How 'Bout Us - Champaign (cover-live by Bill Sharkey)
How 'Bout Us (Champaign, 1981). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-04-24. "Keeping the Oldies & Classics Alive"
"How 'Bout Us," written by keyboardist Dana Walden, was Champaign's first and only top 20 hit, landing at the no. 12 position on the Billboard Hot 100 chart and remaining on the chart for 23 weeks (Whitburn, 2013) ), hit the top no. 1 position on the Billboard Adult Contemporary chart and no. 3 on the Billboard R&B chart (allmusic, 2024). The group was named after their home town Champaign, Illinois (smoothradio, 2020). The band recorded a "demo and sent out to the A&R departments of various labels. Most wanted to record the song on an artist already signed to their label roster, but Walden refused to grant the rights; instead holding out for a record deal for the band. Champaign signed with the Infinity label, but was soon without a deal when the label folded. With some help from producer Joseph Wissert, the band got a deal with Columbia Records," where the song was finally released (allmusic, 2024).
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Lyrics:
Ooh, short and sweet
No sense in draggin' on past our needs
Let's don't keep it hangin' on
If the fire's out, we should both be gone
Some people are made for each other
Some people are made for another for life, how 'bout us
Some people can hold it together
Last through all kinds of weather, tell me can we
Now don't get me wrong
'Cause I'm not tryin' now to end it all
It's just that I have seen
Too many lover's hearts lose their dreams
Some people are made for each other
Some people are made for another for life, how 'bout us
Some people can hold it together
Last through all kinds of weather, tell me, can we
How 'bout us
How 'bout us, baby
How 'bout us
How 'bout us, baby
Some people are made for each other
Some people are made for another for life, how 'bout us
Some people can hold it together
Last through all kinds of weather, tell me, can we
49
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1
comment
Listen To A Country Song - Loggins & Messina / Lynn Anderson. (cover-live by Bill Sharkey)
Listen To A Country Song (Loggins & Messina, 1971; Lynn Anderson, 1972). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-02-28. "Keeping the Oldies & Classics Alive"
"Listen To A Country Song," written by Alan Garth and Jim Messina, is found on Loggins & Messina's "Sittin' In" (1972), "On Stage" (1974) and "Finale" (1977) LPs; it was never released as a single; however, it was Lynn Anderson's recording of the song that was released as a single in 1972 that hit the charts landing at no. 4 on the Billboard Hot Country Singles chart and no. 1 on the Canadian RPM Country Tracks chart (collectionscanada, 2013; Whitburn, 1994, 2006).
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Lyrics:
It's Saturday night and my daddy's up late
Pickin' with my Uncle Bill
The neighbors don't mind 'cause they have a good time
Sippin' on my pappy's still
Old brother Dan's got a fiddle in his hand
Momma's on the mandolin
When the music is right and the band gets tight
You ought-a see 'em pick and grin
And everybody starts movin'
To the sound of the guitar strums
And everybody starts groovin'
To the beat of the rhythm and drums
So come along and let yourself really go
While the feeling is good
Just sip that wine, have a really good time
And listen to a country song.
Old Sheriff Brown he never comes around
Knocking on the old back door.
As a matter of fact you can find him in the act
Pickin on the old banjo.
Second cousin Jack sneaks up from the back
Tries to get to sister Sue.
Well she throws him on the ground without turning around
'Cause she knows a lotta jujitsu.
And everybody starts movin'
To the sound of the guitar strums
And everybody starts groovin'
To the beat of the rhythm and drums
So come along and let yourself really go
And everybody starts movin'
To the sound of the guitar strums
And everybody starts groovin'
To the beat of the rhythm and drums
So come along and let yourself really go
40
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2
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Honolulu City Lights - Beamer Brothers, The (cover-live by Bill Sharkey)
Honolulu City Lights (Beamer Brothers, The, 1978-1979). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-04-15. "Keeping the Oldies & Classics Alive"
"Honolulu City Lights," written by Keola Beamer, was released on the album of the same name in 1978. In 2004, listing The 50 Greatest Hawaiian Albums Of All Time, "Honolulu Magazine" placed "Honolulu City Lights" at number 1 (honolulumagazine, 2004). In 1979 Keola Beamer and brother Kapono Beamer were awarded a number of Na Hoku Hanohano Awards: Best Contemporary Hawaiian Album, Best Song, Best Single, Best Composer, Best Engineered Album, and Best Produced Album (K. Fry, hawaiianmusichistory, 2024). "Both song and album went on to become one of the most popular and most played works of contemporary Hawaiian music" (wikipedia, 2024).
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Lyrics:
Looking out upon the city lights
And the stars above the ocean
Got my ticket for the midnight plane
And it's not easy to leave again
Took my clothes and put them in the bag
Try not to think just yet of leaving
Looking out into the city night
And it's not easy to leave again
Each time Honolulu city lights
Stir up memories in me
Each night Honolulu city lights
Bring me back again
You are my island sunset
You are my island dream
Put on my shoes and light a cigarette
Wondering which of my friends will be here
Standing with their leis around my neck
It's not easy to leave again
Each time Honolulu city lights
Stir up memories in me
Each night Honolulu city lights
Bring me back again
Bring me back again
24
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2
comments
Never Ending Song Of Love - Delaney & Bonnie & Friends (cover-live by Bill Sharkey)
Never Ending Song Of Love (Delaney & Bonnie & Friends, 1971). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI.
2024-04-11. "Keeping the Oldies & Classics Alive"
"Never Ending Song Of Love," written by Delaney Bramlett, was Delaney and Bonnie's first and highest entry onto the top 20 rising to the no. 13 position on the Billboard Hot 100 chart in 1971 (Whitburn, 2013). Dickey Lee also had a hit with the song landing at the no. 8 position on the Billboard Hot Country Singles' chart in 1971 (Whitburn, 1994), and the New Seekers had a no. 2 hit with the song in the UK and no. 1 in Ireland the same year (rock.co.za, 2024; Wikipedia, 2024).
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Lyrics:
I've got a never ending love for you
From now on, that's all I want to do
From the first time we met
I knew I'd have a never ending love for you
I've got a never ending love for you
From now on, that's all I want to do
From the first time we met
I knew I'd have a never ending love for you
After all this time of being alone
We can love one another
Feel for each other from now on
Feels so good I can hardly stand it
I've got a never ending love for you
From now on, that's all I want to do
From the first time we met, I knew
I'd sing my never ending song of love to you
After all this time of being alone
We can love one another
Feel for each other from now on
Feels so good I can hardly stand it
I've got a never ending love for you
From now on, that's all I want to do
From the first time we met, I knew
I'd sing my never ending song of love to you
I've got a never ending love for you
From now on, that's all I want to do
From the first time we met
I knew I'd have a never ending love for you
42
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2
comments
I'm Your Puppet - James & Bobby Purify (cover-live by Bill Sharkey)
I'm Your Puppet (James & Bobby Purify, 1966). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI.
2024-04-07. "Keeping the Oldies & Classics Alive"
"I'm Your Puppet ," written by Dan Penn and Spooner Oldham, was the Purify cousins' (James Purify and Robert "Bobby" Lee Dickey) first entry onto the Billboard Hot 100 and only top 10 hit rising to no. 6 on the chart in 1966 (Whitburn, 2013). Funny that Bobby Dickey eventually hated the song. Dickey recalled in The Tallahassee Democrat in 2000 "that he despised singing the song. 'I hated it,' he said. 'It was originally intended to be the B-side. But things got changed ... I sang it for 23 hours straight (in the studio), that's why I hate it'" (songfacts, 2024). The Purfiy's recording was nominated for the 1967 Grammy Award for Best R&B Performance by a Duo or Group with Vocals (awardsandshows, 2024).
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Lyrics:
Pull the string and I'll wink at you
I'm your puppet
I'll do funny things if you want me to
I'm your puppet, mm
I'm yours to have and to hold
Darling, you've got full control
I'm your puppet
Pull another string and I'll kiss your lips
I'm your puppet
Snap your fingers and I'll turn you some flips
I'm your puppet
Your every wish is my command
All you gotta do is just wiggle your little hand
I'm your puppet
I'm your puppet
I'm just a toy, just a funny boy
That makes you laugh when you're blue
I'll be wonderful, do just what I'm told
I'll do anything for you
I'm your puppet
I'm your puppet
Pull them little strings and I'll sing you a song,
I'm your puppet
Make me do right or make me do wrong,
I'm your puppet
Treat me good and I'll do anything
I'm just a puppet and you hold my string,
I'm your puppet
I'm a walking, talking, living, loving puppet
I'm hanging on a string, I'll do anything
I'm your puppet
24
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The Wreck of the Edmund Fitzgerald - Gordon Lightfoot (cover-live by Bill Sharkey)
The Wreck of the Edmund Fitzgerald (Gordon Lightfoot, 1976). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-04-03. "Keeping the Oldies & Classics Alive"
"The Wreck of the Edmund Fitzgerald," written by Gordon Lightfoot, was a song based on the actual sinking of the ship the SS Edmund Fitzgerald in Lake Superior in 1975; the song rose to the no. 2 position on the Billboard Hot 100 chart in 1976 (Whitburn, 2013). Lightfoot said that the song was inspired by an article in "Newsweek," "The Cruelest Month," which was published November 24, 1975 (Lyrics, 1988). Lightfoot stated that the article gave "'short shrift for such a monumental event.' Lightfoot [said] the song came about when he discovered the newspaper writers kept misspelling the name of the ship, rendering it as 'Edmond Fitzgerald' rather than 'Edmund Fitzgerald' . . . That's it! If they're gonna spell the name wrong, I've got to get to the bottom of this!" (songfacts, 2024). Lightfoot attempted to keep the lyrics as close to the actual facts as possible with few embellishments; however, years later, when he read that some of the information about the sinking had been updated/corrected, he changed the lyrics to mirror the newer information (A. London, songmeaningsandfacts, Nov. 11, 2020). The song was nominated at the 19th Annual Grammy Awards for Song of the Year and Best Male Pop Vocal Performance (Grammy, 2024).
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Lyrics:
The legend lives on from the Chippewa on down
Of the big lake they called 'gitche gumee'
The lake, it is said, never gives up her dead
When the skies of November turn gloomy
With a load of iron ore twenty-six thousand tons more
Than the Edmund Fitzgerald weighed empty
That good ship and crew was a bone to be chewed
When the gales of November came early
The ship was the pride of the American side
Coming back from some mill in Wisconsin
As the big freighters go, it was bigger than most
With a crew and good captain well seasoned
Concluding some terms with a couple of steel firms
When they left fully loaded for Cleveland
And later that night when the ship's bell rang
Could it be the north wind they'd been feelin'?
The wind in the wires made a tattle-tale sound
And a wave broke over the railing
And every man knew, as the captain did too,
T'was the witch of November come stealin'
The dawn came late and the breakfast had to wait
When the gales of November came slashin'
When afternoon came it was freezin' rain
In the face of a hurricane west wind
When suppertime came, the old cook came on deck sayin'
Fellas, it's too rough to feed ya
At seven pm a main hatchway caved in, he said
Fellas, it's been good t'know ya
The captain wired in he had water comin' in
And the good ship and crew was in peril
And later that night when his lights went outta sight
Came the wreck of the Edmund Fitzgerald
Does any one know where the love of God goes
When the waves turn the minutes to hours?
The searches all say they'd have made Whitefish Bay
If they'd put fifteen more miles behind her
They might have split up or they might have capsized
They may have broke deep and took water
And all that remains is the faces and the names
Of the wives and the sons and the daughters
Lake Huron rolls, superior sings
In the rooms of her ice-water mansion
Old Michigan steams like a young man's dreams
The islands and bays are for sportsmen
And farther below Lake Ontario
Takes in what Lake Erie can send her
And the iron boats go as the mariners all know
With the gales of November remembered
In a musty old hall in Detroit they prayed,
In the maritime sailors' cathedral
The church bell chimed till it rang twenty-nine times
For each man on the Edmund Fitzgerald
The legend lives on from the Chippewa on down
Of the big lake they call 'gitche gumee'
Superior, they said, never gives up her dead
When the gales of November come early
48
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Turn! Turn! Turn! - Byrds, The (cover-live by Bill Sharkey)
Turn! Turn! Turn! (Byrds, The Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-03-27. "Keeping the Oldies & Classics Alive"
"Turn! Turn! Turn!," written by Pete Seeger, was the Byrds' second no. 1 hit on the Billboard Hot 100 chart ascending to the top position in 1965 (Whitburn, 2013). The single was induced into the Grammy Hall of Fame in 2001 (grammy, 2024). The song was recorded by many artists; however, Judy Collins' version is the only other rendition that made it onto the Billboard Hot 100; her recording stalled at no. 69 in 1969 (Whitburn, 2013). Seeger took the lyrics from a passage in the Bible (Ecclesiastes 3:1-8) and rearranged the words to fit with the melody he put together. Seeger said that within two months of writing the song, he sold it "to the Limelighters and then to the Byrds. [He said he] liked the Byrds’ record very much" (P. Zollo, "Songwriters On Songwriting," 1988).
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Lyrics:
To everything (Turn, turn, turn)
There is a season (Turn, turn, turn)
And a time to every purpose under heaven
A time to be born, a time to die
A time to plant, a time to reap
A time to kill, a time to heal
A time to laugh, a time to weep
To everything (Turn, turn, turn)
There is a season (Turn, turn, turn)
And a time to every purpose under heaven
A time to build up, a time to break down
A time to dance, a time to mourn
A time to cast away stones
A time to gather stones together
To everything (Turn, turn, turn)
There is a season (Turn, turn, turn)
And a time to every purpose under heaven
A time of love, a time of hate
A time of war, a time of peace
A time you may embrace
A time to refrain from embracing
To everything (Turn, turn, turn)
There is a season (Turn, turn, turn)
And a time to every purpose under heaven
A time to gain, a time to lose
A time to rend, a time to sew
A time of love, a time of hate
A time of peace, I swear it's not too late
To everything (Turn, turn, turn)
There is a season (Turn, turn, turn)
And a time to every purpose under heaven
34
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2
comments
Truckin' - Grateful Dead, The (cover-live by Bill Sharkey)
Aloha Everyone:
My upcoming performances:
Every Saturday & Sunday, 5:30-7:30pm at Chicken In A Barrel BBQ Wahiawa, 167 S Kamehameha Hwy, Wahiawa, HI.
Every Wednesday, 5:30-7:30pm at Puka's Bar & Grill Courtyard, Kahala Mall.
Themes for Puka's Bar & Grill:
Apr 03rd 1950s-1990s: Various Artists
Apr 10th 1950s-1990s: Songs of Love
Apr 17th 1950s-1990s: Various Artists
Apr 24st 1950s-1990s: Spotlight on the group America
Come out and enjoy the outdoor venues, food and drinks, and sing along to the songs of the '50s, '60s, '70s, and 80s. Hope to see you there.
Truckin' (Grateful Dead, The, 1970). Live cover performance by Bill Sharkey, Chicken In A Barrel BBQ, Wahiawa, HI. 2024-03-23. "Keeping the Oldies Alive"
"Truckin'" was the Grateful Dead's second entree onto the Billboard Hot 100 chart hitting the #64 position in 1971 (Whitburn, 2013). The song was a group project with Garcia, Weir, and Lesh providing the music, while Hunter provided the lyrics (D. Dodd, dead.net, Oct. 24, 2013). The song closed out the "American Beauty" album, which was released the previous year (Whitburn, 2009). The album cut was quite a bit longer than the single version performed here with a number of additional verses clocking in at 5:05 (allmusic.com, 2021; deaddisc.com, 2021). Truckin'" is an autobiographical picture painted by the band about their touring experiences (songfacts.com, 2021). “'Truckin’' was first performed on August 18, 1970, at the Fillmore West. The show opened with an acoustic set, and 'Truckin’" was their opening song (D. Dodd, dead.net, Oct. 24, 2013).
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Lyrics:
Truckin', got my chips cashed in
Keep truckin', like the do-dah man
Together, more or less in line
Just keep truckin' on
Arrows of neon and flashing marquees out on Main Street
Chicago, New York, Detroit and it's all on the same street
Your typical city involved in a typical daydream
Hang it up and see what tomorrow brings
Dallas, got a soft machine
Houston, too close to New Orleans
New York got the ways and means
But just won't let you be
What in the world ever became of sweet Jane?
She lost her sparkle, you know she isn't the same
Livin' on reds, vitamin C, and cocaine
All a friend can say is, "Ain't it a shame?"
Truckin', up to Buffalo
Been thinkin', you got to mellow slow
It takes time, you pick a place to go
And just keep truckin' on
You're sick of hangin' around and you'd like to travel
Get tired of travelin', you want to settle down
I guess they can't revoke your soul for tryin'
Get out of the door and light out and look all around
Sometimes the light's all shinin' on me
Other times, I can barely see
Lately, it occurs to me
What a long, strange trip it's been
Truckin', I'm a goin' home
Whoa, whoa, baby, back where I belong
Back home, sit down and patch my bones
And get back truckin' on
74
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4
comments
Fly Like An Eagle - The Steve Miller Band / Seal (cover-live by Bill Sharkey)
Fly Like An Eagle (Steve Miller Band, The, 1976; Seal, 1996). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-03-26. "Keeping the Oldies Alive"
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"Fly Like An Eagle," written by Steve Miller, was the band's third top 20 hit rising to no. 2 on the Billboard Hot 100 chart in 1976; twenty years later, 1996, English singer Seal had his third and final top 20 hit with his version of the song, which rose to no. 10 on the chart (Whitburn, 2013). In 2008, Miller stated "'Fly Like An Eagle' is always about 12 minutes long (in concert). We have always built our recordings so they have room for spontaneity. My jazz and blues influence is what started us as a jam band originally. 'Fly Like An Eagle' was developed over a period of time as a jam. To me it's much more interesting to see a musician be spontaneous than it is to see someone perform perfectly something they do note for note the same way every night" (songfacts, 2024). Seal's version of the song was featured in the 1996 film "Space Jam" (T. Benitez-Eves, americansongwriter, 2023).
Lyrics:
(Tick tock tick) Doo doo doo-doo
(Tick tock tick) Doo doo doo-doo
(Tick tock tick) Doo doo doo-doo
(Tick tock tick) Doo doo doo-doo
Time keeps on slippin', slippin', slippin'
Into the future
Time keeps on slippin', slippin', slippin'
Into the future
I want to fly like an eagle
To the sea
Fly like an eagle
Let my spirit carry me
I want to fly like an eagle
'Till I'm free
Oh, Lord, through the revolution
Feed the babies
Who don't have enough to eat
Shoe the children
With no shoes on their feet
House the people
Livin' in the street
Oh, oh, there's a solution
I want to fly like an eagle
To the sea
Fly like an eagle
Let my spirit carry me
I want to fly like an eagle
'Till I'm free
Right through the revolution
Time keeps on slippin', slippin', slippin'
Into the future
Time keeps on slippin', slippin', slippin'
Into the future
Time keeps on slippin', slippin', slippin'
Into the future
Time keeps on slippin', slippin', slippin'
Into the future
Doo doo n-doo-doo, doo doo n-doo-doo
Doo doo n-doo-doo, doo doo n-doo-doo
Doo doo n-doo-doo, doo doo n-doo-doo
Doo doo n-doo-doo, doo doo n-doo-doo
I want to fly like an eagle
To the sea
Fly like an eagle
Let my spirit carry me
I want to fly like an eagle
'Till I'm free
Right through the revolution
(Tick tock tick) Doo doo doo-doo
(Tick tock tick)
(Tick tock tick) Doo doo doo-doo
(Tick tock tick) Doo doo doo-doo
(Tick tock tick) Doo doo doo-doo
Time keeps on slippin', slippin', slippin'
Into the future
Time keeps on slippin', slippin', slippin'
Into the future
177
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Tonite Tonite - Mello-Kings (cover-live by Bill Sharkey)
Tonite Tonite (Mello-Kings, 1957). Live performance by Bill Sharkey, Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-03-24. "Keeping the Oldies Alive"
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"Tonite Tonite," written by Billy Myles, was the Mello-Kings' only entry onto the Billboard Hot 100 chart; it first charted in 1957, where it stalled at the no. 77 position (although it did remain on the chart for 10 weeks) and then again charting in 1961, but lasted only one week on the chart at no. 95 (Whitburn, 2013). Even so, the song managed to sell more than two million copies (Warner, 2006). Mello-Kings were a doo-wop group hailing from Mt. Vernon, Westchester County, New York (allmusic, 2024). According to Jay Warner in the book "American Singing Groups," they were the "blackest-sounding white groups of the '50s" (2006, p. 254). Song writer Billy Myles was a staff writer for the Herald label on which the Mello-Kings were originally signed (last, 2008).
Lyrics:
Tonite, tonite
While I'm holding you so near
Tonite, tonite
What I'd give if I could hear
Those three little words
That would thrill the heart of me
Just whisper "I love you"
And will eternally
Tonite, tonite
More than any time before
This heart of mine
Seems to need you so much more
The touch of your lips
The thrill of your embrace
Keeps saying that
No one will ever take your place
While looking up above
I wished upon a star
And prayed for a blessing from above
Well if my wish should come true
Until our life is through
To have you near to have to hold and to love
Well, tonite, tonite
May never reach an end
I'll miss you so
Til you're in my arms again
With all of my heart
I declare with all my might
I'll love you forever
As I love you tonight
Tonite, tonite
May never reach an end
I'll miss you so
Til you're in my arms again
With all of my heart
I declare with all my might
I'll love you forever
As I love you tonight
26
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Gloria - Them / Shadows of Knight (cover-live by Bill Sharkey)
Gloria (Them, 1965; Shadows of Knight, The, 1966). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-03-21. "Keeping the Oldies & Classics Alive"
"Gloria," written by Van Morrison, was Them's first entry onto the Billboard Hot 100 chart stalling at no. 93 and remaining on the chart for only one week in May of 1965; however, the Shadows of Knight recorded the song the following year and had a top 20 hit with the song, which rose to the no. 10 position on the Billboard chart in 1966. Becuase of the success of the Shadows' version, Them rereleased their original version a month later, though their version still was only able to move up to no. 71 on the chart (Whitburn, 2013). According to Morrison, "the song was titled after his cousin Gloria, who was 13 years older. The song is not about her though" (songfacts, 2024). In 1999, "Gloria" was inducted into the Grammy Hall of Fame (Whituburn, 2013), and it is listed on the "Rolling Stone's" 500 Greatest Songs of All Time at #211 (rollingstone, 2003).
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Lyrics:
Like to tell you 'bout my baby
You know she comes round
Just 'bout five feet four
From her head to the ground
Well she comes around here
Just about midnight
She makes me feel so good Lord
Makes me feel alright.
Her name is G-L-O-R-I-A
Gloria, Gloria, Gloria...
Yeah, she comes around here
Just about midnight
Makes me feel so good Lord
Makes me feel alright
Walkin' down my street
Comes up to my house
She knocks upon me door
Makes me feel alright.
Her name is G-L-O-R-I-A
Gloria, Gloria, Gloria...
43
views
Layla - Eric Clapton (cover-live by Bill Sharkey)
Layla (Eric Clapton, 1992). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-03-18. "Keeping the Oldies & Classics Alive"
"Layla," written by Eric Clapton and Jim Gordon, was released on Clapton's "MTV Unplugged" LP and as a single; the single rose to the no. 12 position on the Billboard Hot 100 chart in the winter of 1992 (Whitburn, 2013). Clapton has reported that the song was written for Pattie (nee Boyd) Harrison, his close friend George Harrison's wife at the time, and Clapton's future wife. Pattie told "The Guardian:" "I wasn't so happy when Eric wrote 'Layla,' while I was still married to George. I felt I was being exposed. I was amazed and thrilled at the song - it was so passionate and devastatingly dramatic - but I wanted to hang on to my marriage. Eric made this public declaration of love. I resisted his attentions for a long time - I didn't want to leave my husband. But obviously when things got so excruciatingly bad for George and me it was the end of our relationship. We both had to move on. Layla was based on a book by a 12th-century Persian poet called Nizami about a man who is in love with an unobtainable woman. The song was fantastically painful and beautiful" (The Guardian, Dec. 13, 2008). Pattie and Eric married in 1979 and divorced in 1989 (history, 2009). The MTV version of the song won a Grammy for Best Rock Song in 1993 (J. Uitti, americansongwriter, 2023).
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Lyrics:
What'll you do when you get lonely
And nobody's waiting by your side?
You've been running and hiding much too long.
You know it's just your foolish pride.
Layla, you've got me on my knees.
Layla, I'm begging, darling please.
Layla, darling won't you ease my worried mind.
I tried to give you consolation
When your old man had let you down.
Like a fool, I fell in love with you,
Turned my whole world upside down.
Layla, you've got me on my knees.
Layla, I'm begging, darling please.
Layla, darling won't you ease my worried mind.
Let's make the best of the situation
Before I finally go insane.
Please don't say I'll never find a way
And tell me all my love's in vain.
Layla, you've got me on my knees.
Layla, I'm begging, darling please.
Layla, darling won't you ease my worried mind.
Layla, you've got me on my knees.
Layla, I'm begging, darling please.
Layla, darling won't you ease my worried mind.
40
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Sounds of Silence, The - Simon & Garfunkel (cover-live by Bill Sharkey)
Sounds of Silence, The (Simon & Garfunkel, 1965). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-03-14. "Keeping the Oldies & Classics Alive"
"The Sounds of Silence," written by Paul Simon, was Simon & Garfunkel's first release and it hit the no. 1 position on the Billboard Hot 100 chart in 1965-1966 (Whitburn, 2013). The song was released in 1964 on the duo's debut album "Wednesday Morning, 3 A.M." with the title "The Sound of Silence;" the song was remixed and released as a single the following year and was printed as "The Sounds of Silence." The new remixed version was then added to their 2nd album titled "Sounds of Silence," which was released in 1966 (Whitburn, 2006). According to Simon, "It's a young lyric, but not bad for a 21-year-old. It's not a sophisticated thought, but a thought that I gathered from some college reading material or something. It wasn't something that I was experiencing at some deep, profound level - nobody's listening to me, nobody's listening to anyone - it was a post-adolescent angst, but it had some level of truth to it and it resonated with millions of people" (songfacts, 2023). "Despite its great popularity, Blender magazine voted [the song] the 42nd worst song ever, remarking sardonically that 'If Frasier Crane were a song, he would sound like this'"(songfacts, 2023).
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Lyrics:
Hello darkness, my old friend
I've come to talk with you again
Because a vision softly creeping
Left its seeds while I was sleeping
And the vision that was planted in my brain
Still remains
Within the sound of silence
In restless dreams I walked alone
Narrow streets of cobblestone
'Neath the halo of a street lamp
I turned my collar to the cold and damp
When my eyes were stabbed by the flash of a neon light
That split the night
And touched the sound of silence
And in the naked light I saw
Ten thousand people, maybe more
People talking without speaking
People hearing without listening
People writing songs that voices never share
No one dared
Disturb the sound of silence
"Fools" said I, "You do not know
Silence like a cancer grows
Hear my words that I might teach you
Take my arms that I might reach you"
But my words like silent raindrops fell
And echoed in the wells of silence
And the people bowed and prayed
To the neon god they made
And the sign flashed out its warning
In the words that it was forming
And the sign said, "The words of the prophets
Are written on the subway walls
And tenement halls"
And whispered in the sounds of silence
154
views
Love Is in the Air - John Paul Young (cover-live by Bill Sharkey)
Love Is in the Air (John Paul Young, 1978). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-03-11. "Keeping the Oldies & Classics Alive"
"Love Is in the Air," written by Harry Vanda and George Young, was John Paul Young's only top 40 hit in the US rising to the no. 7 position on the Billboard Hot 100 chart in 1978 (Whitburn, 2013), and it landed at no. 3 on the Australian chart, no. 5 on the UK Singles Chart (fandom, 2024) and no. 1 on Billboard's Adult Contemporary chart (National Film and Sound Archive of Australia, 2017). Additionally, in 2017, the song was selected for preservation in the National Film and Sound Archive's Sounds of Australia collection (nfsa, 2017). "In 1992 it became the theme song to Baz Luhrmann's debut feature 'Strictly Ballroom;' the ‘Ballroom Mix’ climbed the Australian charts and helped make ‘Love is in the Air’ the 'Most played Australian song overseas'" (nfsa, 2017).
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Lyrics:
Love is in the air
Everywhere I look around
Love is in the air
Every sight and every sound
And I don't know if I'm being foolish
Don't know if I'm being wise
But it's something that I must believe in
And it's there when I look in your eyes
Love is in the air
In the whisper of the trees
Love is in the air
In the thunder of the sea
And I don't know if I'm just dreaming
Don't know if I feel sane
But it's something that I must believe in
And it's there when you call out my name
Love is in the air
Love is in the air
Love is in the air
In the rising of the sun
Love is in the air
When the day is nearly done
And I don't know if you're an illusion
Don't know if I see it true
But you're something that I must believe in
And you're there when I reach out for you
Love is in the air
Everywhere I look around
Love is in the air
Every sight and every sound
And I don't know if I'm being foolish
Don't know if I'm being wise
But it's something that I must believe in
And it's there when I look in your eyes
Love is in the air
Love is in the air
Love is in the air
Love is in the air
167
views
Snoopy vs the Red Baron - Royal Guardsmen, The (cover-live by Bill Sharkey)
Snoopy vs the Red Baron (Royal Guardsmen, The, 1966). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-03-06. "Keeping the Oldies & Classics Alive"
"Snoopy vs the Red Baron," written by Phil Gernhard and Dick Holler, was The Royal Guardsmen's first release and their first entry onto the Billboard Hot 100 chart rising to no. 2 in 1966 (Whitburn, 2013). Due to possible copyright issues and the possibility of a lawsuit, they decided to record the song with alternate lyrics just in case they were unable to secure the rights to use the Snoopy references, and instead used "Squeaky vs the Black Knight" (Songfacts, 2024); Squeaky was a bucktooth beaver. Co-writer Dick Holler stated that "Peanuts/Snoopy" creator, Charles Schultz, was initially against the band using Snoopy in the song; he didn't like the song and he didn't like the group (D. Paulson, Nashville Tennessean, Oct 22, 2020); however, according to an interview with author David Manning White in 1975, Charles Schultz said "'We threatened to put a stop to (the record) until we were included in the success.' The band never met Snoopy's creator, though Chris says, 'We heard through our label (Laurie) and producer that Charles Schultz liked our songs'" (songfacts, 2024). Barry Winslow, lead vocalist and guitarist, once remarked that "It was probably Charles Schulz's lawyers that did the suing. I don't think Charles really cared either way" (J. Osborne, tampabay, Jan. 22, 2005); "His lawyers smelled money and, whether Charles cared or not, the lawyers put a ding in us!" (E. Tucker, crazedfanboy, 2006). Regardless, Winslow said that Schulz eventually allowed the use of Snoopy in the song, advertising, album cover art, and so on after being paid a "pretty healthy chunk of money" (J. Osborne, tampabay, Jan. 22, 2005). As an aside, "the song begins with a background commentary in faux German: 'Achtung! Jetzt wir singen zusammen die Geschichte über den Schweinköpfigen Hund und den lieben Red Baron,' which is a purposeful mistranslation of the English: 'Attention! We will now sing together the story of that pig-headed dog [Snoopy] and the beloved Red Baron' (Wikipedia, 2024).
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Lyrics:
After the turn of the century
In the clear blue skies over Germany
Came a roar and a thunder men had never heard
Like the screamin' sound of a big war bird
Up in the sky, a man in a plane
Baron von Richthofen was his name
Eighty men tried, and eighty men died
Now they're buried together on the countryside
Ten, twenty, thirty, forty, fifty or more
The Bloody Red Baron was rollin' up the score
Eighty men died tryin' to end that spree
Of the Bloody Red Baron of Germany
In the nick of time, a hero arose
A funny-looking dog with a big black nose
He flew into the sky to seek revenge
But the Baron shot him down ("Curses, foiled again!")
Ten, twenty, thirty, forty, fifty or more
The Bloody Red Baron was rollin' up the score
Eighty men died tryin' to end that spree
Of the Bloody Red Baron of Germany
Now, Snoopy had sworn that he'd get that man
So he asked the Great Pumpkin for a new battle plan
He challenged the German to a real dogfight
While the Baron was laughing, he got him in his sight
That Bloody Red Baron was in a fix
He'd tried everything, but he'd run out of tricks
Snoopy fired once, and he fired twice
And that Bloody Red Baron went spinning out of sight
Ten, twenty, thirty, forty, fifty or more
The Bloody Red Baron was rollin' up the score
Eighty men died tryin' to end that spree
Of the Bloody Red Baron of Germany
Ten, twenty, thirty, forty, fifty or more
The Bloody Red Baron was rollin' up the score
Eighty men died tryin' to end that spree
Of the Bloody Red Baron of Germany
103
views
2
comments
Beautiful People - Kenny O'Dell (cover-live by Bill Sharkey)
Beautiful People (Kenny O'Dell, 1967; Bobby Lee, 1967). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-03-03. "Keeping the Oldies & Classics Alive"
"Beautiful People," written by Kenny O'Dell, was O'Dell's first entry onto the Billboard Hot 100 chart landing at the no. 38 position in 1967; at the same time, Bobby Vee's version of the song rose to the no. 37 position on the chart the same year (Whitburn, 2013). Although "Beautiful People" was not a huge pop hit for O'Dell nor Vee, still both broke the top 40, it was a springboard for his future writings. O'Dell wrote or cowrote a number of country hits/top 40 hits, for example: "Behind Closed Doors" for Charlie Rich, which earned O'Dell a Grammy for Best Country Song and a CMA for Song of the Year (wideopencountry, 2018); "Next Plane to London" for The Rose Garden; and "Mama He's Crazy" for the Judds (secondhandsongs, 2024). O'Dell's given name was Kenneth Gist (rateyourmusic, 2024); he passed away of natural causes on March 27, 2018 (W. Hermanson, tasteofcountry, Mar 29, 2018).
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Lyrics:
You've just got to be one of the most
Beautiful people in the whole wide world
It's true - it's true - it's true
And I love you
You're so easy to make conversation with
And nobody else can please me that way
No one can say that you're a wallflower
Cause you've always got something groovy to say
You've just got to be one of the most
Beautiful people in the whole wide world
It's true - it's true - it's true
And I love you
Talk about a girl with a sweet disposition
You oughta have a room full of ribbons
And wear 'em in your hair
Every day of the week for me
People turn around they know we're the happiest
People today in this whole town
And it's no wonder that they kinda wonder
If we're not the grooviest couple around
You've just got to be one of the most
Beautiful people in the whole wide world
It's true - it's true - it's true
And I love you
La la la la la . . .
You've just got to be one of the most
Beautiful people in the whole wide world
It's true - it's true - it's true
I love you
I do - I do - I do
Mmmm - I love ya
You've just got to be one of the most
Beautiful people in the whole wide world
It's true - it's true - it's true
And I love you
La la la la la . . .
31
views
3
comments
Twilight Time - Platters, The (cover-live by Bill Sharkey)
Twilight Time (Platters, The, 1958). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-02-29. "Keeping the Oldies & Classics Alive"
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"Twilight Time," written by Artie Dunn, Al Nevis, Morty Nevins and Buck Ram, was the Platters' 3rd of 4 number 1 hits on the Billboard Hot 100 chart landing at the position in 1958 (Whitburn, 2013). Their version also "hit #1 Best Seller, #1 Jockey, and #1 R&B for three weeks steady" (songfests, 2024). The song was originally recorded in 1944 by the Three Suns as an accordion based instrumental (the78prof, youtube, May 22, 2019).
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Lyrics:
Heavenly shades of night are falling, it's twilight time
Out of the mist your voice is calling, it's twilight time
When purple colored curtains mark the end of day
I'll hear you, my dear, at twilight time
Deepening shadows gather splendor as day is done
Fingers of night will soon surrender the setting sun
I count the moments darling till you're here with me
Together at last at twilight time
Here, in the afterglow of day, we keep our rendezvous beneath the blue
Here in the same and sweet old way, I fall in love again as I did then
Deep in the dark your kiss will thrill me like days of old
Lighting the spark of love that fills me with dreams untold
Each day I pray for evening just to be with you
Together at last at twilight time
Here, in the afterglow of day, we keep our rendezvous beneath the blue
Here in the sweet and same old way, I fall in love again as I did then
Deep in the dark your kiss will thrill me like days of old
Lighting the spark of love that fills me with dreams untold
Each day I pray for evening just to be with you
Together at last at twilight time
Together at last at twilight time
216
views
Spotlight on Donovan (cover-live by Bill Sharkey)
Donovan. Live cover performances by Bill Sharkey, Puka's Bar & Grill, Kahala, HI. 2024-01-07. "Keeping the Oldies & Classics Alive"
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On January 07th, 2024, I provided a spotlight on Donovan's music. Here is a compilation of the songs I performed that evening. I Hope you enjoy them:
Listed is the song title, year the song peaked and its highest position on the Billboard Hot 100 chart (Whitburn, 2013).
1. Colours (1965 no. 61)
2. Mellow Yellow (1966 no. 2)
3. Catch the Wind (1965 no. 23)
4. Jennifer Juniper (1968 no. 26)
5. Lalena (1968 no. 33)
6. Wear Your Love Like Heaven (1967 no. 23)
7. Atlantis (1969 no. 7)
8. Hurdy Gurdy Man (1968 no. 7)
9. Epistle To Dippy (1967 no. 19)
10. Sunshine Superman (1966 no. 1)
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26
views
2
comments
Mrs. Robinson - Simon & Garfunkel (cover-live by Bill Sharkey)
Mrs. Robinson (Simon & Garfunkel, 1968). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-02-19. "Keeping the Oldies & Classics Alive"
"Mrs. Robinson," written by Paul Simon, was Simon & Garfunkel's second no. 1 release and 9th top 40 hit on the Billboard Hot 100 chart, landing at the top position in 1968 (Whitburn, 2013). The song was featured in the film "The Graduate" staring Dustin Hoffman and Anne Bancroft. The song received two Grammys in 1968 for Record Of The Year and Best Contemporary Pop Performance — Duo Or Group (T. McPhate, grammy, May 15, 2017). Originally, the song was titled "Mrs. Roosevelt," but Simon changed it to "Mrs. Robinson" when he was asked to write a song for the movie (songfacts, 2024). One of the most unusual lyrics in the song was the Joe DiMaggio reference. Simon said "The Joe DiMaggio line was written right away in the beginning. And I don't know why or where it came from. It seems so strange, like it didn't belong in that song and then, I don't know, it was so interesting to us that we just kept it. So it's one of the most well-known lines that I've ever written" (SongTalk magazine, 1990).
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Lyrics:
And here's to you, Mrs. Robinson
Jesus loves you more than you will know
Wo wo wo
God bless you, please, Mrs. Robinson
Heaven holds a place for those who pray
Hey hey hey, hey hey hey
We'd like to know a little bit about you for our files
We'd like to help you learn to help yourself
Look around you all you see are sympathetic eyes
Stroll around the grounds until you feel at home
And here's to you, Mrs. Robinson,
Jesus loves you more than you will know
Wo wo wo
God bless you, please, Mrs. Robinson
Heaven holds a place for those who pray
Hey, hey, hey, hey, hey, hey
Hide it in the hiding place where no one ever goes
Put it in your pantry with your cupcakes
It's a little secret just the Robinson's affair
Most of all you've got to hide it from the kids
Koo-koo-ka-choo, Mrs. Robinson,
Jesus loves you more than you will know
Wo wo wo
God bless you, please, Mrs. Robinson
Heaven holds a place for those who pray
Hey, hey, hey hey, hey, hey
Sitting on a sofa on a Sunday afternoon
Going to the candidates' debate
Laugh about it, shout about it
When you've got to choose
Every way you look at this you lose
Where have you gone, Joe DiMaggio
Our nation turns its lonely eyes to you
Wu wu wu
What's that you say, Mrs. Robinson
Jolting Joe has left and gone away
Hey, hey, hey, hey, hey, hey
44
views
Raindrops Keep Falling On My Head - B. J. Thomas (cover-live by Bill Sharkey)
Raindrops Keep Falling On My Head (B. J. Thomas, 1969-1970). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-02-13. "Keeping the Oldies & Classics Alive"
"Raindrops Keep Falling On My Head," written by Burt Bacharach and Hal David, was B. J. Thomas' first no. 1 hit on the Billboard Hot 100 chart landing on top in 1969-1970 (Whitburn, 2013). The song, which was penned for the film "Butch Cassidy & the Sundance Kid," won two oscars for Bacharach and David in 1970: Music (original score - for a motion picture) and Music (Song - Original for the picture) (oscars, 2024). B. J. Thomas was not the first choice for the writers, Bacharach said that he originally wanted Ray Stevens to sing it, but Stevens turned him down due to a prior recording engagement with Kris Kristofferson (D. Liebenson, vanityfair, Sep. 25, 2019). Thomas, who was struggling with laryngitis was hesitant, but agreed to record the song. After hearing the recording, with his slightly raspy voice, he said that “there’s maybe only two or three times in my career when I felt like I’d recorded a hit record, no doubt, and that was one of them” (L. Hutchinson, performingsongwriter, May 12, 2013). According to Thomas, the song is "about freedom. . . Here, we have these outlaws [Butch Cassidy & the Sundance Kid] that have finally found a little respite there out in the woods. They have a place to kind of relax. It’s kind of an American song. The rain falls on everybody, but as long as you are free, everything is okay" (bjthomas, Mar. 5, 2021).
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Lyrics:
Raindrops keep falling on my head
And just like the guy whose feet are too big for his bed
Nothin' seems to fit
Those raindrops are falling on my head, they keep falling
So I just did me some talkin' to the sun
And I said I didn't like the way he' got things done
Sleepin' on the job
Those raindrops are falling on my, head they keep falling
But there's one thing i know
The blues he sends to meet me won't defeat me
It won't be long 'till happiness steps up to greet me
Raindrops keep falling on my head
But that doesn't mean my eyes will soon be turnin' red
Crying's not for me
'Cause I'm never gonna stop the rain by complainin'
Because I'm free
Nothing's worrying me.
64
views
1
comment
Fly Me To The Moon - Frank Sinatra (cover-live by Bill Sharkey)
Fly Me To The Moon (Frank Sinatra, 1964). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-02-09. "Keeping the Oldies & Classics Alive"
"Fly Me To The Moon," written by Bart Howard, was first recorded by Kaye Ballard in 1954 but with the title "In Other Words" and as a waltz 3/4 timing. In 1960, Peggy Lee recorded the song, and her performance on the Ed Sullivan Show made it quite popular. Meanwhile, people began calling the song "Fly Me To the Moon." In 1962, Joe Harnell and his orchestra scored an instrumental bossa nova hit with "Fly Me To the Moon," which rose to no. 14 on the Billboard Hot 100 chart (Whitburn, 2013), and won a Grammy for Best Pop Instrumental Performance (songfacts, 2024). Later in 1963, Peggy Lee convinced Howard to officially change the name from "In Other Words" to "Fly Me To The Moon," which he did. However, it was in 1964 when the song became a classic with Frank Sinatra's version. He changed it to a 4/4 swing beat. Although his version never made it onto the Billboard chart, his version has been associated with the song and was unofficially connected to NASA's Apollo moon space program and was played in space on both Apollo 10 and Apollo 11 (see songfacts, 2024). In fact, when "the Apollo 11 lunar lander touched down at Tranquility Base on 20 July 1969 – when [Neil] Armstrong uttered the famous words 'the Eagle has landed' . . . Buzz Aldrin . . . reached back and grabbed a cassette of 'Fly Me to the Moon'" and played it. Hence, "Sinatra’s song was the first music ever heard [played] on the moon" (M. Chilton, independent, Jul. 18, 2019).
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Lyrics:
Fly me to the moon
Let me play among the stars
Let me see what spring is like on
A-Jupiter and Mars
In other words, hold my hand
In other words, baby, kiss me
Fill my heart with song
Let me sing for ever more
You are all I long for
All I worship and adore
In other words, please be true
In other words, I love you
Fill my heart with song
Let me sing for ever more
You are all I long for,
All I worship and adore
In other words, please be true
In other words
In other words
I love you
86
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Morning of My Life - Bee Gees, The (cover-live by Bill Sharkey)
Morning of My Life (Bee Gees, The, 1966, 1970 ,1971, 1973). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-02-05. "Keeping the Oldies & Classics Alive"
"Morning of My Life," written by Barry Gibb, although recorded in 1966 as "In the Morning," was not available on a Bee Gees' record until the release of the album "Inception/Nostalgia" in 1970. It was later rerecorded in 1970 and included on the soundtrack album for the film "Melody" in 1971. This version finally appeared on a Bee Gees' album, the Best of Bee Gees Vol. 2 album in 1973. Esther & Abi Ofarim recorded a version of the song in 1967 and released their single in the UK, but it was only a hit in Germany and Austria (see wikipedia, 2024).
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Lyrics:
In the morning when the moon is at it's rest
You will find me at the time I love the best
Watching rainbows play on sunlight
Pools of water iced from cold night
In the morning
'Tis the morning of my life
In the daytime I will meet you as before
You will find me waiting by the ocean floor
Building castles in the shifting sands
In a world that no one understands
In the morning
'Tis the morning of my life
'Tis the morning of my life
In the morning of my life
The minutes take so long to drift away
Please be patient with your life
It's only morning and you're still to live your day
In the evening I will fly you to the moon
To the top right hand corner of the ceiling in my room
Where we'll stay until the sun shines
Another day to swing on clothes lines
May I be yawning
'Tis the morning of my life
'Tis the morning of my life
In the morning
In the morning
In the morning
61
views
1
comment
I Wouldn't Have Missed It For the World - Ronnie Milsap (cover-live by Bill Sharkey)
I Wouldn't Have Missed It For the World (Ronnie Milsap, 1981-1982).Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-02-01. "Keeping the Oldies & Classics Alive"
"I Wouldn't Have Missed It For the World," written by Kye Fleming, Dennis Morgan and Charles Quills, was Ronnie Milsap's 19th no. 1 hit on the Billboard Hot Country Singles' chart rising to that position at the beginning of 1982 (Wikipedia, 2024) while hitting the no. 20 position on the Billboard Hot 100 chart (Whitburn, 2013).
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Lyrics:
Our paths may never cross again
Maybe my heart will never mend
But I'm glad for all the good times
Cause you've brought me so much sunshine
And love was the best it's ever been
I wouldn't have missed it for the world
Wouldn't have missed loving you girl
You've made my whole life worth while, with your smile
I wouldn't trade one memory
Cause you mean too much to me
Even though I lost you girl
I wouldn't have missed it for the world
They say that all good things must end
Loves comes and goes just like the wind
You've got your dreams to follow
But if I had the chance tomorrow
You know I'd do it all again
I wouldn't have missed it for the world
Wouldn't have missed loving you girl
You've made my whole life worth while, with your smile
I wouldn't trade one memory
Cause you mean too much to me
Even though I lost you girl
I wouldn't have missed it for the world
Oh I wouldn't trade one memory
Cause you mean too much to me
Even though I lost you girl
I wouldn't have missed it for the world
I wouldn't have missed it for the world
Wouldn't have missed loving you girl
You've made my whole life worth while, with your smile
39
views
2
comments
Different Drum - Stone Poneys (cover-live by Bill Sharkey)
Different Drum (Stone Poneys, 1967-1968). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-01-29. "Keeping the Oldies & Classics Alive"
"Different Drum," written by Mike Nesmith, was Stone Poneys' (feat. Linda Ronstadt) only top 40 release hitting the no. 13 position on the Billboard Hot 100 chart in 1967-1968 (Whitburn, 2013). A slower folk version of the song was fist recorded by the Greenbriar Boys in 1966 and found on their 4th album "Better Late Than Never" (discogs, 2024). The song was originally meant for a male singer; however, Ronstadt changed the sex of the two individuals in the song, but she kept the line "I ain't sayin' you ain't pretty" as originally composed by Nesmith (songfacts, 2024). "In 1998, the song was inducted into the Grammy Hall of Fame, which honors recordings that have 'qualitative or historical significance' (M. Mullins, oldtimemusic, Oct. 12, 2023).
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Lyrics:
You and I travel to the beat of a diff'rent drum.
Oh, can't you tell by the way I run
Every time you make eyes at me. Wo oh.
You cry and you moan and say it will work out.
But honey child I've got my doubts.
You can't see the forest for the trees.
Oh, don't get me wrong. It's not that I'm knockin'.
It's just that I'm not in the market
For a girl who wants to love only me.
Yes, and I ain't sayin' you ain't pretty.
All I'm sayin's I'm not ready for any person,
Place or thing to try and pull the reins in on me.
So Goodbye, I'll be leavin'.
I see no sense in the cryin' and grievin'.
We'll both live a lot longer if you live without me.
Oh, don't get me wrong. It's not that I'm knockin'.
It's just that I'm not in the market
For a girl who wants to love only me.
Yes, and I ain't sayin' you ain't pretty.
All I'm sayin's I'm not ready for any person,
Place or thing to try and pull the reins in on me.
So Goodbye, I'll be leavin'.
I see no sense in the cryin' and grievin'.
We'll both live a lot longer if you live without me.
27
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Jennifer Juniper - Donovan (cover-live by Bill Sharkey)
Jennifer Juniper (Donovan, 1968). Live cover performance by Bill Sharkey, Home Studio, Hawaii Kai, HI. 2024-01-26. "Keeping the Oldies & Classics Alive"
"Jennifer Juniper," written by Donovan Leitch, was Donovan's 7th top 40 hit ascending to #26 on the Billboard Hot 100 chart in 1968 (Whitburn, 2013). According to songfacts.com (2021), "Jennifer Juniper" was in reference to George Harrison's sister-in-law, at the time, Jennifer Boyd, and her boutique, which she managed; Jennifer Boyd eventually married Mick Fleetwood. Jennifer, in an interview with Paul Zollo (americansongwriter, 2020), stated that Donovan wrote the song in an effort to court her; his endeavor did not materialize . . . though she and he stayed good friends (songfacts, 2023). From the album "The Hurdy Gurdy Man," Donovan sang the last verse in "French;" however, during an interview with songfacts, Donovan said "after I tried it, I asked my French pals what they thought of my French verse. They said, 'What French verse?' My accent wasn't right. So, it was a trial. I don't sing in other languages" (G. Prato, songfacts, Aug. 10, 2016). I didn't not attempt it with my version since I don't speak French.
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Lyrics:
Jennifer Juniper, lives upon the hill
Jennifer Juniper, sitting very still
Is she sleeping? I don't think so
Is she breathing? Yes, very low
Whatcha doing, Jennifer, my love?
Jennifer Juniper, rides a dappled mare
Jennifer Juniper, lilacs in her hair
Is she dreaming? Yes, I think so
Is she pretty? Yes, ever so
Whatcha doing, Jennifer, my love?
I'm thinking of what it would be like if she loved me
You know just lately this happy song, it came along
And I like to somehow try and tell you
Jennifer Juniper, hair of golden flax
Jennifer Juniper, longs for what she lacks
Do you like her? Yes, I do, sir
Would you love her? Yes, I would, sir
Whatcha doing, Jennifer, my love?
Jennifer Juniper
Jennifer Juniper
Jennifer Juniper
Jennifer Juniper, lives upon a hill
Jennifer Juniper, sitting very still
Is she sleeping? I don't think so
Is she breathing? Yes, very low
Whatcha doing, Jennifer, my love?
Jennifer Juniper
Jennifer Juniper
Jennifer Juniper
92
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