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BRIGHT STAR Bright Star, also called The Irene Dunne and Fred MacMurray Show, used big film stars to add to the appeal of the show and gain listeners. Lasting only one season, Bright Star is about Susan Armstrong (Dunne) the editor of a struggling newspaper the Hillsdale Morning Star. MacMurray plays George Harvey an idealist star reporter who often conflicts with his editor over stories. MacMurray and Dunne have a good rapport as both have excellent comedic timing. Overall, this is a charming show that will delight fans of both Fred MacMurray and Irene Dunne.

BRIGHT STAR Bright Star, also called The Irene Dunne and Fred MacMurray Show, used big film stars to add to the appeal of the show and gain listeners. Lasting only one season, Bright Star is about Susan Armstrong (Dunne) the editor of a struggling newspaper the Hillsdale Morning Star. MacMurray plays George Harvey an idealist star reporter who often conflicts with his editor over stories. MacMurray and Dunne have a good rapport as both have excellent comedic timing. Overall, this is a charming show that will delight fans of both Fred MacMurray and Irene Dunne.

BRIGHT STAR Bright Star, also called The Irene Dunne and Fred MacMurray Show, used big film stars to add to the appeal of the show and gain listeners. Lasting only one season, Bright Star is about Susan Armstrong (Dunne) the editor of a struggling newspaper the Hillsdale Morning Star. MacMurray plays George Harvey an idealist star reporter who often conflicts with his editor over stories. MacMurray and Dunne have a good rapport as both have excellent comedic timing. Overall, this is a charming show that will delight fans of both Fred MacMurray and Irene Dunne.

The Casebook of Gregory Hood was a radio detective program in the United States. It existed in several versions - with different stars on different networks in different years. Hood was an importer in San Francisco who dealt in rare items. John Dunning summarized the show's premise as follows: "With his sidekick Sanderson ('Sandy') Taylor, Hood traveled the world seeking artifacts for his import house. Each item found by Hood had an intriguing history and was inevitably linked to some present-day mystery." The character of Hood was based on real-life importer Richard Gump, who lived in San Francisco. Gump also was a consultant for the program. Hood was a character with a multi-faceted personality. One website devoted to old-time radio wrote about him as follows: Gregory Hood was also an accomplished pianist and composer, a self-taught forensics expert, spoke several languages fluently, was an expert in ancient and modern armament, had a military intelligence background, was a wine expert with an extensive rare wine cellar, and was an acknowledged expert in oriental tapestry. He lived in a penthouse on San Francisco's Nob Hill and employed a Chinese valet, Fong. On June 3, 1946, The Casebook of Gregory Hood began on the Mutual Broadcasting System, replacing The New Adventures of Sherlock Holmes for the summer. Although intended to be just a summer replacement, it continued in the fall, sponsored by Petri Wine. Jeffrey Marks, in his biography of co-creator Anthony Boucher, explained, "The show had originally been planned as a summer replacement for The New Adventures of Sherlock Holmes in 1946, but continued for the next year when the radio network had difficulty in reaching an agreement with the Conan Doyle estate." The program had another full-season run on ABC in 1949-50 and also "resurfaced periodically in summer slots." The show was written by Boucher and Denis Green, who also teamed to write the Holmes show. Marks provided this background: Boucher and Green did such a good job for the Holmes show that they were asked about writing an original series for Mutual Radio. Radio shows relied on new episodes. Just as TV airs re-runs during the summer, radio shows gave their actors a summer hiatus of 13 weeks. Networks frequently ran original short-run programming during the summer. Boucher and Green came up with "The Casebook of Gregory Hood" a San Francisco-based antiquities expert who seemed to find current day crimes in the artifacts that he dealt with. The Casebook of Gregory Hood was nearly identical to The New Adventures of Sherlock Holmes in its opening: same sponsor, same announcement, same narrator frame for storytelling, and the same music. The narrator stopped by to visit Gregory either in his office or home, and the story was told by Hood. Hood's own Watson, Sandy Taylor, accompanied him. Taylor was Hood's lawyer and friend. Book reviewer Bertil Falk noted that the technique Boucher and Green used had deep roots in storytelling. He wrote: "The structure was of a very ancient kind, a frame story where Gregory Hood and his friend tell Harry Bartell a story from the casebook of Gregory Hood. It is a literary method well known from The Arabian Nights and much older than that, since it was used in the Sanskrit work Panchatantra more than two thousand years ago.] Gale Gordon played Gregory Hood in the initial version of the program. Others who had the leading role later were Elliott Lewis, Jackson Beck, Paul McGrath, Martin Gabel and George Petrie. Sidekick Sanderson Taylor was portrayed at various times by Art Gilmore, Carl Harbord, William Bakewell and Howard McNear. Changes in stars, time slots and networks undoubtedly hindered the show's success. Marks wrote: "The show suffered from a constantly rotating cast. ... Boucher grew increasingly annoyed with the lack of support for the series." Boucher indicated his dissatisfaction in some personal correspondence: "As to myself and the contest -- the excellent idea you proposed of entering a Gregory Hood short story no longer appeals to me. My relations with the agency controlling the Hood program have become so unsatisfactory that I have no desire to build up their property for them, nor to associate myself too closely with it."] In 2009, Crippen & Landru Publishers produced a volume of their Lost Classic Series devoted to The Casebook of Gregory Hood. The book contains 14 scripts from the series.

The Casebook of Gregory Hood was a radio detective program in the United States. It existed in several versions - with different stars on different networks in different years. Hood was an importer in San Francisco who dealt in rare items. John Dunning summarized the show's premise as follows: "With his sidekick Sanderson ('Sandy') Taylor, Hood traveled the world seeking artifacts for his import house. Each item found by Hood had an intriguing history and was inevitably linked to some present-day mystery." The character of Hood was based on real-life importer Richard Gump, who lived in San Francisco. Gump also was a consultant for the program. Hood was a character with a multi-faceted personality. One website devoted to old-time radio wrote about him as follows: Gregory Hood was also an accomplished pianist and composer, a self-taught forensics expert, spoke several languages fluently, was an expert in ancient and modern armament, had a military intelligence background, was a wine expert with an extensive rare wine cellar, and was an acknowledged expert in oriental tapestry. He lived in a penthouse on San Francisco's Nob Hill and employed a Chinese valet, Fong. On June 3, 1946, The Casebook of Gregory Hood began on the Mutual Broadcasting System, replacing The New Adventures of Sherlock Holmes for the summer. Although intended to be just a summer replacement, it continued in the fall, sponsored by Petri Wine. Jeffrey Marks, in his biography of co-creator Anthony Boucher, explained, "The show had originally been planned as a summer replacement for The New Adventures of Sherlock Holmes in 1946, but continued for the next year when the radio network had difficulty in reaching an agreement with the Conan Doyle estate." The program had another full-season run on ABC in 1949-50 and also "resurfaced periodically in summer slots." The show was written by Boucher and Denis Green, who also teamed to write the Holmes show. Marks provided this background: Boucher and Green did such a good job for the Holmes show that they were asked about writing an original series for Mutual Radio. Radio shows relied on new episodes. Just as TV airs re-runs during the summer, radio shows gave their actors a summer hiatus of 13 weeks. Networks frequently ran original short-run programming during the summer. Boucher and Green came up with "The Casebook of Gregory Hood" a San Francisco-based antiquities expert who seemed to find current day crimes in the artifacts that he dealt with. The Casebook of Gregory Hood was nearly identical to The New Adventures of Sherlock Holmes in its opening: same sponsor, same announcement, same narrator frame for storytelling, and the same music. The narrator stopped by to visit Gregory either in his office or home, and the story was told by Hood. Hood's own Watson, Sandy Taylor, accompanied him. Taylor was Hood's lawyer and friend. Book reviewer Bertil Falk noted that the technique Boucher and Green used had deep roots in storytelling. He wrote: "The structure was of a very ancient kind, a frame story where Gregory Hood and his friend tell Harry Bartell a story from the casebook of Gregory Hood. It is a literary method well known from The Arabian Nights and much older than that, since it was used in the Sanskrit work Panchatantra more than two thousand years ago.] Gale Gordon played Gregory Hood in the initial version of the program. Others who had the leading role later were Elliott Lewis, Jackson Beck, Paul McGrath, Martin Gabel and George Petrie. Sidekick Sanderson Taylor was portrayed at various times by Art Gilmore, Carl Harbord, William Bakewell and Howard McNear. Changes in stars, time slots and networks undoubtedly hindered the show's success. Marks wrote: "The show suffered from a constantly rotating cast. ... Boucher grew increasingly annoyed with the lack of support for the series." Boucher indicated his dissatisfaction in some personal correspondence: "As to myself and the contest -- the excellent idea you proposed of entering a Gregory Hood short story no longer appeals to me. My relations with the agency controlling the Hood program have become so unsatisfactory that I have no desire to build up their property for them, nor to associate myself too closely with it."] In 2009, Crippen & Landru Publishers produced a volume of their Lost Classic Series devoted to The Casebook of Gregory Hood. The book contains 14 scripts from the series.

The Casebook of Gregory Hood was a radio detective program in the United States. It existed in several versions - with different stars on different networks in different years. Hood was an importer in San Francisco who dealt in rare items. John Dunning summarized the show's premise as follows: "With his sidekick Sanderson ('Sandy') Taylor, Hood traveled the world seeking artifacts for his import house. Each item found by Hood had an intriguing history and was inevitably linked to some present-day mystery." The character of Hood was based on real-life importer Richard Gump, who lived in San Francisco. Gump also was a consultant for the program. Hood was a character with a multi-faceted personality. One website devoted to old-time radio wrote about him as follows: Gregory Hood was also an accomplished pianist and composer, a self-taught forensics expert, spoke several languages fluently, was an expert in ancient and modern armament, had a military intelligence background, was a wine expert with an extensive rare wine cellar, and was an acknowledged expert in oriental tapestry. He lived in a penthouse on San Francisco's Nob Hill and employed a Chinese valet, Fong. On June 3, 1946, The Casebook of Gregory Hood began on the Mutual Broadcasting System, replacing The New Adventures of Sherlock Holmes for the summer. Although intended to be just a summer replacement, it continued in the fall, sponsored by Petri Wine. Jeffrey Marks, in his biography of co-creator Anthony Boucher, explained, "The show had originally been planned as a summer replacement for The New Adventures of Sherlock Holmes in 1946, but continued for the next year when the radio network had difficulty in reaching an agreement with the Conan Doyle estate." The program had another full-season run on ABC in 1949-50 and also "resurfaced periodically in summer slots." The show was written by Boucher and Denis Green, who also teamed to write the Holmes show. Marks provided this background: Boucher and Green did such a good job for the Holmes show that they were asked about writing an original series for Mutual Radio. Radio shows relied on new episodes. Just as TV airs re-runs during the summer, radio shows gave their actors a summer hiatus of 13 weeks. Networks frequently ran original short-run programming during the summer. Boucher and Green came up with "The Casebook of Gregory Hood" a San Francisco-based antiquities expert who seemed to find current day crimes in the artifacts that he dealt with. The Casebook of Gregory Hood was nearly identical to The New Adventures of Sherlock Holmes in its opening: same sponsor, same announcement, same narrator frame for storytelling, and the same music. The narrator stopped by to visit Gregory either in his office or home, and the story was told by Hood. Hood's own Watson, Sandy Taylor, accompanied him. Taylor was Hood's lawyer and friend. Book reviewer Bertil Falk noted that the technique Boucher and Green used had deep roots in storytelling. He wrote: "The structure was of a very ancient kind, a frame story where Gregory Hood and his friend tell Harry Bartell a story from the casebook of Gregory Hood. It is a literary method well known from The Arabian Nights and much older than that, since it was used in the Sanskrit work Panchatantra more than two thousand years ago.] Gale Gordon played Gregory Hood in the initial version of the program. Others who had the leading role later were Elliott Lewis, Jackson Beck, Paul McGrath, Martin Gabel and George Petrie. Sidekick Sanderson Taylor was portrayed at various times by Art Gilmore, Carl Harbord, William Bakewell and Howard McNear. Changes in stars, time slots and networks undoubtedly hindered the show's success. Marks wrote: "The show suffered from a constantly rotating cast. ... Boucher grew increasingly annoyed with the lack of support for the series." Boucher indicated his dissatisfaction in some personal correspondence: "As to myself and the contest -- the excellent idea you proposed of entering a Gregory Hood short story no longer appeals to me. My relations with the agency controlling the Hood program have become so unsatisfactory that I have no desire to build up their property for them, nor to associate myself too closely with it."] In 2009, Crippen & Landru Publishers produced a volume of their Lost Classic Series devoted to The Casebook of Gregory Hood. The book contains 14 scripts from the series.

The Casebook of Gregory Hood was a radio detective program in the United States. It existed in several versions - with different stars on different networks in different years. Hood was an importer in San Francisco who dealt in rare items. John Dunning summarized the show's premise as follows: "With his sidekick Sanderson ('Sandy') Taylor, Hood traveled the world seeking artifacts for his import house. Each item found by Hood had an intriguing history and was inevitably linked to some present-day mystery." The character of Hood was based on real-life importer Richard Gump, who lived in San Francisco. Gump also was a consultant for the program. Hood was a character with a multi-faceted personality. One website devoted to old-time radio wrote about him as follows: Gregory Hood was also an accomplished pianist and composer, a self-taught forensics expert, spoke several languages fluently, was an expert in ancient and modern armament, had a military intelligence background, was a wine expert with an extensive rare wine cellar, and was an acknowledged expert in oriental tapestry. He lived in a penthouse on San Francisco's Nob Hill and employed a Chinese valet, Fong. On June 3, 1946, The Casebook of Gregory Hood began on the Mutual Broadcasting System, replacing The New Adventures of Sherlock Holmes for the summer. Although intended to be just a summer replacement, it continued in the fall, sponsored by Petri Wine. Jeffrey Marks, in his biography of co-creator Anthony Boucher, explained, "The show had originally been planned as a summer replacement for The New Adventures of Sherlock Holmes in 1946, but continued for the next year when the radio network had difficulty in reaching an agreement with the Conan Doyle estate." The program had another full-season run on ABC in 1949-50 and also "resurfaced periodically in summer slots." The show was written by Boucher and Denis Green, who also teamed to write the Holmes show. Marks provided this background: Boucher and Green did such a good job for the Holmes show that they were asked about writing an original series for Mutual Radio. Radio shows relied on new episodes. Just as TV airs re-runs during the summer, radio shows gave their actors a summer hiatus of 13 weeks. Networks frequently ran original short-run programming during the summer. Boucher and Green came up with "The Casebook of Gregory Hood" a San Francisco-based antiquities expert who seemed to find current day crimes in the artifacts that he dealt with. The Casebook of Gregory Hood was nearly identical to The New Adventures of Sherlock Holmes in its opening: same sponsor, same announcement, same narrator frame for storytelling, and the same music. The narrator stopped by to visit Gregory either in his office or home, and the story was told by Hood. Hood's own Watson, Sandy Taylor, accompanied him. Taylor was Hood's lawyer and friend. Book reviewer Bertil Falk noted that the technique Boucher and Green used had deep roots in storytelling. He wrote: "The structure was of a very ancient kind, a frame story where Gregory Hood and his friend tell Harry Bartell a story from the casebook of Gregory Hood. It is a literary method well known from The Arabian Nights and much older than that, since it was used in the Sanskrit work Panchatantra more than two thousand years ago.] Gale Gordon played Gregory Hood in the initial version of the program. Others who had the leading role later were Elliott Lewis, Jackson Beck, Paul McGrath, Martin Gabel and George Petrie. Sidekick Sanderson Taylor was portrayed at various times by Art Gilmore, Carl Harbord, William Bakewell and Howard McNear. Changes in stars, time slots and networks undoubtedly hindered the show's success. Marks wrote: "The show suffered from a constantly rotating cast. ... Boucher grew increasingly annoyed with the lack of support for the series." Boucher indicated his dissatisfaction in some personal correspondence: "As to myself and the contest -- the excellent idea you proposed of entering a Gregory Hood short story no longer appeals to me. My relations with the agency controlling the Hood program have become so unsatisfactory that I have no desire to build up their property for them, nor to associate myself too closely with it."] In 2009, Crippen & Landru Publishers produced a volume of their Lost Classic Series devoted to The Casebook of Gregory Hood. The book contains 14 scripts from the series.

The Casebook of Gregory Hood was a radio detective program in the United States. It existed in several versions - with different stars on different networks in different years. Hood was an importer in San Francisco who dealt in rare items. John Dunning summarized the show's premise as follows: "With his sidekick Sanderson ('Sandy') Taylor, Hood traveled the world seeking artifacts for his import house. Each item found by Hood had an intriguing history and was inevitably linked to some present-day mystery." The character of Hood was based on real-life importer Richard Gump, who lived in San Francisco. Gump also was a consultant for the program. Hood was a character with a multi-faceted personality. One website devoted to old-time radio wrote about him as follows: Gregory Hood was also an accomplished pianist and composer, a self-taught forensics expert, spoke several languages fluently, was an expert in ancient and modern armament, had a military intelligence background, was a wine expert with an extensive rare wine cellar, and was an acknowledged expert in oriental tapestry. He lived in a penthouse on San Francisco's Nob Hill and employed a Chinese valet, Fong. On June 3, 1946, The Casebook of Gregory Hood began on the Mutual Broadcasting System, replacing The New Adventures of Sherlock Holmes for the summer. Although intended to be just a summer replacement, it continued in the fall, sponsored by Petri Wine. Jeffrey Marks, in his biography of co-creator Anthony Boucher, explained, "The show had originally been planned as a summer replacement for The New Adventures of Sherlock Holmes in 1946, but continued for the next year when the radio network had difficulty in reaching an agreement with the Conan Doyle estate." The program had another full-season run on ABC in 1949-50 and also "resurfaced periodically in summer slots." The show was written by Boucher and Denis Green, who also teamed to write the Holmes show. Marks provided this background: Boucher and Green did such a good job for the Holmes show that they were asked about writing an original series for Mutual Radio. Radio shows relied on new episodes. Just as TV airs re-runs during the summer, radio shows gave their actors a summer hiatus of 13 weeks. Networks frequently ran original short-run programming during the summer. Boucher and Green came up with "The Casebook of Gregory Hood" a San Francisco-based antiquities expert who seemed to find current day crimes in the artifacts that he dealt with. The Casebook of Gregory Hood was nearly identical to The New Adventures of Sherlock Holmes in its opening: same sponsor, same announcement, same narrator frame for storytelling, and the same music. The narrator stopped by to visit Gregory either in his office or home, and the story was told by Hood. Hood's own Watson, Sandy Taylor, accompanied him. Taylor was Hood's lawyer and friend. Book reviewer Bertil Falk noted that the technique Boucher and Green used had deep roots in storytelling. He wrote: "The structure was of a very ancient kind, a frame story where Gregory Hood and his friend tell Harry Bartell a story from the casebook of Gregory Hood. It is a literary method well known from The Arabian Nights and much older than that, since it was used in the Sanskrit work Panchatantra more than two thousand years ago.] Gale Gordon played Gregory Hood in the initial version of the program. Others who had the leading role later were Elliott Lewis, Jackson Beck, Paul McGrath, Martin Gabel and George Petrie. Sidekick Sanderson Taylor was portrayed at various times by Art Gilmore, Carl Harbord, William Bakewell and Howard McNear. Changes in stars, time slots and networks undoubtedly hindered the show's success. Marks wrote: "The show suffered from a constantly rotating cast. ... Boucher grew increasingly annoyed with the lack of support for the series." Boucher indicated his dissatisfaction in some personal correspondence: "As to myself and the contest -- the excellent idea you proposed of entering a Gregory Hood short story no longer appeals to me. My relations with the agency controlling the Hood program have become so unsatisfactory that I have no desire to build up their property for them, nor to associate myself too closely with it."] In 2009, Crippen & Landru Publishers produced a volume of their Lost Classic Series devoted to The Casebook of Gregory Hood. The book contains 14 scripts from the series.

The Casebook of Gregory Hood was a radio detective program in the United States. It existed in several versions - with different stars on different networks in different years. Hood was an importer in San Francisco who dealt in rare items. John Dunning summarized the show's premise as follows: "With his sidekick Sanderson ('Sandy') Taylor, Hood traveled the world seeking artifacts for his import house. Each item found by Hood had an intriguing history and was inevitably linked to some present-day mystery." The character of Hood was based on real-life importer Richard Gump, who lived in San Francisco. Gump also was a consultant for the program. Hood was a character with a multi-faceted personality. One website devoted to old-time radio wrote about him as follows: Gregory Hood was also an accomplished pianist and composer, a self-taught forensics expert, spoke several languages fluently, was an expert in ancient and modern armament, had a military intelligence background, was a wine expert with an extensive rare wine cellar, and was an acknowledged expert in oriental tapestry. He lived in a penthouse on San Francisco's Nob Hill and employed a Chinese valet, Fong. On June 3, 1946, The Casebook of Gregory Hood began on the Mutual Broadcasting System, replacing The New Adventures of Sherlock Holmes for the summer. Although intended to be just a summer replacement, it continued in the fall, sponsored by Petri Wine. Jeffrey Marks, in his biography of co-creator Anthony Boucher, explained, "The show had originally been planned as a summer replacement for The New Adventures of Sherlock Holmes in 1946, but continued for the next year when the radio network had difficulty in reaching an agreement with the Conan Doyle estate." The program had another full-season run on ABC in 1949-50 and also "resurfaced periodically in summer slots." The show was written by Boucher and Denis Green, who also teamed to write the Holmes show. Marks provided this background: Boucher and Green did such a good job for the Holmes show that they were asked about writing an original series for Mutual Radio. Radio shows relied on new episodes. Just as TV airs re-runs during the summer, radio shows gave their actors a summer hiatus of 13 weeks. Networks frequently ran original short-run programming during the summer. Boucher and Green came up with "The Casebook of Gregory Hood" a San Francisco-based antiquities expert who seemed to find current day crimes in the artifacts that he dealt with. The Casebook of Gregory Hood was nearly identical to The New Adventures of Sherlock Holmes in its opening: same sponsor, same announcement, same narrator frame for storytelling, and the same music. The narrator stopped by to visit Gregory either in his office or home, and the story was told by Hood. Hood's own Watson, Sandy Taylor, accompanied him. Taylor was Hood's lawyer and friend. Book reviewer Bertil Falk noted that the technique Boucher and Green used had deep roots in storytelling. He wrote: "The structure was of a very ancient kind, a frame story where Gregory Hood and his friend tell Harry Bartell a story from the casebook of Gregory Hood. It is a literary method well known from The Arabian Nights and much older than that, since it was used in the Sanskrit work Panchatantra more than two thousand years ago.] Gale Gordon played Gregory Hood in the initial version of the program. Others who had the leading role later were Elliott Lewis, Jackson Beck, Paul McGrath, Martin Gabel and George Petrie. Sidekick Sanderson Taylor was portrayed at various times by Art Gilmore, Carl Harbord, William Bakewell and Howard McNear. Changes in stars, time slots and networks undoubtedly hindered the show's success. Marks wrote: "The show suffered from a constantly rotating cast. ... Boucher grew increasingly annoyed with the lack of support for the series." Boucher indicated his dissatisfaction in some personal correspondence: "As to myself and the contest -- the excellent idea you proposed of entering a Gregory Hood short story no longer appeals to me. My relations with the agency controlling the Hood program have become so unsatisfactory that I have no desire to build up their property for them, nor to associate myself too closely with it."] In 2009, Crippen & Landru Publishers produced a volume of their Lost Classic Series devoted to The Casebook of Gregory Hood. The book contains 14 scripts from the series.

The Casebook of Gregory Hood was a radio detective program in the United States. It existed in several versions - with different stars on different networks in different years. Hood was an importer in San Francisco who dealt in rare items. John Dunning summarized the show's premise as follows: "With his sidekick Sanderson ('Sandy') Taylor, Hood traveled the world seeking artifacts for his import house. Each item found by Hood had an intriguing history and was inevitably linked to some present-day mystery." The character of Hood was based on real-life importer Richard Gump, who lived in San Francisco. Gump also was a consultant for the program. Hood was a character with a multi-faceted personality. One website devoted to old-time radio wrote about him as follows: Gregory Hood was also an accomplished pianist and composer, a self-taught forensics expert, spoke several languages fluently, was an expert in ancient and modern armament, had a military intelligence background, was a wine expert with an extensive rare wine cellar, and was an acknowledged expert in oriental tapestry. He lived in a penthouse on San Francisco's Nob Hill and employed a Chinese valet, Fong. On June 3, 1946, The Casebook of Gregory Hood began on the Mutual Broadcasting System, replacing The New Adventures of Sherlock Holmes for the summer. Although intended to be just a summer replacement, it continued in the fall, sponsored by Petri Wine. Jeffrey Marks, in his biography of co-creator Anthony Boucher, explained, "The show had originally been planned as a summer replacement for The New Adventures of Sherlock Holmes in 1946, but continued for the next year when the radio network had difficulty in reaching an agreement with the Conan Doyle estate." The program had another full-season run on ABC in 1949-50 and also "resurfaced periodically in summer slots." The show was written by Boucher and Denis Green, who also teamed to write the Holmes show. Marks provided this background: Boucher and Green did such a good job for the Holmes show that they were asked about writing an original series for Mutual Radio. Radio shows relied on new episodes. Just as TV airs re-runs during the summer, radio shows gave their actors a summer hiatus of 13 weeks. Networks frequently ran original short-run programming during the summer. Boucher and Green came up with "The Casebook of Gregory Hood" a San Francisco-based antiquities expert who seemed to find current day crimes in the artifacts that he dealt with. The Casebook of Gregory Hood was nearly identical to The New Adventures of Sherlock Holmes in its opening: same sponsor, same announcement, same narrator frame for storytelling, and the same music. The narrator stopped by to visit Gregory either in his office or home, and the story was told by Hood. Hood's own Watson, Sandy Taylor, accompanied him. Taylor was Hood's lawyer and friend. Book reviewer Bertil Falk noted that the technique Boucher and Green used had deep roots in storytelling. He wrote: "The structure was of a very ancient kind, a frame story where Gregory Hood and his friend tell Harry Bartell a story from the casebook of Gregory Hood. It is a literary method well known from The Arabian Nights and much older than that, since it was used in the Sanskrit work Panchatantra more than two thousand years ago.] Gale Gordon played Gregory Hood in the initial version of the program. Others who had the leading role later were Elliott Lewis, Jackson Beck, Paul McGrath, Martin Gabel and George Petrie. Sidekick Sanderson Taylor was portrayed at various times by Art Gilmore, Carl Harbord, William Bakewell and Howard McNear. Changes in stars, time slots and networks undoubtedly hindered the show's success. Marks wrote: "The show suffered from a constantly rotating cast. ... Boucher grew increasingly annoyed with the lack of support for the series." Boucher indicated his dissatisfaction in some personal correspondence: "As to myself and the contest -- the excellent idea you proposed of entering a Gregory Hood short story no longer appeals to me. My relations with the agency controlling the Hood program have become so unsatisfactory that I have no desire to build up their property for them, nor to associate myself too closely with it."] In 2009, Crippen & Landru Publishers produced a volume of their Lost Classic Series devoted to The Casebook of Gregory Hood. The book contains 14 scripts from the series.

The Casebook of Gregory Hood was a radio detective program in the United States. It existed in several versions - with different stars on different networks in different years. Hood was an importer in San Francisco who dealt in rare items. John Dunning summarized the show's premise as follows: "With his sidekick Sanderson ('Sandy') Taylor, Hood traveled the world seeking artifacts for his import house. Each item found by Hood had an intriguing history and was inevitably linked to some present-day mystery." The character of Hood was based on real-life importer Richard Gump, who lived in San Francisco. Gump also was a consultant for the program. Hood was a character with a multi-faceted personality. One website devoted to old-time radio wrote about him as follows: Gregory Hood was also an accomplished pianist and composer, a self-taught forensics expert, spoke several languages fluently, was an expert in ancient and modern armament, had a military intelligence background, was a wine expert with an extensive rare wine cellar, and was an acknowledged expert in oriental tapestry. He lived in a penthouse on San Francisco's Nob Hill and employed a Chinese valet, Fong. On June 3, 1946, The Casebook of Gregory Hood began on the Mutual Broadcasting System, replacing The New Adventures of Sherlock Holmes for the summer. Although intended to be just a summer replacement, it continued in the fall, sponsored by Petri Wine. Jeffrey Marks, in his biography of co-creator Anthony Boucher, explained, "The show had originally been planned as a summer replacement for The New Adventures of Sherlock Holmes in 1946, but continued for the next year when the radio network had difficulty in reaching an agreement with the Conan Doyle estate." The program had another full-season run on ABC in 1949-50 and also "resurfaced periodically in summer slots." The show was written by Boucher and Denis Green, who also teamed to write the Holmes show. Marks provided this background: Boucher and Green did such a good job for the Holmes show that they were asked about writing an original series for Mutual Radio. Radio shows relied on new episodes. Just as TV airs re-runs during the summer, radio shows gave their actors a summer hiatus of 13 weeks. Networks frequently ran original short-run programming during the summer. Boucher and Green came up with "The Casebook of Gregory Hood" a San Francisco-based antiquities expert who seemed to find current day crimes in the artifacts that he dealt with. The Casebook of Gregory Hood was nearly identical to The New Adventures of Sherlock Holmes in its opening: same sponsor, same announcement, same narrator frame for storytelling, and the same music. The narrator stopped by to visit Gregory either in his office or home, and the story was told by Hood. Hood's own Watson, Sandy Taylor, accompanied him. Taylor was Hood's lawyer and friend. Book reviewer Bertil Falk noted that the technique Boucher and Green used had deep roots in storytelling. He wrote: "The structure was of a very ancient kind, a frame story where Gregory Hood and his friend tell Harry Bartell a story from the casebook of Gregory Hood. It is a literary method well known from The Arabian Nights and much older than that, since it was used in the Sanskrit work Panchatantra more than two thousand years ago.] Gale Gordon played Gregory Hood in the initial version of the program. Others who had the leading role later were Elliott Lewis, Jackson Beck, Paul McGrath, Martin Gabel and George Petrie. Sidekick Sanderson Taylor was portrayed at various times by Art Gilmore, Carl Harbord, William Bakewell and Howard McNear. Changes in stars, time slots and networks undoubtedly hindered the show's success. Marks wrote: "The show suffered from a constantly rotating cast. ... Boucher grew increasingly annoyed with the lack of support for the series." Boucher indicated his dissatisfaction in some personal correspondence: "As to myself and the contest -- the excellent idea you proposed of entering a Gregory Hood short story no longer appeals to me. My relations with the agency controlling the Hood program have become so unsatisfactory that I have no desire to build up their property for them, nor to associate myself too closely with it."] In 2009, Crippen & Landru Publishers produced a volume of their Lost Classic Series devoted to The Casebook of Gregory Hood. The book contains 14 scripts from the series.

The Casebook of Gregory Hood was a radio detective program in the United States. It existed in several versions - with different stars on different networks in different years. Hood was an importer in San Francisco who dealt in rare items. John Dunning summarized the show's premise as follows: "With his sidekick Sanderson ('Sandy') Taylor, Hood traveled the world seeking artifacts for his import house. Each item found by Hood had an intriguing history and was inevitably linked to some present-day mystery." The character of Hood was based on real-life importer Richard Gump, who lived in San Francisco. Gump also was a consultant for the program. Hood was a character with a multi-faceted personality. One website devoted to old-time radio wrote about him as follows: Gregory Hood was also an accomplished pianist and composer, a self-taught forensics expert, spoke several languages fluently, was an expert in ancient and modern armament, had a military intelligence background, was a wine expert with an extensive rare wine cellar, and was an acknowledged expert in oriental tapestry. He lived in a penthouse on San Francisco's Nob Hill and employed a Chinese valet, Fong. On June 3, 1946, The Casebook of Gregory Hood began on the Mutual Broadcasting System, replacing The New Adventures of Sherlock Holmes for the summer. Although intended to be just a summer replacement, it continued in the fall, sponsored by Petri Wine. Jeffrey Marks, in his biography of co-creator Anthony Boucher, explained, "The show had originally been planned as a summer replacement for The New Adventures of Sherlock Holmes in 1946, but continued for the next year when the radio network had difficulty in reaching an agreement with the Conan Doyle estate." The program had another full-season run on ABC in 1949-50 and also "resurfaced periodically in summer slots." The show was written by Boucher and Denis Green, who also teamed to write the Holmes show. Marks provided this background: Boucher and Green did such a good job for the Holmes show that they were asked about writing an original series for Mutual Radio. Radio shows relied on new episodes. Just as TV airs re-runs during the summer, radio shows gave their actors a summer hiatus of 13 weeks. Networks frequently ran original short-run programming during the summer. Boucher and Green came up with "The Casebook of Gregory Hood" a San Francisco-based antiquities expert who seemed to find current day crimes in the artifacts that he dealt with. The Casebook of Gregory Hood was nearly identical to The New Adventures of Sherlock Holmes in its opening: same sponsor, same announcement, same narrator frame for storytelling, and the same music. The narrator stopped by to visit Gregory either in his office or home, and the story was told by Hood. Hood's own Watson, Sandy Taylor, accompanied him. Taylor was Hood's lawyer and friend. Book reviewer Bertil Falk noted that the technique Boucher and Green used had deep roots in storytelling. He wrote: "The structure was of a very ancient kind, a frame story where Gregory Hood and his friend tell Harry Bartell a story from the casebook of Gregory Hood. It is a literary method well known from The Arabian Nights and much older than that, since it was used in the Sanskrit work Panchatantra more than two thousand years ago.] Gale Gordon played Gregory Hood in the initial version of the program. Others who had the leading role later were Elliott Lewis, Jackson Beck, Paul McGrath, Martin Gabel and George Petrie. Sidekick Sanderson Taylor was portrayed at various times by Art Gilmore, Carl Harbord, William Bakewell and Howard McNear. Changes in stars, time slots and networks undoubtedly hindered the show's success. Marks wrote: "The show suffered from a constantly rotating cast. ... Boucher grew increasingly annoyed with the lack of support for the series." Boucher indicated his dissatisfaction in some personal correspondence: "As to myself and the contest -- the excellent idea you proposed of entering a Gregory Hood short story no longer appeals to me. My relations with the agency controlling the Hood program have become so unsatisfactory that I have no desire to build up their property for them, nor to associate myself too closely with it."] In 2009, Crippen & Landru Publishers produced a volume of their Lost Classic Series devoted to The Casebook of Gregory Hood. The book contains 14 scripts from the series.

The Casebook of Gregory Hood was a radio detective program in the United States. It existed in several versions - with different stars on different networks in different years. Hood was an importer in San Francisco who dealt in rare items. John Dunning summarized the show's premise as follows: "With his sidekick Sanderson ('Sandy') Taylor, Hood traveled the world seeking artifacts for his import house. Each item found by Hood had an intriguing history and was inevitably linked to some present-day mystery." The character of Hood was based on real-life importer Richard Gump, who lived in San Francisco. Gump also was a consultant for the program. Hood was a character with a multi-faceted personality. One website devoted to old-time radio wrote about him as follows: Gregory Hood was also an accomplished pianist and composer, a self-taught forensics expert, spoke several languages fluently, was an expert in ancient and modern armament, had a military intelligence background, was a wine expert with an extensive rare wine cellar, and was an acknowledged expert in oriental tapestry. He lived in a penthouse on San Francisco's Nob Hill and employed a Chinese valet, Fong. On June 3, 1946, The Casebook of Gregory Hood began on the Mutual Broadcasting System, replacing The New Adventures of Sherlock Holmes for the summer. Although intended to be just a summer replacement, it continued in the fall, sponsored by Petri Wine. Jeffrey Marks, in his biography of co-creator Anthony Boucher, explained, "The show had originally been planned as a summer replacement for The New Adventures of Sherlock Holmes in 1946, but continued for the next year when the radio network had difficulty in reaching an agreement with the Conan Doyle estate." The program had another full-season run on ABC in 1949-50 and also "resurfaced periodically in summer slots." The show was written by Boucher and Denis Green, who also teamed to write the Holmes show. Marks provided this background: Boucher and Green did such a good job for the Holmes show that they were asked about writing an original series for Mutual Radio. Radio shows relied on new episodes. Just as TV airs re-runs during the summer, radio shows gave their actors a summer hiatus of 13 weeks. Networks frequently ran original short-run programming during the summer. Boucher and Green came up with "The Casebook of Gregory Hood" a San Francisco-based antiquities expert who seemed to find current day crimes in the artifacts that he dealt with. The Casebook of Gregory Hood was nearly identical to The New Adventures of Sherlock Holmes in its opening: same sponsor, same announcement, same narrator frame for storytelling, and the same music. The narrator stopped by to visit Gregory either in his office or home, and the story was told by Hood. Hood's own Watson, Sandy Taylor, accompanied him. Taylor was Hood's lawyer and friend. Book reviewer Bertil Falk noted that the technique Boucher and Green used had deep roots in storytelling. He wrote: "The structure was of a very ancient kind, a frame story where Gregory Hood and his friend tell Harry Bartell a story from the casebook of Gregory Hood. It is a literary method well known from The Arabian Nights and much older than that, since it was used in the Sanskrit work Panchatantra more than two thousand years ago.] Gale Gordon played Gregory Hood in the initial version of the program. Others who had the leading role later were Elliott Lewis, Jackson Beck, Paul McGrath, Martin Gabel and George Petrie. Sidekick Sanderson Taylor was portrayed at various times by Art Gilmore, Carl Harbord, William Bakewell and Howard McNear. Changes in stars, time slots and networks undoubtedly hindered the show's success. Marks wrote: "The show suffered from a constantly rotating cast. ... Boucher grew increasingly annoyed with the lack of support for the series." Boucher indicated his dissatisfaction in some personal correspondence: "As to myself and the contest -- the excellent idea you proposed of entering a Gregory Hood short story no longer appeals to me. My relations with the agency controlling the Hood program have become so unsatisfactory that I have no desire to build up their property for them, nor to associate myself too closely with it."] In 2009, Crippen & Landru Publishers produced a volume of their Lost Classic Series devoted to The Casebook of Gregory Hood. The book contains 14 scripts from the series.

The Casebook of Gregory Hood was a radio detective program in the United States. It existed in several versions - with different stars on different networks in different years. Hood was an importer in San Francisco who dealt in rare items. John Dunning summarized the show's premise as follows: "With his sidekick Sanderson ('Sandy') Taylor, Hood traveled the world seeking artifacts for his import house. Each item found by Hood had an intriguing history and was inevitably linked to some present-day mystery." The character of Hood was based on real-life importer Richard Gump, who lived in San Francisco. Gump also was a consultant for the program. Hood was a character with a multi-faceted personality. One website devoted to old-time radio wrote about him as follows: Gregory Hood was also an accomplished pianist and composer, a self-taught forensics expert, spoke several languages fluently, was an expert in ancient and modern armament, had a military intelligence background, was a wine expert with an extensive rare wine cellar, and was an acknowledged expert in oriental tapestry. He lived in a penthouse on San Francisco's Nob Hill and employed a Chinese valet, Fong. On June 3, 1946, The Casebook of Gregory Hood began on the Mutual Broadcasting System, replacing The New Adventures of Sherlock Holmes for the summer. Although intended to be just a summer replacement, it continued in the fall, sponsored by Petri Wine. Jeffrey Marks, in his biography of co-creator Anthony Boucher, explained, "The show had originally been planned as a summer replacement for The New Adventures of Sherlock Holmes in 1946, but continued for the next year when the radio network had difficulty in reaching an agreement with the Conan Doyle estate." The program had another full-season run on ABC in 1949-50 and also "resurfaced periodically in summer slots." The show was written by Boucher and Denis Green, who also teamed to write the Holmes show. Marks provided this background: Boucher and Green did such a good job for the Holmes show that they were asked about writing an original series for Mutual Radio. Radio shows relied on new episodes. Just as TV airs re-runs during the summer, radio shows gave their actors a summer hiatus of 13 weeks. Networks frequently ran original short-run programming during the summer. Boucher and Green came up with "The Casebook of Gregory Hood" a San Francisco-based antiquities expert who seemed to find current day crimes in the artifacts that he dealt with. The Casebook of Gregory Hood was nearly identical to The New Adventures of Sherlock Holmes in its opening: same sponsor, same announcement, same narrator frame for storytelling, and the same music. The narrator stopped by to visit Gregory either in his office or home, and the story was told by Hood. Hood's own Watson, Sandy Taylor, accompanied him. Taylor was Hood's lawyer and friend. Book reviewer Bertil Falk noted that the technique Boucher and Green used had deep roots in storytelling. He wrote: "The structure was of a very ancient kind, a frame story where Gregory Hood and his friend tell Harry Bartell a story from the casebook of Gregory Hood. It is a literary method well known from The Arabian Nights and much older than that, since it was used in the Sanskrit work Panchatantra more than two thousand years ago.] Gale Gordon played Gregory Hood in the initial version of the program. Others who had the leading role later were Elliott Lewis, Jackson Beck, Paul McGrath, Martin Gabel and George Petrie. Sidekick Sanderson Taylor was portrayed at various times by Art Gilmore, Carl Harbord, William Bakewell and Howard McNear. Changes in stars, time slots and networks undoubtedly hindered the show's success. Marks wrote: "The show suffered from a constantly rotating cast. ... Boucher grew increasingly annoyed with the lack of support for the series." Boucher indicated his dissatisfaction in some personal correspondence: "As to myself and the contest -- the excellent idea you proposed of entering a Gregory Hood short story no longer appeals to me. My relations with the agency controlling the Hood program have become so unsatisfactory that I have no desire to build up their property for them, nor to associate myself too closely with it."] In 2009, Crippen & Landru Publishers produced a volume of their Lost Classic Series devoted to The Casebook of Gregory Hood. The book contains 14 scripts from the series.

Mr. Keen, Tracer of Lost Persons was one of radio's longest running shows, airing October 12, 1937, to April 19, 1955, continuing well into the television era. It was produced by Frank and Anne Hummert, who based it upon Robert W. Chambers' 1906 novel The Tracer of Lost Persons. The sponsors included Whitehall Pharmacal (as in Anacin, Kolynos Toothpaste, BiSoDol antacid mints, Hill's cold tablets and Heet liniment), Dentyne, Aerowax, RCA Victor and Chesterfield cigarettes. It aired on the NBC Blue network until 1947, when it switched to CBS. Characters and story Bennett Kilpack began as Mr. Keen in 1937 with Arthur Hughes and then Phil Clarke stepping into the role later in the series. The kindly Keen and his faithful assistant, Mike Clancy (Jim Kelly), entertained listeners for 18 years. With 1690 nationwide broadcasts, Mr. Keen was the most resilient private detective in a namesake role. The nearest competitors were Nick Carter, Master Detective (726 broadcasts), The Adventures of Sherlock Holmes (657) and The Adventures of the Falcon (473). Only 59 of the 1690 Mr. Keen programs are known to survive. Richard Leonard directed scripts by Barbara Bates, Stedman Coles, Frank Hummert, Lawrence Klee and Bob Shaw. James Fleming and Larry Elliott were the announcers. Al Rickey's band provided the background music, including the program's theme, "Someday I'll Find You." Satires The cliches, stereotypes and simplistic dialogue provided much fodder for Bob and Ray's parody, Mr. Trace, Keener Than Most Persons, broadcast in numerous variations. It was also combined with rival detective show Martin Kane, Private Eye and satirized by Harvey Kurtzman and Jack Davis in Mad magazine's fifth issue (June–July 1953), as Kane Keen! Private Eye. The character of Mr. Keen was referenced by Alfred Hitchcock in one of his television shows, according to The Alfred Hitchcock Presents Companion by Patrik Wikstrom and Martin Grams, Jr. Mr. Keen is also mentioned in the stage version of Bye Bye Birdie by the character Mr. Harry MacAfee, who was played by Paul Lynde. In the "Honeymooners" sketch, "Razor Blades", appearing on the October 12, 1951 episode of Cavalcade of Stars, Ralph Kramden cannot find his razor blades. When he questions Alice Kramden about it, she responds, "What am I? Mrs. Keen, Tracer of Lost Razor Blades?".

Mr. Keen, Tracer of Lost Persons was one of radio's longest running shows, airing October 12, 1937, to April 19, 1955, continuing well into the television era. It was produced by Frank and Anne Hummert, who based it upon Robert W. Chambers' 1906 novel The Tracer of Lost Persons. The sponsors included Whitehall Pharmacal (as in Anacin, Kolynos Toothpaste, BiSoDol antacid mints, Hill's cold tablets and Heet liniment), Dentyne, Aerowax, RCA Victor and Chesterfield cigarettes. It aired on the NBC Blue network until 1947, when it switched to CBS. Characters and story Bennett Kilpack began as Mr. Keen in 1937 with Arthur Hughes and then Phil Clarke stepping into the role later in the series. The kindly Keen and his faithful assistant, Mike Clancy (Jim Kelly), entertained listeners for 18 years. With 1690 nationwide broadcasts, Mr. Keen was the most resilient private detective in a namesake role. The nearest competitors were Nick Carter, Master Detective (726 broadcasts), The Adventures of Sherlock Holmes (657) and The Adventures of the Falcon (473). Only 59 of the 1690 Mr. Keen programs are known to survive. Richard Leonard directed scripts by Barbara Bates, Stedman Coles, Frank Hummert, Lawrence Klee and Bob Shaw. James Fleming and Larry Elliott were the announcers. Al Rickey's band provided the background music, including the program's theme, "Someday I'll Find You." Satires The cliches, stereotypes and simplistic dialogue provided much fodder for Bob and Ray's parody, Mr. Trace, Keener Than Most Persons, broadcast in numerous variations. It was also combined with rival detective show Martin Kane, Private Eye and satirized by Harvey Kurtzman and Jack Davis in Mad magazine's fifth issue (June–July 1953), as Kane Keen! Private Eye. The character of Mr. Keen was referenced by Alfred Hitchcock in one of his television shows, according to The Alfred Hitchcock Presents Companion by Patrik Wikstrom and Martin Grams, Jr. Mr. Keen is also mentioned in the stage version of Bye Bye Birdie by the character Mr. Harry MacAfee, who was played by Paul Lynde. In the "Honeymooners" sketch, "Razor Blades", appearing on the October 12, 1951 episode of Cavalcade of Stars, Ralph Kramden cannot find his razor blades. When he questions Alice Kramden about it, she responds, "What am I? Mrs. Keen, Tracer of Lost Razor Blades?".

Mr. Keen, Tracer of Lost Persons was one of radio's longest running shows, airing October 12, 1937, to April 19, 1955, continuing well into the television era. It was produced by Frank and Anne Hummert, who based it upon Robert W. Chambers' 1906 novel The Tracer of Lost Persons. The sponsors included Whitehall Pharmacal (as in Anacin, Kolynos Toothpaste, BiSoDol antacid mints, Hill's cold tablets and Heet liniment), Dentyne, Aerowax, RCA Victor and Chesterfield cigarettes. It aired on the NBC Blue network until 1947, when it switched to CBS. Characters and story Bennett Kilpack began as Mr. Keen in 1937 with Arthur Hughes and then Phil Clarke stepping into the role later in the series. The kindly Keen and his faithful assistant, Mike Clancy (Jim Kelly), entertained listeners for 18 years. With 1690 nationwide broadcasts, Mr. Keen was the most resilient private detective in a namesake role. The nearest competitors were Nick Carter, Master Detective (726 broadcasts), The Adventures of Sherlock Holmes (657) and The Adventures of the Falcon (473). Only 59 of the 1690 Mr. Keen programs are known to survive. Richard Leonard directed scripts by Barbara Bates, Stedman Coles, Frank Hummert, Lawrence Klee and Bob Shaw. James Fleming and Larry Elliott were the announcers. Al Rickey's band provided the background music, including the program's theme, "Someday I'll Find You." Satires The cliches, stereotypes and simplistic dialogue provided much fodder for Bob and Ray's parody, Mr. Trace, Keener Than Most Persons, broadcast in numerous variations. It was also combined with rival detective show Martin Kane, Private Eye and satirized by Harvey Kurtzman and Jack Davis in Mad magazine's fifth issue (June–July 1953), as Kane Keen! Private Eye. The character of Mr. Keen was referenced by Alfred Hitchcock in one of his television shows, according to The Alfred Hitchcock Presents Companion by Patrik Wikstrom and Martin Grams, Jr. Mr. Keen is also mentioned in the stage version of Bye Bye Birdie by the character Mr. Harry MacAfee, who was played by Paul Lynde. In the "Honeymooners" sketch, "Razor Blades", appearing on the October 12, 1951 episode of Cavalcade of Stars, Ralph Kramden cannot find his razor blades. When he questions Alice Kramden about it, she responds, "What am I? Mrs. Keen, Tracer of Lost Razor Blades?".

Before anyone leaves a comment and asks why it is spelled Mike and not Mic in the title, I do not know. This is how it was billed back then, so I followed their way of doing it. Behind the Mike was a Blue Network (NBC) radio series hosted by Graham McNamee, spotlighting behind-the-scenes stories in radio broadcasting. The sustaining show aired Sundays at 4:30 p.m. ET from September 15, 1940, to April 19, 1942. The program featured interviews with on-air personalities and announcers, musicians and other performers, composers, the creators of sound-effects, producers, engineers and other technicians involved in radio production. As many as six stories were covered in each broadcast, and questions from listeners were answered in the "Correspondence Corner" segment. Music was provided by Ernie Watson and his orchestra. After McNamee's death May 9, 1942, the name of the series changed to This is the Truth, then Nothing But the Truth and continued until June 7, 1942. Another program with the title Behind the Mike ran on CBS Radio during the 1931–32 season.

Before anyone leaves a comment and asks why it is spelled Mike and not Mic in the title, I do not know. This is how it was billed back then, so I followed their way of doing it. Behind the Mike was a Blue Network (NBC) radio series hosted by Graham McNamee, spotlighting behind-the-scenes stories in radio broadcasting. The sustaining show aired Sundays at 4:30 p.m. ET from September 15, 1940, to April 19, 1942. The program featured interviews with on-air personalities and announcers, musicians and other performers, composers, the creators of sound-effects, producers, engineers and other technicians involved in radio production. As many as six stories were covered in each broadcast, and questions from listeners were answered in the "Correspondence Corner" segment. Music was provided by Ernie Watson and his orchestra. After McNamee's death May 9, 1942, the name of the series changed to This is the Truth, then Nothing But the Truth and continued until June 7, 1942. Another program with the title Behind the Mike ran on CBS Radio during the 1931–32 season.

Before anyone leaves a comment and asks why it is spelled Mike and not Mic in the title, I do not know. This is how it was billed back then, so I followed their way of doing it. Behind the Mike was a Blue Network (NBC) radio series hosted by Graham McNamee, spotlighting behind-the-scenes stories in radio broadcasting. The sustaining show aired Sundays at 4:30 p.m. ET from September 15, 1940, to April 19, 1942. The program featured interviews with on-air personalities and announcers, musicians and other performers, composers, the creators of sound-effects, producers, engineers and other technicians involved in radio production. As many as six stories were covered in each broadcast, and questions from listeners were answered in the "Correspondence Corner" segment. Music was provided by Ernie Watson and his orchestra. After McNamee's death May 9, 1942, the name of the series changed to This is the Truth, then Nothing But the Truth and continued until June 7, 1942. Another program with the title Behind the Mike ran on CBS Radio during the 1931–32 season.

Bright Star, also called The Irene Dunne and Fred MacMurray Show, used big film stars to add to the appeal of the show and gain listeners. Lasting only one season, Bright Star is about Susan Armstrong (Dunne) the editor of a struggling newspaper the Hillsdale Morning Star. MacMurray plays George Harvey an idealist star reporter who often conflicts with his editor over stories. MacMurray and Dunne have a good rapport as both have excellent comedic timing. Overall, this is a charming show that will delight fans of both Fred MacMurray and Irene Dunne.

Bright Star, also called The Irene Dunne and Fred MacMurray Show, used big film stars to add to the appeal of the show and gain listeners. Lasting only one season, Bright Star is about Susan Armstrong (Dunne) the editor of a struggling newspaper the Hillsdale Morning Star. MacMurray plays George Harvey an idealist star reporter who often conflicts with his editor over stories. MacMurray and Dunne have a good rapport as both have excellent comedic timing. Overall, this is a charming show that will delight fans of both Fred MacMurray and Irene Dunne.

0127 Sally Is Moving to Europe with Uncle Thomas 0128 Cecil and Sally Reminisce 0129 Trying to Trick Mr. Hatton 0130 Is Store Losing Money We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0119 Boat Floats Away 0120 Heading Back to Shore 0121 Visit from Census Taker 0122 Sally Left Her Umbrella on Streetcar We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."

0123 Cecil Tells Sally 'Slumbering Vitamins' 0124 Sally Has Cecil Believing He's Sick 0125 Sally Calls About Her Lost Umbrella 0126 Faithful Dog Story We begin with episode 63. There’s about 298 episodes available. Because each episode is about 7 minutes, I combined four per video (approx. 30 minutes) with titles listed in the description. One of the earliest popular old time radio shows, Cecil and Sally broadcast out of San Francisco. It was one of the earliest old-time radio shows to be syndicated nationally via electrical transcriptions and by 1930 they had over 15 million fans. The two met while working in KYA radio station in San Francisco where Helen Troy was an organist and Johnny Patrick was an announcer. The two created Cecil and Sally with fun office banter when Helen picked up her mail. She would talk in a baby voice with a lisp, and he would speak in a Yiddish dialect. Eventually they came up with skits and put on the air until the working title The Funniest Things first broadcast in 1928. This show soon changed to Cecil and Sally and ran until 1933 as a short format program. The 15 minute "Cecil & Sally Show" was the brainchild of American playwright / screenwriter, Johnny Patrick and his co-worker/partner, Helen Troy. In the late 1920s, companies sprang up across America for the purpose of recording music or programs which could be sold, or syndicated, to a number of local or distant city radio stations. One such station, a San Francisco firm by the name of MacGregor & Sollie Inc., produced the "Cecil & Sally" radio program. Mailed to many radio stations across America on large electrical transcription discs (ETs), these radio companies could then plug the "Cecil & Sally" show into whatever time was convenient for their schedule. An example of one such station was WKAV radio in Laconia, New Hampshire, which in 1931, was under contract to pay MacGregor & Sollie $17.50 for each episode, over a 26-week run. In 1928 at KYA, the serial program debuted on the West Coast connection of the short-lived ABC network, and moved to KPO and NBC after the former network went bankrupt in 1929. The program ran on NBC until 1933 and was among the earliest radio shows to be nationally syndicated via these "ETs." Johnny Patrick as Cecil, & Helen Troy as Sally, rolled this screwball comedy serial into one of the first nationally syndicated, transcribed (pre-recorded) programs. Patrick wrote over 1,000 scripts for Cecil & Sally; Troy sang with him, playing either the piano or the organ. Her character, "Sally," endeared herself to West Coast listeners with her girlish lisp, referring to her partner not as Cecil but as "Thee-thill."