopher Percy Gordon Blackwell) Musician [Additional Musicians], Accordion – Jack Emblow (Jack Alexander Emblow) Musician [Additional Musicians], Backing Vocals – Jess Roden (Jeremy Francis Roden), Masai Delon Musician [Additional Musicians], Keyboards, Backing Vocals – Tyrone Downie Musician [Additional Musicians], Percussion, Backing Vocals – Mel Speller (Melvin Speller) Musician [Additional Musicians], Rhythm Guitar – Monte Brown (Montgomery Kemp) Musician [Musicians], Bass Guitar – Robbie Shakespeare (Robert Warren Dale Shakespeare) Musician [Musicians], Drums, Electronic Drums [Syndrums] – Sly Dunbar (Lowell Fillmore Dunbar) Musician [Musicians], Guitar – Barry (White) Reynolds, Michael (Mao) Chung Musician [Musicians], Keyboards – Wally Badarou (Waliou Jacques Daniel Badarou) Musician [Musicians], Lead Vocals, Backing Vocals – Grace Jones (Grace Beverly Jones) Musician [Musicians], Percussion – Uzziah (Sticky) Thompson Painting [Cover Painting], Hair, Make-Up – Jean Paul Goude Producer – Alex Sadkin, Chris Blackwell (Christopher Percy Gordon Blackwell). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Grace Jones - Pull Up To The Bumper (Long Version) (H.Q.) - 1981. Phonographic Copyright – PolyGram Records, Inc., Island Records Copyright – PolyGram Records, Inc., Island Records Manufactured By – PolyGram Special Markets Marketed By – PolyGram Special Markets Pressed By – PMDC, USA. Credits – Dana McBroom Manno, Sly Dunbar (Lowell Fillmore Dunbar) & Grace Jones (Grace Beverly Jones). Compilation Producer – Howard Smiley Coordinator [Project] – Marjorie Golde, Stacey Komninos Design [Art] – Mitchell Kanne. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.