Snowlion 1

Freestyle, Electro - Shannon - My Heart's Divided (Vocal) (Re-Mix Version) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1984. Phonographic Copyright ℗ – Mirage Records Inc. Distributed By – Atlantic Recording Corporation Mastered At – Frankford/Wayne Mastering Labs Pressed By – Specialty Records Corporation Produced For – Emergency Records Published By – Shapiro, Bernstein & Co., Inc. Published By – Painted Desert Music Published By – Jobete Music Published By – Emergency Music (4) Published By – Green Mirage Music. Credits – Ann Elizabeth Godwin, Christopher Maynard Barbosa & Shannon (Brenda Shannon Greene). Executive-Producer – Sergio Cossa Mastered By – ¢ (Thomas Paul Coyne). Producer – Chris Barbosa (Christopher Maynard Barbosa) & Mark Liggett Written-By – Ann Godwin (Ann Elizabeth Godwin). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle, Electro - Shannon - Let The Music Play - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1984. Published By – Shapiro, Bernstein & Co., Inc. Published By – Emergency Music (4) Copyright © – Emergency Records Phonographic Copyright ℗ – Emergency Records Manufactured By – Emergency Records & Filmworks Inc. Distributed By – Emergency Records & Filmworks Inc. Mastered At – Frankford/Wayne Mastering Labs Pressed By – Presswell. Credits – Christopher Maynard Barbosa, Edward Chisolm & Shannon (Brenda Shannon Greene). Arranged By [Vocal Arrangement By] – Quentin G. Hicks (Tracks: A) Instruments [All Instruments] – Rob Kilgore (Robert M. Kilgore). Mastered By – Herb "Pump" Powers (Herbert Powers Jr.). Mixed By – Chris Barbosa (Christopher Maynard Barbosa) & Nelson Cruz Producer – Chris Barbosa, Mark Liggett & Rod Hui. Written-By – Chris Barbosa (Christopher Maynard Barbosa) & Ed Chisolm (Edward Chisolm). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle, Electro - Shannon - Give Me Tonight - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1984. Manufactured By – Emergency Records & Filmworks Inc. Distributed By – Emergency Records & Filmworks Inc. Mastered At – Frankford/Wayne Mastering Labs Published By – Shapiro, Bernstein & Co. Published By – Emergency Music (4) Published By – Green Star Music Copyright © – Emergency Records Phonographic Copyright ℗ – Emergency Records. Credits – Christopher Maynard Barbosa, Edward Chisolm & Shannon (Brenda Shannon Greene). Lacquer Cut By – Herbie* Mastered By – Herb "Pump" Powers (Herbert Powers Jr.). Mixed By – Chris Barbosa (Christopher Maynard Barbosa) & Chris Alge (Chris Lord-Alge). Performer [All Instruments] – Rob Kilgore (Robert M. Kilgore). Producer – Chris Barbosa (Christopher Maynard Barbosa) & Mark Liggett. Written-By – Chris Barbosa (Christopher Maynard Barbosa) & Ed Chisolm (Edward Chisolm). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle - Dominica - Love String - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1993. Manufactured By – Micmac Records Distributed By – Micmac Records Published By – MicMac Entertainment Music Published By – Electric Shiek Music Engineered At – Mickey's House Produced For – Turntable Terrorism. Credits – Mohamed Moretta, & Dominica. Engineer – Mickey Garcia Producer, Arranged By, Mixed By – Mickey Garcia, Mohamed Moretta Written-By, Keyboards – Mohamed Moretta. Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle - Cynthia & Johnny O - Dreamboy/Dreamgirl (Club Mix) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1990. Manufactured By – Micmac Records Distributed By – Micmac Records Published By – Micmaster Music Published By – Charlie "Rock" Music Recorded At – Reel Platinum Mixed At – Reel Platinum. Credits – Charlie "Rock" Jimenez & Elvin Molina & Mickey Garcia & Cynthia Torres (Cynthia Todino) & Johnny O (Juan Antonio Ortiz). Arranged By, Written-By – Charlie "Rock" Jimenez Edited By – Tony "Dr. Edit" Garcia (Anthony Garcia). Keyboards – Tech Meister B.* Producer, Mixed By – Charlie "Rock" Jimenez, Elvin Molina, Mickey Garcia. Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle - Corina - Out Of Control - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1987. Copyright © – Cutting Records, Inc. Phonographic Copyright ℗ – Cutting Records, Inc. Recorded At – Sync Sound Mixed At – Power Play Studios Edited At – Prime Cuts (3) Edited At – Unique Recording Pressed By – Specialty Records Corporation Produced For – After Dark Productions, Inc. Produced For – Cutting Music Productions Published By – Cutting Records Music. Credits – Carlos Berrios & Frank "Bones" Mitchell & Corina Katt Ayala. Co-producer – Luis "Rock Hard" Martinez. Engineer [Mix Assistant] – Jeremy Santos Engineer [Mix] – Butch Jones Executive-Producer – Amado Marin Keyboards – Andy Marvel (Andrew Michael Saidenberg), Chuck Hammer, Johan Brunkvist Mastered By – Herbie Jr. (Herbert Powers Jr.). Mixed By, Producer [Additional] – Aldo Marin Producer, Edited By, Mixed By – Carlos Berrios Written-By – C. Berrios (Carlos Berrios), Corina (Corina Katt Ayala) & F. Bones (Frank Mitchell). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle - Will To Power - Say It's Gonna Rain (Extended Mix) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1988. Record Company – CBS Inc. Phonographic Copyright ℗ – CBS Records Inc. Lacquer Cut At – Fullersound Pressed By – Columbia Records Pressing Plant, Carrollton, GA. Credits – Bob Rosenberg (Robert Rosenberg), Carmen Medina, Johnny "Dr. J" James, Elin Michaels & Susan P Carr. Lacquer Cut By – MF (Michael Fuller). Producer – Bob Rosenberg (Robert Rosenberg). Written-By – B. Rosenberg (Robert Rosenberg). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle, Hi NRG - Bernadette - You Are The One (Club Mix) - Vinyl, 12", 33 ⅓ RPM, Promo. (H.Q.) - 1995. Phonographic Copyright ℗ – Classified Records Copyright © – Classified Records Manufactured By – Classified Records Distributed By – Classified Records Published By – Rhythm Vision (2). Credits – Glenn Gutierrez & Bernadette. Executive-Producer – MQ Productions, Inc. Producer – Mario L. Agustin, Jr. Producer, Written-By, Mixed By, Mastered By – Glenn Gutierrez Remix – Gutierrez (Glenn Gutierrez) (Tracks: A2, B1 to B2). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle - Trinere - How Can We Be Wrong (Club Mix) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1985. Phonographic Copyright ℗ – Music Specialists, Inc. Copyright © – Music Specialists, Inc. Manufactured By – Jam Packed Manufactured By – Music Specialists Distributed By – Jam Packed Distributed By – Music Specialists Published By – Music Specialists, Inc. Recorded At – M.S.I. Studios Mastered At – Criteria Recording Studios. Credits – Byron K. Smith, Owen Garfield Baker, Pretty Tony (Anthony Ray Butler) & Trinere (Trinere Veronica Farrington). Executive-Producer – Sherman Nealy Mastered By – Mike Fuller (Michael Fuller). Producer, Arranged By, Engineer, Mixed By – "Pretty Tony" Butler (Anthony Ray Butler). Producer, Engineer, Mixed By, Recorded By – "Pretty Tony" (Anthony Ray Butler). Written-By – B. Smith (Byron K. Smith), Baker (Qwen Garfield Baker) & Tony Butler (Anthony Ray Butler). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle, Latin - Nancy Martinez - Move Out (Vocal/12" Mix) - Vinyl, 12", 33 ⅓ RPM, Promo. (H.Q.) - 1986. Phonographic Copyright ℗ – Atlantic Recording Corporation Distributed By – Atlantic Recording Corporation Produced For – 4 Ever Productions Produced For – Sizzle Records Produced For – Another M&M Production, Inc. Published By – Devil Eyes Music Published By – Kish Kish Music. Credits – Dino Frank Pacifici, Richard Joseph Dubuc & Nancy Martinez (Nancy Catherine Julia Martinez). Co-producer – Avy Gonzalez Mixed By, Co-producer – John Morales & Sergio Munzibai. Producer – Teneen Ali Written-By – D. Pacifici (Dino Frank Pacifici) & R. Dubuc (Richard Joseph Dubuc). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - McFadden & Whitehead - Ain't No Stoppin' (Ain't No Way) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1984. Phonographic Copyright ℗ – Sutra Records, Inc. Copyright © – Sutra Records, Inc. Marketed By – Sutra Records, Inc. Distributed By – Sutra Records, Inc. Published By – Fools Prayer Music, Inc. Published By – Mighty Three Music Published By – Roseila Music. Credits – Gene McFadden, John Cavadus Whitehead & Linda A. Vitali. Co-producer – Joe Venneri (Joseph John Venneri). Engineer – Joe Venneri (Joseph John Venneri) & Tim Hatfield (3) Producer – Gene McFadden, John Whitehead (John Cavadus Whitehead) & Linda Vitali (Linda A. Vitali). Written-By – G. McFadden (Gene McFadden), J. Whitehead (John Cavadus Whitehead) & L. Vitali (Linda A. Vitali). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - McFadden & Whitehead - Ain't No Stoppin' Us Now - Vinyl, 12", 33 ⅓ RPM, Single (H.Q.) - 1979. Distributed By – CBS Records Distributed By – CBS Inc. Recorded At – Sigma Sound Studios Mastered At – Frankford/Wayne Recording Labs Phonographic Copyright ℗ – CBS Inc. Lacquer Cut At – Frankford/Wayne Recording Labs. Credits – Jerry Allen Cohen, Gene McFadden & John Whitehead (John Cavadus Whitehead). Lacquer Cut By – NS (Nimitr Sarikananda). Producer – Jerry Cohen (Jerry Allen Cohen), John Whitehead (John Cavadus Whitehead) & Gene McFadden. Written-By – J. Cohen (Jerry Allen Cohen), J. Whitehead (John Cavadus Whitehead) & G. McFadden (Gene McFadden). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul, Disco - Rhetta Young - (Sending Out An) S.O.S. - Vinyl, 7", 45 RPM (H.Q.) - 1975. Phonographic Copyright ℗ – Platinum Record Co. Published By – Gambi Music. Credits – Allan Landon, Douglas Lenier & Rhetta Young (Retta Young). Lacquer Cut By – Tucker (Allan Tucker). Orchestrated By – Sammy Lowe (Samuel Lowe). Producer – A. Goodman (Willie Albert Goodman), H. Ray (Harry Milton Ray), & W. Morris (Walter Lee Morris). Written-By – A. Landon (Allan Landon) & D. Lenier (Douglas Lenier). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix

Soul, Disco - Executive Suite - When The Fuel Runs Out -Vinyl, 7", 45 RPM, Single (H.Q.) - 1973. Phonographic Copyright ℗ – Babylon Recording Corp. Manufactured By – Babylon Recording Corp. Mastered At – Frankford/Wayne Mastering Labs Published By – Golden Fleece Music Published By – Mighty Three Music Published By – Assorted Music Published By – Mardix Published By – Six Strings. Credits – Allan Wayne Felder, Walter "Bunny" Sigler, Norman Ray Harris & Executive Suite - William Tyler, Charles Conyers, Henry Tuten & Vincent Unto. Mastered By – Al Brown. Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul, Disco - Mike & Bill - Somebody's Gotta Go (Sho Ain't Me) - Vinyl, 7", 45 RPM (Vocal) (H.Q.) - 1975. Published By – Moving Up Music Record Company – Moving Up Productions Phonographic Copyright ℗ – Arista Records, Inc. Record Company – Arista Records, Inc. Lacquer Cut At – Frankford/Wayne Mastering Labs Pressed By – North American Music Industries. Credits – William Daniels & Mike & Bill - Mike (Michael Felder) & William Daniels. Arranged By, Written-By – M. Felder (Michael Felder). Cabasa [Uncredited], Congas [Uncredited], Piano [Uncredited] – Mike Felder (Michael Felder). Drums [Uncredited], Keyboards [Uncredited] – Bill Daniels (William Daniels). Lacquer Cut By – Al Brown. Written-By – B. Daniels (William Daniels). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix. Music

Soul, Funk, Disco - The Main Ingredient - Happiness Is Just Around The Bend (H.Q.) - 1974. Phonographic Copyright ℗ – RCA Records Copyright © – RCA Records Recorded At – RCA Studio C. Credits – Brian Auger (Brian Albert Gordon Auger) & The Main Ingredient - Cuba Gooding, Sr., Donald McPherson, George Staley, Luther Simmons Jr., Stanley Earl Alston & Tony Silvester (Enrique Antonio Silvester). Arranged By, Conductor – Bert De Coteaux (Norbert Montage De Coteau). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul - The Main Ingredient - Everybody Plays The Fool - Vinyl, 7", Single, 45 RPM (H.Q.) - 1972. Phonographic Copyright ℗ – RCA Records Record Company – RCA Corporation Published By – Giant Enterprises Published By – Musical Comedy Productions, Inc. Mastered At – RCA Recording Studios Pressed By – RCA Records Pressing Plant, Rockaway. Credits – James Ralph Bailey, Kenneth Waymon Williams, Rudolph Clark & The Main Ingredient - Cuba Gooding, Sr., Donald McPherson, George Staley, Luther Simmons Jr., Stanley Earl Alston & Tony Silvester (Enrique Antonio Silvester). Arranged By, Conductor – Bert De Coteaux (Norbert Montage De Coteau). Producer – Simmons (Luther Simmons Jr.) & Silvester (Enrique Antonio Silvester). Producer [Supervisor] – Buzz Willis. Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul - The Main Ingredient - Just Don't Want To Be Lonely - Vinyl, 7", 45 RPM, Single (H.Q.) - 1974. Phonographic Copyright ℗ – RCA Records Mastered At – RCA Studios, New York Pressed By – RCA Records Pressing Plant, Indianapolis Published By – Bellboy Music Published By – Ingredient Music Ltd. Credits – Bobby Eli (Eli Tatarsky), John C. Freeman Jr., Vinnie Barrett (Gwendolyn Hines Woolfolk) & & The Main Ingredient - Cuba Gooding, Sr., Donald McPherson, George Staley, Luther Simmons Jr., Stanley Earl Alston & Tony Silvester (Enrique Antonio Silvester). Arranged By, Conductor – Bert De Coteaux (Norbert Montage De Coteau). Producer – Gooding (Cuba Gooding, Sr.), Simmons (Luther Simmons Jr.) & Silvester (Enrique Antonio Silvester). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul, Funk - Gil Scott-Heron & Brian Jackson - The Bottle (H.Q.) - 1974. Published By – Brouhaha Music Recorded At – DB Sound Studios Phonographic Copyright ℗ – Strata-East Records, Inc. Copyright © – Strata-East Records, Inc. Record Company – Strata-East Records, Inc. Made By – Strata-East Records, Inc. Credits – Gil Scott-Heron & Brian Jackson (Brian Robert Jackson). Artwork [Liner Collage] – Ms. Peggy Harris. Bass [Fender] – Danny Bowens Booking – Charisma Productions Drums [Traps] – Bob Adams Electric Piano, Piano [Acoustic], Vocals – Brian Jackson (Brian Robert Jackson). Electric Piano, Vocals – Gil Scott-Heron Engineer, Producer [Production Assistance] – Jose Williams Liner Notes – B. Jackson (Brian Robert Jackson), Gil (Gil Scott-Heron). Management – Dan Henderson (2) Painting [Cover] – Eugene Coles (Eugene Roger Coles). Photography By [Liner Photos] – Gary Price (Gary L. Price), Tony Cerrante. Producer – Perpis-Fall Music, Inc. (Gil Scott-Heron & Brian Jackson - Brian Robert Jackson). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco, Soul - Faith, Hope & Charity - To Each His Own (H.Q.) - 1975. Record Company – RCA Corporation Phonographic Copyright ℗ – RCA Records Copyright © – RCA Records Published By – Van McCoy Music Published By – Warner-Tamerlane Published By – Premier Albums Music Publishing Published By – Chevis Publishing Corp. Produced For – White House Productions Recorded At – RCA Recording Studios Pressed By – RCA Records Pressing Plant, Indianapolis. Credits – Van Allen Clinton McCoy & Faith, Hope & Charity - Albert Bailey, Brenda Joyce Hilliard, Diane Destry & Zulema Cusseaux. Producer [Produced By], Arranged By, Written-By – Van McCoy (Van Allen Clinton McCoy). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - I Specialize In Love - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1982. Copyright © – Profile Records, Inc. Phonographic Copyright ℗ – Profile Records, Inc. Published By – Next Plateau Music Inc. Published By – STM Music Inc. Produced For – Martan/Plateau Productions Pressed By – Sound Makers. Credits – Lotti Golden, Richard C. Scher & Sharon Brown (Sharon Catherine Brown). Arranged By – Andy Schwartz (Andrew Barrett). Mastered By – JA (Jack H. Adelman). Mixed By – Tee Scott (Marc Allen Scott). Producer – Eddie O'Loughlin Written-By – Golden (Lotti Golden) & Scher (Richard C. Scher). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Giorgio Moroder - Chase - Vinyl, 12", 33 ⅓ RPM, Single Sided Single (H.Q.) - 1978. Lacquer Cut At – Allen Zentz Mastering Distributed By – Casablanca Record And Filmworks, Inc. Manufactured By – Casablanca Record And Filmworks, Inc. Phonographic Copyright ℗ – Casablanca Record And Filmworks, Inc. Published By – Gold Horizon Music Corp. Pressed By – Columbia Records Pressing Plant, Pitman. Credits – Giovanni Giorgio Moroder. Arranged By – G. Moroder (Giovanni Giorgio Moroder) & H. Faltermeyer (Hans Hugo Harold Faltermeier). Lacquer Cut By [Runout Etching ❀] – Brian Gardner (Brian Knapp Gardner). Written-By, Producer – Giorgio Moroder (Giovanni Giorgio Moroder). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Karen Silver - Hold On I'm Comin' - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1979. Published By – Pronto (2) Published By – East/Memphis Published By – Clearance Published By – Raydiola Music Co. Phonographic Copyright ℗ – Arista Records, Inc. Manufactured By – Arista Records, Inc. Mastered At – Sterling Sound. Credits – David Porter, Isaac Hayes (Isaac Lee Hayes, Jr.) & Karen Silver. Executive-Producer – John Driscoll Producer – Gino Soccio & John Driscoll. Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Karen Young - Hot Shot (Vocal) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1978. Phonographic Copyright ℗ – West End Records Copyright © – West End Records Recorded At – Queen Village Recording Studios Lacquer Cut At – Frankford/Wayne Recording Labs Record Company – West End Music Industries, Inc. Published By – Scully Music Company. Credits – Andrew S. Kahn, Kurt T. Borusiewicz & Karen Young. Lacquer Cut By – ΔM (David Moyssiadis). Producer, Arranged By – Andy Kahn, Kurt (Andrew S. Kahn) & Borusiewicz (Kurt T. Borusiewicz). Written-By – Andy Kahn (Andrew S. Kahn) & Kurt Borusiewicz (Kurt T. Borusiewicz). Recorded On A Reloop RP-8000 MK2 Turntable With An Audio Technica VM540ML MicroLine Stylus Cartridge And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Blondie - Rapture (Special Disco Mix) - Vinyl, 12", 45 RPM - 1981 (H.Q.) - 1980. Phonographic Copyright ℗ – Chrysalis Records Ltd. Copyright © – Chrysalis Records Ltd. Published By – Chrysalis Music Ltd. Pressed By – Polygram Industries Messageries. Credits – Christopher Stein, Deborah Ann Harry (Angela Trimble) & Blondie - William P. O'Connor, Jr., Christopher Stein, Clement Anthony Bozewski, Deborah Ann Harry (Angela Trimble), Frank Infante, Fred Smith, Gary Joseph Lachman, Ivan Král, Jimmy Destri (James Mollica), Kevin Patrick Topping, Leigh Lisowski, Matthew Katz-Bohen, Nigel Harrison, Paul Carbonara, Snooky (Eileen Bellomo), Tish (Patrice Bellomo) & Tommy Kessler. Lacquer Cut By – Tone (Tony Bridge). Producer – Mike Chapman (Michael Donald Chapman). Written-By – C. Stein (Christopher Stein) & D. Harry (Deborah Ann Harry (Angela Trimble) (Tracks: A). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.