Whitehall 1212 Radio 1951 Ep00 Series Synopsis
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1951 Ep00 Wyllis Cooper (Star Bio)
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1951 Ep00 This is Scotland Yard (Audition)
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1951 (Ep01) The Blitz Murder Case
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1951 (Ep03) The Fonier Case
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1951 (Ep04) The Murder of Duncan Frazier
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1951 (Ep05) The Man Who Murdered His Wife
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1951 (Ep06) The Heathrow Affair
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep07) The Murder of Charles Brooks
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep08) Murder in the Black Market
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep09) The Case of Donald Simms
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep10) The Murder of Little Philip Avery
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep11) The Pete Williams Case
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep12) Case of Arthur Freeman
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep13) Case of the Late Mrs. Harvey
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep14) Murder of Peter Amory
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep15) The Case of Air Cadet Gordon
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep16) Case of Dr Duncan Allen
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep17) Case of Thomas Applebee
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep18) Case of the Black Gladstone Bag
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep19) Murder of a Bloody Belgian
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep20) Case of the Fatal Bath
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep21) Case of Mrs. Minerva Bannamon
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep22) Case of Francesca Nicholson
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep23) Case of William George Greenly
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 - Radio 1952 (Ep24) The Case of Margery Tate
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 - Radio 1952 (Ep25) The Case of Sydney Wolfe
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 - Radio 1952 (Ep26) The Case Of Maggie Ralenson
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 - Radio 1952 (Ep27) Case of Winifred Hogg
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep28) Case of the Strange Bonfire
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep29) Case of the Homemade Handbag
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep30) The Murder of Mrs Ann Battersbye
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep31) Case of the Weed Eradication
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep32) Murder of Mr. Street
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep33) The Case of the Mahout's Ankush
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep34) Case of the Unidentified Woman
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep35) The Case Of The Magenta Blotting Pad
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep36) The Case of Nora Brady
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep37) Case of the Missing Clarinet
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep38) Case of Dougall Henry
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep39) Murder of Lady Madge Johnson
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep40) Case of the Madden Family
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep41) Case of the Eaton Brothers
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep42) Case of the Winchester Bottles
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep43) Case of the Inoperative Wireless
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1952 (Ep44) The Case Of The Electric Torch (Final Episode)
TeslaWirelessRadio
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
Whitehall 1212 Radio 1951 Ep00 Series Synopsis
1 year ago
28
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951, until September 28, 1952.
The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime.
Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal.
The stories are told from the view of the police who did the hard work in solving the case, and thus it downplays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952.
Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling.
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