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Pantera - Rise (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Pantera! → https://www.youtube.com/channel/UChTDORxN3YPmasEurM6kRoA #Pantera #Metal #Music #LyricVideo #MEtallyricvideo #ThisLove #MetalPantera #ThisLoveLyrics #PanteraLyrics #BestLyrics #music #goodmusic

Metallica - Hit The Lights (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Metallica → https://www.youtube.com/channel/UCbul... #Metallica #Killemall #Metal #LyricVideo #lyricvideo #metallyricvideo #heavymetal #cliffburton #larsulrich #jameshetfield #music #musicmetal #metalmusic #kirkhammett #thrashmetal #Greatmetal #hitthelights 🎤 Lyrics Start 🎤 [Verse 1] No life ‘til leather We're gonna kick some ass tonight We got the metal madness When our fans start screaming it's right Well alright, yeah [Pre-Chorus] When we start to rock We never wanna stop again [Chorus] Hit the lights! Hit the lights! Hit the lights! [Verse 2] You know our fans are insane We're gonna blow this place away With volume higher Than anything today The only way, yeah [Pre-Chorus] When we start to rock We never wanna stop again [Chorus] Hit the lights! Hit the lights! Hit the lights! [Verse 3] With all-out screaming We're gonna rip right through your brain We got the lethal power It is causing you sweet pain Oh sweet pain, yeah See Metallica Live Get tickets as low as $390 You might also like The Four Horsemen Metallica Nothing Else Matters Metallica Running Up That Hill (A Deal with God) Kate Bush [Pre-Chorus] When we start to rock We never wanna stop again [Chorus] Hit the lights! Hit the lights! Hit the lights! Hit the lights! [Instrumental Break] [Guitar Solo] 🎤 Lyrics End 🎤 Wikipedia stuff. Kill 'Em All is the debut studio album by American heavy metal band Metallica, released on July 25, 1983, through the independent label Megaforce Records. Metallica began by playing shows in local clubs in Los Angeles. They recorded several demos to gain attention from club owners and eventually relocated to San Francisco to secure the services of bassist Cliff Burton. The group's No Life 'til Leather demo tape (1982) was noticed by Megaforce label head Jon Zazula, who signed them and provided a budget of $15,000 for recording. The album was recorded in May with producer Paul Curcio at the Music America Studios in Rochester, New York. It was originally intended to be titled Metal Up Your Ass, with cover art featuring a hand clutching a dagger emerging from a toilet bowl. The band was asked to change the name because distributors feared that releasing an album with such an offensive title and artwork would diminish its chances of commercial success. Metallica promoted the album on the two-month co-headlining Kill 'Em All for One tour with English heavy metal band Raven in the US. The album also generated two singles: "Whiplash" and "Jump in the Fire". Although the initial shipment was 15,000 copies in the US, the album sold 60,000 copies worldwide by the end of Metallica's Seven Dates of Hell European tour in 1984. The album did not enter the Billboard 200 until 1986, when it peaked at number 155, following Metallica's commercial success with its third studio album, Master of Puppets; the 1988 Elektra reissue peaked at number 120. Kill 'Em All was critically praised at the time of its release and has since been regarded as a groundbreaking album for thrash metal, because of its "precise musicianship, which fused new wave of British heavy metal riffs with hardcore punk tempos". It was also retrospectively placed on a few publications' best album lists. The album's musical approach and lyrics were markedly different from rock's mainstream of the early 1980s and inspired a number of bands who followed in a similar manner. It was certified 3× Platinum by the Recording Industry Association of America (RIAA) in 1999 for shipping three million copies in the United States. Metallica was formed in 1981 in Los Angeles by drummer Lars Ulrich and by vocalist/rhythm guitarist James Hetfield. Before settling on a definitive lineup, Metal Blade Records owner Brian Slagel asked Metallica to record a song for the first edition of his Metal Massacre compilation. Hetfield and Ulrich chose "Hit the Lights" from Hetfield's and his childhood friend Ron McGovney's previous band Leather Charm, and recorded it with Hetfield on vocals, McGovney on bass, and temporary guitarist Lloyd Grant. The band's first lineup featured Hetfield, Ulrich, McGovney, and guitarist Dave Mustaine, who was acquired through a newspaper advertisement. The band practiced in McGovney's garage and looked for gigs at local clubs. Metallica's first show was on March 14, 1982, at the Radio City in Anaheim. The nine-song setlist consisted of two originals ("Hit the Lights" and an unfinished version of "Jump in the Fire" from Mustaine's earlier band Panic and covers of new wave of British heavy metal (NWOBHM) bands such as Diamond Head, Blitzkrieg, Savage, and Sweet Savage. Sources(s): https://genius.com/Metallica-hit-the-... and https://en.wikipedia.org/wiki/Kill_%2... https://youtu.be/7qXX6h7u_YI Metallica - Hit The Lights (Lyrics on Screen Video 🎤🎶🎸🥁)

Pantera - This Love (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Pantera! → https://www.youtube.com/channel/pante... #Pantera #Metal #Music #LyricVideo #MEtallyricvideo #ThisLove #MetalPantera #ThisLoveLyrics #PanteraLyrics 🎤 Lyrics Start 🎤 [Verse 1] If ever words were spoken painful and untrue I said I loved but I lied In my life, all I wanted Was the keeping of someone like you As it turns out, deeper within me Love was twisted and pointed at you Never ending pain, quickly ending life [Chorus] You keep this love, thing, love, child, love, toy You keep this love, fist, love, scar, love, break You keep this love, love, love You keep this love, love, love You keep this love [Verse 2] I'd been the tempting one stole her from herself This gift in pain, her pain was life And sometimes I feel so sorry I regret this the hurting of you But you make me so unhappy I'd take my life and leave love with you I'd kill myself for you, I'd kill you for myself [Chorus] You keep this love, thing, love, child, love, toy You keep this love, fist, love, scar, love, break You keep this love, love, love You keep this love, love, love You keep this love [Bridge] No more head trips [Guitar Solo] [Chorus] You keep this love, thing, love, child, love, toy You keep this love, fist, love, scar, love, break You keep this love, love, love You keep this love, love, love You keep this love You might also like Rise Pantera Fucking Hostile Pantera Walk Pantera [Outro] You keep this love You keep this love You keep this love You keep this love 🎤 Lyrics End 🎤 Vulgar Display of Power is the sixth studio album by American heavy metal band Pantera. Released on February 25, 1992 through Atco Records, it was the band's second collaboration with producer Terry Date, after having previously worked with him on their breakthrough album Cowboys from Hell (1990). The album was well received by both critics and fans, and is Pantera's highest selling album to date and would eventually be certified double platinum.[5] It is often considered one of the most influential heavy metal albums of the 1990s.[6] In 2017, Rolling Stone ranked Vulgar Display of Power 10th on their list of 'The 100 Greatest Metal Albums of All Time'.[7] Several of its tracks have become among the band's best known, such as "Mouth for War", "A New Level", "Walk", "Fucking Hostile", and "This Love". The band's 1990 major label debut, Cowboys from Hell,[8] demonstrated a change in their musical direction, from their 1980s material influenced by hard rock or glam metal bands like Van Halen and Kiss[9][10] to a new similarity to bands like Slayer, Metallica and Black Sabbath.[9][11] In 1991, Pantera returned to Pantego Sound Studio to record their second release under Atco, Vulgar Display of Power.[12][13] The album was produced by Terry Date, who specializes in the rock and metal genres and had worked with the band on Cowboys from Hell. Date also went on to produce the band's following two albums, Far Beyond Driven (1994) and The Great Southern Trendkill (1996).[12][13] Before Date came in to work on the album, the band had demoed three tracks, "A New Level", "Regular People (Conceit)" and "No Good (Attack the Radical)".[12] The rest of the songs were written in the studio with little preproduction and demoing.[12] After being in the studio for two months, Pantera were invited to open for Metallica and AC/DC at the 1991 Monsters of Rock free concert in Moscow, Russia's[12] Tushino airfield on September 28, 1991.[14][15] The band then returned to the studio to continue work on the album.[16] They travelled to New York City to master the album at Masterdisk.[17] Although guitarist Darrell Abbott was credited on the album with nickname "Diamond Darrell", during the recording of the album he had dropped that nickname and assumed "Dimebag Darrell", and bassist Rex Brown dropped the pseudonym "Rexx Rocker".[18] Drummer Vinnie Paul said that Cowboys from Hell was really close to the "definitive Pantera sound".[19] When Metallica released their self titled album in 1991, Pantera considered it a letdown to fans because they believed Metallica abandoned the thrash metal sound heard in previous albums.[12][19] Pantera felt they had an opportunity and a gap to fill; they wanted to make the heaviest record of all time.[12][19] The riff for "Walk" is played in a time signature of 12/8.[20] Darrell had played the riff during a soundcheck while Pantera was touring for Cowboys from Hell and the rest of the band loved it.[20] Following this tour, the band returned home and found that some friends thought that rock stardom had gone to their heads.[20] Sources(s): https://genius.com/Pantera-this-love-... and https://en.wikipedia.org/wiki/Vulgar_... https://youtu.be/9ZuNauR_5VU Pantera - This Love (Lyrics on Screen Video 🎤🎶🎸🥁)

Pantera - Fucking Hostile (Lyrics on Screen Video 🎤🎶🎸🥁 Follow Pantera! → https://www.youtube.com/channel/pantera/featured #Pantera #Metal #Music #LyricVideo #MEtallyricvideo 🎤 Lyrics Start 🎤 [Verse 1] Can't you see I'm easily bothered by persistence? One step from lashing out at you You want in to get under my skin and call yourself a friend I've got more friends like you, what do I do? [Pre-Chorus] Is there no standard anymore? What it takes, who I am, where I've been, belong You can't be something you're not Be yourself by yourself, stay away from me A lesson learned in life Known from the dawn of time [Chorus] Respect, walk What did you say? Respect, walk Are you talkin' to me? Are you talkin' to me? [Verse 2] Run your mouth when I'm not around, it's easy to achieve You cry to weak friends that sympathize Can you hear the violins playing your song? Those same friends tell me your every word [Pre-Chorus] Is there no standard anymore? What it takes, who I am, where I've been, belong You can't be something you're not Be yourself by yourself, stay away from me A lesson learned in life Known from the dawn of time [Chorus] Respect, walk What did you say? Respect, walk Are you talkin' to me? Respect, walk What did you say? Respect, walk Are you talkin' to me? Are you talkin' to me? No way, punk You might also like Fucking Hostile Pantera A New Level Pantera Cemetery Gates Pantera [Guitar Solo] [Chorus] Respect, walk What did you say? Respect, walk Are you talkin' to me? Respect, walk What did you say? Respect, walk Are you talkin' to me? Are you talkin' to me? Walk on home, boy 🎤 Lyrics End 🎤 Vulgar Display of Power is the sixth studio album by American heavy metal band Pantera. Released on February 25, 1992 through Atco Records, it was the band's second collaboration with producer Terry Date, after having previously worked with him on their breakthrough album Cowboys from Hell (1990). The album was well received by both critics and fans, and is Pantera's highest selling album to date and would eventually be certified double platinum.[5] It is often considered one of the most influential heavy metal albums of the 1990s.[6] In 2017, Rolling Stone ranked Vulgar Display of Power 10th on their list of 'The 100 Greatest Metal Albums of All Time'.[7] Several of its tracks have become among the band's best known, such as "Mouth for War", "A New Level", "Walk", "Fucking Hostile", and "This Love". The band's 1990 major label debut, Cowboys from Hell,[8] demonstrated a change in their musical direction, from their 1980s material influenced by hard rock or glam metal bands like Van Halen and Kiss[9][10] to a new similarity to bands like Slayer, Metallica and Black Sabbath.[9][11] In 1991, Pantera returned to Pantego Sound Studio to record their second release under Atco, Vulgar Display of Power.[12][13] The album was produced by Terry Date, who specializes in the rock and metal genres and had worked with the band on Cowboys from Hell. Date also went on to produce the band's following two albums, Far Beyond Driven (1994) and The Great Southern Trendkill (1996).[12][13] Before Date came in to work on the album, the band had demoed three tracks, "A New Level", "Regular People (Conceit)" and "No Good (Attack the Radical)".[12] The rest of the songs were written in the studio with little preproduction and demoing.[12] After being in the studio for two months, Pantera were invited to open for Metallica and AC/DC at the 1991 Monsters of Rock free concert in Moscow, Russia's[12] Tushino airfield on September 28, 1991.[14][15] The band then returned to the studio to continue work on the album.[16] They travelled to New York City to master the album at Masterdisk.[17] Although guitarist Darrell Abbott was credited on the album with nickname "Diamond Darrell", during the recording of the album he had dropped that nickname and assumed "Dimebag Darrell", and bassist Rex Brown dropped the pseudonym "Rexx Rocker".[18] Drummer Vinnie Paul said that Cowboys from Hell was really close to the "definitive Pantera sound".[19] When Metallica released their self titled album in 1991, Pantera considered it a letdown to fans because they believed Metallica abandoned the thrash metal sound heard in previous albums.[12][19] Pantera felt they had an opportunity and a gap to fill; they wanted to make the heaviest record of all time.[12][19] The riff for "Walk" is played in a time signature of 12/8.[20] Darrell had played the riff during a soundcheck while Pantera was touring for Cowboys from Hell and the rest of the band loved it.[20] Following this tour, the band returned home and found that some friends thought that rock stardom had gone to their heads.[20] Source(s): https://en.wikipedia.org/wiki/Vulgar_Display_of_Power and https://en.wikipedia.org/wiki/Vulgar_... Pantera - Fucking Hostile (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/evxpoAyCBQE

Pantera - Walk (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Pantera! → https://www.youtube.com/channel/UChTD... 🎤 Lyrics Start 🎤 [Verse 1] Can't you see I'm easily bothered by persistence? One step from lashing out at you You want in to get under my skin and call yourself a friend I've got more friends like you, what do I do? [Pre-Chorus] Is there no standard anymore? What it takes, who I am, where I've been, belong You can't be something you're not Be yourself by yourself, stay away from me A lesson learned in life Known from the dawn of time [Chorus] Respect, walk What did you say? Respect, walk Are you talkin' to me? Are you talkin' to me? [Verse 2] Run your mouth when I'm not around, it's easy to achieve You cry to weak friends that sympathize Can you hear the violins playing your song? Those same friends tell me your every word [Pre-Chorus] Is there no standard anymore? What it takes, who I am, where I've been, belong You can't be something you're not Be yourself by yourself, stay away from me A lesson learned in life Known from the dawn of time [Chorus] Respect, walk What did you say? Respect, walk Are you talkin' to me? Respect, walk What did you say? Respect, walk Are you talkin' to me? Are you talkin' to me? No way, punk You might also like Fucking Hostile Pantera A New Level Pantera Cemetery Gates Pantera [Guitar Solo] [Chorus] Respect, walk What did you say? Respect, walk Are you talkin' to me? Respect, walk What did you say? Respect, walk Are you talkin' to me? Are you talkin' to me? Walk on home, boy 🎤 Lyrics End 🎤 Vulgar Display of Power is the sixth studio album by American heavy metal band Pantera. Released on February 25, 1992 through Atco Records, it was the band's second collaboration with producer Terry Date, after having previously worked with him on their breakthrough album Cowboys from Hell (1990). The album was well received by both critics and fans, and is Pantera's highest selling album to date and would eventually be certified double platinum.[5] It is often considered one of the most influential heavy metal albums of the 1990s.[6] In 2017, Rolling Stone ranked Vulgar Display of Power 10th on their list of 'The 100 Greatest Metal Albums of All Time'.[7] Several of its tracks have become among the band's best known, such as "Mouth for War", "A New Level", "Walk", "Fucking Hostile", and "This Love". The band's 1990 major label debut, Cowboys from Hell,[8] demonstrated a change in their musical direction, from their 1980s material influenced by hard rock or glam metal bands like Van Halen and Kiss[9][10] to a new similarity to bands like Slayer, Metallica and Black Sabbath.[9][11] In 1991, Pantera returned to Pantego Sound Studio to record their second release under Atco, Vulgar Display of Power.[12][13] The album was produced by Terry Date, who specializes in the rock and metal genres and had worked with the band on Cowboys from Hell. Date also went on to produce the band's following two albums, Far Beyond Driven (1994) and The Great Southern Trendkill (1996).[12][13] Before Date came in to work on the album, the band had demoed three tracks, "A New Level", "Regular People (Conceit)" and "No Good (Attack the Radical)".[12] The rest of the songs were written in the studio with little preproduction and demoing.[12] After being in the studio for two months, Pantera were invited to open for Metallica and AC/DC at the 1991 Monsters of Rock free concert in Moscow, Russia's[12] Tushino airfield on September 28, 1991.[14][15] The band then returned to the studio to continue work on the album.[16] They travelled to New York City to master the album at Masterdisk.[17] Although guitarist Darrell Abbott was credited on the album with nickname "Diamond Darrell", during the recording of the album he had dropped that nickname and assumed "Dimebag Darrell", and bassist Rex Brown dropped the pseudonym "Rexx Rocker".[18] Drummer Vinnie Paul said that Cowboys from Hell was really close to the "definitive Pantera sound".[19] When Metallica released their self titled album in 1991, Pantera considered it a letdown to fans because they believed Metallica abandoned the thrash metal sound heard in previous albums.[12][19] Pantera felt they had an opportunity and a gap to fill; they wanted to make the heaviest record of all time.[12][19] The riff for "Walk" is played in a time signature of 12/8.[20] Darrell had played the riff during a soundcheck while Pantera was touring for Cowboys from Hell and the rest of the band loved it.[20] Following this tour, the band returned home and found that some friends thought that rock stardom had gone to their heads.[20] Source(s): https://genius.com/Pantera-walk-lyrics and https://en.wikipedia.org/wiki/Vulgar_... Pantera - Walk (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/evxpoAyCBQE

Pantera - A New Level (Lyrics on Screen Video 🎤🎶🎸🥁) 🎤 Lyrics Start 🎤 [Verse 1] Now a new look in my eyes my spirit rise Forget the past, present tense works and lasts Got shit on, pissed on, spit on, stepped on, fucked with Pointed at by lesser men [Pre-Chorus] New life in place of old life Unscarred by trials [Chorus] A new level Of confidence And power [Verse 2] Demanding plea for unity between us all United stand, death before divided fall In mock military order Vulgar power, impatient because time is shorter [Pre-Chorus] New life in place of old life Unscarred by trials [Chorus] A new level Of confidence And power [Solo] [Bridge] (Submit to drive) Can't lose (Surrender to [?]) No fucking surrender ([?] raining down on you) Can't lose (No respect gets no one nowhere) No fucking surrender (Show respect) Can't lose Whoa [Chorus] A new level (New level) Of confidence (Of confidence) And power (Such power) You might also like Walk Pantera Mouth for War Pantera Walk Pantera [Chorus] A new level (New level) Of confidence (Of confidence) And power (And power) [Outro] Life kills Life kills Life kills Life kills 🎤 Lyrics End 🎤 Vulgar Display of Power is the sixth studio album by American heavy metal band Pantera. Released on February 25, 1992 through Atco Records, it was the band's second collaboration with producer Terry Date, after having previously worked with him on their breakthrough album Cowboys from Hell (1990). The album was well received by both critics and fans, and is Pantera's highest selling album to date and would eventually be certified double platinum.[5] It is often considered one of the most influential heavy metal albums of the 1990s.[6] In 2017, Rolling Stone ranked Vulgar Display of Power 10th on their list of 'The 100 Greatest Metal Albums of All Time'.[7] Several of its tracks have become among the band's best known, such as "Mouth for War", "A New Level", "Walk", "Fucking Hostile", and "This Love". The band's 1990 major label debut, Cowboys from Hell,[8] demonstrated a change in their musical direction, from their 1980s material influenced by hard rock or glam metal bands like Van Halen and Kiss[9][10] to a new similarity to bands like Slayer, Metallica and Black Sabbath.[9][11] In 1991, Pantera returned to Pantego Sound Studio to record their second release under Atco, Vulgar Display of Power.[12][13] The album was produced by Terry Date, who specializes in the rock and metal genres and had worked with the band on Cowboys from Hell. Date also went on to produce the band's following two albums, Far Beyond Driven (1994) and The Great Southern Trendkill (1996).[12][13] Before Date came in to work on the album, the band had demoed three tracks, "A New Level", "Regular People (Conceit)" and "No Good (Attack the Radical)".[12] The rest of the songs were written in the studio with little preproduction and demoing.[12] After being in the studio for two months, Pantera were invited to open for Metallica and AC/DC at the 1991 Monsters of Rock free concert in Moscow, Russia's[12] Tushino airfield on September 28, 1991.[14][15] The band then returned to the studio to continue work on the album.[16] They travelled to New York City to master the album at Masterdisk.[17] Although guitarist Darrell Abbott was credited on the album with nickname "Diamond Darrell", during the recording of the album he had dropped that nickname and assumed "Dimebag Darrell", and bassist Rex Brown dropped the pseudonym "Rexx Rocker".[18] Drummer Vinnie Paul said that Cowboys from Hell was really close to the "definitive Pantera sound".[19] When Metallica released their self titled album in 1991, Pantera considered it a letdown to fans because they believed Metallica abandoned the thrash metal sound heard in previous albums.[12][19] Pantera felt they had an opportunity and a gap to fill; they wanted to make the heaviest record of all time.[12][19] The riff for "Walk" is played in a time signature of 12/8.[20] Darrell had played the riff during a soundcheck while Pantera was touring for Cowboys from Hell and the rest of the band loved it.[20] Following this tour, the band returned home and found that some friends thought that rock stardom had gone to their heads.[20] https://youtu.be/QfV4RbROWgs Pantera - A New Level (Lyrics on Screen Video 🎤🎶🎸🥁) Source(s): https://genius.com/Pantera-a-new-level-lyrics and https://en.wikipedia.org/wiki/Vulgar_Display_of_Power Pantera - A New Level (Lyrics on Screen Video 🎤🎶🎸🥁)

Pantera - Mouth For War (Lyrics on Screen Video 🎤🎶🎸🥁) Follow Pantera! → https://www.youtube.com/user/pantera/featured 🎤 Lyrics Start 🎤 [Verse 1] Revenge, I'm screaming revenge again Wrong, I've been wrong for far too long Been constantly so frustrated, I've moved mountains with less When I channel my hate to productive, I don't find it hard to impress [Pre-Chorus] Bones in traction Hands break to hone raw energy Bold and disastrous My ears can't hear what you say to me [Chorus] Hold your mouth for the war Use it for what it's for Speak the truth about me Determined [Verse 2] Possessed, I feel a conquering will down inside me Strength, the strength of many to crush who might stop me My strength is in number and my soul lies in every one The releasing of anger can better any medicine under the sun [Pre-Chorus] Bones in traction Hands break to hone raw energy Bold and disastrous My ears can't hear what you say to me [Chorus] Hold your mouth for the war Use it for what it's for Speak the truth about me Determined [Solo] You might also like A New Level Pantera Walk Pantera Running Up That Hill (A Deal with God) Kate Bush [Bridge] There comes a time within everyone To close your eyes to what's real [Outro] No comprehension to fail I vacuum the wind for my sail Can't be the rest, let others waste my time Owning success is the bottom line Like a knife into flesh After life is to death Pulling and punching the rest of duration No one can piss on this determination 🎤 Lyrics End 🎤 Vulgar Display of Power is the sixth studio album by American heavy metal band Pantera. Released on February 25, 1992 through Atco Records, it was the band's second collaboration with producer Terry Date, after having previously worked with him on their breakthrough album Cowboys from Hell (1990). The album was well received by both critics and fans, and is Pantera's highest selling album to date and would eventually be certified double platinum.[5] It is often considered one of the most influential heavy metal albums of the 1990s.[6] In 2017, Rolling Stone ranked Vulgar Display of Power 10th on their list of 'The 100 Greatest Metal Albums of All Time'.[7] Several of its tracks have become among the band's best known, such as "Mouth for War", "A New Level", "Walk", "Fucking Hostile", and "This Love". The band's 1990 major label debut, Cowboys from Hell,[8] demonstrated a change in their musical direction, from their 1980s material influenced by hard rock or glam metal bands like Van Halen and Kiss[9][10] to a new similarity to bands like Slayer, Metallica and Black Sabbath.[9][11] In 1991, Pantera returned to Pantego Sound Studio to record their second release under Atco, Vulgar Display of Power.[12][13] The album was produced by Terry Date, who specializes in the rock and metal genres and had worked with the band on Cowboys from Hell. Date also went on to produce the band's following two albums, Far Beyond Driven (1994) and The Great Southern Trendkill (1996).[12][13] Before Date came in to work on the album, the band had demoed three tracks, "A New Level", "Regular People (Conceit)" and "No Good (Attack the Radical)".[12] The rest of the songs were written in the studio with little preproduction and demoing.[12] After being in the studio for two months, Pantera were invited to open for Metallica and AC/DC at the 1991 Monsters of Rock free concert in Moscow, Russia's[12] Tushino airfield on September 28, 1991.[14][15] The band then returned to the studio to continue work on the album.[16] They travelled to New York City to master the album at Masterdisk.[17] Although guitarist Darrell Abbott was credited on the album with nickname "Diamond Darrell", during the recording of the album he had dropped that nickname and assumed "Dimebag Darrell", and bassist Rex Brown dropped the pseudonym "Rexx Rocker".[18] Drummer Vinnie Paul said that Cowboys from Hell was really close to the "definitive Pantera sound".[19] When Metallica released their self titled album in 1991, Pantera considered it a letdown to fans because they believed Metallica abandoned the thrash metal sound heard in previous albums.[12][19] Pantera felt they had an opportunity and a gap to fill; they wanted to make the heaviest record of all time.[12][19] The riff for "Walk" is played in a time signature of 12/8.[20] Darrell had played the riff during a soundcheck while Pantera was touring for Cowboys from Hell and the rest of the band loved it.[20] Following this tour, the band returned home and found that some friends thought that rock stardom had gone to their heads.[20] https://youtu.be/gRTlWNS7JVQ Pantera - Mouth For War (Lyrics on Screen Video 🎤🎶🎸🥁) Source(s): https://en.wikipedia.org/wiki/Vulgar_Display_of_Power and https://genius.com/Pantera-mouth-for-war-lyrics

Lamb of God - Remorse is for the Dead (Lyrics on Screen Video 🎤🎶🎸🥁) Favorite Lick(s): 3:22 Favorite Lyrics: "Just enough to keep it together, never enough to make it work!" "We are a hailstorm of broken glass!" "Violence is not an aberration, it's a rule!" This might be my favorite song on the album, but then again I say that about every song haha. Chris' drums are really nice on this track, lots of nice fills and kick drum patterns. The lick at 3:22 is one of my favorite licks of the album, I like kick drum pattern changes in this part; it sounds real groovy. Also I'm not too sure on what the lyrics are about but they sound real good! Enjoy! 🎤 Lyrics Start 🎤 [Verse 1] The dirty lord of the manor Surveys his filthy domain Too many nights raising hell Worked a little all too well Constructed a monument To denial and excess Sunk so low, crawled so far back There's nowhere left to regress [Verse 2] If these walls could talk They would tell a horror story Never-ending winter Violence and infidelity Shadows fall through broken panes Careless words that are filled with hate Just enough to keep it together Never enough to make it work All the tongues here are forked We are a hailstorm of broken glass Follow the path of least expectance A huge stinking pile of sick [Chorus] Pile it higher and higher Light the match, start the fire Level this place until nothing's left And take us with it [Verse 3] Surroundings are irate Crack of dawn brings naught but pain Resentment steadily grows Laughing in the gallows Full throttle determined to fail Pedal to the metal, asleep at the wheel We are the lucky ones Welcome home [Chorus] Pile it higher and higher Light the match, start the fire Level this place until nothing's left And take us with it [Bridge] Poisoned nerves and a bloody antidote Violence is not an aberration, it's a rule Dying beyond the pale Your beatings will continue Until my morale improves I don't hate you I'm just removing an enemy Remorse is for the dead [Outro] I'm just removing an enemy Remorse is for the dead, my enemy Remorse is for the dead 🎤 Lyrics End 🎤 **Wikipedia stuff** Ashes of the Wake is the third studio album and first major-label release by American heavy metal band Lamb of God, released in 2004 via Epic Records. The album debuted at number 27 on the Billboard 200, selling 35,000 copies in its first week and was rated by Guitar World as the 49th greatest Guitar Album of all Time.[7] This album also was rated by Metal Hammer as the 5th greatest Metal Album of The 21st Century.[8] The album was inspired by the events that took place during the war in Iraq with songs such as "Ashes of the Wake" (which includes snippets of former Marine Staff Sergeant Jimmy Massey in an interview after his return from the Iraq War), "Now You've Got Something to Die For", "One Gun" and "The Faded Line". The quote at the beginning of "Omerta" is a paraphrase of the Sicilian Mafia's code of silence.[9] As of August 2010, Ashes of the Wake has sold 398,000 copies in the United States.[10] Ten years after its release, as of 2014, sales have topped 400,000 copies sold and is Lamb of God’s best-selling record.[11] The album was certified gold by the Recording Industry Association of America in February 2016.[12] The first pressing came with a bonus disc titled "Pure American Metal", including songs taken from the band's previous albums (Burn the Priest, New American Gospel and As the Palaces Burn), a live recording of the song "Black Label" from DVD Terror and Hubris, as well as a pre-production demo of the song "Laid to Rest". The Japanese edition included a bonus song "Another Nail for Your Coffin" which was released worldwide in 2010 in a three-CD box set called Hourglass: The Anthology. The song was later included on the 15th anniversary edition of the album. A DualDisc version was released in the United States. The DVD side contained the album in LPCM 2.0, and Dolby Digital 5.1 surround sound, as well as various video clips, including the promo videos for "Now You've Got Something to Die For" (intended to promote the Killadelphia release) and "Laid to Rest", a short on the New England Metalfest, a "Meet the Band" and a clip from the Terror and Hubris DVD. A production error in the 5.1 mix of "Break You" causes the vocals to pitch shift high and low throughout the song. The album was generally well received; Blabbermouth.net gave it a 7 rating.[5] Johnny Loftus of AllMusic gave it a 4 out of 5 star rating.[4] He praised Blythe's vocals, saying they became, "Lamb of God's threshold of pain conduit." Source(s): https://genius.com/Lamb-of-god-remors... and https://en.wikipedia.org/wiki/Ashes_o... https://youtu.be/r-VmLYFggUY Lamb of God - Remorse is for the Dead (Lyrics on Screen Video 🎤🎶🎸🥁)

Lamb of God - Ashes of the Wake (Instrumental) Favorite Lick(s): 3:13 1:01 0:00 This song if any is the one for me that solidifies that this album is definitely about the war in Iraq. The first spoken word part is eerie to hear, those poor innocent civilians. The song starts out with a nice ass lick, chris' double bass skills are really nice here (like always hehe). The whole song is full of really nice licks, literally every one of them is (for me) dope as fuck. The drum fill at 1:21 is real nice. All the solo's are really good too, every one get's a chance to show their stuff. 3:13 is undoubtedly my favorite part, I still remember hearing it for the first time. Enjoy! 🎤 Lyrics Start 🎤 "We killed a lot of innocent civilians To us, every civilian in Baghdad was a terrorist They said 'These Fedayeen now in civilian clothes' that makes everybody free game But if they came within our perimeter, we lit 'em up And when we would pull the body out, and when we would search the car, we would find nothing This took place time and time again. No harm, no foul, that's Okay, don't worry about it Because this is a new type of war, this is an eradication." [Guitar Solo: Mark Morton (1:31-1:55)] [Guitar Solo: Alex Skolnick (1:56-2:57)] [Guitar Solo: Chris Poland (3:45-4:14)] [Guitar Solo: Willie Adler (4:46-5:21)] "I honestly feel we're committing genocide over here I don't believe in killing civilians, and I'm not going to kill civilians for the United States Marine Corps." 🎤 Lyrics End 🎤 **Wikipedia stuff** Ashes of the Wake is the third studio album and first major-label release by American heavy metal band Lamb of God, released in 2004 via Epic Records. The album debuted at number 27 on the Billboard 200, selling 35,000 copies in its first week and was rated by Guitar World as the 49th greatest Guitar Album of all Time.[7] This album also was rated by Metal Hammer as the 5th greatest Metal Album of The 21st Century.[8] The album was inspired by the events that took place during the war in Iraq with songs such as "Ashes of the Wake" (which includes snippets of former Marine Staff Sergeant Jimmy Massey in an interview after his return from the Iraq War), "Now You've Got Something to Die For", "One Gun" and "The Faded Line". The quote at the beginning of "Omerta" is a paraphrase of the Sicilian Mafia's code of silence.[9] As of August 2010, Ashes of the Wake has sold 398,000 copies in the United States.[10] Ten years after its release, as of 2014, sales have topped 400,000 copies sold and is Lamb of God’s best-selling record.[11] The album was certified gold by the Recording Industry Association of America in February 2016.[12] The first pressing came with a bonus disc titled "Pure American Metal", including songs taken from the band's previous albums (Burn the Priest, New American Gospel and As the Palaces Burn), a live recording of the song "Black Label" from DVD Terror and Hubris, as well as a pre-production demo of the song "Laid to Rest". The Japanese edition included a bonus song "Another Nail for Your Coffin" which was released worldwide in 2010 in a three-CD box set called Hourglass: The Anthology. The song was later included on the 15th anniversary edition of the album. A DualDisc version was released in the United States. The DVD side contained the album in LPCM 2.0, and Dolby Digital 5.1 surround sound, as well as various video clips, including the promo videos for "Now You've Got Something to Die For" (intended to promote the Killadelphia release) and "Laid to Rest", a short on the New England Metalfest, a "Meet the Band" and a clip from the Terror and Hubris DVD. A production error in the 5.1 mix of "Break You" causes the vocals to pitch shift high and low throughout the song. The album was generally well received; Blabbermouth.net gave it a 7 rating.[5] Johnny Loftus of AllMusic gave it a 4 out of 5 star rating.[4] He praised Blythe's vocals, saying they became, "Lamb of God's threshold of pain conduit." Source(s): https://genius.com/Lamb-of-god-ashes-... and https://en.wikipedia.org/wiki/Ashes_o... https://youtu.be/D-pl1P6O-AE Lamb of God - Ashes of the Wake (Instrumental 🎶🎸🥁)

Lamb of God - What I've Become (Lyrics on Screen Video 🎤🎶🎸🥁) Favorite lyric(s): "Suffered consequence It's been so long since any piece of this Made any kind of sense." Favorite lick(s): Probably the opening lick is my favorite 0:00, it's just so nice and thrashy! This track comes in with a really nice thrashy lick. I think this song is about the nasty toll addiction can take on one. Also what addiction can do to someone after years of abuse, sad but true! I like how in the song it is explained that "it's a system now" as the addiction pattern has cemented itself, I know quite what that's like! Enjoy! 🎤 Lyrics Start 🎤 Blank stares from broken men So withered from the poisons They can't remember when There were once honest reasons It's all a lie, it died a hundred thousands miles ago Pretending I'm still here Justify What I've become Sanctify What I've become Amazing disgrace, how sweet the sound That saved a wretch like me Better lost if this is found Best blinded, never to see The race to save face Nothing now is what We meant it to be Pretending I'm still here It's a system now Intertwined Take your place in the line to be ground by the gears of the masterpiece Betrayal Justify What I've become Sanctify What I've become Suffered consequence It's been so long since any piece of this Made any kind of sense You anoint the king, I'll burn everything down to ashes You giveth, I taketh away You giveth, I taketh away It's a system now Intertwined Take your place in the line to be ground by the gears of the masterpiece Betrayal 🎤 Lyrics End 🎤 **Wikipedia stuff** Ashes of the Wake is the third studio album and first major-label release by American heavy metal band Lamb of God, released in 2004 via Epic Records. The album debuted at number 27 on the Billboard 200, selling 35,000 copies in its first week and was rated by Guitar World as the 49th greatest Guitar Album of all Time.[7] This album also was rated by Metal Hammer as the 5th greatest Metal Album of The 21st Century.[8] The album was inspired by the events that took place during the war in Iraq with songs such as "Ashes of the Wake" (which includes snippets of former Marine Staff Sergeant Jimmy Massey in an interview after his return from the Iraq War), "Now You've Got Something to Die For", "One Gun" and "The Faded Line". The quote at the beginning of "Omerta" is a paraphrase of the Sicilian Mafia's code of silence.[9] As of August 2010, Ashes of the Wake has sold 398,000 copies in the United States.[10] Ten years after its release, as of 2014, sales have topped 400,000 copies sold and is Lamb of God’s best-selling record.[11] The album was certified gold by the Recording Industry Association of America in February 2016.[12] The first pressing came with a bonus disc titled "Pure American Metal", including songs taken from the band's previous albums (Burn the Priest, New American Gospel and As the Palaces Burn), a live recording of the song "Black Label" from DVD Terror and Hubris, as well as a pre-production demo of the song "Laid to Rest". The Japanese edition included a bonus song "Another Nail for Your Coffin" which was released worldwide in 2010 in a three-CD box set called Hourglass: The Anthology. The song was later included on the 15th anniversary edition of the album. A DualDisc version was released in the United States. The DVD side contained the album in LPCM 2.0, and Dolby Digital 5.1 surround sound, as well as various video clips, including the promo videos for "Now You've Got Something to Die For" (intended to promote the Killadelphia release) and "Laid to Rest", a short on the New England Metalfest, a "Meet the Band" and a clip from the Terror and Hubris DVD. A production error in the 5.1 mix of "Break You" causes the vocals to pitch shift high and low throughout the song. The album was generally well received; Blabbermouth.net gave it a 7 rating.[5] Johnny Loftus of AllMusic gave it a 4 out of 5 star rating.[4] He praised Blythe's vocals, saying they became, "Lamb of God's threshold of pain conduit." Source(s): https://genius.com/Lamb-of-god-what-i... and https://en.wikipedia.org/wiki/Ashes_o... https://youtu.be/VNIWeNftgyQ Lamb of God - What I've Become (Lyrics on Screen Video 🎤🎶🎸🥁)

Lamb of God - Break You (Lyrics on Screen Video 🎤🎶🎸🥁) Favorite lyric(s): "Suffer a self imposed exile" "Dark days lead to darker nights" These lyrics really resonate with me hehe. Favorite lick(s): 0:00 the main lick of this song is nice as fuck. There are a lot of nice licks in this song lol. Initially hearing this song I thought it was about someone Randy or one of the band members hated and wanted to beat the shit out of. After going over the lyrics some more I think the song is about politics (big surprise huh hehe). I think it might be about a certain corrupt politician that whoever wrote the lyrics hates and wants to break or beat up. Then again, Lamb's songs are hard to interpret (at least for me lol) so I could be completely wrong about what it's about lol. Enjoy! 🎤 Lyrics Start 🎤 Endless mornings cut by the dawn razor Whipping the nightmares to a froth Endless questions with no answers No replacement for what's been lost Lost Everything suffocates in the dust of the past fortunes squandered The empire of lies to whom you pandered Suffer a self-imposed exile Taste the bitter fruits of denial In the presence of greatness The humble can only bow Frost on the breath of life Empty of warmth or light Full of nothing but deprivation Frost on the breath of life Empty of warmth or light For an eternal winter Tell me a lie with the best of intentions Mute in the age of mass communication Dark days lead to darker nights Frozen, out of time Id dies for blessed ego, the once mighty laid low Frost on the breath of life Empty of warmth or light Full of nothing but deprivation Full of nothing but deprivation Eternal winter Full of nothing but deprivation Eternal winter You taught me hate, I'll teach you fear Open the eyes, kill despair You tried to squeeze the life from me Son of a bitch, I'm going to break you Son of a bitch, I'm going to break you 🎤 Lyrics End 🎤 **Wikipedia stuff** Ashes of the Wake is the third studio album and first major-label release by American heavy metal band Lamb of God, released in 2004 via Epic Records. The album debuted at number 27 on the Billboard 200, selling 35,000 copies in its first week and was rated by Guitar World as the 49th greatest Guitar Album of all Time.[7] This album also was rated by Metal Hammer as the 5th greatest Metal Album of The 21st Century.[8] The album was inspired by the events that took place during the war in Iraq with songs such as "Ashes of the Wake" (which includes snippets of former Marine Staff Sergeant Jimmy Massey in an interview after his return from the Iraq War), "Now You've Got Something to Die For", "One Gun" and "The Faded Line". The quote at the beginning of "Omerta" is a paraphrase of the Sicilian Mafia's code of silence.[9] As of August 2010, Ashes of the Wake has sold 398,000 copies in the United States.[10] Ten years after its release, as of 2014, sales have topped 400,000 copies sold and is Lamb of God’s best-selling record.[11] The album was certified gold by the Recording Industry Association of America in February 2016.[12] The first pressing came with a bonus disc titled "Pure American Metal", including songs taken from the band's previous albums (Burn the Priest, New American Gospel and As the Palaces Burn), a live recording of the song "Black Label" from DVD Terror and Hubris, as well as a pre-production demo of the song "Laid to Rest". The Japanese edition included a bonus song "Another Nail for Your Coffin" which was released worldwide in 2010 in a three-CD box set called Hourglass: The Anthology. The song was later included on the 15th anniversary edition of the album. A DualDisc version was released in the United States. The DVD side contained the album in LPCM 2.0, and Dolby Digital 5.1 surround sound, as well as various video clips, including the promo videos for "Now You've Got Something to Die For" (intended to promote the Killadelphia release) and "Laid to Rest", a short on the New England Metalfest, a "Meet the Band" and a clip from the Terror and Hubris DVD. A production error in the 5.1 mix of "Break You" causes the vocals to pitch shift high and low throughout the song. The album was generally well received; Blabbermouth.net gave it a 7 rating.[5] Johnny Loftus of AllMusic gave it a 4 out of 5 star rating.[4] He praised Blythe's vocals, saying they became, "Lamb of God's threshold of pain conduit." Source(s): https://genius.com/Lamb-of-god-break-... and https://en.wikipedia.org/wiki/Ashes_o... https://youtu.be/9ctnpnZBCgM Lamb of God - Break You (Lyrics on Screen Video 🎤🎶🎸🥁)

Lamb of God - One Gun (Lyrics on Screen Video 🎤🎶🎸🥁) The first thing I notice is how clean the production on this record is, damn! The opening riff is real nice as well as the vocal opening part. This song is definitely political (in my opinion hehe) and I feel is about how much bullshit dying in war is or something lol. The lyrics are hard to interpret but are very fun to try and do so. 3:20 is real nice god damn that kick drum sounds good. Enjoy! 🎤 Lyrics Start 🎤 The sins of deliverance The eyes of the patriot fixed through the scope The unknowing tyrant walks to the rope It's when murder is justice that martyrs are made A one gun salute for the new independence day They'll hallow your name They'll hallow your name for your sacrifice The sins of deliverance So let the wicked perish in the presence of God For your sacrifice The sins of the father Atoned by the son Confessions of commitments broken A nail driven for every one It's when murder is justice that martyrs are made A one gun salute for the new independence day They'll hallow your name They'll hallow your name for your sacrifice You are the cause, I am the effect Created in hatred, a noose for your neck The eyes of the patriot fixed through the scope The unknowing tyrant walks to the rope They'll hallow your name For your sacrifice They'll hallow your name Sacrifice Sacrifice Sacrifice They'll hallow your name 🎤 Lyrics End 🎤 **Wikipedia stuff** Ashes of the Wake is the third studio album and first major-label release by American heavy metal band Lamb of God, released in 2004 via Epic Records. The album debuted at number 27 on the Billboard 200, selling 35,000 copies in its first week and was rated by Guitar World as the 49th greatest Guitar Album of all Time.[7] This album also was rated by Metal Hammer as the 5th greatest Metal Album of The 21st Century.[8] The album was inspired by the events that took place during the war in Iraq with songs such as "Ashes of the Wake" (which includes snippets of former Marine Staff Sergeant Jimmy Massey in an interview after his return from the Iraq War), "Now You've Got Something to Die For", "One Gun" and "The Faded Line". The quote at the beginning of "Omerta" is a paraphrase of the Sicilian Mafia's code of silence.[9] As of August 2010, Ashes of the Wake has sold 398,000 copies in the United States.[10] Ten years after its release, as of 2014, sales have topped 400,000 copies sold and is Lamb of God’s best-selling record.[11] The album was certified gold by the Recording Industry Association of America in February 2016.[12] The first pressing came with a bonus disc titled "Pure American Metal", including songs taken from the band's previous albums (Burn the Priest, New American Gospel and As the Palaces Burn), a live recording of the song "Black Label" from DVD Terror and Hubris, as well as a pre-production demo of the song "Laid to Rest". The Japanese edition included a bonus song "Another Nail for Your Coffin" which was released worldwide in 2010 in a three-CD box set called Hourglass: The Anthology. The song was later included on the 15th anniversary edition of the album. A DualDisc version was released in the United States. The DVD side contained the album in LPCM 2.0, and Dolby Digital 5.1 surround sound, as well as various video clips, including the promo videos for "Now You've Got Something to Die For" (intended to promote the Killadelphia release) and "Laid to Rest", a short on the New England Metalfest, a "Meet the Band" and a clip from the Terror and Hubris DVD. A production error in the 5.1 mix of "Break You" causes the vocals to pitch shift high and low throughout the song. The album was generally well received; Blabbermouth.net gave it a 7 rating.[5] Johnny Loftus of AllMusic gave it a 4 out of 5 star rating.[4] He praised Blythe's vocals, saying they became, "Lamb of God's threshold of pain conduit." Source(s): https://genius.com/Lamb-of-god-one-gu... and https://en.wikipedia.org/wiki/Ashes_o... https://youtu.be/EdFvcMdIM6I Lamb of God - One Gun (Lyrics on Screen Video 🎤🎶🎸🥁)

Lamb of God - Blood of the Scribe (Lyrics on Screen Video 🎤🎶🎸🥁) This one comes out swingin and thrashin like a motha fucka (with a pretty nice lick if I may say.) In terms of interpreting what the song is about.... hmmmm..... Lamb makes it hard (for me at least) to understand wtf they're talking about, but that's why they're so good! Part of me feels it has something to so with corruption in religion, another part thinks its addiction. The lyrics make me think it's about someone or some organization overstepping their boundaries thinking they can get away with it, and this song is what happens in the aftermath. I could be completely wrong but that's my opinion haha. 3:02 man those toms (as well as the whole band) sound so god damn smooth! The spoken word part with the buildup into 3:30 is fucking beautiful and the rest of the song is heavy as a motha fucka Jesus Christ. Enjoy! 🎤 Lyrics Start 🎤 [Verse 1] All of this comes crashing down Cornerstone's gone Sleepless, hopeless No end in sight [Verse 2] Ink well has run dry Fill it with blood of the scribe [Bridge] Rest comes easy to the guiltless The vampire laments as he prays for the sun [Verse 3] Doom, despair, tragedy are the tools of the trade [Chorus] Cut to the bone, rob the grave Unearth the stone, lay to waste Defile the tome, rip the page Strip mine the vein, lay to waste [Verse 4] Frayed at the edge, flat lined The anvil cracks, the hammer Relentlessly comes down A new pariah is born [Chorus] Cut to the bone, rob the grave Unearth the stone, lay to waste Defile the tome, rip the page Strip mine the vein, lay to waste [Bridge] Chastisement lays you down to sleep Tucks you in with bloody kisses Gifts of nightmares bitter sweet [Verse 5] Type A negative shuts me down Catchphrase will be the death of me Is this not what you came to see? What, are you not entertained? [Outro] Climb the walls 'til nails bleed Rip the hair, tear the seams Break the glass, head in hands Bell tolls endlessly, no end in sight 🎤 Lyrics End 🎤 **Wikipedia stuff** Ashes of the Wake is the third studio album and first major-label release by American heavy metal band Lamb of God, released in 2004 via Epic Records. The album debuted at number 27 on the Billboard 200, selling 35,000 copies in its first week and was rated by Guitar World as the 49th greatest Guitar Album of all Time.[7] This album also was rated by Metal Hammer as the 5th greatest Metal Album of The 21st Century.[8] The album was inspired by the events that took place during the war in Iraq with songs such as "Ashes of the Wake" (which includes snippets of former Marine Staff Sergeant Jimmy Massey in an interview after his return from the Iraq War), "Now You've Got Something to Die For", "One Gun" and "The Faded Line". The quote at the beginning of "Omerta" is a paraphrase of the Sicilian Mafia's code of silence.[9] As of August 2010, Ashes of the Wake has sold 398,000 copies in the United States.[10] Ten years after its release, as of 2014, sales have topped 400,000 copies sold and is Lamb of God’s best-selling record.[11] The album was certified gold by the Recording Industry Association of America in February 2016.[12] The first pressing came with a bonus disc titled "Pure American Metal", including songs taken from the band's previous albums (Burn the Priest, New American Gospel and As the Palaces Burn), a live recording of the song "Black Label" from DVD Terror and Hubris, as well as a pre-production demo of the song "Laid to Rest". The Japanese edition included a bonus song "Another Nail for Your Coffin" which was released worldwide in 2010 in a three-CD box set called Hourglass: The Anthology. The song was later included on the 15th anniversary edition of the album. A DualDisc version was released in the United States. The DVD side contained the album in LPCM 2.0, and Dolby Digital 5.1 surround sound, as well as various video clips, including the promo videos for "Now You've Got Something to Die For" (intended to promote the Killadelphia release) and "Laid to Rest", a short on the New England Metalfest, a "Meet the Band" and a clip from the Terror and Hubris DVD. A production error in the 5.1 mix of "Break You" causes the vocals to pitch shift high and low throughout the song. The album was generally well received; Blabbermouth.net gave it a 7 rating.[5] Johnny Loftus of AllMusic gave it a 4 out of 5 star rating.[4] He praised Blythe's vocals, saying they became, "Lamb of God's threshold of pain conduit." Source(s): https://genius.com/Lamb-of-god-blood-... and https://en.wikipedia.org/wiki/Ashes_o... https://youtu.be/4owY2SG9i3Y Lamb of God - The Faded Line (Lyrics on Screen Video 🎤🎶🎸🥁)

Lamb of God - The Faded Line (Lyrics on Screen Video 🎤🎶🎸🥁) I really like the intro on this one. The double bass pattern and the cymbal on the 'and' of every beat sounds really nice (Chris you're a beast!). I feel this song is about addiction and someone being mad as fuck at the person they think caused the addiction. "Cursed crawl of time" man that's some genius shit in describing life (in my opinion of course hehe). Also "Silence, the only promise ever kept" is fucking nice haha. The breakdown part at 1:48 really drives hard and hits like a motha fucka. The solo over it is fucking dope too, it sounds like some Egyptian shit haha! The verse after the breakdown part is what makes me think (or know) that this one is about severe addiction. As well as the outro explaining that it's fucking hopeless, for anyone who's dealt with addiction knows the feeling! Enjoy! 🎤 Lyrics Start 🎤 Witness shame's parade The pain of blame repaid It's fucking hopeless Accusations and denial Hopeless Demon of another day Colorless Stoned, solid gray Emptiness Of promises I made So faithless The tenants long betrayed Walk the faded line, cursed crawl of time Silence, the only promise ever kept Familiar touch A ritual to numb the cut Salvation in vice Anguish is realizing what could have been but never was It's emptiness that fills the cup Devotion in the method of my fall Pointless Futility continuing Endless Flowing corrupted vein Walk the faded line, cursed crawl of time Walk the faded line, cursed crawl of time Silence, the only promise ever kept It's fucking hopeless Hopeless Hopeless It's fucking hopeless Hopeless 🎤 Lyrics End 🎤 **Wikipedia stuff** Ashes of the Wake is the third studio album and first major-label release by American heavy metal band Lamb of God, released in 2004 via Epic Records. The album debuted at number 27 on the Billboard 200, selling 35,000 copies in its first week and was rated by Guitar World as the 49th greatest Guitar Album of all Time.[7] This album also was rated by Metal Hammer as the 5th greatest Metal Album of The 21st Century.[8] The album was inspired by the events that took place during the war in Iraq with songs such as "Ashes of the Wake" (which includes snippets of former Marine Staff Sergeant Jimmy Massey in an interview after his return from the Iraq War), "Now You've Got Something to Die For", "One Gun" and "The Faded Line". The quote at the beginning of "Omerta" is a paraphrase of the Sicilian Mafia's code of silence.[9] As of August 2010, Ashes of the Wake has sold 398,000 copies in the United States.[10] Ten years after its release, as of 2014, sales have topped 400,000 copies sold and is Lamb of God’s best-selling record.[11] The album was certified gold by the Recording Industry Association of America in February 2016.[12] The first pressing came with a bonus disc titled "Pure American Metal", including songs taken from the band's previous albums (Burn the Priest, New American Gospel and As the Palaces Burn), a live recording of the song "Black Label" from DVD Terror and Hubris, as well as a pre-production demo of the song "Laid to Rest". The Japanese edition included a bonus song "Another Nail for Your Coffin" which was released worldwide in 2010 in a three-CD box set called Hourglass: The Anthology. The song was later included on the 15th anniversary edition of the album. A DualDisc version was released in the United States. The DVD side contained the album in LPCM 2.0, and Dolby Digital 5.1 surround sound, as well as various video clips, including the promo videos for "Now You've Got Something to Die For" (intended to promote the Killadelphia release) and "Laid to Rest", a short on the New England Metalfest, a "Meet the Band" and a clip from the Terror and Hubris DVD. A production error in the 5.1 mix of "Break You" causes the vocals to pitch shift high and low throughout the song. The album was generally well received; Blabbermouth.net gave it a 7 rating.[5] Johnny Loftus of AllMusic gave it a 4 out of 5 star rating.[4] He praised Blythe's vocals, saying they became, "Lamb of God's threshold of pain conduit." Source(s): https://genius.com/Lamb-of-god-the-fa... and https://en.wikipedia.org/wiki/Ashes_o... https://youtu.be/uLZUDf5xk2k Lamb of God - The Faded Line (Lyrics on Screen Video 🎤🎶🎸🥁)

Lamb of God - Now You've Got Something To Die For (Lyrics on Screen Video 🎤🎶🎸🥁) This one comes out with a really nice lick and groovy kick drum pattern (I can see why they're classified as groove metal hehe). I still remember the first time hearing Lamb and this song (about 6 years ago lol) and just being kind of dumbfounded by what I'd heard. Also too I remember not being really able to interpret or make out the lyrics but I knew it was some dark shit haha. I was also dumbfounded by the lyrics of Lamb, they still amaze me to this day. 2:22 is definitely my favorite part..... BURN! Haha I could go on forever enjoy! 🎤 Lyrics Start 🎤 [Intro] Now you've got something to die for Now you've got something to die for Infidel, Imperial Lust for blood, a blind crusade Apocalyptic, we count the days [Verse 1] Bombs to set the people free Blood to feed the dollar tree Flags for coffins on the screen Oil for the machine Army of liberation Gunpoint indoctrination The fires of sedition Fulfill the prophecy [Chorus] Now you've got something to die for Now you've got something to die for [Verse 2] Send the children to the fire Sons and daughters stack the pyre Stoke the flame of the empire Live to lie another day Face of hypocrisy, Raping democracy Apocalyptic We count the days Oh! [Bridge] We'll never get out of this hole Until we've dug our own grave And drag the rest down with us The burning home of the brave Burn [Chorus] Now you've got something to die for Now you've got something to die for 🎤 Lyrics End 🎤 **Wikipedia stuff** Ashes of the Wake is the third studio album and first major-label release by American heavy metal band Lamb of God, released in 2004 via Epic Records. The album debuted at number 27 on the Billboard 200, selling 35,000 copies in its first week and was rated by Guitar World as the 49th greatest Guitar Album of all Time.[7] This album also was rated by Metal Hammer as the 5th greatest Metal Album of The 21st Century.[8] The album was inspired by the events that took place during the war in Iraq with songs such as "Ashes of the Wake" (which includes snippets of former Marine Staff Sergeant Jimmy Massey in an interview after his return from the Iraq War), "Now You've Got Something to Die For", "One Gun" and "The Faded Line". The quote at the beginning of "Omerta" is a paraphrase of the Sicilian Mafia's code of silence.[9] As of August 2010, Ashes of the Wake has sold 398,000 copies in the United States.[10] Ten years after its release, as of 2014, sales have topped 400,000 copies sold and is Lamb of God’s best-selling record.[11] The album was certified gold by the Recording Industry Association of America in February 2016.[12] The first pressing came with a bonus disc titled "Pure American Metal", including songs taken from the band's previous albums (Burn the Priest, New American Gospel and As the Palaces Burn), a live recording of the song "Black Label" from DVD Terror and Hubris, as well as a pre-production demo of the song "Laid to Rest". The Japanese edition included a bonus song "Another Nail for Your Coffin" which was released worldwide in 2010 in a three-CD box set called Hourglass: The Anthology. The song was later included on the 15th anniversary edition of the album. A DualDisc version was released in the United States. The DVD side contained the album in LPCM 2.0, and Dolby Digital 5.1 surround sound, as well as various video clips, including the promo videos for "Now You've Got Something to Die For" (intended to promote the Killadelphia release) and "Laid to Rest", a short on the New England Metalfest, a "Meet the Band" and a clip from the Terror and Hubris DVD. A production error in the 5.1 mix of "Break You" causes the vocals to pitch shift high and low throughout the song. The album was generally well received; Blabbermouth.net gave it a 7 rating.[5] Johnny Loftus of AllMusic gave it a 4 out of 5 star rating.[4] He praised Blythe's vocals, saying they became, "Lamb of God's threshold of pain conduit." Source(s): https://en.wikipedia.org/wiki/Ashes_o... and https://genius.com/Lamb-of-god-now-yo... https://youtu.be/LOG8uDnQUDo Lamb of God - Now You've Got Something To Die For (Lyrics on Screen Video 🎤🎶🎸🥁)

Lamb of God - Hourglass (Lyrics on Screen Video 🎤🎶🎸🥁) This song comes out swinging for sure, the intro lick is real nice. In terms of interpreting the lyrics I'm pretty sure it has something do with the corruption of government and war. One of my favorite parts of Lamb's music is their lyrics and lyrics schemes, so insightful and fun to try and interpret! 1:02 is real nice and really drives the song forward. Also Lamb's spoken word parts are unique to them and always fits the song well. 2:08 is a really good lick, I don't know how they do it god damn! Enjoy! 🎤 Lyrics Start 🎤 [Verse 1] Privileged, a chosen few Blessed with our time in hell Witness a divine vision The day we all fell still Rapture of the dying age Our shattered hourglass Wrath of the warring gods And so this too shall pass [Verse 2] It's only getting worse Not worth a moment's regret Each dawn another curse Every breath a twisting blade What will be left behind in the ashes of the wake? [Verse 3] An ill wind blows this way The edge of the envelope burns Forbearance and my vengeance Payment for your intent Fear and death in the wings In thrall of those fallen from grace Petty is as petty does Witness the mass disgrace [Bridge] Fear and death in the wings In thrall of those fallen from grace Petty is as petty does Witness the mass disgrace [Verse 4] God forbid you read the signs Watch for meanings between the lines Gehenna has now arrived No hindsight for the blind Your trust has been misplaced Believed the lies told to your face Became another casualty and Now it's too late [Verse 5] You finally made it home Draped in the flag that you fell for And so it goes The ashes of the wake [Outro] It's only getting worse It's only getting worse It's only getting worse It's only getting worse It's only getting worse 🎤 Lyrics End 🎤 **Wikipedia stuff** Ashes of the Wake is the third studio album and first major-label release by American heavy metal band Lamb of God, released in 2004 via Epic Records. The album debuted at number 27 on the Billboard 200, selling 35,000 copies in its first week and was rated by Guitar World as the 49th greatest Guitar Album of all Time.[7] This album also was rated by Metal Hammer as the 5th greatest Metal Album of The 21st Century.[8] The album was inspired by the events that took place during the war in Iraq with songs such as "Ashes of the Wake" (which includes snippets of former Marine Staff Sergeant Jimmy Massey in an interview after his return from the Iraq War), "Now You've Got Something to Die For", "One Gun" and "The Faded Line". The quote at the beginning of "Omerta" is a paraphrase of the Sicilian Mafia's code of silence.[9] As of August 2010, Ashes of the Wake has sold 398,000 copies in the United States.[10] Ten years after its release, as of 2014, sales have topped 400,000 copies sold and is Lamb of God’s best-selling record.[11] The album was certified gold by the Recording Industry Association of America in February 2016.[12] The first pressing came with a bonus disc titled "Pure American Metal", including songs taken from the band's previous albums (Burn the Priest, New American Gospel and As the Palaces Burn), a live recording of the song "Black Label" from DVD Terror and Hubris, as well as a pre-production demo of the song "Laid to Rest". The Japanese edition included a bonus song "Another Nail for Your Coffin" which was released worldwide in 2010 in a three-CD box set called Hourglass: The Anthology. The song was later included on the 15th anniversary edition of the album. A DualDisc version was released in the United States. The DVD side contained the album in LPCM 2.0, and Dolby Digital 5.1 surround sound, as well as various video clips, including the promo videos for "Now You've Got Something to Die For" (intended to promote the Killadelphia release) and "Laid to Rest", a short on the New England Metalfest, a "Meet the Band" and a clip from the Terror and Hubris DVD. A production error in the 5.1 mix of "Break You" causes the vocals to pitch shift high and low throughout the song. The album was generally well received; Blabbermouth.net gave it a 7 rating.[5] Johnny Loftus of AllMusic gave it a 4 out of 5 star rating.[4] He praised Blythe's vocals, saying they became, "Lamb of God's threshold of pain conduit." Source(s): https://genius.com/Lamb-of-god-hourgl... and https://en.wikipedia.org/wiki/Ashes_o... https://youtu.be/4kLR_oVKeHk Lamb of God - Laid to Rest (Lyrics on Screen Video 🎤🎶🎸🥁)

Slayer - Raining Blood (Lyrics on Screen Video 🎤🎶🎸🥁) Finally at the end of the album and Raining Blood is a fantastic way to end it haha. I like the eerie into with the thunder and rain, it makes me really think of a scenario of raining blood haha. The intro(s) licks are really nice, everyone knows what song and band it is upon hearing the opening lick (in my opinion of course). The lyrics are really good too, it also paints a picture in my head of someone who is in deep trouble and is about to get done in haha. The 2:00 mark is definitely a universal headbanging moment haha and the notes that are played on top of it are nice too. The solo sounds about how it should being Slayer haha which is a good thing! The outro is just pure chaos haha and fits really nicely, I could go on forever lol. Enjoy! 🎤 Lyrics Start 🎤 [Verse] Trapped in purgatory A lifeless object, alive Awaiting reprisal Death will be their acquittance The sky is turning red Return to power draws near Fall into me, the sky's crimson tears Abolish the rules made of stone [Bridge 1] Pierced from below, souls of my treacherous past Betrayed by many, now ornaments dripping above [Bridge 2] Awaiting the hour of reprisal Your time slips away [Bridge 3] Raining blood From a lacerated sky Bleeding its horror Creating my structure Now, I shall reign in blood 🎤 Lyrics End 🎤

Slayer - Postmortem (Lyrics on Screen Video 🎤🎶🎸🥁) This one is definitely in the top 3 for this album (such a hard choice hehe). It has one of my favorite intros on the album, the lick at 0:23 is just too nasty haha. This is one of those songs where the transitions and licks fit together so well it's hard to say anything bad about it. I like how it incorporates a little bridge part and then goes right back into that awesome lick. Another favorite part of mine is around 3:00 where Tom goes.... "Do you wanna die!?" haha really funny. Also around 3:16 that snare hit is very cool sounding and really accents the "I'm only after death!" part. This is a very good song lol. Enjoy! 🎤 Lyrics Start 🎤 [Verse 1] Funeral held for the depression of man Holds the key to his own death Entering a tomb of a corpse yet conceived Tighten the tourniquet around your neck Sifting away the debris of hated life Cold touch of death begins to chill your spine Seeking life beyond your perishment Repeating words echoing through your mind [Verse 2] Chanting lines of blind witchery To save yourself from extinction Wanting to die is your reason to live New life born from the oppressed Taste your blood as it trickles through the air Another casualty, beyond the shadows you fall Losing ground, the fate you feel draws near Fatality, reality, await the final call [Instrumental Break] [Verse 3] My sinful glare at nothing holds thoughts of death behind it Skeletons in my mind commence tearing at my sanity Vessels in my brain carrying death until my birth Come and die with me forever, share insanity Do you wanna die?! [Verse 4] The waves of blood are rushing near, pounding at the walls of lies Turning off my sanity, reaching back into my mind Non-rising body from the grave showing new reality What I am, what I want, I’m only after death 🎤 Lyrics End 🎤 **Wikipedia stuff** Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 7, 1986, by Def Jam Recordings.[1] The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp.[2] The band's members stated that they did not condone Nazism and were merely interested in the subject.[3] Reign in Blood was well received by both critics and fans, and was responsible for bringing Slayer to the attention of a mainstream metal audience. Today, it is often mentioned among the greatest heavy metal records ever. In their 2017 listing of the 100 Greatest Metal albums of all time, Rolling Stone magazine ranked "Reign in Blood" at #6.[4] Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood helped define the sound of the emerging US thrash metal scene in the mid-1980s, and has remained influential since. The album was Slayer's first to enter the US Billboard 200, peaking at number 94, and was certified Gold on November 20, 1992. In 2013, NME ranked it at number 287 in its list of the 500 Greatest Albums of All Time.[5] Following the positive reception Slayer's previous release Hell Awaits had received, the band's producer and manager Brian Slayer realized the band were in a position to hit the "big time" with their next album. Slayer negotiated with several record labels, among them Rick Rubin and Russell Simmons' Def Jam Recordings. However, Slayer was reluctant to have the band signed to what was at the time primarily a hip hop label. Slayer drummer Dave Lombardo was made aware of Rubin's interest, and he initiated contact with the producer. However, Slayer's remaining members were apprehensive of leaving Metal Blade Records, with whom they were already under contract.[6] Lombardo contacted Columbia Records, which was Def Jam's distributor, and managed to get in touch with Rubin, who along with photographer Glen E. Friedman agreed to attend one of the band's concerts. Source(s): https://en.wikipedia.org/wiki/Reign_i... and https://genius.com/Slayer-postmortem-... Slayer - Postmortem (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/MomhYA0m3cU

Slayer - Epidemic (Lyrics on Screen Video 🎤🎶🎸🥁) The intro on this one is real nice, the little drum fill is a great way to start the song. The intro lick is one of my favorite from the entire album, pure thrash! 1:10 is also a very nice lick and is one of my favorites of the album. The lyric scheme is hard for me to interpret compared to others. Of course it's about an epidemic of some kind, the lyrics are quite advanced haha. 1:36 is a really nice part too letting the song breathe for a little while. This has to be in my top 3 for the album, very great thrash song. I also like how the song ends with a drum fill too haha. Enjoy! 🎤 Lyrics Start 🎤 [Verse 1] Breeding fast in poverty Infectious, driving, dormant seed Inside your carcass start to mate Left in charge to dominate [Chorus 1] Waiting to unfold Raging uncontrolled Adapt a potency Death machine, infest my corpse to be [Verse 2] Unyielding kings of agony Test your body chemistry Pulmonary overthrow Possession of your inner throne Infections quickly override Malicious, domineering strike Floods your veins, commit slow death Deteriorate your maker's met [Chorus 2] Perpetual demise On a fast decline Killing tendency Epidemic, permanent disease [Lead: King] [Bridge] Incapacitate, fall into your fate Pain results in screams Bleed internally Years will pass before it can be cured [Lead: Hanneman] **Wikipedia stuff** Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 7, 1986, by Def Jam Recordings.[1] The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp.[2] The band's members stated that they did not condone Nazism and were merely interested in the subject.[3] Reign in Blood was well received by both critics and fans, and was responsible for bringing Slayer to the attention of a mainstream metal audience. Today, it is often mentioned among the greatest heavy metal records ever. In their 2017 listing of the 100 Greatest Metal albums of all time, Rolling Stone magazine ranked "Reign in Blood" at #6.[4] Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood helped define the sound of the emerging US thrash metal scene in the mid-1980s, and has remained influential since. The album was Slayer's first to enter the US Billboard 200, peaking at number 94, and was certified Gold on November 20, 1992. In 2013, NME ranked it at number 287 in its list of the 500 Greatest Albums of All Time.[5] Following the positive reception Slayer's previous release Hell Awaits had received, the band's producer and manager Brian Slagel realized the band were in a position to hit the "big time" with their next album. Slagel negotiated with several record labels, among them Rick Rubin and Russell Simmons' Def Jam Recordings. However, Slagel was reluctant to have the band signed to what was at the time primarily a hip hop label. Slayer drummer Dave Lombardo was made aware of Rubin's interest, and he initiated contact with the producer. However, Slayer's remaining members were apprehensive of leaving Metal Blade Records, with whom they were already under contract.[6] Lombardo contacted Columbia Records, which was Def Jam's distributor, and managed to get in touch with Rubin, who along with photographer Glen E. Friedman agreed to attend one of the band's concerts. Friedman had produced Suicidal Tendencies's self-titled debut album, in which Slayer vocalist Tom Araya made a guest appearance in the music video for the album's single "Institutionalized", pushing Suicidal Tendencies's vocalist Mike Muir. Around this time, Rubin asked Friedman if he knew Slayer.[6] Source(s): https://en.wikipedia.org/wiki/Reign_i... Slayer - Reborn (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/x6FaGWlxuTM

Slayer - Reborn (Lyrics on Screen Video 🎤🎶🎸🥁) This one comes out like most of the others haha (swinging lol). Right into the thrash beat and fast lyrics. I think this song is about someone who is imprisoned but knows he will be reborn so is not worried about it. Also that the person imprisoned will have his revenge on the one who put him there. The lyrics are pretty fast on this one it sounds like Tom is rapping haha, it's good! Enjoy! Slayer's Youtube: https://www.youtube.com/channel/UCA7S... 🎤 Lyrics Start 🎤 [Verse 1] Convicted witch, my life will end At midnight on the stake My dedicated life was spent To insubordinate Secured, by lock, inside a cell Imprisoned for no crime These shackles will be useless When your life is out of time [Chorus 1] Incantation spell gone by I'll see life again My deals were made eternally I signed the book of red My rage will be unleashed again Burning the next morn Death means nothing, there's no end I will be reborn [Verse 2] No gift of exile in my fate I'll get no amnesty I can't control my destiny There is no habitual need Proclaim my death, to end my wrath It takes more than one try Indulge your ineffective curse I will never die [Chorus 2] You think by killing me tonight My powers will not rise There'll be nowhere for you to run When hatred comes to life Condemned to fill the prophecy Allowing no first born Defy your morbid declaration Leave you ripped and torn [Lead: Hanneman] [Verse 3] Count your blessing, would-be priest As I burn upon the stake You'd be forgiven endlessly But your values are all fake Forever servant of my Lord By choice and not submission Maybe now I've made you wonder Am I superstitious? [Chorus 1] Incantation spell gone by I will live again My deals were made eternally I signed the book in red My rage will be unleashed again And burning the next morn Death means nothing, there's no end I will be reborn 🎤 Lyrics End 🎤 **Wikipedia stuff** Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 7, 1986, by Def Jam Recordings.[1] The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp.[2] The band's members stated that they did not condone Nazism and were merely interested in the subject.[3] Reign in Blood was well received by both critics and fans, and was responsible for bringing Slayer to the attention of a mainstream metal audience. Today, it is often mentioned among the greatest heavy metal records ever. In their 2017 listing of the 100 Greatest Metal albums of all time, Rolling Stone magazine ranked "Reign in Blood" at #6.[4] Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood helped define the sound of the emerging US thrash metal scene in the mid-1980s, and has remained influential since. The album was Slayer's first to enter the US Billboard 200, peaking at number 94, and was certified Gold on November 20, 1992. In 2013, NME ranked it at number 287 in its list of the 500 Greatest Albums of All Time.[5] Following the positive reception Slayer's previous release Hell Awaits had received, the band's producer and manager Brian Slagel realized the band were in a position to hit the "big time" with their next album. Slagel negotiated with several record labels, among them Rick Rubin and Russell Simmons' Def Jam Recordings. However, Slagel was reluctant to have the band signed to what was at the time primarily a hip hop label. Slayer drummer Dave Lombardo was made aware of Rubin's interest, and he initiated contact with the producer. However, Slayer's remaining members were apprehensive of leaving Metal Blade Records, with whom they were already under contract.[6] Lombardo contacted Columbia Records, which was Def Jam's distributor, and managed to get in touch with Rubin, who along with photographer Glen E. Friedman agreed to attend one of the band's concerts. Friedman had produced Suicidal Tendencies's self-titled debut album, in which Slayer vocalist Tom Araya made a guest appearance in the music video for the album's single "Institutionalized", pushing Suicidal Tendencies's vocalist Mike Muir. Around this time, Rubin asked Friedman if he knew Slayer.[6] Source(s): https://en.wikipedia.org/wiki/Reign_i... and https://genius.com/7148436 Slayer - Reborn (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/HUBHRdMyHYo

Slayer - Criminally Insane (Lyrics on Screen Video 🎤🎶🎸🥁) The intro on this one is real nice with the 16th notes on the ride and just a fat beat, kind of reminds me of 'When the Levee Breaks' in a way. 1:41 is my favorite lick. The first is tricky it makes me think it will go into a chorus but goes into another verse part. Also the way Tom says 'WAY' at 0:45 is kind of funny haha. The lyric scheme makes me think Tom is planning on killing someone or doing something bad to someone haha. The solo is nice and shreddy then goes back into the fat beat with a nice lick. The last verse makes me think of someone who has been marked 'criminally insane' and is waiting to have his revenge. Enjoy! Slayer's Youtube: https://www.youtube.com/channel/UCA7S... 🎤 Lyrics Start 🎤 [Intro] [Chorus] Night will come and I will follow For my victims, no tomorrow Make it fast, your time of sorrow On his trail, I'll make you follow [Verse 1] Quarters for the criminally insane The sentence read for life I must remain The path I chose has led me to my grave To try again, I'd have no other way [Verse 2] Quarters for the criminally insane Escape, for me, has fast become a game Soon to be, I'll leave without a trace Endangered species, end the human race [Lead: King and Hanneman] [Bridge] Branded in pain, marked criminally insane Locked away and kept restrained Disapprobation, but what have I done I have yet only just begun to take your fucking lives [Chorus] Night will come and I will follow For my victims, no tomorrow Make it fast, your time of sorrow On his trail, I'll make you follow 🎤 Lyrics End 🎤 **Wikipedia stuff** Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 7, 1986, by Def Jam Recordings.[1] The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp.[2] The band's members stated that they did not condone Nazism and were merely interested in the subject.[3] Reign in Blood was well received by both critics and fans, and was responsible for bringing Slayer to the attention of a mainstream metal audience. Today, it is often mentioned among the greatest heavy metal records ever. In their 2017 listing of the 100 Greatest Metal albums of all time, Rolling Stone magazine ranked "Reign in Blood" at #6.[4] Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood helped define the sound of the emerging US thrash metal scene in the mid-1980s, and has remained influential since. The album was Slayer's first to enter the US Billboard 200, peaking at number 94, and was certified Gold on November 20, 1992. In 2013, NME ranked it at number 287 in its list of the 500 Greatest Albums of All Time.[5] Following the positive reception Slayer's previous release Hell Awaits had received, the band's producer and manager Brian Slagel realized the band were in a position to hit the "big time" with their next album. Slagel negotiated with several record labels, among them Rick Rubin and Russell Simmons' Def Jam Recordings. However, Slagel was reluctant to have the band signed to what was at the time primarily a hip hop label. Slayer drummer Dave Lombardo was made aware of Rubin's interest, and he initiated contact with the producer. However, Slayer's remaining members were apprehensive of leaving Metal Blade Records, with whom they were already under contract.[6] Lombardo contacted Columbia Records, which was Def Jam's distributor, and managed to get in touch with Rubin, who along with photographer Glen E. Friedman agreed to attend one of the band's concerts. Friedman had produced Suicidal Tendencies's self-titled debut album, in which Slayer vocalist Tom Araya made a guest appearance in the music video for the album's single "Institutionalized", pushing Suicidal Tendencies's vocalist Mike Muir. Around this time, Rubin asked Friedman if he knew Slayer.[6] Guitarist Jeff Hanneman was surprised by Rubin's interest in the band, and was impressed by his work with the hip hop acts Run DMC and LL Cool J. During a visit by Slagel to a European music convention, Rubin spoke with the band directly, and persuaded them to sign with Def Jam. Source(s): https://en.wikipedia.org/wiki/Reign_i... and https://genius.com/7191325 Slayer - Criminally Insane (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/vZOhl1M2-R4

Slayer - Jesus Saves (Lyrics on Screen Video 🎤🎶🎸🥁) Favorite part is at 0:42. This one comes out swinging in a slower way haha. I like how they switched up the intro from a typical thrash beat to this more 'doomy' 'heavy' beat. The song then goes into a weird time signature part and then into the main lick of the verse with a nice transition. I feel the lyric scheme is Tom calling out all of Christianity's fallacies and how false he feels they are. You can tell Tom is really passionate about what he believes in and won't stop haha. Enjoy! Slayer's Youtube: https://www.youtube.com/channel/UCA7S... 🎤 Lyrics Start 🎤 [Instrumental Intro] [Verse 1] You go to the church, you kiss the cross You will be saved at any cost You have your own reality, Christianity You spend your life just kissing ass A trait that's grown as time has passed You think the world will end today You praise the Lord, that's all you say [Chorus 1] Jesus saves Listen to you pray You think you'll see the pearly gates when Death takes you away [Verse 2] For all respect, you cannot lust In an invisible man you place your trust Indirect dependency Eternal attempt at amnesty He will decide who lives and dies Depopulate, Satanic rise You will be an accessory Irreverence and blasphemy [Lead: King] [Chorus 2] Jesus saves No need to pray, the gates of pearl have turned to gold It seems you've lost your way [Lead: Hanneman] [Outro] Jesus saves No words of praise, no promised land to take you to There is no other way. 🎤 Lyrics End 🎤 **Genius.com Stuff** "Christians here are criticized for blindly adhering to religious norms. The song isn’t anti-religious, but rather a rebuke of normative religious behavior. They’re chastising Christians who expect to be saved by going through the motions. It’s important to note that Tom Araya is a practicing Catholic." "There are many Biblical passages that encourage believers to pray for the end-times and to be watchful of its coming. One such passage is below. But of that day and that hour knoweth no man, no, not the angels which are in heaven, neither the Son, but the Father. Take ye heed, watch and pray: for ye know not when the time is. For the Son of man is as a man taking a far journey, who left his house, and gave authority to his servants, and to every man his work, and commanded the porter to watch. Watch ye therefore: for ye know not when the master of the house cometh, at even, or at midnight, or at the cockcrowing, or in the morning: Lest coming suddenly he find you sleeping. And what I say unto you I say unto all, Watch." Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 7, 1986, by Def Jam Recordings.[1] The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp.[2] The band's members stated that they did not condone Nazism and were merely interested in the subject.[3] Reign in Blood is regarded by critics as one of the most influential and extreme thrash metal albums.[9] In its "Greatest Metal Bands Of All Time" poll, MTV praised Slayer's "downtuned rhythms, infectious guitar licks, graphically violent lyrics and grisly artwork," which they stated "set the standard for dozens of emerging thrash bands," while "Slayer's music was directly responsible for the rise of death metal." MTV described Reign in Blood as essential listening,[37] and the album was ranked number 7 on IGN's "Top 25 Most Influential Metal Albums".[38] Following the positive reception Slayer's previous release Hell Awaits had received, the band's producer and manager Brian Slagel realized the band were in a position to hit the "big time" with their next album. Slagel negotiated with several record labels, among them Rick Rubin and Russell Simmons' Def Jam Recordings. However, Slagel was reluctant to have the band signed to what was at the time primarily a hip hop label. Slayer drummer Dave Lombardo was made aware of Rubin's interest, and he initiated contact with the producer. However, Slayer's remaining members were apprehensive of leaving Metal Blade Records, with whom they were already under contract.[6] Source(s): https://en.wikipedia.org/wiki/Reign_i... and https://genius.com/Slayer-jesus-saves... Slayer - Jesus Saves (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/SyisLqO7sjs

Slayer - Altar Of Sacrifice (Lyrics on Screen Video 🎤🎶🎸🥁) This one (like all the others on this album hehe) comes out thrashing and bashing. 1:29 is a good part. I feel this song is about someone who is about to be sacrificed to or for Satan. 0:55 is a nice lick and part. You can tell Slayer is really hungry this whole album, every song is great. The solo's remind me of something you would hear in hell, twisted sound! 2:15 is a nice lick too. I'm really glad to be doing this album finally haha. Enjoy! Slayer's Youtube: https://www.youtube.com/channel/UCA7S... 🎤 Lyrics Start 🎤 [Verse 1] Waiting the hour destined to die Here on the table of hell A figure in white, unknown by man Approaching the altar of death High priest awaiting, dagger in hand Spilling the pure virgin blood Satan's slaughter, ceremonial death Answer his every command [Verse 2] Death will come easy, just close your eyes Dream of the friends, you'll see Heavenly failure, losing again Move on to a new form of life [Chorus] Altar of sacrifice, curse of the damned Confronting the evil you dread Coalesce into one your shadow and soul Soon you will meet the undead [Lead: Hanneman] [Chorus] Altar of sacrifice, curse of the damned Confronting the evil you dread Coalesce into one your shadow and soul Soon you will meet the undead [Bridge] Enter to the realm of Satan! [Lead: King] [Verse 3] Blood turning black, the change has begun Feeling the hatred of all damned in Hell Flesh starts to burn, twist and deform Eyes dripping blood, realization of death Transforming of five toes to two Learn the sacred words of praise, Hail Satan [Lead: King] [Verse 4] A gift of powers disposed upon you Use them when you feel the need Master the forces and powers of Satan Controlling the creature's instinct Drawn to the castles that float in the sky Learn to resist the temptation Watching the angels sift through the heavens Endlessly searching for salvation [Lead: King] 🎤 Lyrics End 🎤 **Genius.com Stuff** “Table of Hell”, a metal way to say “Altar”, the place of the sacrificial. An altar is a structure upon which offerings such as sacrifices are made for religious purposes. In this case, the victim is being sacrificed to join Satan in hell. This painting depicts the sacrifice of Iphigenia, painted by Italian rococo painter Corrado Giaquinto in the 17th-century. The demonic killer beacons you to join Satan in hell. Hell is normally depicted as a fiery inferno, and according to some religions, including Christianity and Islam, hell is an eternal destination. A painting by Dutch painter Jacob van Swanenburg depicting hell called The Harrowing of Hell. This verse depicts the victim, now in hell, transforming into a demon. His blood turns black, and he feels the hatred of hell. His body is being deformed and burned with extreme pain. He learns the sacred words of Satan, and he now obeys him. This could refer to Baphomet, the sacred worshiping of Satan. **Wikipedia.com stuff** Reign in Blood is regarded by critics as one of the most influential and extreme thrash metal albums.[9] In its "Greatest Metal Bands Of All Time" poll, MTV praised Slayer's "downtuned rhythms, infectious guitar licks, graphically violent lyrics and grisly artwork," which they stated "set the standard for dozens of emerging thrash bands," while "Slayer's music was directly responsible for the rise of death metal." MTV described Reign in Blood as essential listening,[37] and the album was ranked number 7 on IGN's "Top 25 Most Influential Metal Albums".[38] Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 7, 1986, by Def Jam Recordings.[1] The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp.[2] The band's members stated that they did not condone Nazism and were merely interested in the subject.[3] Reign in Blood was well received by both critics and fans, and was responsible for bringing Slayer to the attention of a mainstream metal audience. Today, it is often mentioned among the greatest heavy metal records ever. In their 2017 listing of the 100 Greatest Metal albums of all time, Rolling Stone magazine ranked "Reign in Blood" at #6.[4] Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood helped define the sound of the emerging US thrash metal scene in the mid-1980s, and has remained influential since. Source(s): https://genius.com/Slayer-altar-of-sa... and https://en.wikipedia.org/wiki/Reign_i... Slayer - Altar Of Sacrifice (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/vWrWL3VRKUU

Slayer - Necrophobic (Lyrics on Screen Video 🎤🎶🎸🥁) And again this one really comes out swinging, it kind of trick you into thinking the intro will go into a transition but just starts thrashing away. The lyric scheme really paints a picture (for me at least) of someone who is getting tortured to death, well done Tom! 0:47 is a nice part that let's the song breathe, and then they go into a crazy thrashy solo lol. The notes at 1:15 are really funny and sound kind of out of place but it works really well haha. Enjoy! Slayer's Youtube: https://www.youtube.com/channel/UCA7S... 🎤 Lyrics Start 🎤 Strangulation, mutilation, cancer of the brain Limb dissection, amputation from a mind deranged Asphyxiation, suffocation, gasping for air Explain to me the feeling after sitting in the chair Ripping apart, severing flesh Gouging eyes, tearing limb from limb Experimentation, slow infection, internal decay Execution, need transfusion, body rots away Sliced incision, zero vision, loss of vital signs Skin contortion, bone erosion, your life becomes your fine Ripping apart, severing flesh Gouging eyes, tearing limb from limb [Instrumental Break] Strangulation, mutilation, cancer of the brain Limb dissection, amputation from a mind deranged Asphyxiation, suffocation, gasping for air Explain to me the feeling after sitting in the chair Sliced incision, zero vision, loss of vital signs Skin contortion, bone erosion, your life becomes your fine Necrophobic, can't control the paranoia Scared to die. 🎤 Lyrics End 🎤 **Wikipedia.com stuff** Reign in Blood is regarded by critics as one of the most influential and extreme thrash metal albums.[9] In its "Greatest Metal Bands Of All Time" poll, MTV praised Slayer's "downtuned rhythms, infectious guitar licks, graphically violent lyrics and grisly artwork," which they stated "set the standard for dozens of emerging thrash bands," while "Slayer's music was directly responsible for the rise of death metal." MTV described Reign in Blood as essential listening,[37] and the album was ranked number 7 on IGN's "Top 25 Most Influential Metal Albums".[38] Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 7, 1986, by Def Jam Recordings.[1] The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp.[2] The band's members stated that they did not condone Nazism and were merely interested in the subject.[3] Reign in Blood was well received by both critics and fans, and was responsible for bringing Slayer to the attention of a mainstream metal audience. Today, it is often mentioned among the greatest heavy metal records ever. In their 2017 listing of the 100 Greatest Metal albums of all time, Rolling Stone magazine ranked "Reign in Blood" at #6.[4] Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood helped define the sound of the emerging US thrash metal scene in the mid-1980s, and has remained influential since. The album was Slayer's first to enter the US Billboard 200, peaking at number 94, and was certified Gold on November 20, 1992. In 2013, NME ranked it at number 287 in its list of the 500 Greatest Albums of All Time.[5] Following the positive reception Slayer's previous release Hell Awaits had received, the band's producer and manager Brian Slagel realized the band were in a position to hit the "big time" with their next album. Slagel negotiated with several record labels, among them Rick Rubin and Russell Simmons' Def Jam Recordings. However, Slagel was reluctant to have the band signed to what was at the time primarily a hip hop label. Slayer drummer Dave Lombardo was made aware of Rubin's interest, and he initiated contact with the producer. However, Slayer's remaining members were apprehensive of leaving Metal Blade Records, with whom they were already under contract.[6] Asked during a press tour for 1994's Divine Intervention about the pressure of living up to Reign in Blood, King replied that the band did not try to better it, but just wanted to make music.[6] In 2006, Blabbermouth's Don Kaye drew a comparison to the band's 2006 album Christ Illusion, and concluded, "Slayer may never make an album as incendiary as Reign in Blood again."[39] Source(s): https://en.wikipedia.org/wiki/Reign_i... Slayer - Necrophobic (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/XtioKlyszRk

Slayer - Piece by Piece (Lyrics on Screen Video 🎤🎶🎸🥁) This song comes out banging as usual haha (it's Slayer hehe). This song (for me) illustrates someone who is in hell or is in a very undesirable place and is about to be torn apart limb by limb. I like that it's a short song but it packs a god damn punch! Also I like how Tom says "There's only one way out of here!" at the end haha it sounds so genuine. Although pretty new to this album I see why it is regarded as one of their best! Enjoy! Slayer's Youtube: https://www.youtube.com/channel/UCA7S... 🎤 Lyrics 🎤 [Chorus] Modulistic terror A vast sadistic feast The only way to exit Is going piece by piece [Verse 1] You have no choice of life or death My face you will not see I'll rip your flesh 'till there's no breath Dismembered destiny [Pre-Chorus 1] As soon as life has left your corpse I'll make you part of me No emotion Death is all I see [Chorus] Modulistic terror A vast sadistic feast The only way to exit Is going piece by piece [Verse 2] Bones and blood lie on the ground Rotten limbs lie dead Decapitated bodies found On my wall, your head [Pre-Chorus 2] On your trail, I close the gap One more life that soon won't be No emotion Flesh is all I need [Bridge] I'll send you to your maker Confront the God you seek A flash of red upon your chest Safety out of reach [Verse 1] You have no choice of life or death My face you will not see I'll rip your flesh 'till there's no breath Dismembered destiny [Chorus] Modulistic terror A vast sadistic feast There's only one way out of here Piece by piece **Genius.com stuff** A module is, in this case, a body part. Normal human beings react with horror at the sight of a dismembered corpse. A sadist is someone who gets pleasure from inflicting pain on others. The speaker, who is clearly a total sadist, screams that he is going to feast on seeing the fear of his victims. They will be dismembered alive – and their only escape, he jokes, is death. This sadistic creature wishes to rip your flesh to shreds until you feel no breathing, a cannibalistic destiny to dismember a human being. A Greek myth about cannibalism is the Titan Cronus who eats his own children, fearing they would overthrow him. This is called filicide. This sadistic and extremely dangerous character is a flesh-eating, cannibalistic monster who only wishes to see death and flesh before his eyes. This being is likely a demon from hell, or a crazy psychopath. Araya is hunting people. Much like people do in The Most Dangerous Game. The guy who eat “you” is probably pagan. So “you” may refer to a christian (or a monoteist who belive in an unique “maker”). This is again a critic of catholic religion. Source(s): https://genius.com/2182955 **Wikipedia.com stuff** Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 7, 1986, by Def Jam Recordings.[1] The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp.[2] The band's members stated that they did not condone Nazism and were merely interested in the subject.[3] Reign in Blood was well received by both critics and fans, and was responsible for bringing Slayer to the attention of a mainstream metal audience. Today, it is often mentioned among the greatest heavy metal records ever. In their 2017 listing of the 100 Greatest Metal albums of all time, Rolling Stone magazine ranked "Reign in Blood" at #6.[4] Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood helped define the sound of the emerging US thrash metal scene in the mid-1980s, and has remained influential since. The album was Slayer's first to enter the US Billboard 200, peaking at number 94, and was certified Gold on November 20, 1992. In 2013, NME ranked it at number 287 in its list of the 500 Greatest Albums of All Time.[5] Following the positive reception Slayer's previous release Hell Awaits had received, the band's producer and manager Brian Slagel realized the band were in a position to hit the "big time" with their next album. Slagel negotiated with several record labels, among them Rick Rubin and Russell Simmons' Def Jam Recordings. However, Slagel was reluctant to have the band signed to what was at the time primarily a hip hop label. Source: https://en.wikipedia.org/wiki/Reign_i... Slayer - Piece by Piece (Lyrics on Screen Video 🎤🎶🎸🥁) https://youtu.be/Xsbwumupj7A