Aba Daba Honeymoon 1914 Arthur Fields and Walter Donovan
PAbsence Makes the Heart Grow Fonder (1905) Harry Macdonough
PAll by Myself By Aileen Stanley 1921
PAlice Blue Gown by Edith Day 1922
PAlabama Jubilee 1915 - George L. Cobb, Jack Yellen
PBack Water Blues - Bessie Smith 1927
PBlack And Tan Fantasy - Duke Ellington, Bubber Miley 1928
PCalifornia, Here I Come (1924) Al Jolson
PCry Baby Blues By Elsie Clark 1921
PDown Home Blues - Ethel Waters 1921
P"Down Hearted Blues" by Bessie Smith
PEverybody Loves My Baby (ORIGINAL) By Aileen Stanley 1924
PGive My Regards To Broadway By Billy Murray 1905
PGully Low Blues - Louis Armstrong & His Hot Seven 1927
PHot Lips - Paul Whiteman 1922
PHouse of the Rising sun (1933 Original) By Tom Clarence Ashley Gwen Foster
PI'll See You in My Dreams by Isham Jones, 1924
PI'm Goin' South By Georgie Price 1923
PI Want to Go Back to Michigan Andrew Sisters 1947
PLet's Do It by Cole Porter ( Midnight in Paris )
PMakin’ Whoopee! - Eddie Cantor 1928
PMoonshine Blues (1923) - Ma Rainey
PMy Blue Heaven - Gene Austin 1928
PMississippi Mud - Paul Whiteman's Rhythm Boys - Bing Crosby 1927
PMy Man - Fanny Brice 1921
POver There by Nora Bayes 1917
PPotato Head Blues - Louis Armstrong 1927
PThe Prisoner's Song by Vernon Dalhart 1925
PRhapsody In Blue - Paul Whiteman Orch. & George Gershwin piano 1924 version
PRockin' Robin by Bobby Day 1957
PRoamin’ In The Gloamin’ By Harry Lauder 1911
PSecond Hand Rose By Fanny Brice 1921
PSome Of These Days - Sophie Tucker 1911
PSwanee By Al Jolson 1920
PTill We Meet Again Henry Burr and Albert Campbell 1918
PTin Roof Blues 1923 - New Orleans Rhythm Kings
PYes! We Have No Bananas - Billy Jones 1923 - Comedy
PTin Roof Blues 1923 - New Orleans Rhythm Kings
Tin Roof Blues 1923 - New Orleans Rhythm Kings
Tin Roof Blues" is a jazz composition by the New Orleans Rhythm Kings first recorded in 1923. It was written by band members Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo. The tune has become a jazz standard and is one of the most recorded and often played New Orleans jazz compositions
The New Orleans Rhythm Kings first recorded the number on 13 March 1923 for Gennett Records in Richmond, Indiana. The B-side was "That's a Plenty". There are three surviving alternative takes of the number from this session. The alternative takes were created as part of the phonograph recording and manufacture process; the musicians did not expect different versions to be released. The solos on the records contained less improvisation than much of later jazz and more than earlier jazz. Brunies's and Roppolo's solos were played similar but noticeably different on each of the three takes. Brunies continued to play the solo from the most famous take of the NORK recording for the rest of his career.
The 1923 sound recordings of the song entered the public domain in the United States in 2024
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