Snowlion 1

Disco - Grace Jones - Pull Up To The Bumper (Remix) (H.Q.) - 1996. Original Release - 1981. Recorded At – Compass Point Studios Mixed At – Compass Point Studios Mastered At – Sterling Sound Pressed By – Capitol Records Pressing Plant, Jacksonville Manufactured By – Warner Bros. Records Inc. Distributed By – Warner Bros. Records Inc. Marketed By – Warner Bros. Records Inc. Phonographic Copyright – Island Records Inc. Copyright – Island Records Inc. Published By – Edward B. Marks Music Corporation Published By – Ackee Music, Inc. Published By – Grace Jones Enterprises, Ltd. Published By – Interior Music Published By – Irving Music, Inc. Published By – Bewlay Bros. Music Published By – Fleur Music Ltd. Published By – James Osterberg Music Published By – Airstream Music Ltd. Published By – Unichappell Music Published By – Edizioni Curci Published By – Eleven Music Published By – Virgin Music, Inc. Published By – Chappell Music. Credits – Dana McBroom Manno, Sly Dunbar (Lowell Fillmore Dunbar) & Grace Jones (Grace Beverly Jones). Accordion – Jack Emblow (Jack Alexander Emblow) Backing Vocals – Jess Roden (Jeremy Francis Roden), Masai Delon Bass Guitar – Robbie Shakespeare Costume Designer [Jacket] – Giorgio Armani Drums, Electronic Drums [Syndrums] – Sly Dunbar (Lowell Fillmore Dunbar) Engineer [Assistant] – Benji Armbrister Engineer [Recording], Producer, Mixed By – Alex Sadkin Guitar – Barry (White) Reynolds, Michael (Mao) Chung Keyboards – Wally Badarou (Waliou Jacques Daniel Badarou) Keyboards, Backing Vocals – Tyrone Downie Lead Vocals, Backing Vocals – Grace Jones Mastered By – Ted Jensen Painting [Cover], Hair, Make-Up – Jean Paul Goude Percussion – Uzziah (Sticky) Thompson Percussion, Backing Vocals – Mel Speller (Melvin Speller) Producer, Mixed By – Chris Blackwell Rhythm Guitar – Monte Brown (Montgomery Kemp). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

House - Adventures Of Stevie V. - Dirty Cash (Sold Out Mix) (Remix - David Morales) (H.Q.) - Vinyl, 12", 33 ⅓ RPM, Single - 1990. Pressed By – Specialty Records Corporation Phonographic Copyright – Phonogram Ltd. Copyright – Phonogram Ltd. Manufactured By – PolyGram Records, Inc. Marketed By – PolyGram Records, Inc. Lacquer Cut At – Sterling Sound Published By – MCA Music Publishing Published By – Warner Chappell Music Ltd. Published By – Wb Music Corp. Credits – Beverlei Brown, Melody Washington, Selandra Wright, Mick Walsh & Stevie V. (Steve Joseph Vincent). Design [Sleeve] – Abraham's Pants* Engineer – John Poppo (John James Poppo) Keyboards [Additional] – Eric Kupper (Eric Stephen Kupper) Percussion – David Morales Producer – Stevie V. (Steve Joseph Vincent). Written-By – M. Walsh (Mick Walsh), S. Vincent (Steve Joseph Vincent). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Thug Rap, Gangsta - Eve (Feat. Gwen Stefani) - Let Me Blow Ya Mind (H.Q.) - 2001. Phonographic Copyright – Interscope Records Phonographic Copyright – Ruff Ryders Copyright – Interscope Records Copyright – Ruff Ryders Mixed At – Sony Music Studios, New York City Recorded At – Sony Music Studios, New York City Recorded At – Criteria Recording Studios Recorded At – Record One, Los Angeles Recorded At – The Enterprise Recorded At – Soundtrack Studios. Credits – Backing Vocals – Eve (Eve Jihan Jeffers), Stevie J. (Steven Aaron Jordan) Coordinator – Larry Chatman Featuring – Gwen Stefani (Gwen Renée Stefani) Guitar – Mike Elizondo Keyboards – Scott Storch (Scott Spencer Storch) Mastered By – Brian "Big Bass" Gardner (Brian Knapp Gardner) Mixed By – Dr. Dre (Andre Romelle Young) Producer – Dr. Dre (Andre Romelle Young), Scott Storch (Scott Spencer Storch) Written-By – A. Young( Dr Dre - Andre Romelle Young), M. Elizondo (Michael A. Elizondo Jr.), S. Storch (Scott Spencer Storch), S. Jordan (Steven Aaron Jordan) A&R – Andre Robinson, Frank Garnett, Michael Foster A&R [Administration] – Clinton Starghill A&R [Coordinator] – Melissa "Wyte Bread Beatz" Philipian A&R [Director] – Dee Dean (Darrin Dean), Jay "Icepick" Jackson Art Direction, Design – Barry Celestine, Charles "Sleep" Duffy, Denise Trotman, Drew Fitzgerald Executive-Producer – Dee (Darrin Dean), Waah Dean (Joaquin Dean) Executive-Producer [Co-executive Producer] – Jay "Icepick" Jackson, Swizz Beatz (Kasseem Dauod Dean) Management – Troy Carter Mixed By – Rich Keller (Richard Keller) Photography By – Nitin Vadukul Production Manager – Chivon Dean, Leota Blacknor Recorded By – Chris Theis, Keith Cohen, Mauricio "Veto" Iragorri, Rich Keller (Richard Keller), Scott Kieklak, Steve Conover (Stephen Conover) Recorded By [Assistant] – John Tyree Written-By – E. Jeffers (Eve Jihan Jeffers). Recorded On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Special Effects - James Christopher - Authentic Sound Effects Volume 4 (H.Q.) - 1994. Track List: 1. Applause Polite, Small Group, 2. Applause Polite, Slighty More Vigorous, 3. Applause Mild, 4. Applause Excited, Very Small Group, 5. Applause Normal, Very Small Group, 6. Applause Polite, 7. Applause Excited, Two People, 8. Applause Normal, Two People, 9. Applause Polite, Two People, 10. Applause Excited, One Person, 11. Applause Normal, One Person, 12. Applause Polite, One Person, 13. Clapping, Rhythmic, 14. Coughing, Man, 15. Coughing, Woman, 16. Coughing And Choking Man, 17. Coughing Hacking-Type, Woman, 18. Cheering Man, 19. Cheering Woman, 20. Cheering, Small Group Of Woman, 21. Cheering, Small Group Of Men, 22. Cheering, Medium-Sized Group Of Men And Women, 23. Cheering And Applause, Medium-Sized Group Of Men And Women, 24. Bronx Cheer, Man, 25. Bronx Cheer, Woman, 26. Bronx Cheer, Group Of Men, 27. Bronx Cheer, Group Of Men And Women, 28. Booing, Small Crowd Of Men, 29. Booing, Small Crowd Of Women, 30. Booing, Small Crowd Of Men And Women, 31. Booing, Medium-Sized Crowd Of Men And Women, 32. Murmuring, Medium-Sized Group Of Men And Women, 33. Murmering, Small Group Of Women (Close-Up), 34. Complaining, Small Group Of Men And Women, 35. Whispering, 36. Courtroom, Light Background Movement With Cough And Yawn, 37. Courtroom, Background With Cough And Yawn, 38. Courtroom -Walla-, General Crowd Noise, 39. Angry Crowd, Men And Women, 40. Angry Group, Men, 41. Murmuring, Small Group Of Men, 42. Murmuring, Small Group Of Men And Women, 43. Murmuring, Medium-Sized Group Of Men And Women, 44. Excited-Walla-Small Group Of Men, 45. Excited -Walla-, Small Group Of Women, 46. Excited-Walla-Small Group Of Men And Women, 47. Excited-Walla-, Large Group Of Men And Women, 48. Golf-Type Reaction, On The Green For Putt-And-Miss, 49. Golf-Type-Reaction, 50. Reacting, Group Of Men And Women, 51. Game Show Ooo's, Ohh's And Aah's, 52. Blowing Nose, 53. Burp, 54. Crying, Baby, 55. Crying, Woman, 56. Finger Snaps, 57. Groaning, Man, 58. Groaning, Woman, 59. Grunt, Man, 60. Grunt, Woman, 61. Hiccups, 62. Karate Yell, Man, 63. Karate Yell, Woman, 64. Kiss, 65. Knuckle Crack, 66. Laughing, Baby, 67. Laughing Man, 68. Laughing Woman, 69. Laughing, Two Men, 70. Laughing, Two Women, 71. Laughing, Four Men, 72. Laughing, Four Women, 73. Laughing, Six Men, 74. Laughing, Six Women, 75. Laughing, Six Men And Women, 76. Laughing, Eight Men And Women, 77. Laughing, Ten To Twelve Men And Women, 78. Laughing, Group Of Men And Women, 79. Giggling And Laughing, One Woman, 80. Chuckling And Laughing, One Man, 81. Chuckling And Laughing, Two Women, 82. Chuckling And Laughing, Five To Six Women, 83. Mouth Pop, 84. Scream, Man, 85. Scream, Woman, 86. Bloodcurdling Screams, Woman, 87. Bloodcurdling Screams, Man, 88. Shhh-Sound, Man, 89. Shhh-Sound, Woman, 90. Shhh- Sound, Group Of Men And Women, 91. Sneezing Man, 92. Sneezing Woman, 93. Snoring Man, 94. Whistle, Man, 95. Whistle, Woman, 96. Wolf-Type-Whistle, Man, 97. Yawning, Man, 98. Yahoo-Sound, Woman, 99. Yahoo-Sound, Man Record Company – Elektra. Credits – James Christopher Executive-Producer – Jac Holzman, Keith Holzman. Recorded On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Thug Rap, Gangsta - Eve Satisfaction (H.Q.) - 2002. Manufactured For – BMG Direct Manufactured By – Universal Music & Video Distribution, Corp. Manufactured By – Matsushita Universal Media Services – 3016012265 Distributed By – Universal Music & Video Distribution, Corp. Phonographic Copyright – Ruff Ryder Records Copyright – Ruff Ryder Records Mastered At – Masterdisk. Credits – Eve (Eve Jihan Jeffers), Dr. Dre (Andre Romelle Young), Michael A. Elizondo Jr. A&R [A&R Administration] – Benjamin "Bravo" Netter, Ken Kaldenbach A&R [A&R Coordinator] – Meliss "Wyte Bread" Philipian A&R [A&R Direction] – Eric "EREX" Sims Creative Director – Drew Fitzgerald Executive-Producer – Eve (Eve Jihan Jeffers), Waah Dean (Joaquin Dean) Executive-Producer [Co-executive], A&R [A&R Direction] – Jay "Icepick" Jackson Executive-Producer [In Charge Of Production] – Steve Stoute, Troy Carter Executive-Producer, A&R [A&R Direction] – Dee Dean (Darrin Dean) Mastered By – Tony Dawsey Photography By – Michael Thompson. Recorded On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Thug Rap, Gangsta - Eve - Who's That Girl? (H.Q.) - 2001. Phonographic Copyright – Ruff Ryders Copyright – Ruff Ryders Phonographic Copyright – Interscope Records Copyright – Interscope Records Manufactured By – Universal Music & Video Distribution, Inc. Distributed By – Universal Music & Video Distribution, Inc. Recorded At – Sony Music Studios, New York City Recorded At – The Hit Factory Criteria Recorded At – The Hit Factory Recorded At – Record One, Los Angeles Recorded At – The Enterprise Recorded At – Soundtrack Studios Mixed At – Sony Music Studios, New York City Mastered At – Masterdisk Published By – Blondie Rockwell Publishing Published By – Swizz Beatz Publishing Published By – Icepick Jay Publishing Published By – Dead Game Publishing Published By – Karima Music Inc. Published By – Warner/Chappell Published By – Teflon Hits Publishing Published By – Ryde Or Die Publishing Published By – WB Music Corp. Published By – Ain't Nuthin' Goin' On But F****n Music Published By – Music Of Windswept Published By – Fivecard Published By – Elvismambo Music Published By – Scott Storch Music Published By – TVT Published By – Blackjack Entertainment Published By – Nasir's Pop's Publishing Published By – Universal - Polygram International Publishing, Inc. Published By – Feelis Publishing Published By – Throwin' Tantrums Publishing Published By – Paniro's Publishing Published By – Justin Combs Publishing Published By – EMI April Music Published By – Ms. Trina Published By – First N Gold Publishing Published By – Boomer X Publishing Published By – Why Oh Publishing Published By – Jae'wons Publishing Published By – Sheek Louchion Publishing Published By – Jamrec Music Published By – Damon Blackman Music Published By – Sony / ATV Music Publishing Licensed From – Atlantic Recording Corporation Produced For – Ruff Ryders Productions, Inc. Produced For – Blackjack Productions Produced For – Vacant Lot Productions Designed At – Ruff Ryders Graphics Designed At – Facet Creative Made By – UML. Credits – Eve ( Eve Jihan Jeffers) A&R – Andre Robinson, Frank Garnett, Michael Foster A&R [A&R Director] – Dee Dean (Darrin Dean), Jay "Icepick" Jackson Administrator [A&R Administration] – Clinton Starghill Art Direction, Design – Barry Celestine, Charles "Sleep" Duffy*, Denise Trotman, Drew Fitzgerald (3) Coordinator [A&R Coordinator] – Melissa "Wyte Bread Beatz" Philipian* Executive-Producer – Dee (Darrin Dean), Waah Dean (Joaquin Dean) Executive-Producer [Co-executive Producer] – Jay "Icepick" Jackson, Swizz Beatz (Kasseem Dauod Dean) Executive-Producer [Executive In Charge Of Production] – Chivon Dean, Leota Blacknor Film Producer [Film & Video] – Phillip Greene Legal [Legal Counsel] – Davis Shapiro & Lewit, LLP – David Rappaport, Fred Davis, Ian Montone, Peter Lewit & Steven Shapiro Management – Boy Wonder Management Management [Business Affairs For Eisenberg, Tanchum & Levy] – Stew Levy (Stewart Levy) Management [Business Affairs For Ruff Ryders Records] – Alimah Shamsid-Deen, Rudy Smith, Esq. Management [For Boy Wonder Management] – Troy Carter Mastered By – Tony Dawsey Photography By – Nitin Vadukul Product Manager [Interscope Marketing] – Ashley Fox Product Manager [Ruff Ryders Marketing] – Samira Hall. Recorded On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Thug Rap, Gangsta - Eve - Love Is Blind (H.Q.) - 1999. Let There Be Eve... Ruff Ryders' First Lady. Recorded At – Streetlight Studios Recorded At – Sony Music Studios, New York City Mixed At – Sony Music Studios, New York City Produced For – Ruff Ryders Productions, Inc. Published By – Swizz Beatz Publishing Published By – Dead Game Publishing Published By – Blondie Rockwell Publishing Published By – Ryde Or Die Publishing Published By – Feelis Publishing Made By – PMDC, USA. Label – Ruff Ryders, Interscope Records. Credits – Eve ( Eve Jihan Jeffers). Producer – Shok (Michael Gomez, Jay "Icepick" Jackson, P.K. (Anthony Fields). Recorded On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Thug Rap, Gangsta - Eve - Gotta Man (H.Q.) - 1999. Let There Be Eve... Ruff Ryders' First Lady. Recorded At – Streetlight Studios Recorded At – Sony Music Studios, New York City Mixed At – Sony Music Studios, New York City Produced For – Ruff Ryders Productions, Inc. Published By – Swizz Beatz Publishing Published By – Dead Game Publishing Published By – Blondie Rockwell Publishing Published By – Ryde Or Die Publishing Published By – Feelis Publishing Made By – PMDC, USA. Label – Ruff Ryders, Interscope Records. Credits – Eve ( Eve Jihan Jeffers). Producer – Shok (Michael Gomez, Jay "Icepick" Jackson, P.K. (Anthony Fields). Recorded On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Electro, Funk, Disco - Midnight Star - Midas Touch (Extended Version) (H.Q.) - 1992. Original Version Release - 1986. Solar, Epic. Distributed By – Sony Music Phonographic Copyright – Sony Music Entertainment (UK) Ltd. Copyright – Sony Music Entertainment (UK) Ltd. Published By – Sony Music Publishing Published By – BMG Music Publishing Ltd. Recorded By – Sony Music Entertainment Inc. Pressed By – DADC Austria. Credits – Belinda Lipscomb, William A. Simmons, Boaz McWade Watson, Bobby Lovelace, Jeffrey Cooper, Kenneth Leon Gant, Melvin Arthur Gentry, Reginald Calloway & Vincent Calloway. Cover [Design] – Mainartery (Jo Mirowski) & Pete Hayward). Recorded On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Midnight Star - Wet My Whistle (H.Q.) - 1983. Manufactured By – Elektra/Asylum Records Distributed By – Elektra/Asylum Records Phonographic Copyright – Solar Records Copyright © – Solar Records Mastered At – Allen Zentz Recording Pressed By – Specialty Records Corporation Lacquer Cut At – Sheffield Lab Matrix – ∆ 4298. Credits – Belinda Lipscomb, William B. Simmons, Boaz McWade Watson, Bobby Lovelace, Jeffrey Cooper, Kenneth Leon Gant, Melvin Arthur Gentry, Reginald Calloway & Vincent Calloway. Art Direction – Denise Minobe, Norm Ung Backing Vocals – Belinda Lipscomb, Bill Simmons (William B. Simmons), Bo Watson (Boaz McWade Watson), Bobby Lovelace, Melvin Gentry (Melvin Arthur Gentry), Reggie Calloway (Reginald Calloway) Bass – Kenneth Gant (Kenneth Leon Gant), Melvin Gentry (Melvin Arthur Gentry). Bass Vocals – Kenneth Gant (Kenneth Leon Gant) Coordinator [A & R] – Dina Andrews Drums – Bobby Lovelace, Melvin Gentry (Melvin Arthur Gentry) Engineer [Additional] – Dale Smith, Jeffrey Reynolds, Jerry Studenka, Steve Williams (10), Taavi Mote Engineer [Mastering] – Brian Gardner (Brian Knapp Gardner) Engineer [Mixing, Recording] – Ric Probst Executive-Producer – Dick Griffey (Richard Gilbert Griffey) Flute – Reggie Calloway Reginald Calloway, Vincent Calloway Guitar – Jeffrey Cooper, Babyface (Kenneth Brian Edmonds), Melvin Gentry (Melvin Arthur Gentry) Keyboards – Bill Simmons (William B. Simmons), Bo Watson (Boaz McWade Watson), Vincent Calloway Lead Vocals – Belinda Lipscomb, Bo Watson (Boaz McWade Watson), Melvin Gentry (Melvin Arthur Gentry) Management [& Direction] – William "Pablo" Davis (William C. "Pablo" Davis) Percussion – Bill Simmons (William B. Simmons), Tim "Timbali" Cornwell*, Melvin Gentry, Reggie Calloway (Reginald Calloway), Vincent Calloway Photography By – Jim Shea James M. Shea) Producer – Reggie Calloway (Reginald Calloway) Programmed By [Synthesizer] – Wes Boatman Saxophone – Bill Simmons (William B. Simmons) Synthesizer – Bo Watson (Boaz McWade Watson) Trombone – Kenneth Gant, Vincent Calloway Trumpet – Reggie Calloway (Reginald Calloway), Vincent Calloway Typography [Logo Design] – Mark Galarneau. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Midnight Star - Operator (H.Q.) - 1984. Recorded At – QCA Studios Mixed At – QCA Studios Recorded At – Fifth Floor Recording Studios Mixed At – Fifth Floor Recording Studios Mastered At – Bernie Grundman Mastering Pressed By – Specialty Records Corporation. Credits – Belinda Lipscomb, William B. Simmons, Boaz McWade Watson, Bobby Lovelace, Jeffrey Cooper, Kenneth Leon Gant, Melvin Arthur Gentry, Reginald Calloway & Vincent Calloway. Bass, Bass Vocals, Keyboards, Trombone – Kenneth Gant (Kenneth Leon Gant) Drums, Backing Vocals, Percussion – Bobby Lovelace Engineer – Ric Probst Engineer [Additional Engineer] – Jim Greene (James "Popeye" Green), Robin Jennings Guitar, Keyboards – Jeffery Cooper Keyboards, Saxophone, Percussion, Backing Vocals – Bill Simmons (William B. Simmons) Mastered By – Brian Gardner (Brian Knapp Gardner) Performer [Additional Musician] – Popa T Producer, Trumpet, Flute, Percussion, Keyboards, Backing Vocals – Reggie Calloway (Reginald Calloway) Trombone, Trumpet, Flute, Percussion, Keyboards, Vocoder – Vincent Calloway Vocals, Backing Vocals – Belinda Lipscomb Vocals, Backing Vocals, Guitar, Bass, Drums, Percussion – Melvin Gentry (Melvin Arthur Gentry) Vocals, Backing Vocals, Synthesizer – Bo Watson (Boaz McWade Watson). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Midnight Star - Freak-A-Zoid (Remix) (H.Q.) - 1988. Original Version - 1983. Phonographic Copyright – Solar Records Copyright – Unidisc Productions Ltd. Manufactured By – Unidisc Productions (Int'l) Ltd. Published By – Hip Trip Music Published By – Midstar Music. Credits – Belinda Lipscomb, William B. Simmons, Boaz McWade Watson, Bobby Lovelace, Jeffrey Cooper, Kenneth Leon Gant, Melvin Arthur Gentry, Reginald Calloway & Vincent Calloway. Belinda Lipscomb, William B. Simmons, Boaz McWade Watson, Bobby Lovelace, Jeffrey Cooper, Kenneth Leon Gant, Melvin Arthur Gentry, Reginald Calloway & Vincent Calloway. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Midnight Star - Freak-A-Zoid (H.Q.) - 1983. Manufactured By – Elektra/Asylum Records Distributed By – Elektra/Asylum Records Phonographic Copyright – Solar Records Copyright © – Solar Records Mastered At – Allen Zentz Recording Pressed By – Specialty Records Corporation Lacquer Cut At – Sheffield Lab Matrix – ∆ 4298. Credits – Belinda Lipscomb, William B. Simmons, Boaz McWade Watson, Bobby Lovelace, Jeffrey Cooper, Kenneth Leon Gant, Melvin Arthur Gentry, Reginald Calloway & Vincent Calloway. Art Direction – Denise Minobe, Norm Ung Backing Vocals – Belinda Lipscomb, Bill Simmons (William B. Simmons), Bo Watson (Boaz McWade Watson), Bobby Lovelace, Melvin Gentry (Melvin Arthur Gentry), Reggie Calloway (Reginald Calloway) Bass – Kenneth Gant (Kenneth Leon Gant), Melvin Gentry (Melvin Arthur Gentry). Bass Vocals – Kenneth Gant (Kenneth Leon Gant) Coordinator [A & R] – Dina Andrews Drums – Bobby Lovelace, Melvin Gentry (Melvin Arthur Gentry) Engineer [Additional] – Dale Smith, Jeffrey Reynolds, Jerry Studenka, Steve Williams (10), Taavi Mote Engineer [Mastering] – Brian Gardner (Brian Knapp Gardner) Engineer [Mixing, Recording] – Ric Probst Executive-Producer – Dick Griffey (Richard Gilbert Griffey) Flute – Reggie Calloway Reginald Calloway, Vincent Calloway Guitar – Jeffrey Cooper, Babyface (Kenneth Brian Edmonds), Melvin Gentry (Melvin Arthur Gentry) Keyboards – Bill Simmons (William B. Simmons), Bo Watson (Boaz McWade Watson), Vincent Calloway Lead Vocals – Belinda Lipscomb, Bo Watson (Boaz McWade Watson), Melvin Gentry (Melvin Arthur Gentry) Management [& Direction] – William "Pablo" Davis (William C. "Pablo" Davis) Percussion – Bill Simmons (William B. Simmons), Tim "Timbali" Cornwell*, Melvin Gentry, Reggie Calloway (Reginald Calloway), Vincent Calloway Photography By – Jim Shea James M. Shea) Producer – Reggie Calloway (Reginald Calloway) Programmed By [Synthesizer] – Wes Boatman Saxophone – Bill Simmons (William B. Simmons) Synthesizer – Bo Watson (Boaz McWade Watson) Trombone – Kenneth Gant, Vincent Calloway Trumpet – Reggie Calloway (Reginald Calloway), Vincent Calloway Typography [Logo Design] – Mark Galarneau. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Electro, Funk, Disco - Midnight Star - No Parking (On The Dance Floor) (Remix Version) (H.Q.) - 1983. Vinyl, 12", 33 ⅓ RPM, Promo. Distributed By – Elektra/Asylum Records Manufactured By – Elektra/Asylum Records Phonographic Copyright – Solar Records Published By – Hip Trip Music Published By – Midstar Music, Inc. Mastered At – Allen Zentz Mastering Pressed By – Specialty Records Corporation. Credits – Belinda Lipscomb, William B. Simmons, Boaz McWade Watson, Bobby Lovelace, Jeffrey Cooper, Kenneth Leon Gant, Melvin Arthur Gentry, Reginald Calloway & Vincent Calloway. Executive-Producer – Dick Griffey Mastered By [Runout Etch ❀] – Brian Gardner (Brian Knapp Gardner) Producer – Reggie Calloway (Reginald Calloway) Written-By – Bill Simmons (William B. Simmons), Bobby Lovelace, Vincent Calloway. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Mtume - Would You Like To Fool Around (H.Q.) Vinyl, 12", 45 RPM, Promo - 1983. Copyright – CBS Records Inc. Manufactured By – CBS Records Inc. Marketed By – CBS Records Canada Ltd. Credits – James Mtume (James Foreman) (R.I.P.), Reginald Grant Lucas & Mtume - Basil Fearrington, Edward Dennis Moore, Howard Terrance King, Hubert Barclay Eaves III, James Mtume (James Foreman), Philip Hunter Field, Raymond Jackson, Reginald Grant Lucas & Tawatha Agee. Design [Album] – Karen Katz, Peter Andrew Alfieri Executive-Producer – Larkin Arnold Mastered By – Bernie Grundman (Bernard Grundman) Photography By – Jim Varriale Producer – James Mtume (James Foreman) (R.I.P.). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Mtume - Juicy Fruit (Vocal) (H.Q.) Vinyl, 12", 45 RPM, Stereo - 1983. Dedicated To My Rene. Pressed By – Columbia Records Pressing Plant, Pitman Remixed At – Eastern Artists Recording Studio Mastered At – Frankford/Wayne Mastering Labs Produced For – Mtume Lucas Productions, Inc. Phonographic Copyright – CBS Inc. Credits – James Mtume (James Foreman) (R.I.P.) & Mtume - Basil Fearrington, Edward Dennis Moore, Howard Terrance King, Hubert Barclay Eaves III, James Mtume (James Foreman) (R.I.P.), Philip Hunter Field, Raymond Jackson, Reginald Grant Lucas & Tawatha Agee. Executive-Producer – Larkin Arnold Mastered By – Herbie Jr. (Herb Powers Jr.) Producer – James Mtume (James Foreman) (R.I.P.) Written-By – J. Mtume (James Foreman) (R.I.P.). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul, Disco - The O'Jays - Livin' For The Weekend (H.Q.) - 1975. Family Reunion L.P. (Philadelphia International Records) Distributed By – CBS Records Distributed By – CBS Inc. Phonographic Copyright – CBS Inc. Copyright – CBS Inc. Pressed By – Columbia Records Pressing Plant, Terre Haute Recorded At – Sigma Sound Studios Mastered At – Frankford/Wayne Recording Labs Mastered At – Customatrix Published By – Mighty Three Music Published By – Blackwood Music Inc. Credits – Cary Grant Gilbert, Kenneth Gamble, Leon A. Huff & The O'Jays - Bobby Massey, Edward Levert, James Lee Williams, Walter Lee Williams, Sam Strain & William Powell. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul, Disco - Princess - Say I'm Your Number One (H.Q.) Vinyl, 12", 45 RPM - 1985. Phonographic Copyright– Next Plateau Records Inc. Copyright – Next Plateau Records Inc. Manufactured By – Next Plateau Records Inc. Published By – Terrace Music. Credits – Princess (Desiree Heslop). Engineer, Mixed By – Phil Harding (Philip James Harding) Producer – Stock (Michael Stock), Aitken (Matthew James Aitken) & Waterman (Peter Alan Waterman) Written-By – Stock (Michael Stock) /Aitken (Matthew James Aitken) /Waterman (Peter Alan Waterman). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Rick James & Teena Marie Mix (H.Q.) Tracklist: 1. Rick James ‎– So Soft So Wet (Raging Bull Records, Private I Records, Mercury) - 1997, 2. Rick James ‎– Mary Jane (Gordy) - 1978, 3. Rick James (Feat. Roxanne Shante) ‎– Loosey's Rap (Marley Marl Mix) (Reprise Records) - 1988, 4. Teena Marie ‎– I Need Your Lovin' (Gordy) - 1980, 5. Teena Marie ‎– Square Biz (Motown) - 1981, 6. Teena Marie ‎– Behind The Groove (Gordy) - 1980, 7. Rick James ‎– Ghetto Life (Gordy) - 1981, 8. Rick James ‎– You Turn Me On (Gordy) - 1984, 9. Rick James ‎– Cold Blooded (Motown) - 1983, 10. Rick James ‎– You And I (Motown) - 1981, 11. Rick James ‎– Give It To Me Baby (Gordy, Motown) - 1981, 12. Rick James ‎– Dance Wit' Me (Gordy, Motwon) - 1981, 13. Teena Marie ‎– Lovergirl (Extended Remix) (Epic Records) - 1984, 14. Rick James ‎– Super Freak (Gordy, Motown) - 1981, 15. Teena Marie ‎– Jammin (Epic Records) - 1984, 16. Teena Marie – Wishing On A Star (MCA Records) - 1998, 17. Rick James (Feat. Teena Marie) – Happy (Gordy) - 1982, 18. Rick James (Feat. Teena Marie) – Teardrops (Gordy) - 1982 & 19, Rick James (Feat. Teena Marie) – Fire And Desire (Gordy, Motown) - 1981. This mix is for Rick James (James Ambrose Johnson Jr.) & Teena Marie (Mary Christine Brockert). These two artists with thier talents, left a permanent mark on the music industry that will never be forgotten. I am just thankful that we were able to bask in the love that they gave to all of us while they were here. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Soul, Funk - Cherrelle With Alexander O'Neal - Saturday Love (Extended Version) (H.Q.) Vinyl, 12", 33 ⅓ RPM - 1985. Tabu Records. Dedicated To My Rene. Distributed By – CBS Records Distributed By – CBS Inc. Produced For – Flyte Tyme Productions Phonographic Copyright – CBS Inc. Pressed By – Columbia Records Pressing Plant, Pitman Mastered At – Allen Zentz Mastering Lacquer Cut At – Customatrix. Credits – Cherrelle (Cheryl Week Norton) & Alexander O'Neal. Mastered By – Brian Gardner (Brian Knapp Gardner) Producer – Jimmy Jam (James Harris III) (James Samuel Harris) And Terry Lewis (Terry Steven Lewis) Written-By – J. Harris III (James Samuel Harris) - T. Lewis (Terry Steven Lewis). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Lakeside - Fantastic Voyage (H.Q.) - Vinyl, 12", 33 ⅓ RPM - 1980. Recorded At – Studio Masters Mixed At – Larrabee Sound Studios Mastered At – Capitol Studios Distributed By – RCA Records Phonographic Copyright – Dick Griffey Productions Copyright – RCA Records Pressed By – Columbia Records Pressing Plant, Santa Maria Published By – Spectrum VII Published By – Circle Ⓛ Publishing. Credits – Lakeside – Barrington Henderson (Barrington Scott), Fred Alexander Jr, Frederick E. Lewis, Mark Adam Wood, Jr., Marvin Craig, Norman Paul Beavers, Otis Stokes, Stephen Preston Shockley, Thomas Oliver Shelby, Tiemeyer Le'Mart McCain & William B. Shelby. Arranged By – Lakeside Arranged By [Strings], Conductor – Gene Dozier (William Carl Jackson Jr.) (Tracks: A3, B2, B4, B5) Art Direction – Gribbitt!, Henry Vizcarra Bass Guitar – Marvin Craig Bass, Clavinet, Electric Piano [Wurlitzer], Synthesizer [Arp Quadra] – Otis Stokes Bells [Concert Bells], Synthesizer – Stephen Shockley (Stephen Preston Shockley) Clavinet, Piano [Acoustic], Synthesizer [Arp Odyssey, Quadra] – Norman Beavers (Norman Paul Beavers) Congas, Timbales, Synthesizer [Bass] – Fred Lewis (Frederick E. Lewis) Contractor [String Contractor] – William Henderson (William Sydney Henderson III) Coordinator [A & R] [RCA Records] – Marge Meoli Coordinator [A & R] [Solar Records] – Dina Andrews (Dina R. Andrews) Drums – Fred Alexander Jr. Electric Piano [Fender Rhodes, Wurlitzer] – Mark Adam Wood, Jr., Norman Beavers (Norman Paul Beavers) Engineer [Additional] – Barry Rudolph, Bob Brown (Robert Brown) Engineer [Mastering] – Wally Traugott (Wallace Edward Traugott) Engineer [Recording, Mixing] – Steve Hodge Executive-Producer – Dick Griffey (Richard Gilbert Griffey) Illustration – Jeff Wack Lead Vocals, Backing Vocals – Mark Adam Wood, Jr., Otis Stokes, Stephen Shockley (Stephen Preston Shockley), Thomas Shelby (Thomas Oliver Shelby), Tiemeyer McCain (Tiemeyer Le'Mart McCain) Mixed By – Lakeside, Steve Hodge Percussion – Fred Alexander Jr., Fred Lewis (Frederick E. Lewis), Mark Adam Wood, Jr., Marvin Craig Photography By – Ron Slenzak (Ronald Slenzak) Producer – Lakeside Written-By – Lakeside. Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk - George Duke - Dukey Stick (H.Q.) - 1978. Vinyl, 12", 33 ⅓ RPM. Phonographic Copyright – CBS Inc. Copyright – CBS Inc. Produced For – George Duke Enterprises, Inc. Recorded At – Paramount Recording Studios Mastered At – Kendun Recorders Pressed By – Columbia Records Pressing Plant, Terre Haute. Credits – Art Direction – Glen Christensen Backing Vocals – Pattie Brooks, Petsye Powell (Petsye L. Powell) Bass – Byron Miller (Byron Lee Miller) Congas, Percussion – Sheila E. (Sheila Escovedo) Drums, Timbales – Leon Ndugu Chancler Engineer – Kerry McNabb Engineer [Assistant] – Mitch Gibson Guitar – Charles "Icarus" Johnson (Charles Foster Johnson) Mastered By – John Golden Photography By – Norman Seeff Violin – Carol Shive Vocals – Josie James, Napoleon M. Brock (Napoleon Murphy Brock) Written-By – Byron Miller (Byron Lee Miller) (Tracks: A1), Charles Johnson ( Charles Foster Johnson) (Tracks: A1), Leon Ndugu Chancler (Tracks: A1, A3, B1), Sheila E. ( S. Escovedo) (Tracks: A3) Written-By, Producer, Narrator, Keyboards, Vocals – George Duke (George M.Duke). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk - George Duke - Reach For It (H.Q.) - 1977. Copyright – CBS Inc. Phonographic Copyright – CBS Inc. Produced For – George Duke Enterprises, Inc. Recorded At – Paramount Recording Studios Mastered At – Kendun Recorders Manufactured By – Epic Records Manufactured By – CBS Inc. Published By – Mycenae Music Publishing Co. Published By – Hey Skimo Music Pressed By – Columbia Records Pressing Plant, Pitman. Credits – Art Direction – Glen Christensen Congas, Bongos, Percussion [Miscellaneous] – Manolo Badrena Crew [Drum Roady] – Ron Lorman (Ronald F. Lorman) Crew [Road Manager] – Art Satren Drums, Rototoms [Remo-Roto Toms], Timbales – Leon "Ndugu" Chancler* Engineer – Kerry McNabb Guitar – Charles Icarus Johnson (Charles Foster Johnson) Keyboards, Vocals – George Duke (George M. Duke) Management – Herb Cohen (Herbert L. Cohen) Mastered By – Johnny Golden (John Golden) Photography By – Norman Seeff Producer – George Duke (George M. Duke) Stage Manager – Bruce Heigh Technician [Monitor Mixer] – Alan Santos Vocals – Deborah Thomas, Dee Henrichs, Sybil Thomas Written-By – G. Duke ((George M. Duke)) (Tracks: A1, A2, A4 to B5). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Rick James - You Turn Me On (H.Q.) - 1984. Vinyl, 12", 45 RPM. Phonographic Copyright ℗ – Motown Record Corporation (U.K.) Distributed By – MCA Distributing, Inc. Published By – Stone City Music Co. Credits – Rick James (James Ambrose Johnson, Jr.), Lead Vocals [Female] – Bruni Pagán Arranged By – Rick James (James Ambrose Johnson, Jr.) Producer – Rick James (James Ambrose Johnson, Jr.). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Rick James - Mary Jane (H.Q.) - 1978. Published By – Stone Diamond Music Corp. Recorded At – Cross-Eyed Bear Studios Recorded At – Record Plant, N.Y.C. Mixed At – Motown Recording Studios Phonographic Copyright – Motown Record Corporation Copyright – Motown Record Corporation Record Company – Motown Record Corporation Lacquer Cut At – Kendun Recorders Pressed By – Superior Record Pressing Corp., Somerdale, N.J. Credits –Arranged By – Rick James (James Ambrose Johnson, Jr.) Backing Band – Stone City Band –Allen McGrier, Billy Nunn (William Nunn), Clarence Sims, Cliff Ervin (Clifford J. Ervin), Daniel LeMelle, Erskine Williams, James Johnson (James Ambrose Johnson, Jr.), John Ervin (John C. Ervin), Kapp Ivory, Kenneth Scott, LaMorris Payne, Lanise Hughes, Levi Ruffin Jr., Lisa Sarna, Malcolm John Tomlinson, Nate Hughes (Nate Guido Hughes), Oscar Alston, Shonda Akiem & Tom McDermott (Thomas McDermott). Design – Norm Ung Design [Logo Design] – Joe Spencer (2) Engineer – Chuck Madden (Tracks: A1 to A4, B4), Shelly (Sheldon Gershon Yakus) (Tracks: B1 to B3) Lacquer Cut By – JG (John Golden) Mixed By – Art Stewart, Rick James Photography By [Photographer] – Raul Vega Producer – Art Stewart (Arthur Stewart), Rick James (James Ambrose Johnson, Jr.) Written-By [All Songs] – Rick James (James Ambrose Johnson, Jr.). Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.