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Slayer - Angel of Death (Lyrics on Screen Video 🎤🎶🎸🥁) Finally doing Reign in Blood! Of course the all time thrash classic Angel of Death is one of my favorite Slayer songs haha. The song comes out with a very good lick (in my opinion) with some nice accented cymbal barks and percussion fills. I get pumped up no matter what hearing the intro to this song haha. The scream too is kind of funny is a way lol. Like I said this is a thrash masterpiece in my opinion, so many good licks and checks all the boxes for a thrashterpiece. 1:37 is probably one of my favorite licks and parts of any song ever it never fails to pump me up as well as the part following it fucking jams the fuck out. The rhythm of the lyrics and the lyrics themselves really fit the song, I could go on forever as usual. Enjoy! Slayer's Youtube: https://www.youtube.com/channel/UCA7S... 🎤 Lyrics 🎤 [Intro] Ah [Verse 1] Auschwitz, the meaning of pain The way that I want you to die Slow death, immense decay Showers that cleanse you of your life Forced in, like cattle you run Stripped of Your life's worth Human mice, for the angel of death Four hundred thousand more to die [Chorus 1] Angel of death Monarch to the kingdom of the dead [Verse 2] Sadistic, surgeon of demise Sadist of the noblest blood Destroying, without mercy To benefit the Aryan race Surgery, with no anesthesia Feel the knife pierce you intensely Inferior, no use to mankind Strapped down, screaming out to die [Chorus 2] Angel of death Monarch to the kingdom of the dead Infamous butcher Angel of death [Verse 3] Pumped with fluid, inside your brain Pressure in your skull begins pushing through your eyes Burning flesh drips away Test of heat burns your skin, your mind starts to boil Frigid cold cracks your limbs How long can you last In this frozen water burial? Sewn together, joining heads Just a matter of time 'Till you rip yourselves apart [Bridge 1] Millions laid out in their Crowded tombs Sickening ways to achieve The Holocaust [Verse 4] Seas of blood, bury life Smell your death as it burns Deep inside of you Abacinate, eyes that bleed Praying for the end of Your wide awake nightmare Wings of pain, reach out for you His face of death staring down Your blood's running cold Injecting cells, dying eyes Feeding on the screams of The mutants he's creating [Bridge 2] Pathetic harmless victims Left to die Rancid angel of death Flying free [Lead - King and Hanneman] [Chorus 2] Angel of death Monarch to the kingdom of the dead Infamous butcher Angel of death Angel of death **Genius.com Stuff** In terms of writing, I’d say the Reign In Blood album was pretty close to complete when they came in. I think we just stepped up the recording from what they had done independently before that. It was really more the engineering. I signed Slayer to Def Jam. Columbia Records was the distributor, but they refused to put it out because of “Angel of Death.” That was how I started my relationship with Geffen records, because Columbia refused. The lyrics and music were written by Slayer guitarist Jeff Hanneman and are based on Nazi physician Josef Mengele, known as “Todesengel” or “Angel of Death,” who conducted human experiments at the Auschwitz concentration camp during World War II. “Angel of Death” contributed to the band facing accusations of Nazi… read more » What has Slayer said about accusations that they are Nazi sympathizers? According to Decibel, the band members had the following to say about the controversy stemming from songs like “Angel of Death” and Hanneman’s preoccupation with Nazi memorabilia: Hanneman: I collect medals and other Nazi stuff that my dad got me started on because he gave me all this shit he got off of dead Nazis. I remember stopping some place where I bought two books on [Nazi “surgeon” Josef] Mengele. I thought, “This has gotta be some sick shit.” So when it came time to do the record, that stuff was still in my head—that’s where the lyrics to “Angel of Death” came from. Next thing I know, we’re neo-Nazis. King: Yeah, “Slayer are Nazis, fascists, communists”—all that fun shit. And of course we got the most flack for it in Germany. I was always like, “Read the lyrics and tell me what’s offensive about it. Can you see it as a documentary, or do you think Slayer’s preaching fucking World War II?” People get this thought in their heads—especially in Europe—and you’ll never talk them out of it. Lombardo: We got dropped by Columbia because of that. I mean, “Auschwitz—the meaning of pain!” Any sympathizers with the Holocaust aren’t gonna have any part of it. But they didn’t see the deep meaning of it—it’s just documented musical awareness. It’s not necessarily for it—it’s just something that Jeff discovered and wrote a song about. Source(s): Genius.com https://youtu.be/Y2wgFpNO_k4 Slayer - Angel of Death (Lyrics on Screen Video 🎤🎶🎸🥁)

#Pantera #TheArtofShredding #Pantera - The Art of Shredding (Lyrics on Screen Video 🎤🎶🎸🥁) Pantera - The Art of Shredding (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Pantera! → https://www.youtube.com/user/pantera/... 🎤 Lyrics Start 🎤 [Verse 1] Unity is a rare thing Blind eyes of society bring The category of minority Now what are we supposed to be? Born free to be powerless to change the world With our lives in the hands of madmen [Verse 2] Now in times when society needs us This is where the sin begins We're aware they're going to free us Rage from our hearts within Born of this world, which is a living hell But we'll be closer to heaven [Chorus] So now, this is the art to shred It's only emotion This is the art to shred It's only emotion Shred! [Solo] [Chorus] So now, this is the art to shred It's only emotion This is the art to shred It's only emotion 🎤 Lyrics End 🎤 Wikipedia Stuff Cowboys from Hell is the fifth studio album by American heavy metal band Pantera, released on July 24, 1990 by Atco Records. It marked the band's major label debut and their first collaboration with producer Terry Date. It is considered one of the first ever groove metal albums.[6] Writing sessions for Cowboys from Hell took place throughout 1988 and 1989. After being turned down "28 times by every major label on the face of the Earth", Atco Records representative Mark Ross was asked by his boss, Derek Shulman (who was interested in signing Pantera), to see the band perform after Hurricane Hugo stranded him in Texas. Ross was so impressed by the band's performance that he called his boss that night, suggesting that Pantera be signed to the label.[3] Ross on the performance: "By the end of the first song, my jaw was on the floor. The sonic power of it all — the attitude and the musicianship — blew me away. Basically, you had to be an idiot to not think they're amazing. I mean, how could you see these guys and not think, 'Holy shit!'?"[7] Atco Records accepted but the band had to wait a six month period before they commenced recording at Pantego Sound Studio in Pantego, Texas. Accounts vary as to how long the recording sessions of Cowboys from Hell lasted; bassist Rex Brown stated in a 2010 interview with Metal Hammer that the recording sessions took place from February to April 1990,[3] however vocalist Phil Anselmo has also claimed that the album was recorded in 1989.[1][2] Pantera's initial choice as the producer for Cowboys from Hell was Max Norman based on his work with Ozzy Osbourne. Norman, who flew to Houston to watch the band perform, initially agreed to work on the album, but right before the recording sessions started, he was offered to produce Lynch Mob's debut album Wicked Sensation instead.[8] Pantera then proposed Terry Date to produce the album on the strength of his work with Soundgarden, Metal Church and Overkill, the latter of whose latest album at the time The Years of Decay had influenced Diamond Darrell's guitar tone, as well as the band's transition away from glam/traditional heavy metal to thrash/groove metal.[9][10][11][12][13] https://youtu.be/quxxR5550Ig Source(s): https://genius.com/Pantera-the-art-of... and https://en.wikipedia.org/wiki/Cowboys... Pantera - The Art of Shredding (Lyrics on Screen Video 🎤🎶🎸🥁)

Pantera - The Sleep (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Pantera! → https://www.youtube.com/channel/UChTD... 🎤 Lyrics Start 🎤 [Verse 1] Understanding what has happened before us We are confined to a darkened hidden tomb The conquering of our world as we knew it Rise above this pit of sorrow and pain Among the few we are the avant leaders We've got to live through this trouble and decay [Chorus] This question haunts my mind Will we survive this night? We're harboring the meek Will we survive the sleep? [Verse 2] Unsure and scared we are planning our reprise Revolves around this world we don't know anymore The odds against us yet we're stronger and prevailing Learn from mistakes counting souls for sale [Chorus] This question haunts my mind Will we survive this night? We're harboring the meek Will we survive the sleep? [Guitar Solo] [Chorus] This question haunts my mind Will we survive this night? We're harboring the meek Will we survive? This question haunts my mind Will we survive this night? We're harboring the meek Will we survive the sleep? 🎤 Lyrics End 🎤 Wikipedia Stuff Cowboys from Hell is the fifth studio album by American heavy metal band Pantera, released on July 24, 1990 by Atco Records. It marked the band's major label debut and their first collaboration with producer Terry Date. It is considered one of the first ever groove metal albums.[6] Writing sessions for Cowboys from Hell took place throughout 1988 and 1989. After being turned down "28 times by every major label on the face of the Earth", Atco Records representative Mark Ross was asked by his boss, Derek Shulman (who was interested in signing Pantera), to see the band perform after Hurricane Hugo stranded him in Texas. Ross was so impressed by the band's performance that he called his boss that night, suggesting that Pantera be signed to the label.[3] Ross on the performance: "By the end of the first song, my jaw was on the floor. The sonic power of it all — the attitude and the musicianship — blew me away. Basically, you had to be an idiot to not think they're amazing. I mean, how could you see these guys and not think, 'Holy shit!'?"[7] Atco Records accepted but the band had to wait a six month period before they commenced recording at Pantego Sound Studio in Pantego, Texas. Accounts vary as to how long the recording sessions of Cowboys from Hell lasted; bassist Rex Brown stated in a 2010 interview with Metal Hammer that the recording sessions took place from February to April 1990,[3] however vocalist Phil Anselmo has also claimed that the album was recorded in 1989.[1][2] Pantera's initial choice as the producer for Cowboys from Hell was Max Norman based on his work with Ozzy Osbourne. Norman, who flew to Houston to watch the band perform, initially agreed to work on the album, but right before the recording sessions started, he was offered to produce Lynch Mob's debut album Wicked Sensation instead.[8] Pantera then proposed Terry Date to produce the album on the strength of his work with Soundgarden, Metal Church and Overkill, the latter of whose latest album at the time The Years of Decay had influenced Diamond Darrell's guitar tone, as well as the band's transition away from glam/traditional heavy metal to thrash/groove metal.[9][10][11][12][13] https://youtu.be/xv9xKCr01bQ Source(s): https://genius.com/Pantera-the-sleep-... and https://en.wikipedia.org/wiki/Cowboys... Pantera - The Sleep (Lyrics on Screen Video 🎤🎶🎸🥁)

Pantera - Message in Blood (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Pantera! → https://www.youtube.com/channel/UChTD... 🎤 Lyrics Start 🎤 [Verse 1] There's a place that I keep deep inside me It can trigger my mind All along I knew it has been with me Since I was just a child I just summon power within my soul It has given me life, beyond life I take blame for my murderous problem My signature always reminds [Chorus] It's a message in blood It's your cryptic warning Within the message in blood Marks the years of pain And your godforsaken ending to life [Verse 2] I'm provoked into sick confrontations Brutal time after time Bed of nails, suffocation, life's ending Slay in different designs One man's misery is another man's mystery No one cares to understand my demented means Sticks and stones can break all your brittle bones Epitaph written at your feet [Chorus] It's a message in blood It's your cryptic warning Within the message in blood Marks the years of pain And your godforsaken ending to life [Solo] [Chorus] It's a message in blood It's your cryptic warning Within the message in blood Marks the years of pain And your godforsaken ending to life [Refrain] Message in blood, message in blood Message in blood, message in blood 🎤 Lyrics End 🎤 Wikipedia Stuff Cowboys from Hell is the fifth studio album by American heavy metal band Pantera, released on July 24, 1990 by Atco Records. It marked the band's major label debut and their first collaboration with producer Terry Date. It is considered one of the first ever groove metal albums.[6] Writing sessions for Cowboys from Hell took place throughout 1988 and 1989. After being turned down "28 times by every major label on the face of the Earth", Atco Records representative Mark Ross was asked by his boss, Derek Shulman (who was interested in signing Pantera), to see the band perform after Hurricane Hugo stranded him in Texas. Ross was so impressed by the band's performance that he called his boss that night, suggesting that Pantera be signed to the label.[3] Ross on the performance: "By the end of the first song, my jaw was on the floor. The sonic power of it all — the attitude and the musicianship — blew me away. Basically, you had to be an idiot to not think they're amazing. I mean, how could you see these guys and not think, 'Holy shit!'?"[7] Atco Records accepted but the band had to wait a six month period before they commenced recording at Pantego Sound Studio in Pantego, Texas. Accounts vary as to how long the recording sessions of Cowboys from Hell lasted; bassist Rex Brown stated in a 2010 interview with Metal Hammer that the recording sessions took place from February to April 1990,[3] however vocalist Phil Anselmo has also claimed that the album was recorded in 1989.[1][2] Pantera's initial choice as the producer for Cowboys from Hell was Max Norman based on his work with Ozzy Osbourne. Norman, who flew to Houston to watch the band perform, initially agreed to work on the album, but right before the recording sessions started, he was offered to produce Lynch Mob's debut album Wicked Sensation instead.[8] Pantera then proposed Terry Date to produce the album on the strength of his work with Soundgarden, Metal Church and Overkill, the latter of whose latest album at the time The Years of Decay had influenced Diamond Darrell's guitar tone, as well as the band's transition away from glam/traditional heavy metal to thrash/groove metal.[9][10][11][12][13] https://youtu.be/0IYUIak7YIo Source(s): https://genius.com/Pantera-medicine-m... and https://en.wikipedia.org/wiki/Cowboys... Pantera - Message in Blood (Lyrics on Screen Video 🎤🎶🎸🥁)

Pantera - Medicine Man (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Pantera! → https://www.youtube.com/channel/UChTD... 🎤 Lyrics Start 🎤 [Verse 1] Many distant miles away Past the shores of ever dark There stays a magic man Who bears an evil mark He helps all concerned Those who come again return Injecting lies while fires burn The devil's heart With angel's words [Half-Verse 1] Have you wondered what heaven's like? He can show you in one night Overwhelming with euphoric lift To lure you, to steal your gift [Pre-Chorus] Intoxication Seeping down to the bone And there's no question Where you have to go [Chorus] Understand, just take his hand He's the medicine man Understand, just take his hand He's the medicine man [Verse 2] Once proud and fearless men With desire in their eyes Lost strong and fruitful lives To self-indulgent ties Their souls were dipped in venom And put into a box Then placed upon a crowded shelf Where countless souls now rot [Half-Verse 2] Have you ever wondered what hell's like? He can take you there Just one taste and you'll be back And by the high you'll swear [Pre-Chorus] Intoxication Seeping down to the bone And there's no question Where you have to go [Chorus] Understand, just take his hand He's the medicine man Understand, just take his hand He's the medicine man [Solo] [Chorus] Understand, just take his hand He's the medicine man Understand, just take his hand He's the medicine man [Solo] 🎤 Lyrics End 🎤 Wikipedia Stuff Cowboys from Hell is the fifth studio album by American heavy metal band Pantera, released on July 24, 1990 by Atco Records. It marked the band's major label debut and their first collaboration with producer Terry Date. It is considered one of the first ever groove metal albums.[6] Writing sessions for Cowboys from Hell took place throughout 1988 and 1989. After being turned down "28 times by every major label on the face of the Earth", Atco Records representative Mark Ross was asked by his boss, Derek Shulman (who was interested in signing Pantera), to see the band perform after Hurricane Hugo stranded him in Texas. Ross was so impressed by the band's performance that he called his boss that night, suggesting that Pantera be signed to the label.[3] Ross on the performance: "By the end of the first song, my jaw was on the floor. The sonic power of it all — the attitude and the musicianship — blew me away. Basically, you had to be an idiot to not think they're amazing. I mean, how could you see these guys and not think, 'Holy shit!'?"[7] Atco Records accepted but the band had to wait a six month period before they commenced recording at Pantego Sound Studio in Pantego, Texas. Accounts vary as to how long the recording sessions of Cowboys from Hell lasted; bassist Rex Brown stated in a 2010 interview with Metal Hammer that the recording sessions took place from February to April 1990,[3] however vocalist Phil Anselmo has also claimed that the album was recorded in 1989.[1][2] Pantera's initial choice as the producer for Cowboys from Hell was Max Norman based on his work with Ozzy Osbourne. Norman, who flew to Houston to watch the band perform, initially agreed to work on the album, but right before the recording sessions started, he was offered to produce Lynch Mob's debut album Wicked Sensation instead.[8] Pantera then proposed Terry Date to produce the album on the strength of his work with Soundgarden, Metal Church and Overkill, the latter of whose latest album at the time The Years of Decay had influenced Diamond Darrell's guitar tone, as well as the band's transition away from glam/traditional heavy metal to thrash/groove metal.[9][10][11][12][13] Source(s): https://genius.com/Pantera-medicine-m... and https://en.wikipedia.org/wiki/Cowboys... https://youtu.be/PkUFeyX1Z-k Pantera - Medicine Man (Lyrics on Screen Video 🎤🎶🎸🥁)

Follow Pantera! → https://www.youtube.com/channel/UChTD... Pantera - Shattered (Lyrics on Screen Video 🎤🎶🎸🥁) 🎤 Lyrics Start 🎤 [Verse 1] It's storming broken glass Corpses left in piles Ungracious bludgeonment That breaks the earth for miles Nothing can stop it, the day has come From below it's catastrophic [Chorus] Freezing There's no healing Families are dying This world is shattered All shattered [Verse 2] Life crushing turbulence This wrath can't be denied Wishing you could help your friends Standing where they died Echoes haunting, a hollow planet Lacerations, dissected nation [Chorus] Freezing There's no healing Everyone's dying This world is shattered All shattered [Chorus] Freezing There's no healing Everyone's dying This world is shattered All shattered All shattered All shattered 🎤 Lyrics End 🎤 Wikipedia Stuff Cowboys from Hell is the fifth studio album by American heavy metal band Pantera, released on July 24, 1990 by Atco Records. It marked the band's major label debut and their first collaboration with producer Terry Date. It is considered one of the first ever groove metal albums.[6] Writing sessions for Cowboys from Hell took place throughout 1988 and 1989. After being turned down "28 times by every major label on the face of the Earth", Atco Records representative Mark Ross was asked by his boss, Derek Shulman (who was interested in signing Pantera), to see the band perform after Hurricane Hugo stranded him in Texas. Ross was so impressed by the band's performance that he called his boss that night, suggesting that Pantera be signed to the label.[3] Ross on the performance: "By the end of the first song, my jaw was on the floor. The sonic power of it all — the attitude and the musicianship — blew me away. Basically, you had to be an idiot to not think they're amazing. I mean, how could you see these guys and not think, 'Holy shit!'?"[7] Atco Records accepted but the band had to wait a six month period before they commenced recording at Pantego Sound Studio in Pantego, Texas. Accounts vary as to how long the recording sessions of Cowboys from Hell lasted; bassist Rex Brown stated in a 2010 interview with Metal Hammer that the recording sessions took place from February to April 1990,[3] however vocalist Phil Anselmo has also claimed that the album was recorded in 1989.[1][2] Pantera's initial choice as the producer for Cowboys from Hell was Max Norman based on his work with Ozzy Osbourne. Norman, who flew to Houston to watch the band perform, initially agreed to work on the album, but right before the recording sessions started, he was offered to produce Lynch Mob's debut album Wicked Sensation instead.[8] Pantera then proposed Terry Date to produce the album on the strength of his work with Soundgarden, Metal Church and Overkill, the latter of whose latest album at the time The Years of Decay had influenced Diamond Darrell's guitar tone, as well as the band's transition away from glam/traditional heavy metal to thrash/groove metal.[9][10][11][12][13] Source(s): https://genius.com/Pantera-shattered-... and https://en.wikipedia.org/wiki/Cowboys... https://youtu.be/T8lGpaQnOIs Pantera - Psycho Holiday (Lyrics on Screen Video 🎤🎶🎸🥁)

Follow Pantera! → https://www.youtube.com/channel/UChTD... This song too (of course) is top 3 from the album for me. Perfect blend of solo, breakdown, and heavy ass licks. Vinnie showcases his skills in this song quite well, love Vin's drumming. This is one of those songs that seems a lot shorter than it is because it's so good. Also Rex's playing on this track is awesome, the bass line during the solo is real nice. 🎤 Lyrics Start 🎤 [Intro] Oh, come on [Verse 1] Under the lights where we stand tall Nobody touches us at all Showdown, shootout Spread fear within, without I say we're gonna take what's ours to have Spread the word throughout the land They say the bad guys wear black We're tagged and can't turn back [Pre-Chorus] You see us coming and you all together run for cover We're taking over this town [Chorus] Here we come, reach for your gun And you better listen well, my friend You see, it's been slow down below Aimed at you, we're the Cowboys from Hell Deed is done, again we've won Ain't talking no tall tales, friend 'Cause high noon, your doom Coming for you, we're the Cowboys from Hell [Verse 2] Oh, pillage the village, trash the scene But better not take it out on me 'Cause a ghost town is found Where your city used to be So out of the darkness and into the light Sparks fly everywhere in sight From my double barrel, 12 gauge Can't lock me in your cage [Pre-Chorus] You see us coming and you all together run for cover We're taking over this town [Chorus] Here we come, reach for your gun And you better listen well, my friend You see, it's been slow down below Aimed at you, we're the Cowboys from Hell Deed is done, again we've won Ain't talking no tall tales, friend 'Cause high noon, your doom Coming for you, we're the Cowboys from Hell [Guitar Solo] [Chorus] Here we come, reach for your gun And you better listen well, my friend You see, it's been slow down below Aimed at you, we're the Cowboys from Hell Deed is done, again we've won Ain't talking no tall tales, friend 'Cause high noon, your doom Coming for you, we're the Cowboys from Hell [Outro] Step aside for the Cowboys from Hell 🎤 Lyrics End 🎤 Wikipedia Stuff Cowboys from Hell is the fifth studio album by American heavy metal band Pantera, released on July 24, 1990 by Atco Records. It marked the band's major label debut and their first collaboration with producer Terry Date. It is considered one of the first ever groove metal albums.[6] Writing sessions for Cowboys from Hell took place throughout 1988 and 1989. After being turned down "28 times by every major label on the face of the Earth", Atco Records representative Mark Ross was asked by his boss, Derek Shulman (who was interested in signing Pantera), to see the band perform after Hurricane Hugo stranded him in Texas. Ross was so impressed by the band's performance that he called his boss that night, suggesting that Pantera be signed to the label.[3] Ross on the performance: "By the end of the first song, my jaw was on the floor. The sonic power of it all — the attitude and the musicianship — blew me away. Basically, you had to be an idiot to not think they're amazing. I mean, how could you see these guys and not think, 'Holy shit!'?"[7] Atco Records accepted but the band had to wait a six month period before they commenced recording at Pantego Sound Studio in Pantego, Texas. Accounts vary as to how long the recording sessions of Cowboys from Hell lasted; bassist Rex Brown stated in a 2010 interview with Metal Hammer that the recording sessions took place from February to April 1990,[3] however vocalist Phil Anselmo has also claimed that the album was recorded in 1989.[1][2] Pantera's initial choice as the producer for Cowboys from Hell was Max Norman based on his work with Ozzy Osbourne. Norman, who flew to Houston to watch the band perform, initially agreed to work on the album, but right before the recording sessions started, he was offered to produce Lynch Mob's debut album Wicked Sensation instead.[8] Pantera then proposed Terry Date to produce the album on the strength of his work with Soundgarden, Metal Church and Overkill, the latter of whose latest album at the time The Years of Decay had influenced Diamond Darrell's guitar tone, as well as the band's transition away from glam/traditional heavy metal to thrash/groove metal.[9][10][11][12][13] Source(s): https://en.wikipedia.org/wiki/Cowboys... and https://genius.com/Pantera-cowboys-fr... https://youtu.be/lAOr6JsYg9c Pantera - Domination (Lyrics on Screen Video 🎤🎶🎸🥁)

Pantera - Cemetary Gates (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Pantera! → https://www.youtube.com/channel/UChTD... This is my favorite song hands down from the album and top 5 Pantera of all time for me. I remember first hearing this song during a descending part of my life, I had it on repeat for longer than someone should. The opening acoustic along with Phil's vocals is god damn magical as well as the distorted part. This song is written So fucking well god DAMMIT. This song (in my opinion) is about an old girlfriend Phil used to have and how he was unable to get something off his chest to her before she died. I could be completely wrong if you know what the song is about let me know! Enjoy! 🎤 Lyrics Start 🎤 [Intro] Reverend, Reverend, is this some conspiracy? Crucified for no sins, an image beneath me What's within our plans for life, it all seems so unreal I'm a man cut in half in this world left in my misery [Verse 1] The Reverend he turned to me without a tear in his eyes Nothing new for him to see, I didn't ask him why I will remember the love our souls had sworn to make Now I watch the falling rain, all my mind can see now is your [Pre-Chorus] Well I guess you took my youth and gave it all away Like the birth of a new-found joy, this love would end in rage And when she died, I couldn't cry, the pride within my soul You left me incomplete, all alone as the memories now unfold [Chorus] Believe the word, I will unlock my door And pass the cemetery gates [Verse 2] Sometimes when I'm alone, I wonder aloud If you're watching over me, some place far abound I must reverse my life, I can't live in the past Then set my soul free, belong to me at last [Pre-Chorus] Through all those complex years, I thought I was alone I didn't care to look around and make this world my own And when she died, I should have cried and spared myself some pain You left me incomplete, all alone as the memories still remain [Chorus] The way we were, the chance to save my soul And my concern is now in vain Believe the word, I will unlock my door And pass the cemetery gates [Guitar Solo] [Chorus] The way we were, the chance to save my soul And my concern is now in vain Believe the word, I will unlock my door And pass the cemetery [Outro] Gates Gates Gates 🎤 Lyrics End 🎤 Wikipedia Stuff Cowboys from Hell is the fifth studio album by American heavy metal band Pantera, released on July 24, 1990 by Atco Records. It marked the band's major label debut and their first collaboration with producer Terry Date. It is considered one of the first ever groove metal albums.[6] Writing sessions for Cowboys from Hell took place throughout 1988 and 1989. After being turned down "28 times by every major label on the face of the Earth", Atco Records representative Mark Ross was asked by his boss, Derek Shulman (who was interested in signing Pantera), to see the band perform after Hurricane Hugo stranded him in Texas. Ross was so impressed by the band's performance that he called his boss that night, suggesting that Pantera be signed to the label.[3] Ross on the performance: "By the end of the first song, my jaw was on the floor. The sonic power of it all — the attitude and the musicianship — blew me away. Basically, you had to be an idiot to not think they're amazing. I mean, how could you see these guys and not think, 'Holy shit!'?"[7] Atco Records accepted but the band had to wait a six month period before they commenced recording at Pantego Sound Studio in Pantego, Texas. Accounts vary as to how long the recording sessions of Cowboys from Hell lasted; bassist Rex Brown stated in a 2010 interview with Metal Hammer that the recording sessions took place from February to April 1990,[3] however vocalist Phil Anselmo has also claimed that the album was recorded in 1989.[1][2] Pantera's initial choice as the producer for Cowboys from Hell was Max Norman based on his work with Ozzy Osbourne. Norman, who flew to Houston to watch the band perform, initially agreed to work on the album, but right before the recording sessions started, he was offered to produce Lynch Mob's debut album Wicked Sensation instead.[8] Pantera then proposed Terry Date to produce the album on the strength of his work with Soundgarden, Metal Church and Overkill, the latter of whose latest album at the time The Years of Decay had influenced Diamond Darrell's guitar tone, as well as the band's transition away from glam/traditional heavy metal to thrash/groove metal.[9][10][11][12][13] Source(s): https://genius.com/Pantera-cemetery-g... and https://en.wikipedia.org/wiki/Cowboys... https://youtu.be/WjjgHiPKa9c Pantera - Cemetary Gates (Lyrics on Screen Video 🎤🎶🎸🥁)

Pantera - Heresy (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Pantera! → https://www.youtube.com/channel/UChTD... This is a solid ass song, the lick in the beginning is nice and sounds even better when Dime's tone kicks in. Vinnie of course with some nice ass tom fills into the main lick. The outro on this song is strong. The lyric scheme fits the song title pretty well. Favorite lyrics "So they can lick my sack!" hehe. 2:55 and 3:29 are some heavy dimebag lickin lmao. Enjoy. 🎤 Lyrics Start 🎤 [Verse 1] Here we are In a world of corruption Human nature is A violent breed Who cares if there's no tomorrow When I die for my future's Laid out for me Can't you see Rise above the lies Morals on a backwards globe A sin to you For me it's hope It's my life and provision Black or white Some pay to pray You question why they Act this way It's their fucking decision [Chorus 1] No more judgement day Only tranquility Peace signs, protest lines Mean nothing to me [Chorus 2] Honesty born in me Heresy [Verse 2] I know what's right or wrong And my belief is stronger Than your advice People, they go to war Because religion gives them Reason to fight Sacrifice, die for pride Sacrifice A group that caters No one's fees Or synthetic deities Is where I belong My stand is the human race Without a label or a face So they can lick my sack [Chorus 1] No more judgement day Only tranquility Peace signs, protest lines Mean nothing to me [Chorus 2] Honesty born in me Heresy Honesty born in me Heresy 🎤 Lyrics End 🎤 Wikipedia Stuff Cowboys from Hell is the fifth studio album by American heavy metal band Pantera, released on July 24, 1990 by Atco Records. It marked the band's major label debut and their first collaboration with producer Terry Date. It is considered one of the first ever groove metal albums.[6] Writing sessions for Cowboys from Hell took place throughout 1988 and 1989. After being turned down "28 times by every major label on the face of the Earth", Atco Records representative Mark Ross was asked by his boss, Derek Shulman (who was interested in signing Pantera), to see the band perform after Hurricane Hugo stranded him in Texas. Ross was so impressed by the band's performance that he called his boss that night, suggesting that Pantera be signed to the label.[3] Ross on the performance: "By the end of the first song, my jaw was on the floor. The sonic power of it all — the attitude and the musicianship — blew me away. Basically, you had to be an idiot to not think they're amazing. I mean, how could you see these guys and not think, 'Holy shit!'?"[7] Atco Records accepted but the band had to wait a six month period before they commenced recording at Pantego Sound Studio in Pantego, Texas. Accounts vary as to how long the recording sessions of Cowboys from Hell lasted; bassist Rex Brown stated in a 2010 interview with Metal Hammer that the recording sessions took place from February to April 1990,[3] however vocalist Phil Anselmo has also claimed that the album was recorded in 1989.[1][2] Pantera's initial choice as the producer for Cowboys from Hell was Max Norman based on his work with Ozzy Osbourne. Norman, who flew to Houston to watch the band perform, initially agreed to work on the album, but right before the recording sessions started, he was offered to produce Lynch Mob's debut album Wicked Sensation instead.[8] Pantera then proposed Terry Date to produce the album on the strength of his work with Soundgarden, Metal Church and Overkill, the latter of whose latest album at the time The Years of Decay had influenced Diamond Darrell's guitar tone, as well as the band's transition away from glam/traditional heavy metal to thrash/groove metal.[9][10][11][12][13] Source(s): https://genius.com/Pantera-heresy-lyrics and https://en.wikipedia.org/wiki/Cowboys... https://youtu.be/I0xpFQj031Q Pantera - Heresy (Lyrics on Screen Video 🎤🎶🎸🥁)

Pantera - Primal Concrete Sledge (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Pantera! → https://www.youtube.com/channel/UChTD... The opening tom beat is some Donkey Kong sounding shit. The into riff Dime plays and where it's played sounds chaotic and heavy as fuck. I think this song is just Pantera displaying their abilities with a song that just smashes you in the face immediately (not that their others don't hehe). 1:19 and 1:04 are real nice. Enjoy. 🎤 Lyrics Start 🎤 [Verse 1] There's a double standard for the way we live If there's nothing to have, well then there's nothing to give I'll break a sweat and I don't regret What you'd kill to see brings out the God in me [Chorus] Come and be with me Live my twisted dream Pro devoted pledge Time for primal concrete sledge [Verse 2] The man of a thousand retirements Will always be the one to tell you when to quit I won't take stock in a withered man I'm reaching into you, I'll make you understand [Chorus] Come and be with me Live my twisted dream Pro devoted pledge Time for primal concrete sledge [Guitar Solo] [Chorus] Come and be with me Live my twisted dream Pro devoted pledge Time for primal concrete sledge [Chorus] Come and be with me Live my twisted dream Pro devoted pledge Time for primal concrete sledge 🎤 Lyrics End 🎤 **Wikipedia Stuff** Cowboys from Hell is the fifth studio album by American heavy metal band Pantera, released on July 24, 1990 by Atco Records. It marked the band's major label debut and their first collaboration with producer Terry Date. It is considered one of the first ever groove metal albums.[6] Writing sessions for Cowboys from Hell took place throughout 1988 and 1989. After being turned down "28 times by every major label on the face of the Earth", Atco Records representative Mark Ross was asked by his boss, Derek Shulman (who was interested in signing Pantera), to see the band perform after Hurricane Hugo stranded him in Texas. Ross was so impressed by the band's performance that he called his boss that night, suggesting that Pantera be signed to the label.[3] Ross on the performance: "By the end of the first song, my jaw was on the floor. The sonic power of it all — the attitude and the musicianship — blew me away. Basically, you had to be an idiot to not think they're amazing. I mean, how could you see these guys and not think, 'Holy shit!'?"[7] Atco Records accepted but the band had to wait a six month period before they commenced recording at Pantego Sound Studio in Pantego, Texas. Accounts vary as to how long the recording sessions of Cowboys from Hell lasted; bassist Rex Brown stated in a 2010 interview with Metal Hammer that the recording sessions took place from February to April 1990,[3] however vocalist Phil Anselmo has also claimed that the album was recorded in 1989.[1][2] Pantera's initial choice as the producer for Cowboys from Hell was Max Norman based on his work with Ozzy Osbourne. Norman, who flew to Houston to watch the band perform, initially agreed to work on the album, but right before the recording sessions started, he was offered to produce Lynch Mob's debut album Wicked Sensation instead.[8] Pantera then proposed Terry Date to produce the album on the strength of his work with Soundgarden, Metal Church and Overkill, the latter of whose latest album at the time The Years of Decay had influenced Diamond Darrell's guitar tone, as well as the band's transition away from glam/traditional heavy metal to thrash/groove metal.[9][10][11][12][13] Source(s): https://genius.com/Pantera-primal-con... and https://en.wikipedia.org/wiki/Cowboys... https://youtu.be/Cem6nLhAloA Pantera - Primal Concrete Sledge (Lyrics on Screen Video 🎤🎶🎸🥁)

Pantera - Psycho Holiday Lyrics (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Pantera! → https://www.youtube.com/channel/UChTD... The opening is some groovy ass shit, Vin always comes up with something clever. The song title is clever as it corresponds well with the lyric scheme.... Dealing with a shattered sanity and wanting to get fucked up for a long time haha I feel you Phil. Also Phil's description of that hangover brings back memories lmao. Dime's solo is as usual on point as well as the rest of the band. Enjoy! 🎤 Lyrics Start 🎤 [Verse 1] Empty and sweating Head lying in your hands Shaking in the corner Done too much alcohol Gotta get away from it all Cause it feels my blood is freezing My self insanity has taken its toll Frustration has taken its control [Chorus] Now I'm far from home Spending time alone It's time to set my demons free Been put to the test My mind laid to rest I'm on a psycho holiday [Verse 2] Shot down on sight You are the target of attention One woman here, another there You can't please all the people all the time Can't tell the strangers from the friends you know Frustration has taken its control [Chorus] Now you're far from home Spending time alone It's time to set your demons free Been put to the test Your mind laid to rest You're on a psycho holiday [Guitar Solo] [Verse 3] I'm strapped in for life Is this where I lived Or where I died You want my money You take my space My mind is telling me To leave this place My self insanity has taken its toll Frustration has taken its control [Chorus] Now I'm far from home Spending time alone It's time to set my demons free Been put to the test My mind laid to rest I'm on a psycho holiday Now I'm far from home Spending time alone It's time to set my demons free Been put to the test My mind laid to rest I'm on a psycho holiday Now I'm far from home Spending time alone It's time to set my demons free Been put to the test My mind laid to rest I'm on a psycho holiday. *Wikipedia Stuff* Cowboys from Hell is the fifth studio album by American heavy metal band Pantera, released on July 24, 1990 by Atco Records. It marked the band's major label debut and their first collaboration with producer Terry Date. It is considered one of the first ever groove metal albums.[6] Writing sessions for Cowboys from Hell took place throughout 1988 and 1989. After being turned down "28 times by every major label on the face of the Earth", Atco Records representative Mark Ross was asked by his boss, Derek Shulman (who was interested in signing Pantera), to see the band perform after Hurricane Hugo stranded him in Texas. Ross was so impressed by the band's performance that he called his boss that night, suggesting that Pantera be signed to the label.[3] Ross on the performance: "By the end of the first song, my jaw was on the floor. The sonic power of it all — the attitude and the musicianship — blew me away. Basically, you had to be an idiot to not think they're amazing. I mean, how could you see these guys and not think, 'Holy shit!'?"[7] Atco Records accepted but the band had to wait a six month period before they commenced recording at Pantego Sound Studio in Pantego, Texas. Accounts vary as to how long the recording sessions of Cowboys from Hell lasted; bassist Rex Brown stated in a 2010 interview with Metal Hammer that the recording sessions took place from February to April 1990,[3] however vocalist Phil Anselmo has also claimed that the album was recorded in 1989.[1][2] Pantera's initial choice as the producer for Cowboys from Hell was Max Norman based on his work with Ozzy Osbourne. Norman, who flew to Houston to watch the band perform, initially agreed to work on the album, but right before the recording sessions started, he was offered to produce Lynch Mob's debut album Wicked Sensation instead.[8] Pantera then proposed Terry Date to produce the album on the strength of his work with Soundgarden, Metal Church and Overkill, the latter of whose latest album at the time The Years of Decay had influenced Diamond Darrell's guitar tone, as well as the band's transition away from glam/traditional heavy metal to thrash/groove metal.[9][10][11][12][13] Source(s): https://genius.com/Pantera-psycho-hol... and https://en.wikipedia.org/wiki/Cowboys... https://youtu.be/ulnAw3cu_aI Pantera - Psycho Holiday (Lyrics on Screen Video 🎤🎶🎸🥁)

Pantera - Cowboys From Hell (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Pantera! → https://www.youtube.com/channel/UChTD... The first notes in this song sound like a laser gun charging up, Dime can do some crazy shit with a guitar. The riff below the intro riff sounds dope as fuck too. Pantera's songwriting will never be able to be replicated. 2:30 shows how changing when the high hat is hit can really change the feel.... groove metal! Enjoy. 🎤 Lyrics Start 🎤 [Intro] Oh, come on [Verse 1] Under the lights where we stand tall Nobody touches us at all Showdown, shootout Spread fear within, without I say we're gonna take what's ours to have Spread the word throughout the land They say the bad guys wear black We're tagged and can't turn back [Pre-Chorus] You see us coming and you all together run for cover We're taking over this town [Chorus] Here we come, reach for your gun And you better listen well, my friend You see, it's been slow down below Aimed at you, we're the Cowboys from Hell Deed is done, again we've won Ain't talking no tall tales, friend 'Cause high noon, your doom Coming for you, we're the Cowboys from Hell [Verse 2] Oh, pillage the village, trash the scene But better not take it out on me 'Cause a ghost town is found Where your city used to be So out of the darkness and into the light Sparks fly everywhere in sight From my double barrel, 12 gauge Can't lock me in your cage [Pre-Chorus] You see us coming and you all together run for cover We're taking over this town [Chorus] Here we come, reach for your gun And you better listen well, my friend You see, it's been slow down below Aimed at you, we're the Cowboys from Hell Deed is done, again we've won Ain't talking no tall tales, friend 'Cause high noon, your doom Coming for you, we're the Cowboys from Hell [Guitar Solo] [Chorus] Here we come, reach for your gun And you better listen well, my friend You see, it's been slow down below Aimed at you, we're the Cowboys from Hell Deed is done, again we've won Ain't talking no tall tales, friend 'Cause high noon, your doom Coming for you, we're the Cowboys from Hell [Outro] Step aside for the Cowboys from Hell 🎤 Lyrics End 🎤 **Wikipedia Stuff** Cowboys from Hell is the fifth studio album by American heavy metal band Pantera, released on July 24, 1990 by Atco Records. It marked the band's major label debut and their first collaboration with producer Terry Date. It is considered one of the first ever groove metal albums.[6] Writing sessions for Cowboys from Hell took place throughout 1988 and 1989. After being turned down "28 times by every major label on the face of the Earth", Atco Records representative Mark Ross was asked by his boss, Derek Shulman (who was interested in signing Pantera), to see the band perform after Hurricane Hugo stranded him in Texas. Ross was so impressed by the band's performance that he called his boss that night, suggesting that Pantera be signed to the label.[3] Ross on the performance: "By the end of the first song, my jaw was on the floor. The sonic power of it all — the attitude and the musicianship — blew me away. Basically, you had to be an idiot to not think they're amazing. I mean, how could you see these guys and not think, 'Holy shit!'?"[7] Atco Records accepted but the band had to wait a six month period before they commenced recording at Pantego Sound Studio in Pantego, Texas. Accounts vary as to how long the recording sessions of Cowboys from Hell lasted; bassist Rex Brown stated in a 2010 interview with Metal Hammer that the recording sessions took place from February to April 1990,[3] however vocalist Phil Anselmo has also claimed that the album was recorded in 1989.[1][2] Pantera's initial choice as the producer for Cowboys from Hell was Max Norman based on his work with Ozzy Osbourne. Norman, who flew to Houston to watch the band perform, initially agreed to work on the album, but right before the recording sessions started, he was offered to produce Lynch Mob's debut album Wicked Sensation instead.[8] Pantera then proposed Terry Date to produce the album on the strength of his work with Soundgarden, Metal Church and Overkill, the latter of whose latest album at the time The Years of Decay had influenced Diamond Darrell's guitar tone, as well as the band's transition away from glam/traditional heavy metal to thrash/groove metal.[9][10][11][12][13] Source(s): https://en.wikipedia.org/wiki/Cowboys... and https://genius.com/Pantera-cowboys-fr... https://youtu.be/Po12e9m95b4 Pantera - Cowboys From Hell (Lyrics on Screen Video 🎤🎶🎸🥁)

Pantera - Reprise Sandblasted Skin (Lyrics on Screen Video 🎤🎶🎸🥁) This one comes out swinging just most other Pantera songs haha. Fast thrashy double bass with a nice signature dimebag lick, awesome! I'm not too sure what the lyrics scheme on this one is about or what the song title means maybe one of you can enlighten me. 1:00 is a nice lick and is probably my favorite of the song. The outro is interesting in this one as it goes silent for awhile then continues back into one of the main licks. Enjoy! 🎤 Lyrics 🎤 [Intro] Dead! Ugh! [Verse 1] Scrape it, grind it, peel it, hide it! The trend is over (The trend is over!) And gone forever! Shelf it, box it, save it, frame it! You won't need that anymore, not anymore! It's on sale at the fuckin' dollar store! [Bridge] Waste of time! (Waste of time!) Pantomime! (Pantomime!) Circus doll! (Circus doll!) At the local mall! (At the local mall!) Exterminate, it's all fake! Exterminate, it's all fake! Sandblast yourself! Sandblast yourself! Sandblast yourself! Ugh! Ugh, ugh, ow! [Outro] Huah! Rah! Keep it, it's old! (Everybody, can 'em...can 'em, [?]) ** Genius.com Stuff** "This song concludes the story of The Great Southern Trendkill’s title track. The trend that was popular for a while is now forgotten and killed." ** Wikipedia.com stuff ** The Great Southern Trendkill is the eighth studio album by American heavy metal band Pantera, released on May 7, 1996 through East West Records. It reached number 4 on the Billboard 200 chart, and stayed on the chart for 16 weeks. Phil Anselmo recorded the vocals alone at Trent Reznor's Nothing Studios in New Orleans[3] while Dimebag Darrell, Rex Brown, and Vinnie Paul recorded the music at Chasin Jason Studios in Dalworthington Gardens. "Floods", the album's longest song, contains a guitar solo considered by many to be Dimebag Darrell's finest. Guitar World magazine voted it as the 15th greatest guitar solo of all-time, Darrell's highest-ranking of three solos to make the list (the other two being his solos from "Cemetery Gates", ranked 35th, and "Walk", ranked 57th). The album is available as downloadable content for the video game Rock Band, with the exception of "Suicide Note Pt. I". The song "10's" was featured in the Funimation dub of the Dragon Ball Z film Broly – The Legendary Super Saiyan in 2003. Considered Pantera's most aggressive album,[4] The Great Southern Trendkill is known for featuring much screaming,[5][6] most notably on "Suicide Note Pt. II" and "The Great Southern Trendkill" while also featuring some of the fastest tempos and most down-tuned guitars ("The Underground in America" and "(Reprise) Sandblasted Skin" were played in standard D flat tuning, with the 6th string tuned to a low G flat.)[citation needed] that the band ever recorded. It also has a more experimental nature, such as the acoustic guitars[4] and ballads.[7] Unlike Pantera's first three major label albums, the vocals are often double-tracked and layered to create a more "demonic" effect.[citation needed] An example of this can be heard in the chorus of "13 Steps to Nowhere", when Phil Anselmo's singing voice is backed up by high-pitched screaming, done by Seth Putnam of the band Anal Cunt.[8] Screams done by Anselmo on the song "The Great Southern Trendkill" were compared to Putnam.[9] The lyrical themes on The Great Southern Trendkill include drugs, a flood that ends mankind, finding deeper meaning, anger, and the media.[4][7][10][11][12][13] The album features elements of thrash metal[5][14] and death metal,[9] but is mostly considered a groove metal album overall.[5] On August 12, 2016, Pantera announced the release of a 20th anniversary edition of The Great Southern Trendkill for October 21.[18] The reissue features two discs, including a remastered version of the original album as well as 12 unreleased tracks (these include instrumentals, as well as alternative mixes and live recordings from the Dynamo Festival in 1998).[19] In addition, a separate LP named The Great Southern Outtakes was released. It consists of songs also released on disc 2 of Trendkill's reissue except for the intro and early mix of "Suicide Note Part l".[20] Source(s): https://en.wikipedia.org/wiki/The_Gre... and https://genius.com/Pantera-reprise-sa... Pantera - Reprise Sandblasted Skin (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/I4oUtytzteU

#Pantera #TheArtofShredding #Pantera - The Art of Shredding (Lyrics on Screen Video 🎤🎶🎸🥁) Pantera - The Art of Shredding (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Pantera! → https://www.youtube.com/user/pantera/featured 🎤 Lyrics Start 🎤 [Verse 1] Unity is a rare thing Blind eyes of society bring The category of minority Now what are we supposed to be? Born free to be powerless to change the world With our lives in the hands of madmen [Verse 2] Now in times when society needs us This is where the sin begins We're aware they're going to free us Rage from our hearts within Born of this world, which is a living hell But we'll be closer to heaven [Chorus] So now, this is the art to shred It's only emotion This is the art to shred It's only emotion Shred! [Solo] [Chorus] So now, this is the art to shred It's only emotion This is the art to shred It's only emotion 🎤 Lyrics End 🎤 Wikipedia Stuff Cowboys from Hell is the fifth studio album by American heavy metal band Pantera, released on July 24, 1990 by Atco Records. It marked the band's major label debut and their first collaboration with producer Terry Date. It is considered one of the first ever groove metal albums.[6] Writing sessions for Cowboys from Hell took place throughout 1988 and 1989. After being turned down "28 times by every major label on the face of the Earth", Atco Records representative Mark Ross was asked by his boss, Derek Shulman (who was interested in signing Pantera), to see the band perform after Hurricane Hugo stranded him in Texas. Ross was so impressed by the band's performance that he called his boss that night, suggesting that Pantera be signed to the label.[3] Ross on the performance: "By the end of the first song, my jaw was on the floor. The sonic power of it all — the attitude and the musicianship — blew me away. Basically, you had to be an idiot to not think they're amazing. I mean, how could you see these guys and not think, 'Holy shit!'?"[7] Atco Records accepted but the band had to wait a six month period before they commenced recording at Pantego Sound Studio in Pantego, Texas. Accounts vary as to how long the recording sessions of Cowboys from Hell lasted; bassist Rex Brown stated in a 2010 interview with Metal Hammer that the recording sessions took place from February to April 1990,[3] however vocalist Phil Anselmo has also claimed that the album was recorded in 1989.[1][2] Pantera's initial choice as the producer for Cowboys from Hell was Max Norman based on his work with Ozzy Osbourne. Norman, who flew to Houston to watch the band perform, initially agreed to work on the album, but right before the recording sessions started, he was offered to produce Lynch Mob's debut album Wicked Sensation instead.[8] Pantera then proposed Terry Date to produce the album on the strength of his work with Soundgarden, Metal Church and Overkill, the latter of whose latest album at the time The Years of Decay had influenced Diamond Darrell's guitar tone, as well as the band's transition away from glam/traditional heavy metal to thrash/groove metal.[9][10][11][12][13] https://youtu.be/quxxR5550Ig Source(s): https://genius.com/Pantera-the-art-of-shredding-lyrics and https://en.wikipedia.org/wiki/Cowboys_from_Hell Pantera - The Art of Shredding (Lyrics on Screen Video 🎤🎶🎸🥁)

Pantera - The Underground in America (Lyrics on Screen Video 🎤🎶🎸🥁) The intro lick on this with Dime's tone sounds like a Halloween lick haha! Vinnie's double bass sounds really good during the intro too. I feel this song is about some kind of scene of people who are very fake and Pantera hating them lol. Also it's cool how they lead with the chorus, it adds to the uniqueness of the song. This song fits the theme of the album really well, killing the fake trends! Enjoy! 🎤 Lyrics 🎤 [Chorus] Put in position to wage teenage mayhem A common affair for the ones who are juiced If it is weakness that grants us the power We thrive on what's stronger than most of the world [Verse 1] Glass breaks, the dimming lights Sweat, heat and profane debate The smart ones stay on the outside While drunken heads and arms erupt Centered man swings a punch Spits a tooth, postures odd A punk rock escapade Five bucks a head to be king dick in the crowd We are the ones who must sport the position Cheap beer, trendy clicks Lesbian love is accepted and right Shaved heads meet hair in the mix Blending the 80's and 90's with hate [Chorus] Put in position to wage teenage mayhem A common affair for the ones who are juiced If it is weakness that grants us the power We thrive on what's stronger than most of the world [Verse 2] Shows on, dates canceled Kicked out for reasons that seem so unfair Skin crusts against the cops A foregone conclusion that's tired and beat Ringworm, crabs and lice V.D., ecstasy, speed and horse A heaven of unmatched importance An honor of sex to be stuck by the punk We are the ones who must sport the position Rich homes with money and food Abandoned for the bums on the street A lifestyle that's unexplainable Don't try and save what is all meant to be [Chorus] Put in position to wage teenage mayhem A common affair for the ones who are juiced If it is weakness that grants us the power We thrive on what's stronger than most of the world [Verse 3] If it is free, from a family that's seen You can just keep it If you must beg, it's better instead You must follow the etiquette Fake! Fake! Fake! Fake! You know when it rains you're in your bed at home You act so real when you are alone Fake! Fake! Fake! Fake! You better not let the mohawked crowd see Haha, ah fuck Give it five years, you'll retire your piercings You must admit that you mimic the weaklings [Guitar Solo] [Outro] The trend is dead! The trend is dead! The trend is dead! The trend is dead! ** Genius.com Stuff** "This song continues the topic of The Great Southern Trendkill’s title track. This time it’s about the posers that are acting like they are part of America’s underground culture, but in reality are just a bunch of fake weaklings and are trying to look cool." *Wikipedia Stuff* "Floods", the album's longest song, contains a guitar solo considered by many to be Dimebag Darrell's finest. Guitar World magazine voted it as the 15th greatest guitar solo of all-time, Darrell's highest-ranking of three solos to make the list (the other two being his solos from "Cemetery Gates", ranked 35th, and "Walk", ranked 57th). The Great Southern Trendkill is the eighth studio album by American heavy metal band Pantera, released on May 7, 1996 through East West Records. It reached number 4 on the Billboard 200 chart, and stayed on the chart for 16 weeks. Phil Anselmo recorded the vocals alone at Trent Reznor's Nothing Studios in New Orleans[3] while Dimebag Darrell, Rex Brown, and Vinnie Paul recorded the music at Chasin Jason Studios in Dalworthington Gardens. Considered Pantera's most aggressive album,[4] The Great Southern Trendkill is known for featuring much screaming,[5][6] most notably on "Suicide Note Pt. II" and "The Great Southern Trendkill" while also featuring some of the fastest tempos and most down-tuned guitars ("The Underground in America" and "(Reprise) Sandblasted Skin" were played in standard D flat tuning, with the 6th string tuned to a low G flat.)[citation needed] that the band ever recorded. It also has a more experimental nature, such as the acoustic guitars[4] and ballads.[7] Source(s): https://en.wikipedia.org/wiki/The_Gre... and https://genius.com/Pantera-the-underg... Pantera - The Underground in America (Lyrics on Screen Video 🎤🎶🎸 🥁) https://youtu.be/YU7--lixvj0

Pantera - Floods (Lyrics on Screen Video 🎤🎶🎸🥁) The intro guitar lick is one of those that sounds good the first time you hear it and knowing it will sound even better when heard again. I think this song is about a massive flood coming and washing humanity away. The song is slow and groovy throughout and is nicely written throughout, once of my favorites on the album for sure! The outro solo is really nice, it is rated as one of the best of all time (I'm not sure what number it's at). I feel like I always forget to mention Rex's bass playing and how good it is and how it carries Dim's leads. The solo starts out slow and then get's shreddy towards the end, awesome stuff! Enjoy! Oh also the outro guitar part sounds like Buckethead haha! 🎤 Lyrics 🎤 [Verse 1] A dead issue (A dead issue) Don't wrestle with it (Don't wrestle with it) Deaf ears are sleeping (Deaf ears are sleeping) A guilty bliss (Guilty bliss) So inviting (Let me in) Nailed to the cross [Pre-Chorus 1] (I feel you, relate to you, accuse you) Wash away us all Take us with the flood [Chorus 1] Then throughout the night they were raped and executed (Then throughout the night they were raped and executed) Cold hearted world [Verse 2] Your language unheard of (Your language unheard of) The vast sound of tuning out The rash of negativity (The rash of negativity) Is seen one-sidedly (One-sidedly) Burn away the day [Pre-Chorus 2] (The nervous, a drifting, the heaving) Wash away us all Take us with the flood [Chorus 2] Then throughout the day, mankind played with grenades (Then throughout the day, mankind played with grenades) Cold hearted world And at night they might bait the pentagram (And at night they might bait the pentagram) Extinguishing the sun [Bridge] Wash away a man, take him with the flood Flood Flood [Guitar Solo] Flood Flood [Instrumental Outro] *Genius.com Annotations* "Wash away us all Take us with the flood" *In this line, singer Phil Anselmo is alluding to the flood described in the book of Genesis in the Bible. All the fountains of the great deep burst open, and the floodgates of the sky were opened. – Genesis 7:11 God detested how evil men had become and used a giant flood to wash them all away. Anselmo seems to be alluding that the same thing should be happening today.* "Guitar Solo" *This guitar solo by ‘Dimebag’ Darrell Abbott is one of his most well-known solos in metal, and arguably one of the best he’s done. Both he and bassist Rex Brown had some things to say about it. That particular solo was thought-out in a more orchestrated fashion than some of the others I play where I just start ripping right off the bat. The thing that really makes the ‘Floods’ solo come across like it does is [bassist] Rex’s playing behind it. He’s using his fingers and he plays a whole bunch of cool licks and shit in there. He definitely adds to the vibe and feel of my lead because I’m playing off his part a lot—it was a great foundation for me to build on, man. -Dimebag Darrell on his legendary solo. That was one of my favorite bass lines on that song. We’d rehearsed it a couple of times and Dime and I sat down for quite a while with that. It was more of trying to get yourself in a mellow mood. It’s a blazing solo with a really cool rhythm section underneath it. I’m really proud of the bass line. I think that was Dime’s favorite solo on that song. -Rex Brown on the song.* *Wikipedia Stuff* "Floods", the album's longest song, contains a guitar solo considered by many to be Dimebag Darrell's finest. Guitar World magazine voted it as the 15th greatest guitar solo of all-time, Darrell's highest-ranking of three solos to make the list (the other two being his solos from "Cemetery Gates", ranked 35th, and "Walk", ranked 57th). The Great Southern Trendkill is the eighth studio album by American heavy metal band Pantera, released on May 7, 1996 through East West Records. It reached number 4 on the Billboard 200 chart, and stayed on the chart for 16 weeks. Phil Anselmo recorded the vocals alone at Trent Reznor's Nothing Studios in New Orleans[3] while Dimebag Darrell, Rex Brown, and Vinnie Paul recorded the music at Chasin Jason Studios in Dalworthington Gardens. Considered Pantera's most aggressive album,[4] The Great Southern Trendkill is known for featuring much screaming,[5][6] most notably on "Suicide Note Pt. II" and "The Great Southern Trendkill" while also featuring some of the fastest tempos and most down-tuned guitars ("The Underground in America" and "(Reprise) Sandblasted Skin" were played in standard D flat tuning, with the 6th string tuned to a low G flat.)[citation needed] that the band ever recorded. It also has a more experimental nature, such as the acoustic guitars[4] and ballads.[7]

Pantera - Living Through Me Hell's Wrath (Lyrics on Screen Video 🎤🎶🎸)🥁 I like the main lick a lot in this one, a steady chugger with nice rhythm behind it. It sounds like Phil is pissed about something or someone, somebody probably pissed him off. Also the song talks about dropping a needle which I feel is about Phil's heroin use, the lyric scheme is hard foe me to interpret haha. The chorus sounds like how it feels to be coming down from heroin or the effects of the withdrawals. The spoken word part is interesting and I think is about Phil's subconscious telling him what he needs to do to beat his addiction. Enjoy! 🎤 Lyrics 🎤 [Verse 1] I cannot take the take Your condition was nod awake A selfish crier, boldface liar Robbing all of what you could take in Stabbed towards a death A dirty smelling girl Shit decisions, no provisions Filling veins with juice of chaos [Chorus 1] Painted face, olive drab, swollen hole, empty bag Sunken eyes, whining dog It's times like this you should pray for never [Chorus 2] I broke your fucking mold Then threw away the cast [Verse 2] New religion and new provisions It's amazing you're alive Drop the needle and stop what you're changing into Erase the end dissolving, disgrace is needed more So I mended severed ties Through flesh we cauterized The undeserving, sliming, writhing I filled you up with watered promise [Chorus 1] Painted face, olive drab, swollen hole, empty bag Sunken eyes, whining dog It's times like this you should pray for never [Chorus 3] Spitting teeth, oral lust, alley fuck Angel dust, anal whore, bleeding knees It's times like this to pray for murder [Verse 3] So now I've seen it all Hells' wrath No man has greater glory Because now you're living through me So I'm done with saving you A gift unto myself A tired savior, a wasted favor And I'm lucky I'm alive [Chorus 2] [Chorus 1] [Outro] So now I've seen it all Hells' wrath No man has greater glory Because now you're living through me *A selfish crier, boldface liar Robbing all of what you could take in* "Anselmo is talking about the things addiction does to you. Being selfish, self-loathing, lying. “Robbing all that you could take in” can have a double meaning, as in the person physically stealing things to fund the habit, or the drug robbing you emotionally; having all of your thoughts centered around it." *Shit decisions, no provisions Filling veins with juice of chaos* "Saying that the drug use led to multiple bad decisions from which you had nothing to gain." “Filling veins with juice of chaos” refers to intravenous drug use. The drug being “a juice of chaos”, stuff that messes up your life." *Spitting teeth* "Many drug addicts' teeth rot, due to the effects of the drugs they take and/or because they no longer take care of basic hygiene." *oral lust, alley fuck Angel dust, anal whore, bleeding knees* "Some drug addicts will resort to prostitution in order to have money for their next fix." *No man has greater glory Because now you're living through me So I'm done with saving you A gift unto myself A tired savior, a wasted favor And I'm lucky I'm alive* "The “me” here is God. The idea is that people addicted to drugs have such increased odds of death from overdose or getting involved in criminal activity that they are only alive because God has protected them. The favor is “wasted” because he has continued to use drugs despite being given another chance." "Phil Anselmo suffered a back injury which led to an addiction to pain pills so that he could keep up his heroic stage presence. He kept needing more powerful opioids leading him to become isolated from the rest of the band." "The isolation caused by and mixed with the addition lead Anselmo to abuse heroin." "This was a major reason for the break up of Pantera. Anselmo goes into detail about his injury, his heroin abuse, and Pantera’s break up when talking to students at Loyola University." The Great Southern Trendkill is the eighth studio album by American heavy metal band Pantera, released on May 7, 1996 through East West Records. It reached number 4 on the Billboard 200 chart, and stayed on the chart for 16 weeks. Phil Anselmo recorded the vocals alone at Trent Reznor's Nothing Studios in New Orleans[3] while Dimebag Darrell, Rex Brown, and Vinnie Paul recorded the music at Chasin Jason Studios in Dalworthington Gardens. Considered Pantera's most aggressive album,[4] The Great Southern Trendkill is known for featuring much screaming,[5][6] most notably on "Suicide Note Pt. II" and "The Great Southern Trendkill" while also featuring some of the fastest tempos and most down-tuned guitars. Source(s): https://en.wikipedia.org/wiki/The_Gre... and https://genius.com/Pantera-living-thr... Pantera - Living Through Me Hell's Wrath (Lyrics on Screen Video 🎤🎶🎸)🥁 https://youtu.be/pE2Zn39ZvwE

Pantera - Suicide Note Pt. 2 (Lyrics on Screen Video 🎤🎶🎸🥁) I am led to believe that this song is about the people and what ultimately led Phil to considering suicide in the first place. The lick at 1:09 is real nice. You can hear the agony and pain in Phil's voice and can just tell he is in a bad spot. The solo is interesting and sounds like a video game laser gun 1:50 especially haha it's awesome. The outro lick is trippy and is also very nice, Dime can really make some crazy sounds on the guitar haha. Enjoy! #Pantera #TheGreatSouthernTrendkill #PanteraLyrics #MetalLyrics #DimebagDarrell #VinniePaul #Groovemetal #ThrashMetal #MetalMusic #HeavyMetal #DragTheWaters [Verse 1] Out of my mind, gun up to the mouth No pretension, execution Live and learn, rape and turn Fret not family, nor pre-judged army This is for me, and me only Cowards only try it [Chorus] Don't you try to die, like me It's livid and its lies and makes graves descending [Verse 2] It's not worth the time to try To replenish a rotting life I'll end the problem, facing nothing Fuck you off, fuck you all Tortured history, addict of misery, this exposes me For weakness is a magnet - watch me do it, do it [Chorus] Don't you try to die, like me It's livid and it's lies Makes graves descending down [Verse 3] Why would you help anyone who doesn't want it? Doesn't need it, doesn't want your shit advice When a mind's made up to go ahead and die What's done is done and gone, so why cry? [Bridge] Tortured history, addict of misery, this exposes me For weakness is a magnet - watch me do it, do it, do it [Refrain 2] Don't you try to die, like me It's livid and its lies Make graves descending down "Phil Anselmo is saying that killing himself is for him because it’s only for cowards, or so some say as they believe it’s an escape from the hardships of life. He could also be referring to people using “cowardly” methods such as slitting wrists, OD'ing, etc." "Phil Anselmo suffered a back injury which led to an addiction to pain pills so that he could keep up his heroic stage presence. He kept needing more powerful opioids leading him to become isolated from the rest of the band." "The isolation caused by and mixed with the addition lead Anselmo to abuse heroin." "This was a major reason for the break up of Pantera. Anselmo goes into detail about his injury, his heroin abuse, and Pantera’s break up when talking to students at Loyola University." The Great Southern Trendkill is the eighth studio album by American heavy metal band Pantera, released on May 7, 1996 through East West Records. It reached number 4 on the Billboard 200 chart, and stayed on the chart for 16 weeks. Phil Anselmo recorded the vocals alone at Trent Reznor's Nothing Studios in New Orleans[3] while Dimebag Darrell, Rex Brown, and Vinnie Paul recorded the music at Chasin Jason Studios in Dalworthington Gardens. Considered Pantera's most aggressive album,[4] The Great Southern Trendkill is known for featuring much screaming,[5][6] most notably on "Suicide Note Pt. II" and "The Great Southern Trendkill" while also featuring some of the fastest tempos and most down-tuned guitars ("The Underground in America" and "(Reprise) Sandblasted Skin" were played in standard D flat tuning, with the 6th string tuned to a low G flat.)[citation needed] that the band ever recorded. It also has a more experimental nature, such as the acoustic guitars[4] and ballads.[7] Unlike Pantera's first three major label albums, the vocals are often double-tracked and layered to create a more "demonic" effect.[citation needed] An example of this can be heard in the chorus of "13 Steps to Nowhere", when Phil Anselmo's singing voice is backed up by high-pitched screaming, done by Seth Putnam of the band Anal Cunt.[8] Screams done by Anselmo on the song "The Great Southern Trendkill" were compared to Putnam.[9] The lyrical themes on The Great Southern Trendkill include drugs, a flood that ends mankind, finding deeper meaning, anger, and the media.[4][7][10][11][12][13] The album features elements of thrash metal[5][14] and death metal,[9] but is mostly considered a groove metal album overall.[5] On August 12, 2016, Pantera announced the release of a 20th anniversary edition of The Great Southern Trendkill for October 21.[18] The reissue features two discs, including a remastered version of the original album as well as 12 unreleased tracks (these include instrumentals, as well as alternative mixes and live recordings from the Dynamo Festival in 1998).[19] In addition, a separate LP named The Great Southern Outtakes was released. It consists of songs also released on disc 2 of Trendkill's reissue except for the intro and early mix of "Suicide Note Part l".[20] Source(s): https://genius.com/Pantera-suicide-no... and https://en.wikipedia.org/wiki/The_Gre... Pantera - Suicide Note Pt. 2 (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/1AvHd6xy5YY

Pantera - Suicide Note Pt. 1 (Lyrics on Screen Video 🎤🎶🎸🥁) I remember hearing this a long time ago and having it on repeat for a very long time, dark times haha! The intro again is very eerie and doesn't sound like a typical Pantera tune. Then the acoustic lick hits and sets the feel for the song. You can tell Phil's battle with addiction is taking quite the toll on him, I remember him talking about it at a Q&A and how it comes out through the music. The song is very sad, hearing someone who is losing the battle with addiction and is powerless to beat it. Great song, enjoy! #Pantera #TheGreatSouthernTrendkill #PanteraLyrics #MetalLyrics #DimebagDarrell #VinniePaul #Groovemetal #ThrashMetal #MetalMusic #HeavyMetal #DragTheWaters 🎤 Lyrics 🎤 [Verse 1] Cheap cocaine, a dry inhale The pills that kill and take the pain away (Take the pain away) Diet of life, shelter without The face that cannot see inside yours and mine (Yours and mine) [Pre-Chorus] When I'm hiding When I need it, it lets me breathe For our handle on this life I don't believe this time [Chorus] Would you look at me now? (Would you look at me now?) Can you tell I'm a man? (Can you tell I'm a man?) With these scars on my wrists To prove I'll try again [Post-Chorus] Try to die again Try to live through this night Try to die again [Verse 2] Forever fooling, free and using Sliding down the slide that breaks a will (Breaks a will) Mother's angel, getting smarter How smart are you to regress unfulfilled? (How smart are you to regress unfulfilled?) It's a damn shame [Pre-Chorus] When I'm hiding When I need it, it lets me breathe For our handle on this life I don't believe this time [Chorus] Would you look at me now? (Would you look at me now?) Can you tell I'm a man? (Can you tell I'm a man?) With these scars on my wrists (With these scars on my wrists) To prove I'll try again (To prove I'll try again) [Chorus] Would you look at me now? (Would you look at me now?) Can you tell I'm a man? (Can you tell I'm a man?) With these scars on my wrists (With these scars on my wrists) To prove I'll try again (To prove I'll try again) [Post-Chorus] Try to die again Try to live through this night Try to die again The Great Southern Trendkill is the eighth studio album by American heavy metal band Pantera, released on May 7, 1996 through East West Records. It reached number 4 on the Billboard 200 chart, and stayed on the chart for 16 weeks. Phil Anselmo recorded the vocals alone at Trent Reznor's Nothing Studios in New Orleans[3] while Dimebag Darrell, Rex Brown, and Vinnie Paul recorded the music at Chasin Jason Studios in Dalworthington Gardens. Considered Pantera's most aggressive album,[4] The Great Southern Trendkill is known for featuring much screaming,[5][6] most notably on "Suicide Note Pt. II" and "The Great Southern Trendkill" while also featuring some of the fastest tempos and most down-tuned guitars ("The Underground in America" and "(Reprise) Sandblasted Skin" were played in standard D flat tuning, with the 6th string tuned to a low G flat.)[citation needed] that the band ever recorded. It also has a more experimental nature, such as the acoustic guitars[4] and ballads.[7] Unlike Pantera's first three major label albums, the vocals are often double-tracked and layered to create a more "demonic" effect.[citation needed] An example of this can be heard in the chorus of "13 Steps to Nowhere", when Phil Anselmo's singing voice is backed up by high-pitched screaming, done by Seth Putnam of the band Anal Cunt.[8] Screams done by Anselmo on the song "The Great Southern Trendkill" were compared to Putnam.[9] The lyrical themes on The Great Southern Trendkill include drugs, a flood that ends mankind, finding deeper meaning, anger, and the media.[4][7][10][11][12][13] The album features elements of thrash metal[5][14] and death metal,[9] but is mostly considered a groove metal album overall.[5] On August 12, 2016, Pantera announced the release of a 20th anniversary edition of The Great Southern Trendkill for October 21.[18] The reissue features two discs, including a remastered version of the original album as well as 12 unreleased tracks (these include instrumentals, as well as alternative mixes and live recordings from the Dynamo Festival in 1998).[19] In addition, a separate LP named The Great Southern Outtakes was released. It consists of songs also released on disc 2 of Trendkill's reissue except for the intro and early mix of "Suicide Note Part l".[20] Pantera - Suicide Note Pt. 1 (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/RfiBQal-DqU

#Pantera #TheGreatSouthernTrendkill #PanteraLyrics #MetalLyrics #DimebagDarrel #VinniePaul #Groovemetal #ThrashMetal #MetalMusic #HeavyMetal #DragTheWaters This song has a fat ass donkey kong sounding drum beat in the beginning which is awesome. I never knew Phil was saying 'whores' in the beginning haha. I think the song is about drugs and being addicted, at least that's the vibe I get from it. Maybe the 13 steps is like a 12 step program but then one more step to no where because the treatment didn't work. Dime's riffing at the end is really nice, he can do some crazy shit with a guitar. Part of it reminds me of a sound I've heard on a tool song I think haha. Enjoy! 🎤 Lyrics 🎤 [Chorus 1] Whores Whores Whores [Verse 1] Your windows boarded up Your private lives exposed The talk shows pump it up Lab rats diseased for show We're doomed to use the slang Outbreak of drug roulette A church burned to the ground Not even noticed yet [Chorus 2] 13 [x6] Steps (To Nowhere) [Chorus 1] [Verse 2] A backwards swastika The black skin riddled in lead A Nazi Gangster Jew It beats a dog that's dead It's in to use the slang Outbreak of gun roulette The cross slants to the side Will prove the damnedest yet [Chorus 2] [Verse 3] The backlash dislocates An untimely reign of death The wolf poked with the stick Awaits with cancerous breath Leads to nowhere Outsiders still suppose There's Holy streets to roam The truth should not surprise Your homes were built on lies Lies, yeah [Chorus 2] Unlike Pantera's first three major label albums, the vocals are often double-tracked and layered to create a more "demonic" effect.[citation needed] An example of this can be heard in the chorus of "13 Steps to Nowhere", when Phil Anselmo's singing voice is backed up by high-pitched screaming, done by Seth Putnam of the band Anal Cunt.[8] Screams done by Anselmo on the song "The Great Southern Trendkill" were compared to Putnam.[9] The Great Southern Trendkill is the eighth studio album by American heavy metal band Pantera, released on May 7, 1996 through East West Records. It reached number 4 on the Billboard 200 chart, and stayed on the chart for 16 weeks. Phil Anselmo recorded the vocals alone at Trent Reznor's Nothing Studios in New Orleans[3] while Dimebag Darrell, Rex Brown, and Vinnie Paul recorded the music at Chasin Jason Studios in Dalworthington Gardens. Considered Pantera's most aggressive album,[4] The Great Southern Trendkill is known for featuring much screaming,[5][6] most notably on "Suicide Note Pt. II" and "The Great Southern Trendkill" while also featuring some of the fastest tempos and most down-tuned guitars ("The Underground in America" and "(Reprise) Sandblasted Skin" were played in standard D flat tuning, with the 6th string tuned to a low G flat.)[citation needed] that the band ever recorded. It also has a more experimental nature, such as the acoustic guitars[4] and ballads. Unlike Pantera's first three major label albums, the vocals are often double-tracked and layered to create a more "demonic" effect.[citation needed] An example of this can be heard in the chorus of "13 Steps to Nowhere", when Phil Anselmo's singing voice is backed up by high-pitched screaming, done by Seth Putnam of the band Anal Cunt.[8] Screams done by Anselmo on the song "The Great Southern Trendkill" were compared to Putnam.[9] Source(s): https://en.wikipedia.org/wiki/The_Gre... Pantera - 13 Steps To Nowhere (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/5ljPq-TbYXM

#Pantera #TheGreatSouthernTrendkill #PanteraLyrics #MetalLyrics #DimebagDarrell #VinniePaul #Groovemetal #ThrashMetal #MetalMusic #HeavyMetal #DragTheWaters The intro on this song is very eerie and sounds really good, then sounds even better when Vinnie's drums come in. The song overall is a very slow groovy (and heavy of course) killer of a tune. The lyric scheme I believe is about Phil's addiction to heroin and how it is slowly defeating him. It's always sad to hear someone has fallen to addiction especially something like heroin, glad he's off it now. Enjoy! 🎤 Lyrics 🎤 [Verse 1] My skin is cold Transfusion with somebody Morose and old Drop into fruitless dying It was tempting and bared The whoring angel rising Now burning prayers My silent time of losing [Chorus] My foes - they can't destroy my body Colliding slow, like life itself [Verse 2] Long for the blur We cannot dry much longer Cement to dirt Disgusted with my cheapness [Chorus] My foes - they can't destroy my body Colliding slow, like life itself My foes - they can't destroy my body Colliding slow, like life itself My foes - they can't destroy my body Colliding slow, like life itself My foes - they can't destroy my body Colliding slow, like life itself "Phil speaks in general about heroin and its effects on people. This drug is highly addictive and makes you age fast, bringing you to a death without “fruits” (because you spent your life doing nothing productive but drugs). “Transfusion with somebody” probably refers to groups of junkies who share the same syringe." "Heroin is compared to a double-edged sword: at first sight, it may seem like an angel which raises you to a peaceful state of ecstasy, but then it takes over you, making your prayers useless. At this point, you can’t do anything but stay silent and accept your faith." "Even if he’s living in these horrible conditions, Phil is conscious about the fact that he can’t let his demons take control of him and expresses the constant fight between these two faces, which is harder and harder over time. Phil’s life is falling to pieces too as this fight goes on and on without an ending." "Phil can’t stand up against his addiction and always ends up looking for the mental and physical inhibition that heroin gives to him." "Heroin has the power to crumble Phil, transforming him into an extremely weak man (he goes from being hard as cement to being friable as dirt). Phil feels so guilty of his inability to win against his enemy too." "Even if he’s living in these horrible conditions, Phil is conscious about the fact that he can’t let his demons take control of him and expresses the constant fight between these two faces, which is harder and harder over time. Phil’s life is falling to pieces too as this fight goes on and on without an ending." Source: https://genius.com/22494822 The song "10's" was featured in the Funimation dub of the Dragon Ball Z film Broly – The Legendary Super Saiyan in 2003. The Great Southern Trendkill is the eighth studio album by American heavy metal band Pantera, released on May 7, 1996 through East West Records. It reached number 4 on the Billboard 200 chart, and stayed on the chart for 16 weeks. Phil Anselmo recorded the vocals alone at Trent Reznor's Nothing Studios in New Orleans[3] while Dimebag Darrell, Rex Brown, and Vinnie Paul recorded the music at Chasin Jason Studios in Dalworthington Gardens. Considered Pantera's most aggressive album,[4] The Great Southern Trendkill is known for featuring much screaming,[5][6] most notably on "Suicide Note Pt. II" and "The Great Southern Trendkill" while also featuring some of the fastest tempos and most down-tuned guitars ("The Underground in America" and "(Reprise) Sandblasted Skin" were played in standard D flat tuning, with the 6th string tuned to a low G flat.)[citation needed] that the band ever recorded. It also has a more experimental nature, such as the acoustic guitars[4] and ballads.[7] Unlike Pantera's first three major label albums, the vocals are often double-tracked and layered to create a more "demonic" effect.[citation needed] An example of this can be heard in the chorus of "13 Steps to Nowhere", when Phil Anselmo's singing voice is backed up by high-pitched screaming, done by Seth Putnam of the band Anal Cunt.[8] Screams done by Anselmo on the song "The Great Southern Trendkill" were compared to Putnam.[9] Pantera - 10's (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/OdgbkUzlBlA

Pantera - Drag The Waters (Lyrics on Screen Video 🎤🎶🎸🥁) #Pantera #TheGreatSouthernTrendkill #PanteraLyrics #MetalLyrics #DimebagDarrell #VinniePaul #Groovemetal #ThrashMetal #MetalMusic #HeavyMetal #DragTheWaters I really like this song haha. The intro is perfect with the lick and the cowbell just playing which transitions into the full band sound, awesome! The lyric scheme sounds like Phil is pissed at someone who is rich and has power (go figure hehe). He talks about some guy getting his sentence reduced and how the guy's dad is rich and pulls strings. I think drag the waters refers to the guy just biding his time not knowing eventually justice will check him. I could be completely wrong haha if you know what drag the waters means let me know! The drums and everything is heavy as fuck at 2:37 those two hits are huge sounding! Enjoy! 🎤 Lyrics 🎤 A smack on the wrists is the words From the mouth of the outsiders, lawyers, police A small price to pay for the dope and the guns and the rape It should all be O.K Your father is rich, he's the judge, he's the man He's the God that got your sentence reduced But in the back of his mind, he well knows What he'd find if he looked a little deeper in you In you [Chorus][x2] Drag the waters some more Like never before [Verse 2] Sweet is the slice and the lips You're going to have that woman She is your favorite lay Promised you swore that no one had been there, and She was going to keep it that way Let it move in, you got thin, and got high, and Your money went and so did your friends But she's by your side, and her smile cannot hide The premonition of the beckoning end The end [Chorus][x12] [Outro] In with it, out with it The reference to the smack on a wrist indicates a minor punishment for a minor infringement. Applied to the rest of the line, the smack is used as an idiom, indicating that the accused in question will not be punished severely, such as having to pay a fine rather than serve jail time. While certainly ironic (“It should all be OK”), these lines both condemn the penal system for not reducing extreme crimes and provide the perspective of the offender. The second of these two lines also serves dual roles as a response to the “small price to pay” and as a transition into the next line, which addresses the nepotism found within the legal system by directly addressing the accused and his/her relationship with a member of the legal system. Source(s): https://genius.com/4947033 and https://en.wikipedia.org/wiki/The_Gre... The Great Southern Trendkill is the eighth studio album by American heavy metal band Pantera, released on May 7, 1996 through East West Records. It reached number 4 on the Billboard 200 chart, and stayed on the chart for 16 weeks. Phil Anselmo recorded the vocals alone at Trent Reznor's Nothing Studios in New Orleans[3] while Dimebag Darrell, Rex Brown, and Vinnie Paul recorded the music at Chasin Jason Studios in Dalworthington Gardens. Considered Pantera's most aggressive album,[4] The Great Southern Trendkill is known for featuring much screaming,[5][6] most notably on "Suicide Note Pt. II" and "The Great Southern Trendkill" while also featuring some of the fastest tempos and most down-tuned guitars ("The Underground in America" and "(Reprise) Sandblasted Skin" were played in standard D flat tuning, with the 6th string tuned to a low G flat.)[citation needed] that the band ever recorded. It also has a more experimental nature, such as the acoustic guitars[4] and ballads.[7] Unlike Pantera's first three major label albums, the vocals are often double-tracked and layered to create a more "demonic" effect.[citation needed] An example of this can be heard in the chorus of "13 Steps to Nowhere", when Phil Anselmo's singing voice is backed up by high-pitched screaming, done by Seth Putnam of the band Anal Cunt.[8] Screams done by Anselmo on the song "The Great Southern Trendkill" were compared to Putnam.[9] The lyrical themes on The Great Southern Trendkill include drugs, a flood that ends mankind, finding deeper meaning, anger, and the media.[4][7][10][11][12][13] The album features elements of thrash metal[5][14] and death metal,[9] but is mostly considered a groove metal album overall.[5] On August 12, 2016, Pantera announced the release of a 20th anniversary edition of The Great Southern Trendkill for October 21.[18] The reissue features two discs, including a remastered version of the original album as well as 12 unreleased tracks (these include instrumentals, as well as alternative mixes and live recordings from the Dynamo Festival in 1998).[19] In addition, a separate LP named The Great Southern Outtakes was released. It consists of songs also released on disc 2 of Trendkill's reissue except for the intro and early mix of "Suicide Note Part l".[20] Pantera - Drag The Waters (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/IymHoEUXhQA

Pantera - War Nerve (Lyrics on Screen Video 🎤🎶🎸🥁) #Pantera #TheGreatSouthernTrendkill #PanteraLyrics #MetalLyrics #DimebagDarrell #VinniePaul #Groovemetal #ThrashMetal #MetalMusic This one comes out with a nice solid lick and groovy tom beat. Pantera always has a unique an entertaining way of opening songs. It then goes into a heavier part and then the track is left to breathe. You can tell Phil is very bothered by the media and music industry in this one lol. I'm not sure what was going on at the time with Pantera but it sounds like the media was really trying to paint them as something they're not. I can feel the hate in Phil's voice in every lyric. Enjoy! 🎤 Lyrics 🎤 [Verse 1] (Truly, truly, truly, truly, truly, truly, truly, truly) Truly fuck the world for all it's worth Every inch of planet Earth Fuck myself, don't leave me out But don't get involved, don't corner me Inside, ulcer Unjust bastards File out, face first Meet the lies and see what you are [Chorus] It's forcing you down And it's grinding against you Let the war nerve break! Ugh! [Post-Chorus 1] For every fucking second the pathetic media pisses on me and judges what I am in one paragraph Look here, bluh, fuck you all! [Verse 2] (Expect, expect, expect, expect, expect, expect) Expect the worse, you bleeding heart But kill me first before it starts Yes, my cock is getting hard We are born different after all Invite mayhem Produce weapons Shoot out, burn down No CNN or media now [Chorus] It's forcing you down And it's grinding against you Let the war nerve break! Ugh! [Post-Chorus 2] All the money in the fuckin' world couldn't buy me a second of trust or one ounce of faith in anything you're about Fuck you all [Bridge] Nothing is worth the sleep that I've lost Apologies unacceptable now A blistered revenge awaits in me This is fucking loveless Ow! [Outro] Hate! Hate! Hate! Hate! Hate! Hate! Hate! Hate! Hate mail is not read, in jail instead Hate! Hate! Hate! Hate! The Lord knows there's worse Ignore this curse Huah! Ah, ah, ah, fuck you all! The second song off of Pantera’s eighth studio effort, The Great Southern Trendkill, “War Nerve” is a song where Phil Anselmo lashes out at the media and its ad hominem statements pertaining towards him. At the time, Anselmo was starting to become addicted to painkillers and other substances, and it didn’t help the public’s perception of him. Thus, he made the lyrics with the intent on putting any bad rumors to rest. It is one of the most lyrically aggressive songs in Pantera’s entire discography, full of profane language and complemented by Dimebag Darrell’s guitar wizardry. The Great Southern Trendkill is the eighth studio album by American heavy metal band Pantera, released on May 7, 1996 through East West Records. It reached number 4 on the Billboard 200 chart, and stayed on the chart for 16 weeks. Phil Anselmo recorded the vocals alone at Trent Reznor's Nothing Studios in New Orleans[3] while Dimebag Darrell, Rex Brown, and Vinnie Paul recorded the music at Chasin Jason Studios in Dalworthington Gardens. Considered Pantera's most aggressive album,[4] The Great Southern Trendkill is known for featuring much screaming,[5][6] most notably on "Suicide Note Pt. II" and "The Great Southern Trendkill" while also featuring some of the fastest tempos and most down-tuned guitars ("The Underground in America" and "(Reprise) Sandblasted Skin" were played in standard D flat tuning, with the 6th string tuned to a low G flat.)[citation needed] that the band ever recorded. It also has a more experimental nature, such as the acoustic guitars[4] and ballads.[7] Unlike Pantera's first three major label albums, the vocals are often double-tracked and layered to create a more "demonic" effect.[citation needed] An example of this can be heard in the chorus of "13 Steps to Nowhere", when Phil Anselmo's singing voice is backed up by high-pitched screaming, done by Seth Putnam of the band Anal Cunt.[8] Screams done by Anselmo on the song "The Great Southern Trendkill" were compared to Putnam.[9] The lyrical themes on The Great Southern Trendkill include drugs, a flood that ends mankind, finding deeper meaning, anger, and the media.[4][7][10][11][12][13] The album features elements of thrash metal[5][14] and death metal,[9] but is mostly considered a groove metal album overall.[5] On August 12, 2016, Pantera announced the release of a 20th anniversary edition of The Great Southern Trendkill for October 21.[18] The reissue features two discs, including a remastered version of the original album as well as 12 unreleased tracks (these include instrumentals, as well as alternative mixes and live recordings from the Dynamo Festival in 1998). Source(s): https://genius.com/Pantera-war-nerve-... and https://en.wikipedia.org/wiki/The_Gre... Pantera - War Nerve (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/7PJxVvlddec

Pantera - The Great Southern Trendkill (Lyrics on Screen Video 🎤🎶🎸🥁) #Pantera #TheGreatSouthernTrendkill #PanteraLyrics #MetalLyrics #DimebagDarrell #VinniePaul #Groovemetal #ThrashMetal #MetalMusic This one opens real nice thrashy and screamy haha, how an album should open! Pantera lets you know they're there haha love the intro in this one. This song is in my opinion about MTV and how it is all corrupt and shitty recycled music. That the MTV 'musicians' just copy and rip off other good musicians just to make a profit. MTV is bullshit and is pissed about it I feel is the summary of this song haha. Dimes guitar at 1:53 sounds so good, classic dime tone! Enjoy! 🎤 Lyrics 🎤 [Verse 1] It's wearing on my mind I'm speaking all my doubts aloud You rob a dead man's grave Then flaunt it like you did create [Chorus 1] If I hit bottom and everything's gone In the great Mississippi, please drown me and run [Bridge 1] It's digging time again You're nurturing the weakest trend [Chorus 2] Those with the heart and the brain to get past this Can spot a pathetic without even asking [Verse 2] Fuck your magazine, and Fuck the long dead plastic scene Pierce a new hole If Hell was "in" you'd give your soul to [Chorus 3] The Great Southern Trendkill That's right The Great Southern Trendkill [Verse 3] Buy it at a store From MTV to on the floor You look just like a star It's proof you don't know who you are [Chorus 1] If I hit bottom and everything's gone In the great Mississippi, please drown me and run [Bridge 2] It's bullshit time again You'll save the world within your trend [Chorus 2] Those with the heart and the brain to get past this Can spot a pathetic without even asking [Verse 3] Politically relieved Your product sold and well received The right words spun in gold If I was God you'd sell your soul to [Chorus 3] The Great Southern Trendkill That's right The Great Southern Trendkill, fuck yeah! Huah! [Breakdown] Let's do this one Southern style "Anselmo hates that many of their contemporary musicians were selling out to appeal to a larger audience like the record companies wanted, and were betraying their roots (“Politically relieved, your product sold and well received”). He feels their music often seems to lack passion and be more of a product to be sold than a piece of art, which is what music should be. Anselmo even jokingly says that if he was God (here meaning the record company that these sellouts have to betray their roots for), they would ironically have to try to be like Pantera (symbolized as the southern trendkill snake). They would have to get on the Pantera bandwagon against the bandwagon." The Great Southern Trendkill is the eighth studio album by American heavy metal band Pantera, released on May 7, 1996 through East West Records. It reached number 4 on the Billboard 200 chart, and stayed on the chart for 16 weeks. Phil Anselmo recorded the vocals alone at Trent Reznor's Nothing Studios in New Orleans[3] while Dimebag Darrell, Rex Brown, and Vinnie Paul recorded the music at Chasin Jason Studios in Dalworthington Gardens. Considered Pantera's most aggressive album,[4] The Great Southern Trendkill is known for featuring much screaming,[5][6] most notably on "Suicide Note Pt. II" and "The Great Southern Trendkill" while also featuring some of the fastest tempos and most down-tuned guitars ("The Underground in America" and "(Reprise) Sandblasted Skin" were played in standard D flat tuning, with the 6th string tuned to a low G flat.)[citation needed] that the band ever recorded. It also has a more experimental nature, such as the acoustic guitars[4] and ballads.[7] Unlike Pantera's first three major label albums, the vocals are often double-tracked and layered to create a more "demonic" effect.[citation needed] An example of this can be heard in the chorus of "13 Steps to Nowhere", when Phil Anselmo's singing voice is backed up by high-pitched screaming, done by Seth Putnam of the band Anal Cunt.[8] Screams done by Anselmo on the song "The Great Southern Trendkill" were compared to Putnam.[9] The lyrical themes on The Great Southern Trendkill include drugs, a flood that ends mankind, finding deeper meaning, anger, and the media.[4][7][10][11][12][13] The album features elements of thrash metal[5][14] and death metal,[9] but is mostly considered a groove metal album overall.[5] Source(s): https://genius.com/7859304 and https://en.wikipedia.org/wiki/The_Gre... Thank you for watching! Pantera - The Great Southern Trendkill (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/pUUs0d6BAgw

Pantera - Message in Blood (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Pantera! → https://www.youtube.com/channel/UChTD... 🎤 Lyrics Start 🎤 [Verse 1] There's a place that I keep deep inside me It can trigger my mind All along I knew it has been with me Since I was just a child I just summon power within my soul It has given me life, beyond life I take blame for my murderous problem My signature always reminds [Chorus] It's a message in blood It's your cryptic warning Within the message in blood Marks the years of pain And your godforsaken ending to life [Verse 2] I'm provoked into sick confrontations Brutal time after time Bed of nails, suffocation, life's ending Slay in different designs One man's misery is another man's mystery No one cares to understand my demented means Sticks and stones can break all your brittle bones Epitaph written at your feet [Chorus] It's a message in blood It's your cryptic warning Within the message in blood Marks the years of pain And your godforsaken ending to life [Solo] [Chorus] It's a message in blood It's your cryptic warning Within the message in blood Marks the years of pain And your godforsaken ending to life [Refrain] Message in blood, message in blood Message in blood, message in blood 🎤 Lyrics End 🎤 Wikipedia Stuff Cowboys from Hell is the fifth studio album by American heavy metal band Pantera, released on July 24, 1990 by Atco Records. It marked the band's major label debut and their first collaboration with producer Terry Date. It is considered one of the first ever groove metal albums.[6] Writing sessions for Cowboys from Hell took place throughout 1988 and 1989. After being turned down "28 times by every major label on the face of the Earth", Atco Records representative Mark Ross was asked by his boss, Derek Shulman (who was interested in signing Pantera), to see the band perform after Hurricane Hugo stranded him in Texas. Ross was so impressed by the band's performance that he called his boss that night, suggesting that Pantera be signed to the label.[3] Ross on the performance: "By the end of the first song, my jaw was on the floor. The sonic power of it all — the attitude and the musicianship — blew me away. Basically, you had to be an idiot to not think they're amazing. I mean, how could you see these guys and not think, 'Holy shit!'?"[7] Atco Records accepted but the band had to wait a six month period before they commenced recording at Pantego Sound Studio in Pantego, Texas. Accounts vary as to how long the recording sessions of Cowboys from Hell lasted; bassist Rex Brown stated in a 2010 interview with Metal Hammer that the recording sessions took place from February to April 1990,[3] however vocalist Phil Anselmo has also claimed that the album was recorded in 1989.[1][2] Pantera's initial choice as the producer for Cowboys from Hell was Max Norman based on his work with Ozzy Osbourne. Norman, who flew to Houston to watch the band perform, initially agreed to work on the album, but right before the recording sessions started, he was offered to produce Lynch Mob's debut album Wicked Sensation instead.[8] Pantera then proposed Terry Date to produce the album on the strength of his work with Soundgarden, Metal Church and Overkill, the latter of whose latest album at the time The Years of Decay had influenced Diamond Darrell's guitar tone, as well as the band's transition away from glam/traditional heavy metal to thrash/groove metal.[9][10][11][12][13] https://youtu.be/0IYUIak7YIo Source(s): https://genius.com/Pantera-medicine-m... and https://en.wikipedia.org/wiki/Cowboys... Pantera - Message in Blood (Lyrics on Screen Video 🎤🎶🎸🥁)