SIGOPS

What’s not in doubt about Wolfgang Van Halen is his copious talent – so much talent that he barely knows what to do with it. He played all the instruments on Mammoth WVH's 2021 debut, and repeats the trick again here, with the depth of his musical mastery writ no less large. His dad, the legendary Eddie Van Halen, pretty much revolutionised what people thought could be done with a guitar – a type of perma-grinning, MTV-era Hendrix – and while it’d be unfair to compare Wolfie to his old man (different times, different circumstances), what’s not in doubt is that the Van Halens basically bagged all the talent genes.

Speaking of the album’s lead single, “Another Celebration at the End of the World,” Van Halen goes on to say that it is, “definitely a song that showcases what people can expect from the new album. It is a high-energy rocker with some fun guitar moments on it. “I also pushed myself vocally and it is a song I can’t wait to get out and play live. I can see it being a fixture in our live set moving forward.”

*SIGOPS Collection* 01 Eruption (2015 Remaster) 02 Ain't Talkin' 'Bout Love (2015 Remaster) 03 Jamie's Cryin' 04 Runnin' With The Devil 05 Right Now 06 Poundcake 07 Panama (2015 Remaster) 08 Jump (2015 Remaster) 09 And the Cradle Will Rock... (2015 Remaster) 10 Beautiful Girls (2015 Remaster) 11 Dance the Night Away (2015 Remaster) 12 Hot for Teacher (2015 Remaster)

Greatest Hits is a compilation album by English rock band Mott the Hoople. It was released on 1 March 1976 through Columbia Records. There were some big hits as well as duds from this collection of undeniable talent. " A petty little package this is, and no mistake. It was no secret, of course, that the end of Mott the Hoople was a rancorous, bitter affair. But while former front man Ian Hunter was igniting his solo career with an album of songs which could have been Mott's, did his erstwhile band mates truly have nothing better to occupy their time with than compiling a collection which not only skews all that they really achieved during three years of hit.." Tracks: 1 All the Way from Memphis 3:25 2 Honaloochie Boogie 2:43 3 Hymn for the Dudes 5:23 4 Born Late '58 3:59 5 All the Young Dudes 3:33 6 Roll Away the Stone 3:13 7 Ballad of Mott 5:22 8 The Golden Age of Rock 'n' Roll 3:26 9 Foxy, Foxy 3:30 10 Saturday Gigs 4:20 11 Sweet Jane 4:21 12 One of the Boys 2:50 Personnel Of Mott the Hoople Ian Hunter– piano, acoustic guitar, vocals Overend Watts– bass guitar, rhythm guitar, vocals Dale Griffin– drums, vocals Morgan Fisher– piano, synthesizer Mick Ralphs– electric guitar, rhythm guitar, organ Ariel Bender– electric guitar David Bowie– producer on All the Young Dudes Mick Ronson– electric guitar Thunderthighs– backing vocals Sue & Sunny– backing vocals

The White Room is the fourth and final studio album by British electronic music group The KLF, released on 3 March 1991. The album features versions of the band's hit singles, including What Time Is Love?, 3 a.m. Eternal, and Last Train to Trancentral. Originally scheduled for 1989 as the soundtrack to a film of the same name, the album's direction was changed after both the film and the original soundtrack LP were cancelled. Most tracks on the original album version are present in the final 1991 release, though in significantly remixed form. The White Room was supposed to be followed by a darker, harder complementary album The Black Room, but that plan was abandoned when the KLF retired in 1992. On 23 April 2021, a re-edited version of the album was officially released on streaming platforms, in a series of digital reissues, as The White Room (Director's Cut), featuring new edits of original tracks from 1989–1990 sessions. Writing for Select, Andrew Harrison praised The White Room as an enthralling album which plays a disconcerting game with the listener's expectations of the commercial end of house. In Q, Iestyn George called the album strikingly imaginative and a more subtle form of subterfuge than previous works. Anthony Farthing of Sounds viewed it as a neat summation of Drummond and Cauty's colourful history – it embraces their previous JAMs-related guises while still updating the Kopyright Liberation Front's corporate identity. Entertainment Weekly's Marisa Fox wrote that the album's diverse music is too rich to be labeled, while The Village Voice's Robert Christgau commented that the KLF like everything I like about house and are canny enough to can the boring parts. NME journalist James Brown, however, found the album insignificant and unadventurous, criticising its songs' lack of direction and hard substance. In a retrospective review of the album, John Bush of AllMusic said that The White Room represents the commercial and artistic peak of late-'80s acid-house. Franklin Soults stated in the 2004 Rolling Stone Album Guide that on The White Room, the KLF became what they'd mocked with this enduring embrace of Euro-trash club culture. They knew their exit cue. Splendid magazine thought some of the tracks to be filler and the album silly in places, but were extremely impressed by the Stadium House songs. As providers of perverse, throwaway, three-minute pop-song manna, they concluded, the KLF were punk rock, the Renaissance, Andy Warhol and Jesus Christ all rolled into one. In 1993, NME staff and contributors voted the album the 81st best of all time, and in 2000, Q listed it as the 89th best British album of all time. Scotland on Sunday listed The White Room in their Essential 100, and readers of Scotland's Is this music? magazine voted the album the 44th best Scottish LP of all time. The White Room is included in the book 1001 Albums You Must Hear Before You Die. Tracks: 01 Kylie Said to Jason (Edit) 4:05 02 3 a.m. Eternal (Pure Trance Original) (Edit) 4:24 03 Go to Sleep 3:44 04 Make It Rain 3:43 05 Church of the KLF 3:58 06 No More Tears 3:26 07 Build a Fire 5:02 08 The Lovers' Side 4:24 09 The White Room 4:31 10 Born Free 3:02 11 What Time Is Love? (LP Mix) 4:37 12 Make It Rain 4:06 13 3 a.m. Eternal (Live at the S.S.L.) 3:36 14 Church of the KLF 1:53 15 Last Train to Trancentral (LP Mix) 5:33 16 Build a Fire 4:39 17 The White Room 5:14 18 No More Tears 9:24 19 Justified and Ancient 4:43

Van Halen II is the second studio album by American rock band Van Halen. Released on March 23, 1979, it peaked at number six on the Billboard 200 and spawned the singles Dance the Night Away and Beautiful Girls. As of 2004, it has sold almost six million copies in the United States. Critical reaction to the album has been positive as well, with The Rolling Stone Album Guide praising the feel-good, party atmosphere of the songs. Tracks: 1. You're No Good 3:16 2. Dance the Night Away 3:06 3. Somebody Get Me a Doctor 2:52 4. Bottoms Up! 3:05 5. Outta Love Again 2:51 6. Light Up the Sky 3:13 7. Spanish Fly 1:00 8. D.O.A. 4:09 9. Women in Love... 4:08 10. Beautiful Girls 3:56

Hot for Teacher" is a song by the American rock band Van Halen, taken from their sixth studio album, 1984. The song was written by band members Eddie Van Halen, Alex Van Halen, Michael Anthony and David Lee Roth, and produced by Ted Templeman. It was released as the fourth and final single from the album in October 1984, and was the final single released during the band's 1974–1985 era. The song features Alex Van Halen's double bass drum performance, and its music video, featuring the band as both adults and young students. Unusually for a single, it begins with a 30-second drum solo, followed by another 30 seconds of instrumental introduction. The ending of this song comes from a studio demo from the band's club days, entitled "Voodoo Queen". he music video (directed by Pete Angelus and David Lee Roth, and produced by Jerry Kramer and Glenn Goodwin, choreographed by Vincent Paterson with concept/treatment by Anthony Nasch) was filmed at John Marshall High School, with Phil Hartman performing the voice of Waldo, the video's protagonist. Waldo, an awkward boy with large glasses and a bow tie, is put on the school bus by his over-protective mother. He is terrified by the unruly kids on the bus; the driver played by Roth, tells him "si'down, Waldo!" as the opening drums begin. Along with Waldo, the "kid versions" of Van Halen face the trials and tribulations of grade school. Two models appear as teachers in the video, Donna Rupert (1981 Miss Canada pageant runner up), who plays the chemistry teacher, and Lillian Müller, who plays the Phys Ed teacher. Both teachers tear off their dresses to reveal a bikini, to the cheers of the students. At the end of the video, the kids are shown to have grown up to become a gynecologist (Alex Van Halen), a sumo wrestler (Michael Anthony), a psychiatric hospital patient (Eddie Van Halen), and a game show host (Roth). While it is said that no one was sure what Waldo grew up to be, the video hints at him becoming a pimp, the total opposite of his child self. This is intercut with scenes with the band members dressed in red suits and dancing to the song under a disco ball. An initial controversy arose when the video showed all the band members performing a quick crotch-grab during the "...so bad..." part of the chorus; at first, the 1980s NBC late-night show Friday Night Videos added black-box censor bars to the crotch-grabs but eventually relented and removed the black-box from their video. One potentially controversial scene managed to go unnoticed for many years, until Angelus unveiled it in the 2011 book MTV Ruled the World: The Early Years of Music Video by Greg Prato: "One thing I remember about that video that a lot people don’t know or maybe didn’t see. When Dave turns into the television show host, we had an idea. I thought, 'You know ... there hasn’t been a really substantial urine stain on MTV. Ever, when you really think about it. So let’s pour a lot of water on David’s crotch. Let’s make it look like he really just pissed himself. And then let’s see if anyone sees it when we hand the video into the record company and MTV.' And nobody did! I know this sounds absolutely pathetic to say, but we probably pulled off the first and most substantial urine stain in the history of television. So we’ve got that going for us."

1984 (stylized in Roman numerals as MCMLXXXIV) is the sixth studio album by American rock band Van Halen, released on January 9, 1984. It was the last Van Halen studio album until A Different Kind of Truth (2012) to feature lead singer David Lee Roth, who left the band in 1985 following creative differences. This is the final full-length album to feature all four original members (Van Halen brothers, Roth, and Michael Anthony), although they reunited briefly in 2000 to start work on what would much later become 2012's A Different Kind of Truth.[3] Roth returned in 2007, but Eddie's son Wolfgang replaced Anthony in 2006. 1984 and Van Halen's debut are Van Halen's bestselling albums, each having sold more than 10 million copies. 1984 was well received by music critics. Rolling Stone ranked the album number 81 on its list of the 100 Greatest Albums of the 1980s. It reached number two on the Billboard 200 album chart and remained there for five weeks, behind Michael Jackson's Thriller, on which guitarist Eddie Van Halen made a guest performance. 1984 produced four singles, including "Jump", Van Halen's only number-one single on the Billboard Hot 100; the top-20 hits "Panama" and "I'll Wait"; and the MTV favorite "Hot for Teacher". The album was certified diamond by the Recording Industry Association of America in 1999, signifying ten million shipped copies. Track List: 01 1984 02 Jump 03 Panama 04 Top Jimmy 05 Drop Dead Legs 06 Hot for Teacher 07 I'll Wait 08 Girl Gone Bad 09 House of Pain

5150 (pronounced "fifty-one-fifty") is the seventh studio album by American rock band Van Halen. It was released on March 24, 1986, by Warner Bros. Records and was the first of four albums to be recorded with lead singer Sammy Hagar, who replaced David Lee Roth. The album was named after Eddie Van Halen's home studio, 5150, in turn named after a California law enforcement term for a mentally disturbed person (a reference to Section 5150 of the California Welfare and Institutions Code). The album hit number 1 on the Billboard 200 chart, surpassing the band's previous album, 1984, which had peaked at number 2 behind Michael Jackson's Thriller album, on which Eddie made a guest appearance. 01 Good Enough 02 Why Can't This Be Love 03 Get Up 04 Dreams 05 Summer Nights 06 Best Of Both Worlds 07 Love Walks In 08 5150 09 Inside

For Unlawful Carnal Knowledge (often abbreviated as F.U.C.K.) is the ninth studio album by American rock band Van Halen. It was released on June 17, 1991, on Warner Bros. Records and is the third to feature vocalist Sammy Hagar. It debuted at number 1 on the Billboard 200 album chart and maintained the position for three consecutive weeks. The album marked a record in the band's history, seeing seven of its eleven tracks released as singles. The album marked the first time the band had Ted Templeman working in a producer capacity since 1984, when David Lee Roth was still lead singer. He had, however, assisted in determining the track sequencing for the 1986 effort 5150. Tracks: 1. Poundcake 5:21 2. Judgement Day 4:38 3. Spanked 4:53 4. Runaround 4:20 5. Pleasure Dome 6:58 6. In 'n' Out 6:04 7. Man on a Mission 5:03 8. The Dream Is Over 3:59 9. Right Now 5:21 10. 316 (instrumental) 1:29 11. Top of the World 3:54

"Cleveland Rocks" is a rock song by Ian Hunter from his 1979 album You're Never Alone with a Schizophrenic. The song is seen as a de facto anthem in Cleveland, Ohio. The song was played every Friday at 5:00 PM on Cleveland radio station WMMS beginning in 1979 and is used as a victory song for the city's sports teams. In recognition of "Cleveland Rocks", Hunter was given the key to the city by Cleveland mayor Dennis Kucinich on June 19, 1979. A cover of the song by The Presidents of the United States of America was used as the theme song for The Drew Carey Show. The song was inspired in part by the songwriter's desire to counteract the poor reputation of a city for which he had some affection. Hunter states on his web site, "the inspiration for 'Cleveland Rocks' goes back to the old days when people used to make fun of Cleveland. Cleveland was 'uncool' and LA and NYC were 'cool'. I didn't see it that way. Lotta heart in Cleveland." The song was first released in 1977 under the title "England Rocks" on a single in the United Kingdom, predating the release of the "Cleveland" version by two years. Hunter has maintained, however, that Cleveland was the original subject of the song, stating on his web site, "I originally wrote 'Cleveland Rocks' for Cleveland. I changed it later to 'England Rocks' because I thought it should be a single somewhere and Columbia wouldn't release it as a single in the U.S. (too regional). 'Cleveland Rocks' is Cleveland's song and that's the truth." A live version of "Cleveland Rocks" appears on Hunter's 1980 album Welcome to the Club and on the soundtrack to the 1987 film Light of Day, a movie with Joan Jett and Michael J. Fox that is based in Cleveland. The "England Rocks" version appears on the compilation albums Shades of Ian Hunter: The Ballad of Ian Hunter and Mott the Hoople and The Very Best of Ian Hunter, as well on the CD re-issue of Hunter's 1977 album Overnight Angels. The original version also serves as an unofficial tribute to the history of rock and roll, as at the beginning of the song, it has an archival sample of Cleveland disc jockey Alan Freed introducing his show on WJW, The Moondog Show, before suddenly seguing into the intro to "Cleveland Rocks". (Freed had been deceased for fourteen years at the time of the release of "Cleveland Rocks".) Freed's show on WJW launched several rock and roll acts in the early days of the genre, and would form part of the basis of opening the Rock and Roll Hall of Fame in Cleveland sixteen years later. Hunter performed "Cleveland Rocks" in the pregame ceremonies of Game 3 of the 2007 NBA Finals at Quicken Loans Arena—the first NBA Finals game played in the state of Ohio.

Van Halen is the debut studio album by American rock band Van Halen, released on February 10, 1978, by Warner Bros. It is widely regarded as one of the greatest debut albums in rock and was a major commercial success. The album peaked at number 19 on the US Billboard 200 and has sold more than 10 million copies in the United States. It received diamond certification by the RIAA and was received well by the general public making it one of the best-selling albums in the United States. Van Halen contains some of the band's most well-known songs, including "Runnin' with the Devil", "Ain't Talkin' 'bout Love", "Jamie's Cryin'", their cover version of the Kinks 1964 song "You Really Got Me", and the instrumental "Eruption"; played and written by guitarist Eddie Van Halen, it is widely regarded as one of the greatest guitar solos of all time and helped popularize two-handed tapping. Tracks: 01 "Runnin' with the Devil" 3:36 02 "Eruption" 1:42 03 "You Really Got Me" 2:38 04 "Ain't Talkin' 'bout Love" 3:50 05 "I'm the One" 3:47 06 "Jamie's Cryin'" 3:31 07 "Atomic Punk" 3:02 08 "Feel Your Love Tonight" 3:43 09 "Little Dreamer" 3:23 10 "Ice Cream Man" 3:20 11 "On Fire" 3:01

Business as Usual is the debut studio album by Australian new wave band Men at Work, which was released in November 1981 in Australia, and April 1982 in the United States. It spent nine weeks at the top of the Australian Kent Music Report Albums Chart from December 1981 through to March 1982. The Australian version had a black and white cover design; overseas releases had a similar design, but in a black and yellow color scheme. Business as Usual was one of the most successful albums internationally by an Australian group. It spent an unprecedented 15 weeks at No. 1 on the US Billboard 200 from late 1982 to early 1983; and five weeks at No. 1 in the United Kingdom Albums Chart in early 1983. Business as Usual was also one of the highest selling Australian albums in the early 1980s, with 6 million copies shipped in the US. Tracks: 01 Who Can It Be Now? 3:21 02 I Can See It in Your Eyes 3:29 03 Down Under 3:42 04 Underground 3:03 05 Helpless Automaton 3:21 06 People Just Love to Play with Words 3:29 07 Be Good Johnny 3:35 08 Touching the Untouchables 3:39 09 Catch a Star 3:28 10 Down by the Sea 6:53

A Space in Time is the sixth studio album by the British blues rock band Ten Years After. It was released in August 1971 by Chrysalis Records in the United Kingdom and Columbia Records in the United States. A departure in style from their previous albums, A Space in Time is less 'heavy' than previous albums and includes more acoustic guitar, perhaps influenced by the success of Led Zeppelin who were mixing acoustic songs with heavier numbers. It reached number 17 on the Billboard 200. The third track on the album, "I'd Love to Change the World", is also their biggest hit. By combining a melodic acoustic chorus with challenging electric guitar riffs, they managed to produce a sound that hit number 10 in the charts in Canada and number 40 in the US. Although this was their biggest hit, they rarely played it live. "Baby Won't You Let Me Rock 'n' Roll You" also charted, peaking at number 61 in the US, and reaching number 54 in Canada. Track List: 01 One of These Days– 5:52 02 Here They Come– 4:27 03 I'd Love to Change the World– 3:42 04 Over the Hill– 2:28 05 Baby Won't You Let Me Rock 'n' Roll You– 2:10 06 Once There Was a Time– 3:20 07 Let the Sky Fall– 4:19 08 Hard Monkeys– 3:12 09 I've Been There Too– 5:40 10 Uncle Jam– 1:54

"Beck's Bolero" is a rock instrumental recorded by English guitarist Jeff Beck in 1966. It is Beck's first solo recording and has been described as "one of the great rock instrumentals, epic in scope, harmonically and rhythmically ambitious yet infused with primal energy".

The Cars is the debut studio album by American new wave band The Cars, released on June 6, 1978, by Elektra Records. The album was managed by longtime producer Roy Thomas Baker, and spawned several hit singles, including Just What I Needed, My Best Friend's Girl, and Good Times Roll, as well as other radio and film hits such as Bye Bye Love and Moving in Stereo. The Cars peaked at number 18 on the US Billboard 200 albums chart, and has been certified six-times platinum by the Recording Industry Association of America. Tracks: 01 Good Times Roll 3:44 02 My Best Friend's Girl 3:44 03 Just What I Needed 3:44 04 I'm in Touch with Your World 3:31 05 Don't Cha Stop 3:01 06 You're All I've Got Tonight 4:13 07 Bye Bye Love 4:14 08 Moving in Stereo 4:46 09 All Mixed Up 4:14

Great Musician that appeared on American Idol and is growing his following. Get his music on Apple Music

Chronicle, or fully Chronicle: The 20 Greatest Hits, is a greatest hits album by the American rock band Creedence Clearwater Revival. It was released in January 1976 by Fantasy Records. The edited version of "I Heard It Through the Grapevine" featured on the album was simultaneously released as a single (see 1976 in music). Chronicle is a singles collection with 13 A-sides and seven B-sides. Unlike the two previously released Creedence Gold compilations, Chronicle includes all of the group's charted hits. Chronicle: Volume Two was released in 1986, and features non-charting "classics" collected from the same albums as the songs on Chronicle. Certified 12x Platinum by the Recording Industry Association of America, it is the best-selling album in the band's catalog. The compilation was ranked number 59 in Rolling Stone's list of the 500 Greatest Albums of all time in 2012, but disappeared from the list altogether when it was published again in 2020. The album has sold at least 6 million copies in the US since 1991 (data from 2013), when Nielsen SoundScan began tracking sales for Billboard. It has remained on the Billboard 200 LP chart for 12 years, during which it reached the 600 week-mark (non-consecutive) in August of 2022. It was re-released on vinyl in 2014 as a Limited Edition. Tracks: 01 "Susie Q" 4:36 02 "I Put a Spell on You 4:32 03 "Proud Mary" 3:08 04 "Bad Moon Rising" 2:19 05 "Lodi" 3:10 06 "Green River" 2:33 07 "Commotion" 2:42 08 "Down on the Corner" 2:45 09 "Fortunate Son" 2:20 10 "Travelin' Band" 2:08 11 "Who'll Stop the Rain" 2:28 12 "Up Around the Bend" 2:42 13 "Run Through the Jungle" 3:07 14 "Lookin' out My Back Door" 2:33 15 "Long as I Can See the Light" 3:31 16 "I Heard It Through the Grapevine" 11:04 17 "Have You Ever Seen the Rain?" 2:38 18 "Hey Tonight" 2:43 19 "Sweet Hitch-Hiker" 2:56 20 "Someday Never Comes" 4:00

"Come and Get Your Love" is a song by American rock band Redbone. The song was originally released as a promo track under the name "Hail" and was later featured on their fifth album, Wovoka (1973), under its current name. The song was released as the album's first single the following year. Written and produced by band members Pat and Lolly Vegas, it is one of the band's most successful singles. It made them the first Native American band to reach the top five on the Billboard Hot 100, reaching number five. The song later appeared on many "greatest hits" albums released by the band, as well as on numerous compilation albums of the 1970s. A music video was released in 2020. The single cut is significantly shorter, with the album version featuring an introductory slow part, plus a longer repeated coda. Most radio stations rarely play the latter. The song features a prominent part for electric sitar. A shorter DJ re-service edit of the single version is mainly distinguished by a lead vocal. During sportscaster George Michael's tenure as a disc jockey on New York's WABC radio from September 1974 to November 1979, he would routinely begin his Friday night show with this song, which he dubbed the "weekend national anthem". Watch the video story of the band of brothers told first person here: https://rumble.com/v3kc3cp-the-story-of-pat-and-lolly-vegas.html

The Steve Miller Band is an American rock band formed in 1966 in San Francisco, California. The band is led by Steve Miller on guitar and lead vocals. The group had a string of mid- to late-1970s hit singles that are staples of classic rock, as well as several earlier psychedelic rock albums. Miller left his first band to move to San Francisco and form the Steve Miller Blues Band. Shortly after Harvey Kornspan negotiated the band's contract with Capitol Records in 1967, the band shortened its name to the Steve Miller Band. In February 1968, the band recorded its debut album, Children of the Future. It went on to produce the albums Sailor, Brave New World, Your Saving Grace, Number 5, Rock Love, Fly Like an Eagle, Book of Dreams, among others. The band's Greatest Hits 1974–78, released in 1978, sold over 13 million copies. In 2016, Steve Miller was inducted as a solo artist in the Rock and Roll Hall of Fame. 01 Swingtown 3:27 02 Jungle Love 3:02 03 Take The Money and Run 2:48 04 Rock'n Me 3:05 05 Serenade 3:10 06 True Fine Love 2:38 07 The Stake 3:55 08 The Joker 3:36 09 Fly Like an Eagle 3:00 10 Threshold 1:04 11 Jet Airliner 3:20 12 Dance, Dance, Dance 2:16 13 Winter Time 3:09 14 Wild Mountain Honey 4:50

An original performed by Cole Chany at Seneca Rocks in West Virginia - "Ill Will Creek"

New Artist That Is Rising Fast! Tracks: - Fair Weather Frieda - The Ohio Song kadiemeadowsmusic@gmail.com

Aqualung is the fourth studio album by the British rock band Jethro Tull, released on 19 March 1971, by Chrysalis Records. It is widely regarded as a concept album featuring a central theme of "the distinction between religion and God", though the band have said there was no intention to make a concept album, and that only a few songs have a unifying theme. Aqualung's success signalled a turning point in the career of the band, which went on to become a major radio and touring act. Recorded at Island Records' new London recording studio, it was their first album with keyboardist John Evan as a full-time member, their first with new bassist Jeffrey Hammond, and last album featuring Clive Bunker on drums, who quit the band shortly after the release of the album. Something of a departure from the band's previous work, the album features more acoustic material than previous releases; and—inspired by photographs of homeless people on the Thames Embankment taken by singer Ian Anderson's wife Jennie—contains a number of recurring themes, addressing religion along with Anderson's own personal experiences. Aqualung is Jethro Tull's best-selling album, selling more than seven million units worldwide. It was generally well-received critically and has been included on several music magazine best-of lists. The album spawned two singles, "Hymn 43" and "Locomotive Breath". Tracks: Aqualung (Ian Anderson, Jennie Anderson) Cross-Eyed Mary Cheap Day Return Mother Goose Wond'ring Aloud Up to Me My God Hymn 43 Slipstream Locomotive Breath Wind-Up

Musical tribute by Xavier Alern, professor of Musicology at the UAB, and Opus One orchestra to composer Mike Oldfield on the occasion of the 50th anniversary of the release of his first album “Tubular Bells”. The event, co-produced by the UAB and Opus One, included the collaboration of the ALBA Synchrotron facility in order to create a unique atmosphere combining science and art under an unrivalled setting. https://www.opusone.cat/opus-one-es Part one 1. Introduction 0:50 2. Fast Guitars 6:50' 3. Basses 7:54 4. Latin 8:41 5. A Minor Tune 10:59 6. Blues 12:17' 7. Thrash 15:13 8. Jazz 15:57 9. Ghost Bells 16:46 10. Russian 17:19 11. Finale 18:04 Part two 12. Harmonics 26:44 13. Peace 31:53 14. Bagpipe Guitars 35:23 15. Caveman 38:25 16. Ambient Guitars 42:57 17. The Sailor's Hornpipe 48:26

A 3.5+ Hour Led Zeppelin Compilation. Click Play and relax for 3 hours, 33 minutes and 20 seconds. Led Zeppelin 1,2,3,4 & Houses of the Holy Together. For the hardcore Zeppelin Fans.