SIGOPS

At Fillmore East is the first live album by American rock band the Allman Brothers Band, and their third release overall. Produced by Tom Dowd, the album was released on July 6, 1971, in the United States by Capricorn Records. As the title indicates, the recording took place at the New York City music venue Fillmore East, which was run by concert promoter Bill Graham. It was recorded over the course of three nights in March 1971 and features the band performing extended jam versions of songs such as "Whipping Post", "You Don't Love Me" and "In Memory of Elizabeth Reed". When first commercially released, it was issued as a double LP with just seven songs across four vinyl sides. At Fillmore East was the band's artistic and commercial breakthrough, rapidly escalating the band's exposure and gaining them a new legion of loyal fans. Many people consider At Fillmore East to be one of the best live albums of all time, and consider the album to be the start of the band's association with the jam band school of music (although members of the band have repudiated the label, stating instead they are just "a band that jams"). It has also been ranked among the best overall albums by artists and continues to be a top seller in the band's catalog, becoming their first album to go platinum. In 2004, the album was selected for preservation in the Library of Congress, deemed to be "culturally, historically, or aesthetically important" by the National Recording Registry. Track Title Length 01 "Statesboro Blues" 4:17 02 "Trouble No More" 3:43 03 "Don't Keep Me Wonderin'" 3:27 04 "Done Somebody Wrong" 4:11 05 "Stormy Monday" 10:19 06 "One Way Out" 4:55 07 "In Memory of Elizabeth Reed" 12:59 08 "You Don't Love Me" 19:24 09 "Midnight Rider" 2:55 10 "Hot 'Lanta" 5:20 11 "Whipping Post" 22:37 12 "Mountain Jam" 33:41 13 "Drunken Hearted Boy" (withElvin Bishop) 6:54

https://www.allmanbettsband.com Set List: 01 All Night 02 Shinin' 03 Blue Sky 04 Ain't Wastin' Time No More 05 Autumn Breeze 06 Dimples 07 Purple Rain 08 In Memory of Elizabeth Reed 09 Down to the River 10 Midnight Rider 11 Southern Accents 12 Long Gone "The Allman Betts Band ( https://www.allmanbettsband.com ) Individually, they’re Devon Allman and Duane Betts, two solo artists and modern-day guitar heroes who’ve both spent years creating their own version of American roots music. Together, they’re the leaders of The Allman Betts Band, a supergroup anchored by sharp songwriting, fiery fretwork, and an historic legacy. Inspired by the classic sounds of the group’s family tree, The Allman Betts Band makes timeless rock & roll for the modern world, blurring the boundaries between blues, Americana, and southern soul. Over the course of two critically-acclaimed studio albums, hundreds of live shows, and annual performances of the Allman Betts Family Revival, The Allman Betts Band has established its own legacy of music and brotherhood. Devon and Duane first met as children in 1989, when their fathers — keyboardist Gregg Allman and guitarist Dickey Betts, both co-founders of The Allman Brothers Band — brought their boys on tour for the group’s 20th anniversary tour. “When you grow up on tour like that, it connects you at a young age,” Duane says. “From that point on, we knew we were family. Even though we never lived in the same city, we always had that bond.” In late 2017, Devon and Duane found themselves onstage at the Fillmore in San Francisco — a performance that would birth not only The Allman Betts Family Revival tradition, but also The Allman Betts Band itself. “That night would’ve been my father’s 70th birthday,” Devon recalls, “so I put together a one-off concert to celebrate his life and his music. Duane joined me for some songs. Our families had been intertwined for years, and we always knew we might form a band at some point in our lives. That show proved we had the chemistry to do it.” The musical chemistry grew throughout 2018, while the two songwriters played more than 100 shows across the world. Along the way, they began writing new songs in hotel rooms and tour bus lounges, creating their own version of the soulful, guitar-fueled music they’d grow up loving. Flush with material, The Allman Betts Band recorded its debut album, Down to the River, at Muscle Shoals Sound Studios. The guys tracked the record live, recording to two-inch analog tape without the use of computers or digital editing. Down to the River was released in 2019, reaching Number 1 on the iTunes Rock Chart and cracking the Top 10 on multiple Billboard charts. “We built a fanbase very quickly,” Devon says. “I think there was a need for our kind of music, especially for people who loved bands like The Grateful Dead, the Allman Brothers, and the Rolling Stones. Those fans were excited to hear a newer band doing music in an old-school vein.” To support the album’s release, The Allman Betts Band launched a world tour on March, 2019 — an historic date that marked the 50-year anniversary of The Allman Brothers Band’s first jam session in Jacksonville, Florida. As the seven-piece band toured the world, the musical connection between Devon and Duane grew deeper. They wrote new songs during the short breaks between shows. They collaborated on the third-annual Family Revival. They even found time to return to Muscle Shoals Sound Studios with producer Matt Ross-Spang, with whom they recorded Bless Your Heart over a week’s time. When a global pandemic threatened to prevent The Allman Betts Band from touring behind Bless Your Heart, the guys got creative, playing socially-distanced gigs in cow pastures before launching an extensive drive-in tour. They hit a new stride in 2021, when they played nearly 120 shows — including multiple performances with the Family Revival, which they turned into a traveling festival featuring an all-star lineup of guests. Artists like Robert Randolph, Jimmy Hall, Donovan Frankenreiter, and G. Love joined them that year, and when the Family Revival returned in 2022 for another run of shows, the guys were joined by Luther Dickinson, Maggie Rose, and others. “The Family Revival started as a celebration of my father, but it evolved into a Last Waltz-style reunion of players from our generation, as well as up-and-coming talent,” Devon explains. “It’s become a chance for all of us to come together, play this precious catalog, and galvanize our own generation of musicians. It’s something my Dad would’ve been proud of. I know that Duane’s dad is proud of it, too.” Meanwhile, The Allman Betts Band took some time off in 2022 and early 2023. During the hiatus, Duane recorded and released Wild & Precious Life — his full-length debut as a solo artist — while Devon toured the country with Donavon Frankenreiter, setting a new world record for playing 50 shows across all 50 states in 49 days. By the summer of 2023, The Allman Betts Band had returned to the road, ready to start a new chapter. The group expanded its lineup, too, with Allman and Betts now joined by guitarist Johnny Stachela, bassist Justin Corgan, keyboardist John Ginty, percussionist/saxophonist David Gomez, and drummers John Lum and Alex Orbison. “We’re keeping the tradition alive,” says Duane. “The Allman Betts Band is an original band, and our albums are the foundation of what we do, but we’re also happy to include a couple tips-of-the-hat to my dad and Gregg Allman during our sets, too. They’re part of our influences. They’re part of our history.” History, indeed. There’s a rich lineage to The Allman Betts Band, whose two leaders are carrying the musical torch once held by their fathers. This is a group of musicians who proudly live in the present, though, not the past. They make music for today, creating a new soundtrack for the American South, blurring the lines between genres along the way. There’s a bluesy Americana band with a teeth. They’re a rock & roll band with soul. They’re first-rate songwriters and top-shelf guitarists, always searching for a new song to sing. They’re The Allman Betts Band."

Warren Haynes performs with special guest Joe Bonamassa at Guitar Center's 2011 King of the Blues Finals at the House of Blues in Los Angeles on September 1st 2011.

"The Allman Betts Band ( https://www.allmanbettsband.com ) Individually, they’re Devon Allman and Duane Betts, two solo artists and modern-day guitar heroes who’ve both spent years creating their own version of American roots music. Together, they’re the leaders of The Allman Betts Band, a supergroup anchored by sharp songwriting, fiery fretwork, and an historic legacy. Inspired by the classic sounds of the group’s family tree, The Allman Betts Band makes timeless rock & roll for the modern world, blurring the boundaries between blues, Americana, and southern soul. Over the course of two critically-acclaimed studio albums, hundreds of live shows, and annual performances of the Allman Betts Family Revival, The Allman Betts Band has established its own legacy of music and brotherhood. Devon and Duane first met as children in 1989, when their fathers — keyboardist Gregg Allman and guitarist Dickey Betts, both co-founders of The Allman Brothers Band — brought their boys on tour for the group’s 20th anniversary tour. “When you grow up on tour like that, it connects you at a young age,” Duane says. “From that point on, we knew we were family. Even though we never lived in the same city, we always had that bond.” In late 2017, Devon and Duane found themselves onstage at the Fillmore in San Francisco — a performance that would birth not only The Allman Betts Family Revival tradition, but also The Allman Betts Band itself. “That night would’ve been my father’s 70th birthday,” Devon recalls, “so I put together a one-off concert to celebrate his life and his music. Duane joined me for some songs. Our families had been intertwined for years, and we always knew we might form a band at some point in our lives. That show proved we had the chemistry to do it.” The musical chemistry grew throughout 2018, while the two songwriters played more than 100 shows across the world. Along the way, they began writing new songs in hotel rooms and tour bus lounges, creating their own version of the soulful, guitar-fueled music they’d grow up loving. Flush with material, The Allman Betts Band recorded its debut album, Down to the River, at Muscle Shoals Sound Studios. The guys tracked the record live, recording to two-inch analog tape without the use of computers or digital editing. Down to the River was released in 2019, reaching Number 1 on the iTunes Rock Chart and cracking the Top 10 on multiple Billboard charts. “We built a fanbase very quickly,” Devon says. “I think there was a need for our kind of music, especially for people who loved bands like The Grateful Dead, the Allman Brothers, and the Rolling Stones. Those fans were excited to hear a newer band doing music in an old-school vein.” To support the album’s release, The Allman Betts Band launched a world tour on March, 2019 — an historic date that marked the 50-year anniversary of The Allman Brothers Band’s first jam session in Jacksonville, Florida. As the seven-piece band toured the world, the musical connection between Devon and Duane grew deeper. They wrote new songs during the short breaks between shows. They collaborated on the third-annual Family Revival. They even found time to return to Muscle Shoals Sound Studios with producer Matt Ross-Spang, with whom they recorded Bless Your Heart over a week’s time. When a global pandemic threatened to prevent The Allman Betts Band from touring behind Bless Your Heart, the guys got creative, playing socially-distanced gigs in cow pastures before launching an extensive drive-in tour. They hit a new stride in 2021, when they played nearly 120 shows — including multiple performances with the Family Revival, which they turned into a traveling festival featuring an all-star lineup of guests. Artists like Robert Randolph, Jimmy Hall, Donovan Frankenreiter, and G. Love joined them that year, and when the Family Revival returned in 2022 for another run of shows, the guys were joined by Luther Dickinson, Maggie Rose, and others. “The Family Revival started as a celebration of my father, but it evolved into a Last Waltz-style reunion of players from our generation, as well as up-and-coming talent,” Devon explains. “It’s become a chance for all of us to come together, play this precious catalog, and galvanize our own generation of musicians. It’s something my Dad would’ve been proud of. I know that Duane’s dad is proud of it, too.” Meanwhile, The Allman Betts Band took some time off in 2022 and early 2023. During the hiatus, Duane recorded and released Wild & Precious Life — his full-length debut as a solo artist — while Devon toured the country with Donavon Frankenreiter, setting a new world record for playing 50 shows across all 50 states in 49 days. By the summer of 2023, The Allman Betts Band had returned to the road, ready to start a new chapter. The group expanded its lineup, too, with Allman and Betts now joined by guitarist Johnny Stachela, bassist Justin Corgan, keyboardist John Ginty, percussionist/saxophonist David Gomez, and drummers John Lum and Alex Orbison. “We’re keeping the tradition alive,” says Duane. “The Allman Betts Band is an original band, and our albums are the foundation of what we do, but we’re also happy to include a couple tips-of-the-hat to my dad and Gregg Allman during our sets, too. They’re part of our influences. They’re part of our history.” History, indeed. There’s a rich lineage to The Allman Betts Band, whose two leaders are carrying the musical torch once held by their fathers. This is a group of musicians who proudly live in the present, though, not the past. They make music for today, creating a new soundtrack for the American South, blurring the lines between genres along the way. There’s a bluesy Americana band with a teeth. They’re a rock & roll band with soul. They’re first-rate songwriters and top-shelf guitarists, always searching for a new song to sing. They’re The Allman Betts Band."

he Allman Brothers Band - Full Concert Recorded Live: 8/14/1994 - Woodstock 94 (Saugerties, NY) Duane Betts plays with his father and the band. https://www.allmanbettsband.com/ Devon Allman and Duane Betts, Setlist: 0:00:00 - Statesboro Blues 0:05:40 - Blue Sky 0:12:34 - The Same Thing 0:20:32 - Soulshine 0:27:29 - Midnight Rider 0:31:38 - Jessica 0:42:32 - No One To Run With 0:48:08 - Back Where It All Begins 0:57:41 - One Way Out 1:07:45 - Whipping Post

"Melissa" (sometimes called "Sweet Melissa") is a song by American rock band the Allman Brothers Band, released in August 1972 as the second single from the group's fourth album, Eat a Peach. The song was written by vocalist Gregg Allman in 1967, well before the founding of the group. Two demo versions from those years exist, including a version cut by the 31st of February, a band that featured Butch Trucks, the Allman Brothers' later drummer. Allman sold the publishing rights later that year, but they were reacquired by manager Phil Walden in 1972. The song's title is frequently referred to incorrectly as "Sweet Melissa" due to the lyric being sung at the end of each of the first two choruses. The version on Eat a Peach was recorded in tribute to Duane Allman, who considered the song among his brother's best and a personal favorite. He died in a motorcycle accident six weeks before its most famous rendition was recorded.

"Ramblin Man" is a song by American rock band The Allman Brothers Band, released in August 1973 as the lead single from the group's fourth studio album, Brothers and Sisters (1973). Written and sung by the band's guitarist, Dickey Betts, it was inspired by a 1951 song of the same name by Hank Williams. It is much more grounded in country music than other Allman Brothers Band compositions, which made the group reluctant to record it. Guitarist Les Dudek provides guitar harmonies, and it was one of bassist Berry Oakley's last contributions to the band. The song became the Allman Brothers Band's first and only top 10 single, peaking at number two on the Billboard Hot 100 chart and number 12 on the Easy Listening chart. Background "Ramblin Man" was first created during songwriting sessions for Eat a Peach. An embryonic version, referring to a "ramblin' country man," can be heard on the bootleg The Gatlinburg Tapes, featuring the band jamming on an off-day in April 1971 in Gatlinburg, Tennessee. Betts continued to work on the song for a year, but the lyrics came together in as little as twenty minutes. "I wrote "Ramblin' Man" in Berry Oakley's kitchen [at the Big House] at about four in the morning. Everyone had gone to bed but I was sitting up," said Betts in 2014. Drummer Butch Trucks noted that the band acknowledged it was a good song but were reluctant to record it, as it sounded too country for them. New member and keyboardist Chuck Leavell enjoyed the song, noting, "It's definitely in the direction of country but that didn't bother me in the least I think our attitude was, 'Let's take this thing and make it as great as we can.'" The song was inspired by a 1951 song of the same name by Hank Williams. It was one of the first songs recorded for Brothers and Sisters (1973), alongside "Wasted Words". The band went to the studio to record a demo of the song to send to a friend, which is where the long guitar jam near the finale of the song was created. Having not considered it an Allman Brothers song before, they felt the solos fitted the band well and decided to put it on the album. Guitarist Les Dudek, who was contributing to Brothers and Sisters, was sitting in the control room when the song was being recorded. He and Betts had worked out the harmony parts together. Betts continued to approach him for his thoughts on the recordings. Eventually, he asked him to come record the song with him. "We played it all live. I was standing where Duane would have stood with Berry just staring a hole through me and that was very intense and very heavy," said Dudek. When the song was completed, the management team and road crew gathered to listen to it. According to Dudek, the room was silent after it ended and roadie Red Dog remarked, "That's the best I heard since Duane." Personnel: Dickey Betts - guitar, vocals Gregg Allman - organ, vocals Barry Oakley - bass Jai Johanny "Jaimoe" Johanson - drums Butch Trucks - drums Chuck Leavell - Fender Rhodes piano Lyrics: Ramblin' Man The Allman Brothers Band Lord, I was born a ramblin' man Tryin' to make a livin' and doin' the best I can And when it's time for leavin', I hope you'll understand That I was born a ramblin' man Well my father was a gambler down in Georgia And he wound up on the wrong end of gun And I was born in the back seat of a Greyhound bus Rollin' down Highway 41 Lord, I was born a ramblin' man Tryin' to make a livin' and doin' the best I can When it's time for leavin', I hope you'll understand That I was born a ramblin' man I'm on my way to New Orleans this mornin' Leaving out of Nashville, Tennessee They're always having a good time down on the bayou Lord, and Delta women think the world of me Lord, I was born a ramblin' man Tryin' to make a livin' and doin' the best I can And when it's time for leavin', I hope you'll understand That I was born a ramblin' man Lord, I was born a ramblin' man Lord, I was born a ramblin' man Lord, I was born a ramblin' man Lord, I was born a ramblin' man Written by: Forrest Richard Betts Album: Brothers and Sisters Released: 1973

Dream On" is a power ballad by Aerosmith from their 1973 eponymous debut album. Written by lead singer Steven Tyler, this song was their first major hit and became a classic rock radio staple. Released in June 1973, it peaked at number 59 on the Billboard Hot 100 but hit big in the band's native Boston, where it was the number one single of the year on WBZ-FM, number five for the year on WRKO and number 16 on WMEX (AM).[citation needed] The song also received immediate heavy airplay on the former WVBF (FM), often showing up in the #1 position on "The Top Five at Five" in June 1973. The album version of "Dream On" (4:28, as opposed to the 3:25 1973 45 rpm edit where most of the intro has been edited out and the first chorus is replaced with the second chorus) was re-issued in late 1975, debuting at number 81 on the Billboard Hot 100 chart on January 10, 1976, breaking into the top 40 on February 14 and peaking at number 6 on April 10. Columbia Records chose to service top 40 radio stations with both long and short versions of the song, thus many 1976 pop radio listeners were exposed to the group's first top 10 effort through the 45 edit. In 2004, Rolling Stone magazine ranked the song at number 172 on its list of the 500 Greatest Songs of All Time. It was moved to number 173 in 2010, and re-ranked at number 199 in 2021. In 2007, Aerosmith would perform a re-recording of the song, amongst some of their other songs, for the game Guitar Hero: Aerosmith as the master track was missing during the game's development.In 2018, the song was inducted into the Grammy Hall of Fame. On November 29, 2023, Dream On surpassed one billion streams on Spotify. Background In a 2011 interview, Tyler reminisced about his father, a Juilliard-trained musician. He recalled lying beneath his dad's piano as a three-year-old listening to him play classical music. "That's where I got that Dream On chordage", he said. Lyrical composition was completed when Steven was 14 years old. The song is also famous for its building climax to showcase Tyler's trademark screams. In the authorized Stephen Davis band memoir Walk This Way, Tyler speaks at length about the origins of the songs

"Too Much Time on My Hands" is a song by American rock band Styx, released as the second single from their tenth album Paradise Theatre. It was written and sung by Tommy Shaw, who also plays the lead guitar solo during the break in the song. It was Shaw's only top 10 single as a writer and vocalist with Styx. The inspiration for its lyrics came from Shaw's experiences in a bar in Niles, Michigan, U.S. The lyrics are about an unemployed man who has "given up hope for the afternoon soaps / and a bottle of cold brew

“The Border” from THE BORDER by Willie Nelson Order the album here: https://WillieNelson.lnk.to/theborderID The Border is a brand new studio album out May 31 that captures 10 newly recorded Willie Nelson studio performances including four new Willie Nelson/Buddy Cannon compositions. The Border will be available digitally, on CD and black vinyl. Meanwhile Barnes & Noble will be offering an exclusive LP edition of The Border, pressed on orange vinyl and there will be an exclusive vinyl version offered on Willie’s D2C store that includes a 12” x 12” designed lyric book featuring the gorgeous album artwork with extensive listening notes by noted writer Mikal Gilmore and photos by Pamela Springsteen. The title track and first single was co-written by Rodney Crowell and Allen Shamblin and appeared on Crowell's 2019 Texas album and describes the inner life and outer reality of a border guard ("I work on the border, I see what I see") with Crowell's composition described in Rolling Stone as "more humanist than political, but no less tragic because of it." Willie's wise worldly take on the provocative song taps into an urgent universal relevancy that defines the album. Listen to Willie Nelson: https://WillieNelson.lnk.to/_listenYD Watch more videos by Willie Nelson: https://WillieNelson.lnk.to/_listenYD. Subscribe to the official Willie Nelson YouTube channel: https://WillieNelson.lnk.to/_subscribeYD Follow Willie Nelson Facebook: https://WillieNelson.lnk.to/followFI Instagram: https://WillieNelson.lnk.to/followII Twitter: https://WillieNelson.lnk.to/followTI Website: https://WillieNelson.lnk.to/followWI Spotify: https://WillieNelson.lnk.to/followSI YouTube: https://WillieNelson.lnk.to/_subscribeYD Ask your voice device to play Willie Nelson!

Highwayman Whey Jennings & Thomas Gabriel

The Band is the second studio album by the Canadian-American rock band the Band, released on September 22, 1969. It is also known as The Brown Album. According to Rob Bowman's liner notes for the 2000 reissue, The Band has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana. Thus, the songs on this album draw on historic themes for "The Night They Drove Old Dixie Down", "King Harvest (Has Surely Come)" and "Jawbone" (which was composed in the unusual 6/4 time signature). Recording After unsuccessfully attempting sessions at a studio in New York, the Band set up shop in the pool house of a home rented by the group in the Hollywood Hills located at 8850 Evanview Drive in Los Angeles, California. The home was then owned by Sammy Davis Jr. and was previously owned by Judy Garland and Wally Cox. According to Robbie Robertson, the location was chosen to give the songs a Basement Tapes–like feel in what was termed "a clubhouse concept". Three songs to finish the album (from "Up on Cripple Creek" through "Jemima Surrender") were not recorded at the "clubhouse studio", but at The Hit Factory in New York City. According to co-producer John Simon, Robbie Robertson took over most of the engineering for the record, "hungry for knowledge ... I showed him how to make an album from a technical point of view. Tracks Side one No. Title Length 1 "Across the Great Divide" 2:53 2 "Rag Mama Rag" 3:04 3 "The Night They Drove Old Dixie Down" 3:33 4 "When You Awake" 3:13 5 "Up on Cripple Creek" 4:34 6 "Whispering Pines" 3:58 Side two No. Title Length 1 "Jemima Surrender" 3:31 2 "Rockin' Chair" 3:43 3 "Look Out Cleveland" 3:09 4 "Jawbone" 4:20 5 "The Unfaithful Servant" 4:17 6 "King Harvest (Has Surely Come)" 3:39

1972 self-titled debut studio album by Eagles Eagles is the debut studio album by American rock band the Eagles. The album was recorded at London's Olympic Studios with producer Glyn Johns and released on June 1, 1972. It was an immediate success for the then-new band, reaching No. 22 on the Billboard 200 and achieving a platinum certification from the Recording Industry Association of America. Three singles were released from the album, each reaching the Top 40 of the Billboard Hot 100: Take It Easy, Witchy Woman, and Peaceful Easy Feeling. The band, starting with this album, played a major role in popularizing the country rock sound. The album was ranked number 368 in the 2012 edition of Rolling Stone magazine's list of the 500 Greatest Albums of All Time, and at number 207 in the 2020 reboot of the list. The single Take It Easy is part of the Rock and Roll Hall of Fame 500 Songs That Shaped Rock and Roll. Tracks: 01 Take It Easy 3:34 02 Witchy Woman 4:10 03 Chug All Night 3:18 04 Most of Us Are Sad 3:38 05 Nightingale 4:08 06 Train Leaves Here This Morning 4:13 07 Take the Devil 4:04 08 Earlybird 3:03 09 Peaceful Easy Feeling 4:20 10 Tryin' 2:54

"Since I've Been Loving You" was one of the first songs prepared for the Led Zeppelin III album.The song was recorded live in the studio with very little overdubbing. It was reportedly the hardest to record. John Paul Jones played Hammond organ on the song, using the bass pedals instead of a bass guitar. John Bonham's preferred drum pedal, the Ludwig Speed King model 201, squeaks during the recording, and has been called the "Squeak King". The opening and closing lyrics of "Since I've Been Loving You" are nearly identical to the 1968 Moby Grape song "Never". The song is a slow blues in the key of C minor.

The Deep and the Dirty is Eric Johanson's fourth studio album, and seventh overall album, released on July 28, 2023, on Ruf Records.The twelve songs on the album were recorded in two days, supported by bassist Eric Vogel and Grammy-winning drummer Terence Higgins. Johanson's manager suggested Jesse Dayton to produce the album. Dayton had him play each track live about five times to figure out what worked and what didn't work. By the time the musicians recorded the tracks live in the studio, Johanson had the live experience of working with Dayton to draw upon, allowing him to dial in on the sound he wanted.

"Xanadu" is a song by the Canadian progressive rock band Rush from their 1977 album A Farewell to Kings. It is approximately eleven minutes long, beginning with a five-minute-long instrumental section before transitioning to a narrative written by Neil Peart, which in turn was inspired by the Samuel Taylor Coleridge poem Kubla Khan.

Eli's Coming (Live 1975)

"Only Time" is a song by Irish musician Enya. It was released in November 2000 as the lead single from her fifth studio album, A Day Without Rain (2000). The song reached number one in Canada, Germany, Poland and Switzerland, number two in Austria, and became Enya's only top-10 single as a solo artist in the United States, peaking at number 10 on the Billboard Hot 100. It became an anthem for the victims of the 11 September attacks, with Enya donating to a fund for the victims' families.

Samantha with a fiery take on Don't Say You Love Me.

Flirtin' with Disaster is the second studio album by American rock band Molly Hatchet, released in 1979 by Epic Records. The album was re-issued in 2001 with four bonus tracks. It is their best-selling album. The cover is a painting by Frank Frazetta titled "Dark Kingdom."

Mmmhmm, Mmhm yeah-eah-yeah Just one more morning I have to wake up with the blues Pull myself outta bed, yeah Put on my walkin' shoes Climb up on a hilltop, babe-uh See what I can see, oh yeah Whole world's fallin' down, oh babe Right down in front of me 'Cause I'm hung up Lord on dreams I'm never gonna see, yeah Lord help me, babe Dreams get the best of me, yeah Pull myself together Gonna put on a new face, yeah And climb down from the hilltop, baby Lord get back in the race 'Cause I got dreams I've got my dreams To remember the love we had I got dreams I've got my dreams To remember the love we had An' I'm hung up Lord on dreams I'm never gonna see, yeah Not me Lord help me, babe Dream get the best of me, yeah... ooh Alright... yeah-eah-yeah Pull myself together Put on a new face, yeah Climb down from the hilltop, baby Lord get back in the race 'Cause I got dreams I've got my dreams To remember the love we make I've got dreams I've got my dreams To remember the love we make An' I'm hung up, Lord hung up on dreams I'm never gonna see, yeah Not bad, not bad Lord help me, girl Dream get the best of me, yes Alright Yeow Written by: Gregg Allman Album: Molly Hatchet Released: 1978

Awesome Blues Number

Unique take on Led Zeppelin's Stairway To Heaven.