Cecil Sally 0255 Ms Tucker Tells Cecil-Sally Abt Letter Cecil Sally 0256 Sally Is Hunting A Moth Cecil Sally 0257 Sally Plans Get Aunt Bess Over Dinner Cecil Sally 0258 Sally Breaks Cecil's Unbrkable Watch Cecil Sally 0259 Two Versions Of Young Uncle Thomas We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0251 Sally Mailed Letter To Wrong Address Cecil Sally 0252 Plans Write Anthr Letter Miss Tucker Cecil Sally 0253 Miss Tucker Told Her Neighbors About Letter Cecil Sally 0254 Sneaking-up To Miss Tucker's Door We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0247 Discussing Aunt Bess And Uncle Thomas Cecil Sally 0248 Finding Old Pictures In Uncle Thomas' Bible Cecil Sally 0249 Sorting Through Pictures Cecil Sally 0250 Ghost-writing A Love Letter To Aunt Bess We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0239 Cecil Teases Sally To Tears Cecil Sally 0240 Sally Play Cupid To Uncle Thomas 241-244 are missing to time. Cecil Sally 0245 Sally's Dream Interpretation Cecil Sally 0246 Caught Snooping In Uncle Thomas' Desk We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0225 Cleaning Up While Fudge Cools Cecil Sally 0226 Sally Has A Good Cry Cecil Sally 0227 Sally Talks While Cecil Tries To Count Cecil Sally 0228 Cecil Solves Sally's Problem We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0221 Burglars Take Nero Cecil Sally 0222 Nero Returns And Dog Catcher Gets Him Cecil Sally 0223 Cecil Reclaims Nero From Dog Pound Cecil Sally 0224 Making Fudge We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0217 Cecil Answers Sally's Question Cecil Sally 0218 Preparing A Bath For Nero Cecil Sally 0219 Nero Gets A Bath And Gets Away Cecil Sally 0220 Cleaning Up And Finding Nero We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0213 Uncle Thomas Tells Them To Make-up Cecil Sally 0214 Cecil And Sally Make-up Cecil Sally 0215 Cecil Fell Down Stairs Cecil Sally 0216 Sally Wants To Write A Book We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0209 Talking To George Washington's Spirit Cecil Sally 0210 Playing A Scene For Neighbor Girl Cecil Sally 0211 Sybil Comes To Talk w Cecil And Sally Cecil Sally 0212 Uncle Thomas Catches Cecil Spanking Sally We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0205 Sally Wants Two Goldfish Cecil Sally 0206 Sally's Goldfish Disappear Cecil Sally 0207 Sugarpie Ate Goldfish Cecil Sally 0208 Sally Tries To Rsrve Seat For Uncle Thomas We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0201 Sally Tries To Attract Cecil Cecil Sally 0202 Snip And Sissy Cecil Sally 0203 Pretending Not To Fight Before Uncle Thomas Cecil Sally 0204 Sally Read Character From Facial Features We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0193 Sally Wants To Play Checkers Cecil Sally 0194 Cecil Won't Admit Defeat Cecil Sally 0195 Cecil Gets A Dog Cecil Sally 0196 Cecil Brings Nero Over To Sally's House We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0189 Cecil Decides To Go Shoe Shopping Cecil Sally 0190 Sally Has A Hole In Her Stocking Cecil Sally 0191 All Things Sally Hates Cecil Sally 0192 Sally Has A Trade-last For Cecil We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0179 Cecil Recalls All Of Sally's Sins Cecil Sally 0180 Cecil Has A Headache Episodes 181-188 are missing to time. We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0175 Sally Gets Cecil To Go For A Walk Cecil Sally 0176 Taking Pictures In Park Cecil Sally 0177 Cecil Climbs A Statue Cecil Sally 0178 A Cop Climbs Up And Can't Get Down We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0171 Cecil Is Sick From Tobacco Cecil Sally 0172 Sally Remembers Who She's Supposed To Call Cecil Sally 0173 Sally Speaks Of Romance Cecil Sally 0174 Ancestors We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0167 Sally Wants Ask Cecil Personal Question Cecil Sally 0168 Speaking Of Love Cecil Sally 0169 Cecil Wants To Chew Tobacco Cecil Sally 0170 Cecil Chews Tobacco We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0163 Sally Is Noisy And Wakes Owner Up Cecil Sally 0164 Owner Helps 'sisters' Out Cecil Sally 0165 Back Home Just Before Daybreak Cecil Sally 0166 Cecil Explains To Sally What A Mortgage Is We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

Cecil Sally 0159 Well, Goodnight Flossie Cecil Sally 0160 Sally Won't Get In Ben Hur Cecil Sally 0161 Ben Hur Runs Out Of Gas Cecil Sally 0162 Borrowing Gas From Another We begin with episode 63. There’s about 298 episodes available. Because each episode is about 3-7 minutes, I combined four or five per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0155 Leaving for Party 0156 Cecil Gets in a Fight at Party 0157 Cecil Tells Sally Why He Fought 0158 Cecil Is Jealous of Little Lord Fauntleroy We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0151 Sally Teaches Cecil To Play Bridge 0152 Bridge Lesson Interrupted By A Phone Call 0153 Cecil Agrees To Dress-up Like A Girl 0154 Getting Dressed For Costume Party We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0147 Sally Insists She Was Short-changed 0148 Talking During Movie 0149 Talking Abt People Talking During Movie 0150 Cecil High Pressure Salesman We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0143 Cecil Finds Teeth 0144 Argument Over What Movie to See 0145 Cecil Won't Let Sally Drive 0146 Picking A Fight with a Truck Driver We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0139 Cecil Has a Loose Tooth 0140 Cecil Sneezes His Tooth Out 0141 Uncle Thomas Gave His Teeth Away 0142 Phoning to Find Uncle Thomas' False Teeth We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0135 Loves Me, Loves Me Not 0136 Adventure in a Half-built House 0137 Hiding in Half-built House 0138 Cecil Tells Sally Ghost Stories We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0131 Rotten Egg Ploy 0132 Sally Plans To 'vamp' Mr. Hatton 0133 Uncle Thomas Won't Sell Store 0134 Taking A Walk by Mrs. Morris' House We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0127 Sally Is Moving to Europe with Uncle Thomas 0128 Cecil and Sally Reminisce 0129 Trying to Trick Mr. Hatton 0130 Is Store Losing Money We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0123 Cecil Tells Sally 'Slumbering Vitamins' 0124 Sally Has Cecil Believing He's Sick 0125 Sally Calls About Her Lost Umbrella 0126 Faithful Dog Story We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0119 Boat Floats Away 0120 Heading Back to Shore 0121 Visit from Census Taker 0122 Sally Left Her Umbrella on Streetcar We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0115 Landing on Island 0116 Cecil Tries to Take a Nap 0117 Sally Reads Poetry 0118 A Storm Is Looming We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0111 Sally Drops Cecil's Camera Overboard 0112 Sally Loses an Oar and Falls in Lake 0113 Cecil Rescues Sally 0114 Sally's Catch Gets Away We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0107 Cecil and Sally Really Do Like Each Other 0108 Cecil's on Top of World 0109 Cecil Had to Change a Tire on Ben Hur 0110 Cecil's Going to Teach Sally to Fish We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0103 Cecil's Secret Nickname Is Boz 0104 Doing A Crossword Puzzle 0105 Cecil's Castle 0106 Ideal We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0099 Sally Wants Fame and Fortune 0100 Sally Fancies Herself an Artist 0101 Sally Wants to Go to a Movie 0102 Pet Names and Baby Talk We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0095 Cecil Scares Sugarpie Up a Telephone Pole 0096 Sally Gets Cecil to Ring Fire Alarm 0097 Firemen Arrive and Save Sugarpie 0098 Cecil Is Jealous of Fireman We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0091 Sally Gets Fined by Judge Instead 0092 Cecil's Not Ready for Marriage 0093 Sally Washes Cecil's Face 0094 Cecil Tries to Train Sugarpie We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0087 Going Through Uncle Thomas' Basement 0088 Waiting in Courthouse 0089 Telling Stories to Judge 0090 Judge Makes His Decision We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill." 0087 Going Through Uncle Thomas' Basement 0088 Waiting in Courthouse 0089 Telling Stories to Judge 0090 Judge Makes His Decision

0083 Sally Gets Pulled Over-Damage1st 30 Sec 0084 Discussing Adventure-Damage1st 30 Sec 0085 Cecil Might Go To Jail 0086 Planning For Court We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill." 0083 Sally Gets Pulled Over-Damage1st 30 Sec 0084 Discussing Adventure-Damage1st 30 Sec 0085 Cecil Might Go to Jail 0086 Planning for Court

0079 Cecil Teaches Sally to Drive 0080 Sally Crashes Ben Hur into a Tree 0081 Sally Is Afraid to Drive 0082 Sally Drives Downtown We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill." 0079 Cecil Teaches Sally to Drive 0080 Sally Crashes Ben Hur into a Tree 0081 Sally Is Afraid to Drive 0082 Sally Drives Downtown

0075 Has Ben Hur Been Stolen 0076 Confession Magazine Rejects Cecil's Story 0077 Sugarpie Was Sick 0078 Uncle Thomas Thinks Cecil Has No Sense We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill." 0075 Has Ben Hur Been Stolen 0076 Confession Magazine Rejects Cecil's Story 0077 Sugarpie Was Sick 0078 Uncle Thomas Thinks Cecil Has No Sense

0071 Cecil Gets in a Fight Over a Parking Spot 0072 Waiting for Seats at Theater 0073 Trip to Soda Fountain 0074 Window Shopping We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0067 Cecil Tries to Lose Sweater 0068 Cecil Convinces Sally He Wants Sweater 0069 Sally Ties Cecil's Tie 0070 Deciding to Go to a Movie We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0063 After Sally's Date with Alexander 0064 Saying Goodnight 0065 Sally Can't Find Her Purse 0066 Sally Gives Cecil A Pink Sweater We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."