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Dangerous Assignment was an NBC radio drama starring Brian Donlevy broadcast in the US 1949–1953, a syndicated television series distributed in the US 1951–52 (also starring Brian Donlevy), and an Australian radio series broadcast in 1954-56 as remakes of the original American radio scripts. Series premise "The Commissioner" sent US special agent Steve Mitchell to exotic locales all over the world, where he would encounter adventure and international intrigue in pursuit of some secret. Each show would always open with a brief teaser scene from the episode to follow. After the intro, Steve Mitchell would be summoned to the office of 'The Commissioner', the regional head of an unnamed US State Department agency created to address international unrest as it affected U.S. interests. "The Commissioner" would give background information, explain the current situation and tell Steve his assignment. Steve's cover identity, in almost all his adventures, was that of a suave debonair foreign correspondent for an unnamed print publication — his assignments invariably involved deceit, trickery, and violence, all tied together into a successful resolution by the end of the episode. RADIO SERIES Dangerous Assignment started out as a replacement radio series broadcast in the US on the NBC radio network in the summer of 1949; it became a syndicated series in early 1950. Reportedly, star Brian Donlevy himself was the one who brought the show to NBC. In the American radio shows, Donlevy was both the protagonist within the action and the narrator, giving the show "a suspenseful immediacy." The only other regular actor on the radio shows was Herb Butterfield, who played "The Commissioner." Many stage and screen actors appeared as guest-stars including, among many others, William Conrad, Raymond Burr, Paul Frees, Jim Davis, Dan O'Herlihy, Richard Boone, and Eddie Cantor.

Dangerous Assignment was an NBC radio drama starring Brian Donlevy broadcast in the US 1949–1953, a syndicated television series distributed in the US 1951–52 (also starring Brian Donlevy), and an Australian radio series broadcast in 1954-56 as remakes of the original American radio scripts. Series premise "The Commissioner" sent US special agent Steve Mitchell to exotic locales all over the world, where he would encounter adventure and international intrigue in pursuit of some secret. Each show would always open with a brief teaser scene from the episode to follow. After the intro, Steve Mitchell would be summoned to the office of 'The Commissioner', the regional head of an unnamed US State Department agency created to address international unrest as it affected U.S. interests. "The Commissioner" would give background information, explain the current situation and tell Steve his assignment. Steve's cover identity, in almost all his adventures, was that of a suave debonair foreign correspondent for an unnamed print publication — his assignments invariably involved deceit, trickery, and violence, all tied together into a successful resolution by the end of the episode. RADIO SERIES Dangerous Assignment started out as a replacement radio series broadcast in the US on the NBC radio network in the summer of 1949; it became a syndicated series in early 1950. Reportedly, star Brian Donlevy himself was the one who brought the show to NBC. In the American radio shows, Donlevy was both the protagonist within the action and the narrator, giving the show "a suspenseful immediacy." The only other regular actor on the radio shows was Herb Butterfield, who played "The Commissioner." Many stage and screen actors appeared as guest-stars including, among many others, William Conrad, Raymond Burr, Paul Frees, Jim Davis, Dan O'Herlihy, Richard Boone, and Eddie Cantor.

Bold Venture was a syndicated radio series starring Humphrey Bogart and Lauren Bacall that aired from 1951 to 1952. Morton Fine and David Friedkin scripted the taped series for Bogart's Santana Productions. Salty seadog Slate Shannon (Bogart) owns a Cuban hotel, Shannon's Place, sheltering an assortment of treasure hunters, revolutionaries, and other shady characters. With his sidekick and ward, the sultry Sailor Duval (Bacall), tagging along, he encounters modern-day pirates and other tough situations while navigating the waters around Havana. Aboard his boat, the Bold Venture, Slate and Sailor experience "adventure, intrigue, mystery and romance in the sultry settings of tropical Havana and the mysterious islands of the Caribbean." Calypso singer King Moses (Jester Hairston) provided musical bridges by threading plot situations into the lyrics of his songs. Music for the series was by David Rose. The series combined elements of a number of past Bogart/Bacall film collaborations, most notably To Have and Have Not which also cast Bogart as a boat owner in the Caribbean who reluctantly becomes involved in intrigue while romancing Bacall. The relationship between Shannon and King Moses, and his ownership of an inn, is strongly reminiscent of the dynamic between Rick Blaine and Sam in Casablanca.

Bold Venture was a syndicated radio series starring Humphrey Bogart and Lauren Bacall that aired from 1951 to 1952. Morton Fine and David Friedkin scripted the taped series for Bogart's Santana Productions. Salty seadog Slate Shannon (Bogart) owns a Cuban hotel, Shannon's Place, sheltering an assortment of treasure hunters, revolutionaries, and other shady characters. With his sidekick and ward, the sultry Sailor Duval (Bacall), tagging along, he encounters modern-day pirates and other tough situations while navigating the waters around Havana. Aboard his boat, the Bold Venture, Slate and Sailor experience "adventure, intrigue, mystery and romance in the sultry settings of tropical Havana and the mysterious islands of the Caribbean." Calypso singer King Moses (Jester Hairston) provided musical bridges by threading plot situations into the lyrics of his songs. Music for the series was by David Rose. The series combined elements of a number of past Bogart/Bacall film collaborations, most notably To Have and Have Not which also cast Bogart as a boat owner in the Caribbean who reluctantly becomes involved in intrigue while romancing Bacall. The relationship between Shannon and King Moses, and his ownership of an inn, is strongly reminiscent of the dynamic between Rick Blaine and Sam in Casablanca.

Bold Venture was a syndicated radio series starring Humphrey Bogart and Lauren Bacall that aired from 1951 to 1952. Morton Fine and David Friedkin scripted the taped series for Bogart's Santana Productions. Salty seadog Slate Shannon (Bogart) owns a Cuban hotel, Shannon's Place, sheltering an assortment of treasure hunters, revolutionaries, and other shady characters. With his sidekick and ward, the sultry Sailor Duval (Bacall), tagging along, he encounters modern-day pirates and other tough situations while navigating the waters around Havana. Aboard his boat, the Bold Venture, Slate and Sailor experience "adventure, intrigue, mystery and romance in the sultry settings of tropical Havana and the mysterious islands of the Caribbean." Calypso singer King Moses (Jester Hairston) provided musical bridges by threading plot situations into the lyrics of his songs. Music for the series was by David Rose. The series combined elements of a number of past Bogart/Bacall film collaborations, most notably To Have and Have Not which also cast Bogart as a boat owner in the Caribbean who reluctantly becomes involved in intrigue while romancing Bacall. The relationship between Shannon and King Moses, and his ownership of an inn, is strongly reminiscent of the dynamic between Rick Blaine and Sam in Casablanca.

Bold Venture was a syndicated radio series starring Humphrey Bogart and Lauren Bacall that aired from 1951 to 1952. Morton Fine and David Friedkin scripted the taped series for Bogart's Santana Productions. Salty seadog Slate Shannon (Bogart) owns a Cuban hotel, Shannon's Place, sheltering an assortment of treasure hunters, revolutionaries and other shady characters. With his sidekick and ward, the sultry Sailor Duval (Bacall), tagging along, he encounters modern-day pirates and other tough situations while navigating the waters around Havana. Aboard his boat, the Bold Venture, Slate and Sailor experience "adventure, intrigue, mystery and romance in the sultry settings of tropical Havana and the mysterious islands of the Caribbean." Calypso singer King Moses (Jester Hairston) provided musical bridges by threading plot situations into the lyrics of his songs. Music for the series was by David Rose. The series combined elements of a number of past Bogart/Bacall film collaborations, most notably To Have and Have Not which also cast Bogart as a boat owner in the Caribbean who reluctantly becomes involved in intrigue while romancing Bacall. The relationship between Shannon and King Moses, and his ownership of an inn, is strongly reminiscent of the dynamic between Rick Blaine and Sam in Casablanca.

Bold Venture was a syndicated radio series starring Humphrey Bogart and Lauren Bacall that aired from 1951 to 1952. Morton Fine and David Friedkin scripted the taped series for Bogart's Santana Productions. Salty seadog Slate Shannon (Bogart) owns a Cuban hotel, Shannon's Place, sheltering an assortment of treasure hunters, revolutionaries and other shady characters. With his sidekick and ward, the sultry Sailor Duval (Bacall), tagging along, he encounters modern-day pirates and other tough situations while navigating the waters around Havana. Aboard his boat, the Bold Venture, Slate and Sailor experience "adventure, intrigue, mystery and romance in the sultry settings of tropical Havana and the mysterious islands of the Caribbean." Calypso singer King Moses (Jester Hairston) provided musical bridges by threading plot situations into the lyrics of his songs. Music for the series was by David Rose. The series combined elements of a number of past Bogart/Bacall film collaborations, most notably To Have and Have Not which also cast Bogart as a boat owner in the Caribbean who reluctantly becomes involved in intrigue while romancing Bacall. The relationship between Shannon and King Moses, and his ownership of an inn, is strongly reminiscent of the dynamic between Rick Blaine and Sam in Casablanca.

Bold Venture was a syndicated radio series starring Humphrey Bogart and Lauren Bacall that aired from 1951 to 1952. Morton Fine and David Friedkin scripted the taped series for Bogart's Santana Productions. Salty seadog Slate Shannon (Bogart) owns a Cuban hotel, Shannon's Place, sheltering an assortment of treasure hunters, revolutionaries and other shady characters. With his sidekick and ward, the sultry Sailor Duval (Bacall), tagging along, he encounters modern-day pirates and other tough situations while navigating the waters around Havana. Aboard his boat, the Bold Venture, Slate and Sailor experience "adventure, intrigue, mystery and romance in the sultry settings of tropical Havana and the mysterious islands of the Caribbean." Calypso singer King Moses (Jester Hairston) provided musical bridges by threading plot situations into the lyrics of his songs. Music for the series was by David Rose. The series combined elements of a number of past Bogart/Bacall film collaborations, most notably To Have and Have Not which also cast Bogart as a boat owner in the Caribbean who reluctantly becomes involved in intrigue while romancing Bacall. The relationship between Shannon and King Moses, and his ownership of an inn, is strongly reminiscent of the dynamic between Rick Blaine and Sam in Casablanca.

You’re listening to radio broadcast of baseball from 1934 – 1973. All the greats from the past can be heard in play-by-play action. You’ll hear All-Star games from the 30s as well as individual games of your favorite teams. Baseball stormed into the 1930s on a voracious high, riding high-speed momentum on the field and on the bottom line; as the fans were thrilled by the boom in offense, the front office was similarly elated by the explosion in profits. But outside events would slam the brakes on the game’s go-go mentality. The stock market crashed at the end of 1929—sending stocks on a downward spiral that bottomed out in 1932 with a Dow Jones Industrial Average not of 10,000 or 1,000, but 40. Unemployment shot up to 25%, and the only housing growth that seemed to be taking place was those of the shantytowns, makeshift encampments for the many out of work. The American League continued to deliver all-out offense, propelled by its abundance of hitting stars led by Jimmie Foxx, Lou Gehrig, Hank Greenberg, Earl Averill and Charlie Gehringer. The only AL pitcher who seemed constantly capable of figuring out the hitters was unstoppable ace Lefty Grove. Meanwhile, the National League—after cranking out an over-the-top batting binge in 1930—muted the hit parade and gave pitchers the equilibrium they’d been desperately seeking since the end of the dead ball era. The NL’s biggest stars of the decade lived on the mound: The colorful, controversial Dizzy Dean, and quiet screwball artist Carl Hubbell. World War II stripped many of the game’s greats of up to four years of their prime in baseball. If not for armed conflict, Ted Williams—arguably the best pure hitter the game has ever seen—might have finished his career with 3,200 hits and 650 home runs. Warren Spahn, the game’s most productive southpaw, quite possibly would have topped 400 wins. Bob Feller, armed with a supersonic fastball, could have won 300 games, and struck out 3,500. Hank Greenberg might have joined the 500-home run club, while Washington’s Mickey Vernon could have made it to 3,000 hits. But from the heart and to a man, every ballplayer would have considered such a relatively trivial loss of statistics as a small sacrifice compared to helping America defeat the Axis powers.

You’re listening to radio broadcast of baseball from 1934 – 1973. All the greats from the past can be heard in play-by-play action. You’ll hear All-Star games from the 30s as well as individual games of your favorite teams. Baseball stormed into the 1930s on a voracious high, riding high-speed momentum on the field and on the bottom line; as the fans were thrilled by the boom in offense, the front office was similarly elated by the explosion in profits. But outside events would slam the brakes on the game’s go-go mentality. The stock market crashed at the end of 1929—sending stocks on a downward spiral that bottomed out in 1932 with a Dow Jones Industrial Average not of 10,000 or 1,000, but 40. Unemployment shot up to 25%, and the only housing growth that seemed to be taking place was those of the shantytowns, makeshift encampments for the many out of work. The American League continued to deliver all-out offense, propelled by its abundance of hitting stars led by Jimmie Foxx, Lou Gehrig, Hank Greenberg, Earl Averill and Charlie Gehringer. The only AL pitcher who seemed constantly capable of figuring out the hitters was unstoppable ace Lefty Grove. Meanwhile, the National League—after cranking out an over-the-top batting binge in 1930—muted the hit parade and gave pitchers the equilibrium they’d been desperately seeking since the end of the dead ball era. The NL’s biggest stars of the decade lived on the mound: The colorful, controversial Dizzy Dean, and quiet screwball artist Carl Hubbell. World War II stripped many of the game’s greats of up to four years of their prime in baseball. If not for armed conflict, Ted Williams—arguably the best pure hitter the game has ever seen—might have finished his career with 3,200 hits and 650 home runs. Warren Spahn, the game’s most productive southpaw, quite possibly would have topped 400 wins. Bob Feller, armed with a supersonic fastball, could have won 300 games, and struck out 3,500. Hank Greenberg might have joined the 500-home run club, while Washington’s Mickey Vernon could have made it to 3,000 hits. But from the heart and to a man, every ballplayer would have considered such a relatively trivial loss of statistics as a small sacrifice compared to helping America defeat the Axis powers.

You’re listening to radio broadcast of baseball from 1934 – 1973. All the greats from the past can be heard in play-by-play action. You’ll hear All-Star games from the 30s as well as individual games of your favorite teams. Baseball stormed into the 1930s on a voracious high, riding high-speed momentum on the field and on the bottom line; as the fans were thrilled by the boom in offense, the front office was similarly elated by the explosion in profits. But outside events would slam the brakes on the game’s go-go mentality. The stock market crashed at the end of 1929—sending stocks on a downward spiral that bottomed out in 1932 with a Dow Jones Industrial Average not of 10,000 or 1,000, but 40. Unemployment shot up to 25%, and the only housing growth that seemed to be taking place was those of the shantytowns, makeshift encampments for the many out of work. The American League continued to deliver all-out offense, propelled by its abundance of hitting stars led by Jimmie Foxx, Lou Gehrig, Hank Greenberg, Earl Averill and Charlie Gehringer. The only AL pitcher who seemed constantly capable of figuring out the hitters was unstoppable ace Lefty Grove. Meanwhile, the National League—after cranking out an over-the-top batting binge in 1930—muted the hit parade and gave pitchers the equilibrium they’d been desperately seeking since the end of the dead ball era. The NL’s biggest stars of the decade lived on the mound: The colorful, controversial Dizzy Dean, and quiet screwball artist Carl Hubbell. World War II stripped many of the game’s greats of up to four years of their prime in baseball. If not for armed conflict, Ted Williams—arguably the best pure hitter the game has ever seen—might have finished his career with 3,200 hits and 650 home runs. Warren Spahn, the game’s most productive southpaw, quite possibly would have topped 400 wins. Bob Feller, armed with a supersonic fastball, could have won 300 games, and struck out 3,500. Hank Greenberg might have joined the 500-home run club, while Washington’s Mickey Vernon could have made it to 3,000 hits. But from the heart and to a man, every ballplayer would have considered such a relatively trivial loss of statistics as a small sacrifice compared to helping America defeat the Axis powers.

You’re listening to radio broadcast of baseball from 1934 – 1973. All the greats from the past can be heard in play-by-play action. You’ll hear All-Star games from the 30s as well as individual games of your favorite teams. Baseball stormed into the 1930s on a voracious high, riding high-speed momentum on the field and on the bottom line; as the fans were thrilled by the boom in offense, the front office was similarly elated by the explosion in profits. But outside events would slam the brakes on the game’s go-go mentality. The stock market crashed at the end of 1929—sending stocks on a downward spiral that bottomed out in 1932 with a Dow Jones Industrial Average not of 10,000 or 1,000, but 40. Unemployment shot up to 25%, and the only housing growth that seemed to be taking place was those of the shantytowns, makeshift encampments for the many out of work. The American League continued to deliver all-out offense, propelled by its abundance of hitting stars led by Jimmie Foxx, Lou Gehrig, Hank Greenberg, Earl Averill and Charlie Gehringer. The only AL pitcher who seemed constantly capable of figuring out the hitters was unstoppable ace Lefty Grove. Meanwhile, the National League—after cranking out an over-the-top batting binge in 1930—muted the hit parade and gave pitchers the equilibrium they’d been desperately seeking since the end of the dead ball era. The NL’s biggest stars of the decade lived on the mound: The colorful, controversial Dizzy Dean, and quiet screwball artist Carl Hubbell. World War II stripped many of the game’s greats of up to four years of their prime in baseball. If not for armed conflict, Ted Williams—arguably the best pure hitter the game has ever seen—might have finished his career with 3,200 hits and 650 home runs. Warren Spahn, the game’s most productive southpaw, quite possibly would have topped 400 wins. Bob Feller, armed with a supersonic fastball, could have won 300 games, and struck out 3,500. Hank Greenberg might have joined the 500-home run club, while Washington’s Mickey Vernon could have made it to 3,000 hits. But from the heart and to a man, every ballplayer would have considered such a relatively trivial loss of statistics as a small sacrifice compared to helping America defeat the Axis powers.

You’re listening to radio broadcast of baseball from 1934 – 1973. All the greats from the past can be heard in play-by-play action. You’ll hear All-Star games from the 30s as well as individual games of your favorite teams. Baseball stormed into the 1930s on a voracious high, riding high-speed momentum on the field and on the bottom line; as the fans were thrilled by the boom in offense, the front office was similarly elated by the explosion in profits. But outside events would slam the brakes on the game’s go-go mentality. The stock market crashed at the end of 1929—sending stocks on a downward spiral that bottomed out in 1932 with a Dow Jones Industrial Average not of 10,000 or 1,000, but 40. Unemployment shot up to 25%, and the only housing growth that seemed to be taking place was those of the shantytowns, makeshift encampments for the many out of work. The American League continued to deliver all-out offense, propelled by its abundance of hitting stars led by Jimmie Foxx, Lou Gehrig, Hank Greenberg, Earl Averill and Charlie Gehringer. The only AL pitcher who seemed constantly capable of figuring out the hitters was unstoppable ace Lefty Grove. Meanwhile, the National League—after cranking out an over-the-top batting binge in 1930—muted the hit parade and gave pitchers the equilibrium they’d been desperately seeking since the end of the dead ball era. The NL’s biggest stars of the decade lived on the mound: The colorful, controversial Dizzy Dean, and quiet screwball artist Carl Hubbell. World War II stripped many of the game’s greats of up to four years of their prime in baseball. If not for armed conflict, Ted Williams—arguably the best pure hitter the game has ever seen—might have finished his career with 3,200 hits and 650 home runs. Warren Spahn, the game’s most productive southpaw, quite possibly would have topped 400 wins. Bob Feller, armed with a supersonic fastball, could have won 300 games, and struck out 3,500. Hank Greenberg might have joined the 500-home run club, while Washington’s Mickey Vernon could have made it to 3,000 hits. But from the heart and to a man, every ballplayer would have considered such a relatively trivial loss of statistics as a small sacrifice compared to helping America defeat the Axis powers.

Tales of the Texas Rangers is a 20th century Western old-time radio and television police procedural drama which originally aired on NBC Radio from 1950 to 1952 and later CBS Television from 1955 to 1958. Film star Joel McCrea voiced the radio version as the fictitious Texas Ranger Jace Pearson, who uses the latest scientific techniques to identify criminals. His faithful horse, Charcoal (or "Charky"), helps Pearson to track down the culprits. The radio shows, some of which are available on the Internet, are reenactments of actual Texas Ranger cases. The television version was produced and directed for several episodes by Stacy Keach, Sr. It was sponsored for part of its run by Wheaties cereal. Captain Manuel T. "Lone Wolf" Gonzaullas, who was said to have killed thirty-one men during his 30-year career as a Texas Ranger, was the consultant for the television series, as he had been for the earlier radio series. The television version was filmed by Screen Gems. On radio, Joel McCrea's Pearson often worked by request with a local sheriff's office or police department. But in the television version, Willard Parker assumed the role of Jace Pearson and had a regular partner, Ranger Clay Morgan, who had been an occasional character on the radio show. Morgan was portrayed in the television version by Harry Lauter. William Boyett appeared five times on the television series, including the role of Wade Crowell in the 1955 premiere episode, "Ransom Flight." During the opening and closing credits of the television series, the actors march toward the camera as an off-screen men's chorus sings the theme song, "These Are Tales of Texas Rangers", to the tune of "The Eyes of Texas Are Upon You" and "I've Been Working on the Railroad". The radio series used contemporary cases and modern detective methods to solve crimes; it was a procedural drama, in many ways Jack Webb's Dragnet with a western flavor.

Tales of the Texas Rangers is a 20th century Western old-time radio and television police procedural drama which originally aired on NBC Radio from 1950 to 1952 and later CBS Television from 1955 to 1958. Film star Joel McCrea voiced the radio version as the fictitious Texas Ranger Jace Pearson, who uses the latest scientific techniques to identify criminals. His faithful horse, Charcoal (or "Charky"), helps Pearson to track down the culprits. The radio shows, some of which are available on the Internet, are reenactments of actual Texas Ranger cases. The television version was produced and directed for several episodes by Stacy Keach, Sr. It was sponsored for part of its run by Wheaties cereal. Captain Manuel T. "Lone Wolf" Gonzaullas, who was said to have killed thirty-one men during his 30-year career as a Texas Ranger, was the consultant for the television series, as he had been for the earlier radio series. The television version was filmed by Screen Gems. On radio, Joel McCrea's Pearson often worked by request with a local sheriff's office or police department. But in the television version, Willard Parker assumed the role of Jace Pearson and had a regular partner, Ranger Clay Morgan, who had been an occasional character on the radio show. Morgan was portrayed in the television version by Harry Lauter. William Boyett appeared five times on the television series, including the role of Wade Crowell in the 1955 premiere episode, "Ransom Flight." During the opening and closing credits of the television series, the actors march toward the camera as an off-screen men's chorus sings the theme song, "These Are Tales of Texas Rangers", to the tune of "The Eyes of Texas Are Upon You" and "I've Been Working on the Railroad". The radio series used contemporary cases and modern detective methods to solve crimes; it was a procedural drama, in many ways Jack Webb's Dragnet with a western flavor.

Tales of the Texas Rangers is a 20th century Western old-time radio and television police procedural drama which originally aired on NBC Radio from 1950 to 1952 and later CBS Television from 1955 to 1958. Film star Joel McCrea voiced the radio version as the fictitious Texas Ranger Jace Pearson, who uses the latest scientific techniques to identify criminals. His faithful horse, Charcoal (or "Charky"), helps Pearson to track down the culprits. The radio shows, some of which are available on the Internet, are reenactments of actual Texas Ranger cases. The television version was produced and directed for several episodes by Stacy Keach, Sr. It was sponsored for part of its run by Wheaties cereal. Captain Manuel T. "Lone Wolf" Gonzaullas, who was said to have killed thirty-one men during his 30-year career as a Texas Ranger, was the consultant for the television series, as he had been for the earlier radio series. The television version was filmed by Screen Gems. On radio, Joel McCrea's Pearson often worked by request with a local sheriff's office or police department. But in the television version, Willard Parker assumed the role of Jace Pearson and had a regular partner, Ranger Clay Morgan, who had been an occasional character on the radio show. Morgan was portrayed in the television version by Harry Lauter. William Boyett appeared five times on the television series, including the role of Wade Crowell in the 1955 premiere episode, "Ransom Flight." During the opening and closing credits of the television series, the actors march toward the camera as an off-screen men's chorus sings the theme song, "These Are Tales of Texas Rangers", to the tune of "The Eyes of Texas Are Upon You" and "I've Been Working on the Railroad". The radio series used contemporary cases and modern detective methods to solve crimes; it was a procedural drama, in many ways Jack Webb's Dragnet with a western flavor.

Tales of the Texas Rangers is a 20th century Western old-time radio and television police procedural drama which originally aired on NBC Radio from 1950 to 1952 and later CBS Television from 1955 to 1958. Film star Joel McCrea voiced the radio version as the fictitious Texas Ranger Jace Pearson, who uses the latest scientific techniques to identify criminals. His faithful horse, Charcoal (or "Charky"), helps Pearson to track down the culprits. The radio shows, some of which are available on the Internet, are reenactments of actual Texas Ranger cases. The television version was produced and directed for several episodes by Stacy Keach, Sr. It was sponsored for part of its run by Wheaties cereal. Captain Manuel T. "Lone Wolf" Gonzaullas, who was said to have killed thirty-one men during his 30-year career as a Texas Ranger, was the consultant for the television series, as he had been for the earlier radio series. The television version was filmed by Screen Gems. On radio, Joel McCrea's Pearson often worked by request with a local sheriff's office or police department. But in the television version, Willard Parker assumed the role of Jace Pearson and had a regular partner, Ranger Clay Morgan, who had been an occasional character on the radio show. Morgan was portrayed in the television version by Harry Lauter. William Boyett appeared five times on the television series, including the role of Wade Crowell in the 1955 premiere episode, "Ransom Flight." During the opening and closing credits of the television series, the actors march toward the camera as an off-screen men's chorus sings the theme song, "These Are Tales of Texas Rangers", to the tune of "The Eyes of Texas Are Upon You" and "I've Been Working on the Railroad". The radio series used contemporary cases and modern detective methods to solve crimes; it was a procedural drama, in many ways Jack Webb's Dragnet with a western flavor.

Tales of the Texas Rangers is a 20th century Western old-time radio and television police procedural drama which originally aired on NBC Radio from 1950 to 1952 and later CBS Television from 1955 to 1958. Film star Joel McCrea voiced the radio version as the fictitious Texas Ranger Jace Pearson, who uses the latest scientific techniques to identify criminals. His faithful horse, Charcoal (or "Charky"), helps Pearson to track down the culprits. The radio shows, some of which are available on the Internet, are reenactments of actual Texas Ranger cases. The television version was produced and directed for several episodes by Stacy Keach, Sr. It was sponsored for part of its run by Wheaties cereal. Captain Manuel T. "Lone Wolf" Gonzaullas, who was said to have killed thirty-one men during his 30-year career as a Texas Ranger, was the consultant for the television series, as he had been for the earlier radio series. The television version was filmed by Screen Gems. On radio, Joel McCrea's Pearson often worked by request with a local sheriff's office or police department. But in the television version, Willard Parker assumed the role of Jace Pearson and had a regular partner, Ranger Clay Morgan, who had been an occasional character on the radio show. Morgan was portrayed in the television version by Harry Lauter. William Boyett appeared five times on the television series, including the role of Wade Crowell in the 1955 premiere episode, "Ransom Flight." During the opening and closing credits of the television series, the actors march toward the camera as an off-screen men's chorus sings the theme song, "These Are Tales of Texas Rangers", to the tune of "The Eyes of Texas Are Upon You" and "I've Been Working on the Railroad". The radio series used contemporary cases and modern detective methods to solve crimes; it was a procedural drama, in many ways Jack Webb's Dragnet with a western flavor.

Arguably the most iconic old radio show of all time, The Adventures of Superman is one of the longest running programs in the history of American radio. This series spanned over 11 years from the time it was first syndicated as a radio show at WOR station in New York on February 12, 1940. Adapted from a DC comic book series created by Jerry Siegel and Joe Shuster, Superman later became one of the most popular action heroes of the century. Although it was originally positioned as a radio program that would target the teen and the juvenile sector, many of the show’s listeners were adults! What set this old-time radio show apart from others like it was that it merged reality and science fiction. In fact, it was the first program to feature an alien hero fighting criminals in society for the sake of planet earth. A testament to its popularity is that it is one of the few shows during the golden age of radio to reach over a thousand episodes. Add to that a stirring cast of characters brought to life by talented voice actors like Budd Collyer (Clark Kent/ Superman), Joan Alexander (Lois Lane), and Jackie Kelk (Jimmy Olsen) and a sure-fire hit was born. Enjoy the thrilling adventures of Superman as he pits wits against his nemesis Lex Luthor, and battles the forces of evil. Beginning February 7, 1949, Superman underwent a few noticeable changes. It was now broadcast on ABC as a thrice-a-week presentation - except for late 1950, when the series was broadcast twice a week. The 15-minute program expanded to a full 30 minutes. Although many of the half-hour episodes were originals, about half of them were abridged adaptations of the serial adventures previously performed over the airwaves. Example: Episode 6 is an abridged adaptation of the July 22, 1941, to August 29, 1941, adventure. Bud Collyer was still playing the role of the alien superhero until June 6, 1950, when the role was handed over to Michael Fitzmaurice. An interesting tidbit: Superman was popular overseas, and during the 1950's The Adventures of Superman was broadcast from Australia with Leonard Teale in the title role.

Arguably the most iconic old radio show of all time, The Adventures of Superman is one of the longest running programs in the history of American radio. This series spanned over 11 years from the time it was first syndicated as a radio show at WOR station in New York on February 12, 1940. Adapted from a DC comic book series created by Jerry Siegel and Joe Shuster, Superman later became one of the most popular action heroes of the century. Although it was originally positioned as a radio program that would target the teen and the juvenile sector, many of the show’s listeners were adults! What set this old-time radio show apart from others like it was that it merged reality and science fiction. In fact, it was the first program to feature an alien hero fighting criminals in society for the sake of planet earth. A testament to its popularity is that it is one of the few shows during the golden age of radio to reach over a thousand episodes. Add to that a stirring cast of characters brought to life by talented voice actors like Budd Collyer (Clark Kent/ Superman), Joan Alexander (Lois Lane), and Jackie Kelk (Jimmy Olsen) and a sure-fire hit was born. Enjoy the thrilling adventures of Superman as he pits wits against his nemesis Lex Luthor, and battles the forces of evil. Beginning February 7, 1949, Superman underwent a few noticeable changes. It was now broadcast on ABC as a thrice-a-week presentation - except for late 1950, when the series was broadcast twice a week. The 15-minute program expanded to a full 30 minutes. Although many of the half-hour episodes were originals, about half of them were abridged adaptations of the serial adventures previously performed over the airwaves. Example: Episode 6 is an abridged adaptation of the July 22, 1941, to August 29, 1941, adventure. Bud Collyer was still playing the role of the alien superhero until June 6, 1950, when the role was handed over to Michael Fitzmaurice. An interesting tidbit: Superman was popular overseas, and during the 1950's The Adventures of Superman was broadcast from Australia with Leonard Teale in the title role.

Arguably the most iconic old radio show of all time, The Adventures of Superman is one of the longest running programs in the history of American radio. This series spanned over 11 years from the time it was first syndicated as a radio show at WOR station in New York on February 12, 1940. Adapted from a DC comic book series created by Jerry Siegel and Joe Shuster, Superman later became one of the most popular action heroes of the century. Although it was originally positioned as a radio program that would target the teen and the juvenile sector, many of the show’s listeners were adults! What set this old-time radio show apart from others like it was that it merged reality and science fiction. In fact, it was the first program to feature an alien hero fighting criminals in society for the sake of planet earth. A testament to its popularity is that it is one of the few shows during the golden age of radio to reach over a thousand episodes. Add to that a stirring cast of characters brought to life by talented voice actors like Budd Collyer (Clark Kent/ Superman), Joan Alexander (Lois Lane), and Jackie Kelk (Jimmy Olsen) and a sure-fire hit was born. Enjoy the thrilling adventures of Superman as he pits wits against his nemesis Lex Luthor, and battles the forces of evil. Beginning February 7, 1949, Superman underwent a few noticeable changes. It was now broadcast on ABC as a thrice-a-week presentation - except for late 1950, when the series was broadcast twice a week. The 15-minute program expanded to a full 30 minutes. Although many of the half-hour episodes were originals, about half of them were abridged adaptations of the serial adventures previously performed over the airwaves. Example: Episode 6 is an abridged adaptation of the July 22, 1941, to August 29, 1941, adventure. Bud Collyer was still playing the role of the alien superhero until June 6, 1950, when the role was handed over to Michael Fitzmaurice. An interesting tidbit: Superman was popular overseas, and during the 1950's The Adventures of Superman was broadcast from Australia with Leonard Teale in the title role.

Arguably the most iconic old radio show of all time, The Adventures of Superman is one of the longest running programs in the history of American radio. This series spanned over 11 years from the time it was first syndicated as a radio show at WOR station in New York on February 12, 1940. Adapted from a DC comic book series created by Jerry Siegel and Joe Shuster, Superman later became one of the most popular action heroes of the century. Although it was originally positioned as a radio program that would target the teen and the juvenile sector, many of the show’s listeners were adults! What set this old-time radio show apart from others like it was that it merged reality and science fiction. In fact, it was the first program to feature an alien hero fighting criminals in society for the sake of planet earth. A testament to its popularity is that it is one of the few shows during the golden age of radio to reach over a thousand episodes. Add to that a stirring cast of characters brought to life by talented voice actors like Budd Collyer (Clark Kent/ Superman), Joan Alexander (Lois Lane), and Jackie Kelk (Jimmy Olsen) and a sure-fire hit was born. Enjoy the thrilling adventures of Superman as he pits wits against his nemesis Lex Luthor, and battles the forces of evil. Beginning February 7, 1949, Superman underwent a few noticeable changes. It was now broadcast on ABC as a thrice-a-week presentation - except for late 1950, when the series was broadcast twice a week. The 15-minute program expanded to a full 30 minutes. Although many of the half-hour episodes were originals, about half of them were abridged adaptations of the serial adventures previously performed over the airwaves. Example: Episode 6 is an abridged adaptation of the July 22, 1941, to August 29, 1941, adventure. Bud Collyer was still playing the role of the alien superhero until June 6, 1950, when the role was handed over to Michael Fitzmaurice. An interesting tidbit: Superman was popular overseas, and during the 1950's The Adventures of Superman was broadcast from Australia with Leonard Teale in the title role.

Arguably the most iconic old radio show of all time, The Adventures of Superman is one of the longest running programs in the history of American radio. This series spanned over 11 years from the time it was first syndicated as a radio show at WOR station in New York on February 12, 1940. Adapted from a DC comic book series created by Jerry Siegel and Joe Shuster, Superman later became one of the most popular action heroes of the century. Although it was originally positioned as a radio program that would target the teen and the juvenile sector, many of the show’s listeners were adults! What set this old-time radio show apart from others like it was that it merged reality and science fiction. In fact, it was the first program to feature an alien hero fighting criminals in society for the sake of planet earth. A testament to its popularity is that it is one of the few shows during the golden age of radio to reach over a thousand episodes. Add to that a stirring cast of characters brought to life by talented voice actors like Budd Collyer (Clark Kent/ Superman), Joan Alexander (Lois Lane), and Jackie Kelk (Jimmy Olsen) and a sure-fire hit was born. Enjoy the thrilling adventures of Superman as he pits wits against his nemesis Lex Luthor, and battles the forces of evil. Beginning February 7, 1949, Superman underwent a few noticeable changes. It was now broadcast on ABC as a thrice-a-week presentation - except for late 1950, when the series was broadcast twice a week. The 15-minute program expanded to a full 30 minutes. Although many of the half-hour episodes were originals, about half of them were abridged adaptations of the serial adventures previously performed over the airwaves. Example: Episode 6 is an abridged adaptation of the July 22, 1941, to August 29, 1941, adventure. Bud Collyer was still playing the role of the alien superhero until June 6, 1950, when the role was handed over to Michael Fitzmaurice. An interesting tidbit: Superman was popular overseas, and during the 1950's The Adventures of Superman was broadcast from Australia with Leonard Teale in the title role.

There are people who would argue that Fibber McGee and Molly were the Golden Age of radio. This is partly because of the show's very long (1935-1959) and successful run. But more than just staying power, the show showcased terrific comic and musical talent. Throughout its run, the show was a reflection of its time in the American scene. The genesis of the program can be traced to a local Chicago show that would become Smackout. Fibber McGee and Molly would go on to great success despite (or perhaps because of) the vaudeville sensibilities of its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern city of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long suffering wife Molly. Life in Wistful Vista followed a well developed formula, but was always fresh. Fibber's weekly schemes would be interrupted, inspired by, and often played upon the People of Wistful Vista, a set of regular players and characters that were as beloved as the stars of the program. The program used a series of running gags that would become part of the common language, many treasures can be found in the Closet at 79 Wistful Vista. The show began as a comic reflection of Depression Era America, but as time went on and the shadows of war came over the nation, the show again caught the mood of the country. WWII was fought on the Home front on Wistful Vista as surely as anywhere else in America, but here they had the benefit of Fibber's somewhat addled perspective. The show was formally "The Johnson Wax show with Fibber McGee and Molly." Longtime sponsor S.C. Johnson Wax Company saw the value of saving the episodes they sponsored, thereby preserving this treasure for fans of Old Time Radio today.