Snowlion 1

Hi NRG, Disco - Pamala Stanley - Coming Out Of Hiding (Vocal) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1983. Phonographic Copyright ℗ – TSR Records Published By – James Lee Music Published By – Jasper Jeeters Music Copyright © – TSR Records Pressed By – Sound Makers Mastered At – Allen Zentz Mastering. Credits – James Lee Stanley, Vincent Edward Melamed & Pamala Stanley. Arranged By – Pamala Stanley Management – Frank Mandaro (Frank C. Mandaro). Producer – Frank C. Mandaro & Pamala Stanley Written-By – James Lee Stanley, Vince Melamed (Vincent Edward Melamed). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Hi NRG, Disco - Hazell Dean - Searchin' (I Gotta Find A Man) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1983. Published By – Dinsdale Music Ltd. Phonographic Copyright ℗ – TSR Records Mastered At – Allen Zentz Mastering. Credits – Ian Anthony Stephenson & Hazell Dean (Hazel Diane Poole). Arranged By – Ian Anthony Stephens, Winston Sela Engineer – Bruce Gray, Femi Jiya Producer, Written-By – Ian Anthony Stephens. Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Hi NRG, Disco - Miquel Brown - So Many Men, So Little Time (Vocal) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1983. Licensed From – Record Shack Records Mastered At – Allen Zentz Mastering Phonographic Copyright ℗ – TSR Records Published By – ATV Music. Credits – Fiachra Terence Wilbrah Trench & Miquel Brown (Michael Brown). Arranged By – Fiachra Trench (Fiachra Terence Wilbrah Trench). Design [Art Design] – Ron Wong Mastered By [Runout Etch ❀] – Brian Gardner (Brian Knapp Gardner). Producer [Produced By] – Ian Levine (Ian Geoffrey Levine). Written-By – I. Levine (Ian Geoffrey Levine) & F. Trench (Fiachra Terence Wilbrah Trench). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Kickin' - Dancin' On Wheels - Vinyl, 12", 33 ⅓ RPM, Promo. (H.Q.) - 1979. Casablanca Records. Credits – Vincent Ponzi & Vito P. Albano. Arranged By – Bill Waranoff Engineer – Don Hunerberg (Don Hünerberg). Engineer [Assistant] – Eric Block Producer – Gregg Raffa Producer [Associate] – Vito Albano (Vito P. Albano). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Vaughan Mason & Crew - Roller Skate (H.Q.) - 1980. Phonographic Copyright ℗ – Brunswick Copyright © – Brunswick Records (2) Manufactured By – Brunswick Record Corporation Pressed By – PRC Recording Company, Richmond, IN. Published By – Lena Music Published By – Funky Feet (2) Recorded At – The Platinum Factory Mastered At – Sterling Sound Printed By – Commercial Copy. Credits – Jerome Andrew Bell, Vaughan Mason Jr & Vaughan Mason & Crew - Benjamin Epps, Gregory Bufford, Jerome Andrew Bell & Vaughan Mason Jr. Acoustic Guitar – Gerard Butler Art Direction – Carl Napoletano Bass – Michael Sugar Bear Foreman (Michael G. Foreman). Congas, Percussion – Cleveland Battle (Grover Cleveland Battle). Design – N. B. Ward Assoc. Drums, Percussion – Gregory Bufford Engineer [Recording] – Tommy T. Weber. Executive-Producer, Liner Notes – Ray Daniels (Raymond Daniels). Grand Piano, Synthesizer, Percussion, Synthesizer [Arp Bass] – Ben Epps (Benjamin Epps). Lead Vocals – Jerome Bell (Jerome Andrew Bell). Mastered By – Jose Rodriguez (José L. Rodriguez). Mixed By – Lyonel Sampeur Percussion, Lead Vocals – Vaughan Mason (Vaughan Mason Jr.). Producer – Vaughan Mason (Vaughan Mason Jr.). Synthesizer [Moog Bass] – John Freeman (John C. Freeman Jr.). Synthesizer [Moog Bass], Clavinet, Synthesizer, Keyboards – Michael Hughes (James Michael Hughes). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Funk, Disco - Vaughan Mason And Crew - Bounce, Rock, Skate, Roll (Pts. 1 & 2) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1979. Manufactured By – Brunswick Record Corporation Phonographic Copyright ℗ – Brunswick Record Corporation Published By – Lena Music Published By – Funky Feet (2) Pressed By – PRC Recording Company, Richmond, IN Mastered At – Sterling Sound. Distributed By – JDC Records Manufactured By – CBS Records Manufactured By – CBS Records Inc. Phonographic Copyright ℗ – Brunswick Phonographic Copyright ℗ – CBS Records Published By – Lena Music Published By – Funky Feet (2) Published By – That's Right. Credits – Gregory Bufford, Jerome Andrew Bell, Vaughan Mason Jr & Vaughan Mason & Crew - Benjamin Epps, Gregory Bufford, Jerome Andrew Bell & Vaughan Mason Jr. Executive-Producer – Ray Daniels Mastered By – Jose Rodriquez (José L. Rodriguez). Mixed By – Lyonel Sampeur, Tony Jones (2) Producer, Arranged By – Vaughan Mason (Vaughan Mason Jr.). Written-By – Gregory Bufford, Jerome Bell (Jerome Andrew Bell), Vaughan Mason ( Vaughan Mason Jr.). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Gary Criss - Rio De Janeiro (Midnight Mix) - Vinyl, 12", 45 RPM (H.Q.) - 1977. Published By – Delightful Music Ltd. Phonographic Copyright ℗ – Amazon Productions Manufactured By – Salsoul Records Mastered At – Frankford/Wayne Mastering Labs. Credits – Billy Terrell (William Terrell) & Gary Criss. Arranged By, Conductor – John Davis (John Edward Davis Jr.). Engineer [Re-mix] – Michael Hutchinson (Michael R. Hutchinson). Mixed By [Midnight Mix] – Richie Rivera Producer, Written-By – Billy Terrell (William Terrell). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Dan Hartman - Vertigo/Relight My Fire (Classic NYC 12" Mix) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1979. Mixed By – Victor Rosado Copyright © – East End Music Industries, Inc. Published By – Silver Steed Music, Inc. Record Company – Gay Records, Inc. Credits – Dan Hartman (Daniel Earl Hartman). & Loleatta Holloway. Engineer – Dan Hartman (Daniel Earl Hartman). Producer – Dan Hartman (Daniel Earl Hartman). Written-By – Dan Hartman (Daniel Earl Hartman). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco, Funk - Skyy - Skyyzoo - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1980. – Mixed By – Larry Levan (Lawrence Philpot). Phonographic Copyright ℗ – Salsoul Record Corp. Produced For – Alligator Bit Him Productions Mastered At – Sterling Sound Manufactured By – Salsoul Records. Credits – Solomon Roberts Jr. & Skyy - Anibal "Butch" Anothony Sierra, Bonné Dunning Barrino, Delores Dunning Milligan, Denise Dunning Crawford, Gerald Lebon, Larry Greenberg, Randolph G. Muller, Solomon Roberts Jr., Tommy McConnell & Wayne Wilentz. Producer – Solomon Roberts, Jr. Producer, Arranged By – Randy Muller (Randolph G. Muller). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Disco - Bruni Pagán - Don't Be So Mean (In Your Jeans) - Vinyl, 12", 33 ⅓ RPM, Promo (H.Q.) - 1979. Phonographic Copyright ℗ – Elektra Records Manufactured By – Elektra/Asylum/Nonesuch Records Pressed By – Specialty Records Corporation Produced For – Sound Palace Productions, Inc. Published By – Sound Palace Publishing, Inc. Published By – Bridwell Music. Credits – David Cooper, Thomas Edward Bridwell & Bruni Pagán. Producer – Al "Smiley" Harrison*, Janet Rosenblatt. Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle - Samantha White - Time (Miami Mix) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1995. Recorded At – The Polygon Published By – Tazmagna Publishing Published By – Henstone Music Published By – Musicworks (4) Phonographic Copyright ℗ – Mag Productions Manufactured By – Hot Productions, Inc. Distributed By – Hot Productions, Inc. Credits – Anthony Ponzio, Joe Zangie, Mykl Astorga & Samantha White (Samantha Gervasio nee Samantha Hamilton). Producer – A. Ponzio (Anthony Ponzio), A. Santosusso (Anthony Santosusso) & M. Ferullo (Michael Ferullo). Remix – R. Federici (Robert Federici). Written-By – A. Ponzio (Anthony Ponzio), J. Zangie (Joe Zangie) & M. Astorga (Mykl Astorga). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle - Lil' Suzy & Lil' Johanna - Take Me In Your Arms (Unreleased Spanglish Mix) (H.Q.) - Lil' Suzy Release Date - 1991. Lil' Johanna Release Date - 1995. Engineered At – Reel Platinum Mixed At – Reel Platinum Published By – Tony Garcia Music Published By – Hit & Hold Copyright © – High Power Records, Inc. Manufactured By – Warlock Records, Inc. Distributed By – Warlock Records, Inc. Mastered At – Trutone Mastering Labs Pressed By – Specialty Records Corporation. Published By – Tony Garcia Music Published By – Molina Music Published By – Hit & Hold Copyright © – High Power Records Manufactured By – Warlock Records Distributed By – Warlock Records. Credits – John Romano, Julian Hernandez, Richard Miranda, Tony Gacia (Anthony Garcia) & Lil' Suzy (Suzanne Casale Melone). Elvin Molina, Noel Figueroa, Tony Garcia (Anthony Garcia), Wilfredo Rivera & Lil' Johanna (Johanna Marisol DeJesus). Engineer [Engineered By], Mixed By – Bill "Thumbs Up" Zircher, Bobby Dub Allecca (Robert Allecca & Tony "Dr. Edit" Garcia (Anthony Garcia). Mastered By, Lacquer Cut By – Pa (Phil Austin). Vocals [Vocals By] – Suzanne "LiL Suzy" Casale (Suzanne Casale Melone). Featuring – Lil' Johanna (Johanna Marisol DeJesus). Management – Mic-A-Tac Management Producer, Arranged By, Mixed By, Engineer, Edited By – Elvin Molina, The Legendary "Dr. Tony Garcia" (Anthony Garcia). Written-By – E. Molina (Elvin Molina), N. Figueroa (Noel Figueroa), T. Garcia (Anthony Garcia) & W. Rivera (Wilfredo Rivera). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle, Latin - Miami Sound Machine - Conga (Unreleased Extended Mix) (H.Q.) - 1985. Manufactured By – Epic Records Manufactured By – CBS Inc. Phonographic Copyright ℗ – CBS Inc. Copyright © – CBS Inc. Pressed By – Columbia Records Pressing Plant, Pitman Lacquer Cut At – Sterling Sound Mastered At – Customatrix. Credits – Enrique Elias Garcia & Miami Sound Machine - Betty Cortez, Carlos Oliva, Clay Ostwald, Edward Calle, Emilio Estefan, Jr., Gloria María Milagrosa Fajardo García Estefan, Enrique Elias Garcia, Gustavo Lezcano, John Hill DeFaria, Jorge Casas, Juan Marcos Avila, Luis Perez, Mercy Murciano, Francisco "Paquito" Hechavarría, Rafael Padilla, Randall Moore Barlow, Raul Murciano, Roger Fisher, Victor Lopez & Wesley B. Wright. Lacquer Cut By [Runout Etching ✩] – Greg Calbi (Gregory Calbi). Photography By [Photo] – Emirito Pujol Producer – Emilio Estefan, Jr. Written-By – E. E. Garcia (Enrique Elias Garcia). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle, House - Pajama Party - Yo No Sé (12" Club) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1988. Pressed By – Specialty Records Corporation Phonographic Copyright ℗ – Atlantic Recording Corporation Produced For – Sendars/Klein Productions Produced For – 23 West Entertainment, Inc. Produced For – 23 West Productions Manufactured By – Atlantic Recording Corporation Published By – 23 West Music Published By – Mister Guy Published By – Brooklyn Fox Music. Credits – Jim Klein (James Klein), Peggy Sendars & Pajama Party - Amanda Homi, Daphne Rubin-Vega, Jennifer McQuilkin, Johanna Marisol DeJesus & Nicolette Gregoroff. Edited By [Edits] – Chep Nunez (Jose Chep Nuñez) Executive-Producer – Robert J. Gordon, Peggy Sendars & Stephen Rosen* (Stephen I. Rosen). Mastered By – Herbie Powers (Herbert Powers Jr.). Producer – Jim Klein (James Klein). Producer [Additional Production], Remix – David Darlington (David B. Darlington) & "Bonzai" Jim Lyons Programmed By [Additional Drum Programming] – Arnold "Mad Dog" Rodriguez* Written-By – Klein (James Klein) & Sendars (Peggy Sendars). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle, Latin - Miami Sound Machine - Conga (Unreleased Extended Mix) (H.Q.) - 1985. Manufactured By – Epic Records Manufactured By – CBS Inc. Phonographic Copyright ℗ – CBS Inc. Copyright © – CBS Inc. Pressed By – Columbia Records Pressing Plant, Pitman Lacquer Cut At – Sterling Sound Mastered At – Customatrix. Credits – Enrique Elias Garcia & Miami Sound Machine - Betty Cortez, Carlos Oliva, Clay Ostwald, Edward Calle, Emilio Estefan, Jr., Gloria María Milagrosa Fajardo García Estefan, Enrique Elias Garcia, Gustavo Lezcano, John Hill DeFaria, Jorge Casas, Juan Marcos Avila, Luis Perez, Mercy Murciano, Francisco "Paquito" Hechavarría, Rafael Padilla, Randall Moore Barlow, Raul Murciano, Roger Fisher, Victor Lopez & Wesley B. Wright. Lacquer Cut By [Runout Etching ✩] – Greg Calbi (Gregory Calbi). Photography By [Photo] – Emirito Pujol Producer – Emilio Estefan, Jr. Written-By – E. E. Garcia (Enrique Elias Garcia). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle, Electro - MEG - Dance All Nite (H.Q.) - 1988. Licensed From – Hot Apple Records Phonographic Copyright ℗ – Hot Apple Records Distributed By – Hot Productions, Inc. Manufactured By – Hot Productions, Inc. Record Company – Hot Apple Records Pressed By – Americ Disc, Florida. Credits – C. Williams & Chris Green & Pete Innerarity & MEG. Recorded Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle, House - Sandée - Notice Me (Club Vocal Mix) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1988. Phonographic Copyright ℗ – Fever Records Mastered At – Frankford/Wayne Mastering Labs Pressed By – Columbia Records Pressing Plant, Carrollton, GA Manufactured By – Sutra Records, Inc. Distributed By – Sutra Records, Inc. Produced For – Done Properly Productions Published By – Tipper Music, Inc. Published By – Disco Fever Publishing Published By – Robi-Rob Music. Credits – Robert Manuel Clivillés & Sandee (Sandra Tola Casañas). Edited By – Louie Rivera (Luis L. Rivera). Engineer [Mix] – Bruce Miller (Bruce A. Miller). Executive-Producer – Carol Cooper (2) Mastered By – Herbie Jr. (Herbert Powers Jr.). Producer, Arranged By, Mixed By – Robert Clivilles (Robert Manuel Clivillés) & David Cole (David Bryon Cole). Written-By – Robert Clivilles (Robert Manuel Clivillés). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle, House - Sandee - You're The One (New York Mix) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1987. Phonographic Copyright ℗ – Atlantic Recording Corporation Manufactured By – Atlantic Recording Corporation Distributed By – Atlantic Recording Corporation Published By – Bimboatt Publishing. Credits – Avy Gonzalez & Sandee (Sandra Tola Casañas). Co-producer – Teneen Ali. Engineer – Keith Morrison. Executive-Producer – Danny Reboso & Teneen Ali. Mixed By – The Golden Boys (Tracks: A1, A2, B2) Producer, Arranged By, Written-By – Avy Gonzalez. Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle - Strictly Freestyle (Feat. Sabrina J.) You Know How Much I Want You - Freestyle's Greatest Hits - 3. (H.Q.) - 1994. SPG Music (Canada). Credits – Strictly Freestyle & Sabrina J. Executive Producer – Jeff Sprigg, Tony Rebelo. Recorded On A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle - Jill - Match Made Up In Heaven (Extended) - Vinyl, 12", 33 ⅓ RPM (H.Q.). Phonographic Copyright ℗ – Paris International Records And Filmworks, Inc. Copyright © – Paris International Records And Filmworks, Inc. Manufactured By – Paris International Records And Filmworks, Inc. Pressed By – Prosound, Inc. Produced For – Paris Entertainment Group International Inc. Published By – Paris International Publishing. Credits – Ray Martinez (Jose Ramon Martinez) & Jill. Arranged By, Composed By, Mixed By, Producer – Ray Martinez (Jose Ramon Martinez). Engineer [Assistant] – Sam Safirstein (Samuel M. Safirstien). Executive-Producer – Jose Gonzalez. Music Consultant [Dance Consultant] – Ciro Llerena Written-By – J.R. Martinez (Jose Ramon Martinez). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle - Safire - Let Me Be The One (Vocal) - Vinyl, 12", Single, 33 ⅓ RPM (H.Q.) - 1987. Recorded At – Secret Sound Mixed At – Shakedown Sound Studios Published By – Cutting Records Music Published By – J.C. Rodgers Music Phonographic Copyright ℗ – Cutting Records, Inc. Copyright © – Cutting Records, Inc. Pressed By – Specialty Records Corporation. Credits – Carlos Rodgers & Peter Schwartz & Safire (Wilma Cosmé). Backing Vocals – Lauran Zeid & Marc Anthony (Marco Antonio Muñiz). Coordinator [Album Coordination] – Music Connection* Design [Album Design] – Syndi Becker Edited By – The Latin Rascals - Albert Cabrera & Tony Moran (Anthony Moran). Engineer – Tom Gartland Executive-Producer – Aldo Marin & Amado Marin Mastered By – Herb Powers, Jr. (Herbert Powers Jr.). Mixed By – Aldo Marin, Carlos Rodgers, The Latin Rascals - Albert Cabrera & Tony Moran (Anthony Moran). Photography By [Photo] – Ricardo Betancourt Producer – Carlos Rodgers Written-By – C. Rodgers (Carlos Rodgers), P. Schwartz (Peter Schwartz) & Safire (Wilma Cosmé). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle - Sa-fire - Boy, I've Been Told (Club Mix) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1988. Phonographic Copyright ℗ – PolyGram Records, Inc. Copyright © – PolyGram Records, Inc. Marketed By – PolyGram Records, Inc. Manufactured By – PolyGram Records, Inc. Pressed By – Specialty Records Corporation Mastered At – Sterling Sound Recorded At – Planet Studios, New York, NY Mixed At – Shakedown Sound Studios Produced For – CH.R. Productions Produced For – Strong Songs Inc. Published By – Blue Dog Music Published By – Cutting Records Music. Credits – Marco Antonio Muñiz & Safire (Wilma Cosmé). Art Direction – Dane Venable Backing Vocals – Marc Anthony (Marco Antonio Muñiz) & Sa-Fire (Wilma Cosmé). Design – Michael Bays Drums, Mixed By – Aldo Marin Drums, Mixed By, Producer – Carlos Rodgers Edited By [Unbelievable Edits] – The Latin Rascals - Albert Cabrera & Tony Moran (Anthony Moran). Engineer [Assistant] – Steve Weller ( Steven J. Wellner). Engineer [Mix] – Hugo Dwyer Executive-Producer – Aldo & Amado Marin. Keyboards, Producer – Peter Schwartz Mastered By – Jose Rodriguez (José L. Rodriguez). Percussion – Mike Theodore (Michael Richard Theodore). Photography By – Ricardo Betancourt Stylist, Make-Up, Hair – René de Chamizo Written-By – M. Anthony (Marco Antonio Muñiz). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle - Safire - Love Is On Her Mind (Vocal) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1988. Manufactured By – PolyGram Records, Inc. Marketed By – PolyGram Records, Inc. Phonographic Copyright ℗ – PolyGram Records, Inc. Copyright © – PolyGram Records, Inc. Mixed At – Shakedown Sound Studios. Credits – Albert Cabrera & Andy "Panda" Tripoli & Anthony Moran & Safire (Wilma Cosmé). Art Direction – Michael Bays Backing Vocals – Cindy Mizelle (Cynthia Lynn Mizelle). Design – Michael Klots (Michael Dytri). Executive-Producer – Aldo Marin & Amado Marin. Lyrics By – Andy "Panda" Tripoli. Management – David Maldonado (2). Mastered By – Jack Skinner Mixed By – Bob Rosa & The Latin Rascals - Albert Cabrera & Tony Moran (Anthony Moran). Producer – Andy "Panda" Tripoli & The Latin Rascals - Albert Cabrera & Tony Moran (Anthony Moran). Written-By – A. Cabrera (Albert Cabrera), A. Panda (Andy "Panda" Tripoli) & T. Moran (Anthony Moran). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle - Sa-fire - Don't Break My Heart - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1986. Phonographic Copyright ℗ – Cutting Records, Inc. Copyright © – Cutting Records, Inc. Published By – Cutting Records Music Engineered At – Secret Sound Mastered At – Frankford/Wayne Mastering Labs Pressed By – Hauppauge Record Manufacturing Ltd. Credits – Carlos Rodgers & Omar Santana & Peter Schwartz & Sa-fire (Wilma Cosmé). Backing Vocals – Jimmi Tunnell (James Tunnell). Engineer [Assistant] – Michael Kaufman, Trip Henderson (Peter Henderson). Engineer [Chief] – Tom Gartland (Thomas Garland). Executive-Producer – Amado Marin Keyboards – Peter Schwartz Keyboards [EMU Solo] – Andy Marvel (Andrew Michael Saidenberg). Mastered By – Herb Powers Jr. (Herbert Powers Jr.). Percussion – The Latin Rascals - Albert Cabrera & Tony Moran (Anthony Moran). Producer – Aldo Marin, Carlos Rodgers, Omar Santana Vocals – Wilma Cosme Written-By – C. Rodgers (Carlos Rodgers), O. Santana (Omar Santana) & P. Schwartz (Peter Schwartz). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Freestyle, Electro - Shannon - Do You Wanna Get Away (Vocal / Long Version) - Vinyl, 12", 33 ⅓ RPM (H.Q.) - 1985. Distributed By – Atlantic Recording Corporation Phonographic Copyright ℗ – Mirage Records Inc. Published By – Emergency Music (4) Published By – Jobete Music Published By – Green Star Music Mastered At – Frankford/Wayne Mastering Labs Pressed By – Specialty Records Corporation. Credits – Christopher Maynard Barbosa & Shannon (Shannon Brenda Greene). Executive-Producer – Sergio Cossa Mastered By – Herbie J. (Herbert Powers Jr.). Mixed By – Tom Lord-Alge (Thomas Lord-Alge). Mixed By, Producer – Mark Liggett Mixed By, Producer, Written-By – Chris Barbosa (Christopher Maynard Barbosa). Recorded On A Reloop RP-8000 MK2 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer.. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.