Snowlion 1

Funk, Disco - Rick James You And I (H. Q.) - 1978. Vinyl, 12", 45 RPM. Phonographic Copyright – Motown Record Corporation Manufactured By – Motown Records, Gordy. Distributed By – Motown Records. Credits – Producer – Art Stewart (Arthur Stewart), Rick James (James Ambrose Johnson, Jr.). Written-By – R. James (Rick James) (James Ambrose Johnson, Jr.). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Rick James - 17 (Vocal) (H.Q.) - 1984. Vinyl, 12", 33 ⅓ RPM, Single. Phonographic Copyright – Motown Record Corporation Distributed By – MCA Distributing, Inc. Credits – Written-By, Arranged By, Producer – Rick James (James Ambrose Johnson, Jr.). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Rick James - Cold Blooded (H.Q.) - 1983. Vinyl, 12", 33 ⅓ RPM, Single. Published By – Stone City Music Company Phonographic Copyright – Motown Record Corporation Lacquer Cut At – Sterling Sound. Credits – Lacquer Cut By [Runout Etching ✩] – Greg Calbi (Gregory Calbi) Written By, Arranged By, Producer – Rick James (James Ambrose Johnson, Jr.). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Rick James - Give It To Me (H.Q.) - 1981. Vinyl, 12", 33 ⅓ RPM, Single. Published By – Jobete Music Co., Inc. Produced For – Stone City Music Co. Phonographic Copyright – Motown Record Corporation Record Company – Motown Record Corporation Mastered At – Allen Zentz Mastering. Credits – Arranged By [Horns] – Daniel LeMelle Mastered By – CB (Chris Bellman) Written-By, Producer, Arranged By, Arranged By [Horns], Arranged By [Rhythm] – Rick James (James Ambrose Johnson, Jr.). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Rick James - Super Freak (H.Q.) - 1981. Vinyl, 12", 33 ⅓ RPM, Single. Phonographic Copyright – Motown Record Corporation Copyright – Motown Record Corporation Published By – Jobete Music Co., Inc. Published By – Stone City Music Co. Recorded At – Motown Recording Studios Recorded At – Record Plant, Sausalito Mixed At – Westlake Studios Mastered At – Allen Zentz Mastering Lacquer Cut At – Allen Zentz Mastering Credits – Rick James (James Ambrose Johnson, Jr.) Arranged By [Horns] – Daniel LeMelle Arranged By, Horns – Daniel LeMelle, Rick James Executive Producer, Written By – Alonzo Miller Producer, Written By – Rick James (James Ambrose Johnson, Jr.). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Rick James - Ghetto Life (H.Q.) - 1981. Phonographic Copyright – Motown Record Corporation Copyright – Motown Record Corporation Published By – Jobete Music Co., Inc. Published By – Stone City Music Co. Recorded At – Motown Recording Studios Recorded At – Record Plant, Sausalito Mixed At – Westlake Studios Mastered At – Allen Zentz Mastering Lacquer Cut At – Allen Zentz Mastering. Credits – Arranged By [Horn Arrangements] – Daniel LeMelle, Rick James (James Ambrose Johnson, Jr.) Arranged By [String Arrangements] – Daniel LeMelle, Reggie Andrews (J. Reginald Andrews), Rick James Art Direction – Johnny Lee Backing Vocals [Singers] – Jane't DuBois (Jeannette Dubois), Jackie Ruffin (Jacqueline Ruffin), Julia Waters Tillman (Julia Ardelia Waters Tillman née Waters), Lawrence Hilton Jacobs, Levi Ruffin, Jr., Marci Thomas, Maxine Waters Willard (Lorna Maxine Waters Willard née Waters), Melvin Franklin (David Melvin English) (Tracks: A1), Pattie Brooks, Rick James, Teena Marie (Mary Christine Brockert) (Tracks: A1, A4, B2), The Mary Jane Band, The Temptations - Ollie "Ali-Ollie Woodson" Creggett, Barrington "Henderson" Scott, Otis Robert Damon" Harris Jr., David Eli Ruffin, Dennis Edwards, Edward James Kendrick, Albridge "Elbridge" Bryant, George Curtis Cameron, Glenn Carl Leonard, Louis B. Price, David Melvin "Franklin" English, Otis "Williams" Miles, Paul Williams Jr., Richard Allen Street, Ronald Tyson Presson & Terry Wayne Weeks. (Tracks: A2, B1) Bass, Percussion – Oscar Alston Concertmaster [String Session] – Charles Veal, Jr. Contractor [String] – Rollace Dale Design – Ginny Livingston Design [Logo] – Norman Moore Drums – Lanise Hughes, Narada Michael Walden (Narada Michael Walden né Michael Walden) (Tracks: A3), Steve Price (Stephen Martin Price) (Tracks: A3) Engineer [Assistant] – Michael Johnson (4), Tony Autore Engineer [Mastering] – Chris Bellman Engineer [Mixing] – Bobby Brooks (Robert Green Brooks), Tom "Super" Flye (Thomas Harold Flye) Engineer [Recording] – Bobby Brooks, Rick "Port Hole" Sanchez, Tom "Super" Flye Executive-Producer – Alonzo Miller (Tracks: A3, B1, B2) Flute [Tenor] – Gerald Albright (tracks: A3, B2) Flute, Alto Saxophone, Tenor Saxophone – Daniel LeMelle Guitar, Percussion – Tom McDermott Handclaps – Aaron Dublin, California St. Clair, Daniel LeMelle, Levi Ruffin, Jr., Lisa Sarna, Oscar Alston, Teena Marie, Victor Reed Harmonica – Stevie Wonder (Stevland Hardaway Morris (Born Stevland Hardaway Judkins) (Tracks: A4) Keyboards, Clavinet, Organ [Hammond B3] – Erskine Williams Lead Vocals, Guitar, Bass, Percussion, Drums, Timbales, Timpani [Tympani], Cover [Cover Concept] – Rick James Mastered By, Lacquer Cut By – CB. (Chris Bellman) Percussion – Armando Peraza, Bugsy Wilcox (Preston McRae Wilcox), Nate Hughes (Nate Guido Hughes), Raul Rekow Photography By – Ron Slenzak Producer, Written-By, Arranged By – Rick James Synthesizer [String Ensemble], Synthesizer [Obx], Backing Vocals – Levi Ruffin, Jr. Trombone, Flute – John Ervin Trumpet – Fernando Harkless, Roy Poper Trumpet, Piccolo Flute, Flugelhorn [Fluegelhorn] – Cliff Ervin (Clifford J. Ervin) Vibraphone [Vibes] – Donny Keider Violin – Larry Hansen (Tracks: A2). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk - Rick James - Dance Wit' Me (H.Q.) - 1982. Recorded At – Record Plant, Sausalito Recorded At – Motown Recording Studios Mixed At – Record Plant, Sausalito Mastered At – Allen Zentz Mastering Phonographic Copyright ℗ – Motown Record Corporation Copyright © – Motown Record Corporation Published By – Jobete Music Co., Inc. Published By – Stone City Music. Credits – Arranged By [Horns] – Daniel LeMelle, Rick James (James Ambrose Johnson, Jr.) Arranged By [Strings] – Daniel LeMelle, Reggie Andrews (J. Reginald Andrews), Rick James Backing Vocals – Grace Slick (Grace Barnett Wing), Jean Carn, Julia Waters Tillman (Julia Ardelia Waters Tillman née Waters), La Morris Payne, Lawrence Hilton Jacobs, Maxine Waters Willard (Lorna Maxine Waters Willard née Waters), Patti Brooks, Rick James, The Mary Jane Band - Joanne McDuffie (Joanne "JoJo" McDuffie-Funderburg), Lisa Sarna & Taborah "Tabby" Johnson & The Temptations - Ollie "Ali-Ollie Woodson" Creggett, Barrington "Henderson" Scott, Otis Robert Damon" Harris Jr., David Eli Ruffin, Dennis Edwards, Edward James Kendrick, Albridge "Elbridge" Bryant, George Curtis Cameron, Glenn Carl Leonard, Louis B. Price, David Melvin "Franklin" English, Otis "Williams" Miles, Paul Williams Jr., Richard Allen Street, Ronald Tyson Presson & Terry Wayne Weeks. Backing Vocals [Additional] – Daniel LeMelle, Diane Nixon, Jeri Fields, Moses Johnson, Nate Hughes (Nate Guido Hughes), Roy Poper Backing Vocals [Mary Jane Band] – JoAnne McDuffy, Lisa Sarna, Tabby Johnson Band – Stone City Band Clavinet, Synthesizer, Guitar, Harmonica, Drum Machine [Lynn], Congas, Timbales, Timpani, Bell Tree, Chimes, Percussion [Misc.], Lead Vocals, Backing Vocals – Rick James Design – Terry Taylor Engineer [Assistant] – Ann Fry, Michael Johnson, Rick Sanchez Engineer, Recorded By – Bobby Brooks (Robert Green Brooks), Tom Flye (Thomas Harold Flye) Handclaps – Aaron Dublin, Big John Main, Daniel LeMelle, Jennifer, La Morris Payne, Levi Ruffin, Jr., Lisa Sarna, Moses Johnson, Nate Hughes, Oscar Alston, Ronald Byrd Horns – Punk Funk Horns Horns [Punk Funk Horns], Tenor Saxophone, Alto Saxophone, Flute, Synthesizer [OBX, Crumar String Machine] – Daniel LeMelle Horns [Punk Funk Horns], Trombone – John Ervin Horns [Punk Funk Horns], Trumpet – Cliff Ervin (Clifford J. Ervin), La Morris Payne Mastered By – Chris Bellman Mixed By – Tom Flye (Thomas Harold Flye) Musician [Additional], Baritone Saxophone – Alfred Jackson Jr. Musician [Additional], Drums – Narada Michael Walden (Narada Michael Walden né Michael Walden), Paul Hines Musician [Additional], Guitar – John McFee (John Howard McFee) Musician [Additional], Tenor Saxophone – Gerald Albright Musician [Additional], Trumpet – Roy Poper Musician [Additional], Vibraphone [Vibes] – Donny Keider, Roy Ayers (Roy Edward Ayers, Jr.) Musician [Stone City Band], Bass – Oscar Alston Musician [Stone City Band], Bongos, Congas, Cowbell, Snare, Tambourine – Nate Hughes. Musician [Stone City Band], Drums – Lanise Hughes Musician [Stone City Band], Guitar – Tom McDermott Musician [Stone City Band], Piano – Erskine Williams Musician [Stone City Band], Synthesizer [OBX, Crumar String Machine, Moog], Electric Piano [Fender Rhodes], Piano [Acoustic], Backing Vocals – Levi Ruffin, Jr. Producer, Arranged By – Rick James Strings [String Section] – Larry Hansen, Strokland Strings Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul - Commodores - Easy (H.Q.) - 1977. The Best Of The Commodores - 1999. Distributed By – Universal Music & Video Distribution, Inc. Phonographic Copyright – Motown Record Company, L.P. Copyright – Motown Record Company, L.P. Remastered At – Universal Music Studios East, NYC Pressed By – Matsushita Universal Media Services. Credits – Written-By Lionel Richie (Lionel Brockman Richie, Jr.). Commodores - Andrae Callahan, J.D. Nicholas (James Dean Nicholas), Kevin Smith, Lionel Richie (Lionel Brockman Richie, Jr.), Michael Gilbert, Milan B. Williams, Ronald LaPread, Sheldon Reynolds, Thomas McClary, Walter Lee Orange & William Atwell King Jr. Art Direction – Vartan (Vartan Kurjian) Compilation Producer – Harry Weinger Design – Mike Fink (Michael Fink) @ilevel Liner Notes – A. Scott Galloway Mastered By [Digitally Remastered By] – Suha Gur Photography By – Motown Archives Producer, Arranged By – The Commodores (Tracks: 1 to 9, 11), James Anthony Carmichael (Tracks: 1 to 9, 11) Written-By – Lionel Richie (Tracks: 1 to 7, 9). Recorded On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul - Lionel Richie & Diana Ross - Endless Love (H.Q.) - 1981. The Definitive Collection (Limited Edition) - 2003. Record Company – Motown Record Corporation Phonographic Copyright – PolyGram Pictures, Ltd. Published By – PGP Music Published By – Brockman Music Published By – Intersong Music. Credits – Lionel Richie (Lionel Brockman Richie, Jr.) & Diana Ross (Diana Ernestine Earle Ross). Mastered By – Jm (John Matousek). Recorded On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul - Lionel Richie - Hello (H.Q.) - 1983. The Definitive Collection (Limited Edition) - 2003. Phonographic Copyright – Motown Record Corporation Copyright – Motown Record Corporation Recorded At – Ocean Way Recording Recorded At – Sunset Sound Mixed At – Motown/Hitsville U.S.A. Recording Studios Pressed By – Superior Record Pressing Corp., Somerdale, NJ Record Company – Motown Record Corporation Distributed By – MCA Distributing, Inc., UTV Records. Published By – Brockman Music Published By – K-Dave's Music Published By – WB Music Corp. Published By – Poopy's Music Published By – Foster Frees Music Published By – Dyad Music Ltd. Credits – Lionel Richie (Lionel Brockman Richie, Jr.). Art Direction – Johnny Lee Coordinator [Assistant To The Production Assistant] – Melinda Joyce Chatman Coordinator [Production Assistant] – Brenda Harvey-Richie Creative Director [Creative Assistant] – Rita Leigh Mastered By – Bernie Grundman (Bernard Grundman) Photography By [Front And Back Cover] – Greg Gorman Photography By [Innerspread] – Chris Callis. Recorded On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul - Lionel Richie - Hello (H.Q.) - 1983. The Definitive Collection (Limited Edition) - 2003. Phonographic Copyright – Motown Record Corporation Copyright – Motown Record Corporation Recorded At – Ocean Way Recording Recorded At – Sunset Sound Mixed At – Motown/Hitsville U.S.A. Recording Studios Pressed By – Superior Record Pressing Corp., Somerdale, NJ Record Company – Motown Record Corporation Distributed By – MCA Distributing, Inc., UTV Records. Published By – Brockman Music Published By – K-Dave's Music Published By – WB Music Corp. Published By – Poopy's Music Published By – Foster Frees Music Published By – Dyad Music Ltd. Credits – Lionel Richie (Lionel Brockman Richie, Jr.). Art Direction – Johnny Lee Coordinator [Assistant To The Production Assistant] – Melinda Joyce Chatman Coordinator [Production Assistant] – Brenda Harvey-Richie Creative Director [Creative Assistant] – Rita Leigh Mastered By – Bernie Grundman (Bernard Grundman) Photography By [Front And Back Cover] – Greg Gorman Photography By [Innerspread] – Chris Callis. Recorded On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul, Disco - Lionel Richie - Can't Slow Down (Early Working Version) (H.Q.). The Definitive Collection - 2 x CD, Compilation, Limited Edition - 2003. Original Release - 1983. Phonographic Copyright – Motown Records Copyright – Motown Records Made By – UML. UTV Records. Credits – Lionel Richie (Lionel Brockman Richie, Jr.) & David Cochrane (David Stephen Cochrane). Art Direction – Vartan (Vartan Kurjian) Compilation Producer – Harry Weinger, Jeff Moskow Coordinator [Photo Coordinator] – Ryan Null Coordinator [Production Coordinator] – Margaret Goldfarb, Ute Friesleben Design [Package Design] – Drew Fitzgerald, Facet Liner Notes – Steven Ivory Management [Exclusive Management] – The Firm Photography By [Cover, Inside Inlay And Pages 6 And 13] – Alan Silfen Photography By [Photographs Courtesy Of] – Motown Archives, The Island Def Jam Music Group Product Manager – Adam Starr Product Manager [Marketing] – Robin Kirby Remastered By [Digitally Remastered By] – Kevin Reeves. Recorded On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul - Lionel Richie - Zoom (Unreleased Alternate Version) (H.Q.). The Definitive Collection - 2 x CD, Compilation, Limited Edition - 2003. Original Release - 1977. Phonographic Copyright – Motown Records Copyright – Motown Records Made By – UML. UTV Records. Credits – Lionel Richie (Lionel Brockman Richie, Jr. & Ronald LaPread. Art Direction – Vartan (Vartan Kurjian) Compilation Producer – Harry Weinger, Jeff Moskow Coordinator [Photo Coordinator] – Ryan Null Coordinator [Production Coordinator] – Margaret Goldfarb, Ute Friesleben Design [Package Design] – Drew Fitzgerald, Facet Liner Notes – Steven Ivory Management [Exclusive Management] – The Firm Photography By [Cover, Inside Inlay And Pages 6 And 13] – Alan Silfen Photography By [Photographs Courtesy Of] – Motown Archives, The Island Def Jam Music Group Product Manager – Adam Starr Product Manager [Marketing] – Robin Kirby Remastered By [Digitally Remastered By] – Kevin Reeves. Recorded On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul - William DeVaughn - Be Thankful For What You Got (H.Q.) - 1974. Recorded At – Sigma Sound Studios Recorded At – Veritable Studio Mixed At – Sigma Sound Studios Mastered At – Kendun Recorders Pressed By – Sonic Recording Products, Inc. – K6737 Pressed By – Sonic Recording Products, Inc. – K6738. Credits – William Edward DeVaughn Jr. Art Direction – Wes Farrell (Wesley Donald Fogel) Backing Vocals – Gwen Oliver (Gwendolyn (Oliver) Wesley), Nadine Felder Coordinator – Lou Saft, Nate Chacker Design – Big Cigar Executive-Producer, Coordinator – Frank Fioravanti Illustration – Richard Germinaro Organ, Piano, Saxophone, Flute, Synthesizer – John Davis (John Edward Davis Jr.) Percussion – Larry Washington Piano, Clavinet – Jerry Cohen (Jerry Allen Cohen) Producer, Arranged By, Conductor – John Davis (John Edward Davis Jr.) Strings, Horns – Don Renaldo (Vincent Pignotti) Vibraphone – Vince Montana (Vincent Montana, Jr.). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul - GQ - I Do Love You (H.Q.) - 1979. Disco Nights (L.P.). Dedicated To My Rene. Phonographic Copyright – Arista Records, Inc. Copyright © – Arista Records, Inc. Manufactured By – Arista Records, Inc. Recorded At – Sound Palace Recorded At – Sigma Sound Studios, New York Mixed At – Sigma Sound Studios, New York Produced For – Tony Productions Published By – GQ Publishing Published By – Arista Music, Inc. Published By – Conducive Music Published By – On Time Music Published By – Chevis Music Pressed By – Hub-Servall Record Mfg. Corp. Credits – Billy Stewart (William Larry Stewart) & GQ - Emanuel Ranson "Rahiem" LeBlanc, Herbert L Lane, Keith Raymond Crier, Paul Service, Steve Adorno & Kevin J. Zambrana. Arranged By – GQ Arranged By [Horn Arrangements] – Ray Chew (Raymond L. Chew) Art Direction – Donn Davenport Bass – Keith "Sabu" Crier (Keith Raymond Crier) Design [Logo Design] – Gerard Huerta Directed By, Management – Tony Lopez (4) Drums – Paul Service Engineer [Mixing Engineer] – Andy Abrams Engineer [Recording Engineer, Sigma Sound] – Andy Abrams Engineer [Recording Engineer, Sound Palace] – Randy Bean, Robin Martinez Executive-Producer – Larkin Arnold Keyboards – Herb Lane (Herbert L Lane) Lead Guitar, Rhythm Guitar, Lead Vocals – Emmanuel Rahiem LeBlanc Mixed By – Jimmy Simpson (James Simpson) Producer – Beau Ray Fleming (Ray Maith Fleming), Jimmy Simpson (James Simpson) Producer [Production Assistant] – Vernon Gibbs Vocals – Herb Lane, Keith "Sabu" Crier, Paul Service Written-By, Performer [GQ Is] – Emmanuel Rahiem LeBlanc, Herb Lane (Herbert L Lane), Keith "Sabu" Crier Keith Raymond Crier), Paul Service. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul - Manhattans - Shining Star (H.Q.) - 1980. After Midnight (L.P.). Mastered At – CBS Studios, New York Manufactured By – Columbia Records Phonographic Copyrightt – CBS Inc. Copyright – CBS Inc. Credits – Leo Graham & Paul Edward Richmond & Manhattans - Edward Jesse Bivins, George "Smitty" Hoza Smith, Gerald Alston, Kenneth Kelly, William Lee Williams, Richard Alfonso Taylor & Winfred Lorenzo Lovett. Coordinator [Production] – Hermi Hanlin Design – Paula Scher Engineer [Mastering] – Stuart Romaine Executive-Producer – Mickey Eichner Illustration – Mark Hess. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul - Major Harris - Love Won't Let Me Wait (H.Q.) - 1974. My Way (L.P.). Mastered At – Frankford/Wayne Recording Labs Pressed By – Presswell. Credits – Bobby Eli (Eli Tatarsky), Vinnie Barrett (Gwendolyn Hines Woolfolk) & Major Harris III. Arranged By [Backing Vocals] – Bobby Eli (Eli Tatarsky) (Tracks: (A2 to A4, B1, B2, B4)) Arranged By [Strings, Horns, Keyboards, Producer] – Ron Kersey (Tyrone Garfield Kersey) (Tracks: (A5, B3)) Arranged By, Guitar – Norman Harris (Norman Ray Harris) (Tracks: A1) Backing Vocals – Barbara Ingram, Carla Benson, Evette Benton Backing Vocals, Lead Vocals – Major Harris (Major Harris III) Bass – Bob Babbitt (Robert Andrew Kreinar), Ron Baker (Ronald Baker), Rusty Jackmon Co-producer – Alan Rubens (Alan R. Rubens), Bruce Gable, Steve Bernstein (Steven R. Bernstein) Congas – Larry Washington Drums – Charles Collins (Charles E. Collins), Earl Young (Earl Donald Young) Engineer [Recording] – Carl Paruolo (Carl R. Paruolo), Don Murray (Donald Murray), Jay Mark, Kenny Present Lacquer Cut By – Dave Moyssiadis (David Moyssiadis) Producer – Mystro And Lyric (Tracks: (A1, A5, B3), WMOT Productions Strings, Horns – Don Renaldo And His Horns And Strings Vibraphone [Vibes] – Vincent Montana, Jr. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul - The Persuaders - Thin Line Between Love And Hate (H.Q.) - 1971. Phonographic Copyright – Atlantic Recording Corporation Distributed By – Atlantic Recording Corporation Produced For – Win Or Lose Productions Published By – Cotillion Music Published By – Win Or Lose Recorded At – Atlantic Studios Mastered At – Atlantic Studios Pressed By – Monarch Record Mfg. Co. Credits – Jackie Members (Jaqueli Members), Richard Cornelius Poindexter, Robert Eugene Poindexter & The Persuaders - Charles Stodghill, Douglas “Smokey” Scott, James “B.J.” Barnes, Joseph Coleman, John Tobias, Thomas Lee Hill & Willie B. Holland. Arranged By – Richard Poindexter (Richard Cornelius Poindexter) Arranged By [Strings] – Arif Mardin (Mehmet Arif Mardin) Backing Band [Rhythm Section] – Young, Gifted And Bad Bass – Harry (Al) Giscombe Design [Cover Design] – Loring Eutemey (Loring P. Eutemey) Drums – Leroy Quick Engineer [Recording & Re-mix Engineer] – Jimmy Douglass Guitar – Angel Luis Paniagua, Jr. Lead Vocals – Douglas Scott (AKA Douglas “Smokey” Scott) Liner Notes – Ted Williams Mastered By – GP (George T. Piros) Performer [The Persuaders] – Charles Stodghill, Douglas Scott (AKA Douglas “Smokey” Scott), James Barnes (James “B.J.” Barnes), Willie Holland Producer – The Poindexter Bros. Vibraphone [Vibes] – Paul Young (17) Vocals – Charles Stodghill, James Barnes (James “B.J.” Barnes), Willie Holland (Willie B. Holland). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul - Commodores - Zoom (H.Q.). Commodores - 1977. Phonographic Copyright – Motown Record Corporation Copyright – Motown Record Corporation Record Company – Motown Record Corporation Published By – Jobete Music Co., Inc. Published By – Commodores Entertainment Publishing Corp. Recorded At – Motown Recording Studios Mixed At – Motown Recording Studios Mastered At – Motown Recording Studios. Credits – Lionel Richie (Lionel Brockman Richie, Jr.), Ronald LaPread & Commodores - Commodores - Commodores - Andrae Callahan, J.D. Nicholas (James Dean Nicholas), Kevin Smith, Lionel Richie (Lionel Brockman Richie, Jr.), Michael Gilbert, Milan B. Williams, Ronald LaPread, Sheldon Reynolds, Thomas McClary, Walter Lee Orange & William Atwell King Jr. Engineer [Mastering] – Jack Andrews Engineer [Recording] – Cal "Blade" Harris (Calvin L. Harris Sr.), Jane Clark Guitar [Pickin' And Finger Slickin'], Other [Very Special Thanks] – Darrell Jones (Darrell P. Jones) Lacquer Cut By – JA (Jack Andrews) Mixed By, Synthesizer [Godfather Of], Other [Very Special Thanks] – Cal Harris (Calvin L. Harris Sr.) Producer, Arranged By – James Anthony Carmichael Producer, Arranged By, Written-By – Commodores - Commodores - Andrae Callahan, J.D. Nicholas (James Dean Nicholas), Kevin Smith, Lionel Richie (Lionel Brockman Richie, Jr.), Michael Gilbert, Milan B. Williams, Ronald LaPread, Sheldon Reynolds, Thomas McClary, Walter Lee Orange & William Atwell King Jr. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul - Commodores - Three Times A Lady (H.Q.). Natural High - 1978. Record Company – Motown Record Corporation Phonographic Copyright – Motown Record Corporation Published By – Jobete Music Co., Inc. Published By – Commodores Entertainment Publishing Corp. Credits – Lionel Richie (Lionel Brockman Richie, Jr.) & Commodores - Andrae Callahan, J.D. Nicholas (James Dean Nicholas), Kevin Smith, Lionel Richie (Lionel Brockman Richie, Jr.), Michael Gilbert, Milan B. Williams, Ronald LaPread, Sheldon Reynolds, Thomas McClary, Walter Lee Orange & William Atwell King Jr. Arranged By – Commodores, James Carmichael (James Anthony Carmichael) Arranged By [Strings & Horns] – James "Chessboard" Carmichael (James Anthony Carmichael) Art Direction, Design – Norm Ung Coordinator [Album Coordinator] – Tony Jones (Anthony D. Jones) Engineer – Cal Harris (Calvin L. Harris Sr.), Jane Clark Illustration – Dave McMacken (David 'Dave' B McMacken) Management – Benjamin Ashburn & Associates Management [Project Manager] – Suzee Wendy Ikeda Management [Road Manager] – James Tarver Mixed By [Engineer] – Cal Harris (Calvin L. Harris Sr.) Photography By – Jim Shea (James M. Shea) Producer – Commodores, James Carmichael (James Anthony Carmichael) Programmed By [Synthesizer] – Cal Harris (Calvin L. Harris Sr.). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Commodores - Lady (You Bring Me Up) (H.Q.) - In The Pocket - 1981. Phonographic Copyright – Motown Record Corporation Recorded By – Web IV Studios Recorded At – A&M Studios Mixed At – Motown/Hitsville U.S.A. Recording Studios Mastered At – A&M Studios Published By – Jobete Music Co., Inc. Published By – Commodores Entertainment Publishing Corp. Credits – Written By – Harold Hudson, Shirley Hanna King, William King (William Atwell King Jr.) & Commodores - Andrae Callahan, J.D. Nicholas (James Dean Nicholas), Kevin Smith, Lionel Richie (Lionel Brockman Richie, Jr.), Michael Gilbert, Milan B. Williams, Ronald LaPread, Sheldon Reynolds, Thomas McClary, Walter Lee Orange & William Atwell King Jr. Art Direction – Johnny Lee (4) Engineer [Additional] – Jane Clark Engineer [Assistant] – Ed Seay (Edward R. Seay), Richard Wells, Tommy Cooper Management [Project Manager] – Suzee Wendy Ikeda Mastered By – Bernie Grundman (Bernard Grundman) Photography By – David Alexander (5) Producer, Arranged By – Commodores Producer, Arranged By, Arranged By [Strings, Horns] – James Anthony Carmichael Recorded By, Mixed By – Calvin L. Harris. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk - Commodores - Brick House (H.Q.) - Vinyl, 12", 33 ⅓ RPM - 1977. Phonographic Copyright – Motown Record Corporation. Credits – Written By – Lionel Richie (Lionel Brockman Richie, Jr.) & Commodores - Andrae Callahan, J.D. Nicholas (James Dean Nicholas), Kevin Smith, Lionel Richie (Lionel Brockman Richie, Jr.), Michael Gilbert, Milan B. Williams, Ronald LaPread, Sheldon Reynolds, Thomas McClary, Walter Lee Orange & William Atwell King Jr. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Classic N.Y.C. Old School House Music Mix 80's & 90's. Tracklist: 1. Marshall Jefferson ‎– Move Your Body (Acapella) (1989), 2. M|A|R|R|S ‎– Pump Up The Volume (1987), 3. Raze ‎– Break 4 Love (1987), 4. Black Box ‎– Strike It Up (1990), 5. Ce Ce Rogers ‎– Someday (1987), 6. Jomanda ‎– Drifting (1988), 7. Jomanda ‎– Got A Love For You (1991), 8. Liz Torres Featuring Edward Crosby ‎– Can't Get Enough (1987), 9. Lidell Townsell ‎– Nu Nu (1990), 10. C + C Music Factory Featuring Freedom Williams ‎– Gonna Make You Sweat (Everybody Dance Now) (1990), 11. The Nightcrawlers Featuring John Reid ‎– Surrender Your Love (1995), 12. Nightcrawlers – Push The Feeling On (The Dub Of Doom) (1993), 13. R ★ S ★ F (Right Said Fred) ‎– I'm Too Sexy (Extended Club Mix) (1991), 14. LNR ‎– Work It To The Bone (1987), 15. Marshall Jefferson ‎– The House Music Anthem – Move Your Body (1986), 16. Chanelle ‎– Work That Body (12" Version) (1993), 17. Ralphi Rosario Featuring Xavier Gold ‎– You Used To Hold Me (1987), 18. Claudja Barry ‎– Down And Counting (Extended Mix) (1986), 19. Technotronic (Feat. Ya Kid K) – Get Up (Before The Night Is Over) (1989), 20. Ultra Naté ‎– Free (1997), 21. Livin' Joy ‎– Dreamer (1994), 22. Livin' Joy ‎– Don't Stop Movin' (Extended Mix) (1995), 23. Amber ‎– This Is Your Night (Sunday Night Mix) (Eurodance) (1996) & 24. Rozalla ‎– Everybody's Free (To Feel Good) (1991). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul - Heatwave - Always And Forever (H.Q.) - Too Hot To Handle Album - 1978 (U.S.). Original Release - 1976 (U.K.). Phonographic Copyright – GTO Records Ltd. Copyright – CBS Inc. Manufactured By – Epic Records. A Division Of Sony Music Entertainment. Manufactured By – CBS Inc. Pressed By – Columbia Records Pressing Plant, Pitman Produced For – Indigo Recorded At – Audio International Studios Mastered At – Customatrix. Credits – Byron M. Byrd, Calvin Duke, Derek Bramble, Eric Johns, Ernest "Bilbo" Berger, James Dean Nicholas, Johnnie James Wilder Jr, Keith D. Harrison, Keith Edward Wilder, Mario Mantese, Rodney Lynn Temperton, Roy Anthony Carter & William L. Jones. Arranged By [Orchestrations Arranged], Conductor – John Cameron (2) Bass Guitar – Mario Mantese Composed By – Rod Temperton Design – Paula Scher Drums, Percussion – Ernest (Bilbo) Berger Engineer [Assistant Engineers] – Greg Walsh, Nigel Adams, Peter Silver Engineer [Recording & Mix-down Engineer] – James Guthrie Guitar – Eric Johns Illustration [Cover Illustration] – Robert Grossman Keyboards – Rod Temperton (Rodney Lynn Temperton) Lead Vocals [Lead Voice] – Keith Wilder (Keith Edward Wilder) (Tracks: A1, A2) Lead Vocals, Backing Vocals, Percussion – Johnnie Wilder, Jr. (Johnnie James Wilder Jr.) Producer – Barry Blue (Barry Ian Green) Written-By – R. Temperton (Rodney Lynn Temperton). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco, Funk, Soul - Heatwave - The Star Of A Story (H.Q.) - Central Heating Album - 1978 (U.S.) Original Release - 1977 (U.K.). Manufactured By – Epic Records. A Division Of Sony Music Entertainment. Manufactured By – CBS Inc. Licensed From – GTO Records Ltd. Recorded At – Utopia Studios Recorded At – Morgan Studios Recorded At – Audio International Studios Recorded At – Marquee Studios Recorded At – Air Studios. Credits – Byron M. Byrd, Calvin Duke, Derek Bramble, Eric Johns, Ernest "Bilbo" Berger, James Dean Nicholas, Johnnie James Wilder Jr, Keith D. Harrison, Keith Edward Wilder, Mario Mantese, Rodney Lynn Temperton, Roy Anthony Carter & William L. Jones. Engineer – Geoff Calver, James Guthrie (Tracks: Except "Send Out For Sunshine") Orchestrated By – John Cameron (2) Producer – Barry Blue (Barry Ian Green). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.