Dr. Nir Buras on The Classic Planning Institute, Modern Urban Planning and The Future of Our Cities
Dr. Nir Buras is a leading new traditional architect and urbanist, founder of the Classic Planning Institute, and author of The Art of Classic Planning. He designs towns, cities and buildings, and speaks about some of the most interesting developments in the world of architecture and planning and where we might find ourselves in the future.
👍✨ Support our show and get access to more than 200 exclusive posts:
https://patreon.com/caveofapelles/
Chapter markers:
00:00 Intro
01:30 Buras & the Classic Planning Institute (CPI)
04:43 Projects and subdivisions of CPI
09:02 CPI's partners, seminars and live events
11:00 Horseshit, conflict and modern city planning
15:07 Cars and modern city planning
19:01 Three scenarios for our cities
22:33 The "Golden Age" in all cultures
26:01 What is wrong with the modern city
37:46 A holistic vs problem solving method
48:20 Place making is memory-making
57:22 Can a city have cars in it?
1:06:43 Traffic in Rome, Rio de Janeiro and New York
1:10:23 Town and country
1:14:41 CPI and the Anacostia River Masterplan
1:24:45 The impact of using hands on the brain
1:29:35 An eight generations horizon
1:32:10 Olympic Games for handcraft
1:35:24 The Anacostia project and Paris' Île de la Cité
1:42:03 Daniel Burnham: “Make no small plans”
1:46:28 Burnham's six categories for town planning
1:51:55 The symbolism of where you place buildings
1:58:50 Getting cars off the streets
1: 01:42 The future of modernism is classical
This episode featured Dr. Nir Buras & Carl Korsnes and was filmed and edited by Bork Nerdrum.
The centerpiece was a photograph of the Anacostia Riverfront render design by Dr. Buras & The Classic Planning Institute.
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104
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Cyclical thinking, Discontinuity and Basic Human Stories | Jon White, Sturla Ellingvåg & Jan-Ove Tuv
Jan-Ove Tuv sits down with Jon White from the Crecganford YouTube-channel and Sturla Ellingvåg from the Viking Stories YouTube-channel to discuss the nature of myths.
👍✨ Support our show and get access to more than 200 exclusive posts:
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Chapter markers:
00:00 Thinking a-historically
03:33 From ritual to listening
08:48 Replacing pagan holidays and rituals
15:39 Changes in myths
22:26 Tactius' Germania, the Poetic Edda and the Kalevala
26:19 Sacred truths make stories last
33:14 Cut off from your traditions
39:28 Looking at history as a whole
44:17 A perfect product for corporate business?
48:36 Picking the shiny thing
52:32 Back to basic human stories
57:36 Participating in the story
1:02:58 Do what has worked before
1:05:46 Irony in eternal stories
1:07:18 Society after the cyclical disasters
1:13:18 Agriculture gives us cyclical myths
1:19:40 Recurring themes in myth
This episode featured Jon F. White, Jan-Ove Tuv & Sturla Ellingvåg and was filmed and edited by Bork Nerdrum.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
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172
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1
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Creation, Cows and Sacrifice | Jon White on the Motifs and Interpretation of Indo-European Mythology
Jon White has studied Indo-European mythology for more than thirty years, particularly focusing on cosmogony and creation myths. As an independent researcher and lecturer, he shares this knowledge on his YouTube-channel @Crecganford .
Mr. White visits Cave of Apelles to detail the major motifs or "mythologems" of the Indo-European mythological tradition and what they denote. Considering that the Indo-Europeans lived in the Pontic-Caspian steppes about 7000 years ago, how did their stories spread to ancient India, Persia, Rome or Norse Scandinavia - changing, yet still retaining their core?
Combining the study of myths with fields like linguistics, archeology and etymology Mr. White will unravel cross-cultural similarities in stories like The Cosmic Twins, Defeating the dragon, The cattle raiding myth and The wild hunt.
He will also share his ideas on how we best are to understand myths. Are they projections of the human psyche, the condensed ethos of a culture or symbolic manifestations of natural and cultural history?
More intriguing still: is the presence of myths and archetypal images particular to Homo sapiens or have they been transferred between human species?
👍✨ Support our show and get access to more than 200 exclusive posts:
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Chapter markers:
00:00 Intro
01:27 Who is Jon White?
04:21 Defining “myth"
11:57 The Indo-European creation myth and sacrifice of the cow
19:22 Who were the Indo-Europeans?
24:06 The academic study of myths
30:18 Cattle, three-headed monsters and Twins of creation
37:36 “Fame does not decay” - the magic of writing
41:00 Over 70 000 years of fighting the dragon
45:59 From cows to women - the problem of translation
50:27 The veracity of the poetic and prose Edda
56:27 The divine twins vs the creation twins
1:00:11 Defining “archetype”
1:04:31 What is NOT Indo-European?
1:06:25 Mythology and mindset
1:08:29 Inuit myths, and stars as protagonists
1:13:41 Ways of understanding myth
1:16:51 Polytheist vs monotheist worldviews?
1:21:25 Myths as projection of the human psyche?
1:31:39 Myths as condensed images
1:34:17 Pre-human myths?
This episode featured Jon F. White & Jan-Ove Tuv and was filmed and edited by Bork Nerdrum.
The centerpiece was a reproduction of "Sleeping Twins" by Odd Nerdrum.
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229
views
19th Century French Proto-Avant-Garde Aesthetics | A Review of Michael J. Pearce's Book
What happened in the cultural life in 19th century France that lead to the rise of avant-garde art in America? Jan-Ove Tuv sits down with Michael Pearce to review his book Kitsch, Propaganda and the American Avant-Garde.
The book is available here:
https://www.cambridgescholars.com/product/978-1-5275-9411-1
👍✨ Support our show and get access to more than 200 exclusive posts:
https://patreon.com/caveofapelles/
00:00 "Bohemian" and irresponsible?
03:16 The origin of "Bohemian"
06:47 Courbet - an old-master "modernist"
09:10 Courbet's loyalty to the time
15:48 Science and industrialization killed poetry
18:40 Proudhon, and the marriage of art and socialism
23:12 Courbet's attack on classical values
29:33 Victor Hugo: the sublime, sensual and sentimental
36:15 A Bohemian, ludicrous way of dying
39:36 Theophile Gautier's l'Art pour l'Art, psychedelics, spiritism and theosophy
42:47 Zola: modernist or classical?
48:26 Manet, the father of avant-garde modern art
54:10 Zola's "hour of demolition"
1:00:40 The Hippie movement
1:03:51 How to be a REAL Bohemian
1:07:50 Zola's isolated artists
1:13:58 Myths: the core classical value
1:16:19 The coquette Romantic?
This episode featured Michael Pearce & Jan-Ove Tuv and was filmed and edited by Bork Nerdrum.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
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227
views
Kitsch, Propaganda and the American Avant-Garde | An Interview with Michael Pearce
Michael Pearce is a writer, painter, teacher and curator, as well as the founder of The Representational Art Conference (TRAC). His book "Kitsch, Propaganda and the American Avant-Garde" uncovers one thing Lenin, Hitler and Roosevelt had in common:
A keen eye for art as state propaganda.
Avoiding the old-fashioned vs modern dichotomy, Pearce shows the cultural historical roots of employing both figurative and abstract painting to further political correctness.
Pearce traces it back to 19th century socialist thinking, and goes in-depth on the ideas of philosophers like Proudhon and Saint-Simon, as well as the protests of Emile Zola.
First and foremost, however, he shows how the the American government and a few wealthy families made Avant-garde art into the preferred art form of the 20th century, casting it as the antidote to the sentimentality of kitsch.
👍✨ Support our show and get access to more than 200 exclusive posts:
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Chapter markers:
00:00 Intro
01:32 Understanding Kitsch and the Avant-Garde
05:01 Who is Michael Pearce?
08:06 The proto-Communist Avant-Garde
12:47 Proudhon's authoritarian state art
16:22 Proudhon on Courbet and aesthetic ideals
22:02 Courbet, Repin, and Russian realism
23:25 The Bohemian Avant-Garde
26:00 Emile Zola's individualism vs Proudhon
29:59 Capturing the Zeitgeist
33:50 The battle between Avant-Gardes in Soviet Russia
41:49 An individualist Avant-Garde?
42:43 Socialist Realism in the USSR and the USSA
45:36 Nazi art vs Roosevelt's path
47:46 Socialism and the art of the enemy
50:20 Hitler's qualities as a painter
52:19 Degenerate Art and House of German Art
57:25 The sentimental art of the enemy
59:45 The propagandist Nelson Rockefeller
1:02:24 The figurative/kitsch/Hitler connection
1:06:37 Greenberg's essay Avant-Garde and Kitsch
1:11:37 Nazi art: kitsch or bona fide modernism?
1:20:11 Primitive American art as the mother of modernism
1:26:33 Roosevelt & the marriage of USSA and MoMA
1:30:04 The current situation in the art world
1:35:56 The American illustration tradition and escapism
1:38:37 Fergus Ryan: What is "Imaginative realism"?
1:40:37 Fergus Ryan:: What is "emergence" in painting?
1:43:59 Question: Is there a refuge for the human spirit?
This episode featured Michael Pearce & Jan-Ove Tuv and was filmed and edited by Bork Nerdrum.
The centerpiece was a reproduction of Courbets painting of Proudhon and his children.
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411
views
Why All Paintings Need Asymmetry and MUST Include Children & Dogs | Advice from Boris Koller
Jan-Ove Tuv visits Boris Koller's studio in Sweden to hear his thoughts about the multi-figure composition he is currently battling with, depicting Ask and Embla being created by the gods.
▶️ Full video (41 min): https://www.patreon.com/posts/98144352
🎵 Full audio: https://caveofapelles.com/podcast
In this video you will learn about:
• Painting as a "flat" problem
• The Renaissance compositions method of the 72 degrees angle
• The asymmetrical pyramid and why symmetry is a problem
• The Baroque method of different horizons
• Manipulation of landscape
• The number symbology of three
• Male and female nature
• The melting together of bodies into one
• NOT "values", but togetherness and line
• Why you should have no more than 13 gods
• The landscape should not be a separate thing
• The landscape has to be an experienced fantasy
• The theological approach to the Norse belief
• How the Nordic belief was preserved in catholic paintings
• Why you must include children and dogs
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193
views
Natures of Odin, Preparing for Ragnarök and the Optimism of Poetic Edda | Norse Mythology Part Three
Jan-Ove Tuv sits down with Sturla Ellingvåg to dive deep into Norse mythology.
Ellingvåg is the historian behind the YouTube-channel Viking Stories.
He is associated with the Max Planck Institute in Germany, and is convinced that history has to be studied in a broader context than current fashion allows.
Part one: https://www.youtube.com/watch?v=2Q81uTkxnsY
We have previously released an interview with Ellingvåg on this channel:
https://www.youtube.com/watch?v=sFeje-6fYmw
👍✨ Support our show and get access to more than 200 exclusive posts:
https://patreon.com/caveofapelles/
Chapter markers:
00:00 Bridges, wells and guardians
02:04 Shamanic journey and disentanglement
08:40 Wisdom literature
11:10 Struggles and Loki as hero
17:25 Gods exposed to laws of nature
20:34 Odin: ferryman or Attila the Hun?
26:58 Odin & The spear dancer
30:00 Was Odin crucified or hanged?
32:40 What the next Ragnarök will look like
42:37 The 4.2k event
43:56 Religion and more totalitarian societies
45:54 Will your work survive future regimes? Bulgakov and Solzhenitsyn
51:39 The optimism of the Poetic Edda
This episode featured Sturla Ellingvåg & Jan-Ove Tuv and was filmed and edited by Bork Nerdrum.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
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149
views
Using Different Models to Paint a Figure in a Large Composition | Boris Koller paints Jan-Ove Tuv
Jan-Ove Tuv visits Boris Koller's studio in Sweden to model for several legs in a multi-figure composition.
In this video you will learn about:
• Using yourself and others to model for the same figure
• Not changing everything when using another model
• How conscious you should be while working
• What Abba's Benny Andersson can teach you about painting
• Manipulating the position of the model
• Rough painting: the qualities of Rembrandt and Constable
• Avoiding “death by information” when you paint
• Working maximum three hours per day on a painting
• Avoiding “anatomy lessons” when working big scale
• “Turpentine will destroy your life”
• Avoiding “palette and brush hygiene”
• The advantage of knowing everything about Tintoretto…
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333
views
Seth Fite on Sincerity in Painting, Andrew Wyeth, and Human Suffering as the Superior Subject Matter
Seth Fite is a classical painter born in England, who grew up in the United States. From the new world, he is inspired by American Golden Age illustrators, Andrew and N. C. Wyeth, and the Cincinnati master Frank Duveneck. From the old world, he has studied masters such as Rembrandt and Velasquez. In 2019 he was a student of Odd Nerdrum.
Fite has been told to "find his own voice" and "do something new", as well as other clichés, but he sees little use of this. He strives to strike the vulnerable spot of humankind, the same spot found by masters before him.
👍✨ Support our show and get access to more than 200 exclusive posts:
https://patreon.com/caveofapelles/
Chapter markers:
00:00 Intro
01:49 Illustration and old masters
06:28 The spirit of Andrew Wyeth
11:22 Getting to know the model
15:36 "Make the eyes more sad"
22:14 Painting from memory
27:09 Andrew Wyeth's status today
30:07 The Bible, and finding the divine in things
35:43 Painting biblical motifs
40:32 Comparing Kierkegaard and Nerdrum
45:48 Reflecting the times is superficial
50:47 Nerdrum destroyed the "Art" word for me
53:17 "Sincere", "true" and "genuine"?
57:30 Joy in recognition
1:06:48 Beauty brings melancholy
1:12:32 Andrew Wyeth's popularity in the East
1:16:12 Something "below" or "behind" the motif?
1:20:07 Stuck in ancient problems
This episode featured Seth Fite & Carl Korsnes and was filmed and edited by Bork Nerdrum.
The wall featured two paintings by Seth Fite.
SHOUTOUT to our TOP SPONSORS!
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197
views
Seth Fite Paints a Ram Skull | Demonstration of Andrew Wyeth's Water Color Technique | Part 2
Jan-Ove Tuv observes Seth Fite as he continues to work on the painting of the ram skull with a water-based medium.
▶️ Full video (1 hour 22 min): https://www.patreon.com/posts/96312508
🎵 Full audio: https://caveofapelles.com/podcast
In this video you will learn about:
• Letting layers play together
• Using the white paper to get glowing colours
• Creating structure by dry brushing with small brush
• Using small strokes to gradually go darker
• “Wild” use of a small brush
• Using black ink in dark shadows
• Letting accents of colour "ignite" surrounding colour
• Making darks cooler by superimposing lighter colour
• How to work with background and surroundings
• Achieving a "sentimental glow" around your motif
• Adding colour and texture simultaneously
The board used by Seth Fite in this video: https://www.strathmoreartist.com/draw-bristol/id-500-series-bristol
Watch Part One here:
https://www.youtube.com/watch?v=FiT1Ohy9tM0&t=3s&pp=ygUJc2V0aCBmaXRl
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
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*
Would you like to get access to the full segment and more exclusive content from The School of Apelles?
✨ Become a $10 patron:
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Subscribe to our newsletter. It is the only way to make sure that you receive content from us on a regular basis: https://bit.ly/2L8qCNn
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For inquiries — school@caveofapelles.com
140
views
Mushrooms & Shamanic Wisdom, Sacred Trees and the Number Nine | Norse Mythology Pt. 2
Jan-Ove Tuv sits down with Sturla Ellingvåg to dive deep into Norse mythology.
Ellingvåg is the historian behind the Viking Stories-channel on YouTube.
He is associated with the Max Planck Institute in Germany, and is convinced that history has to be studied in a broader context than current fashion allows.
Part one: https://www.youtube.com/watch?v=2Q81uTkxnsY
We have previously released an interview with Ellingvåg on this channel:
https://www.youtube.com/watch?v=sFeje-6fYmw
👍✨ Support our show and get access to more than 200 exclusive posts:
https://patreon.com/caveofapelles/
00:00 Norse creation myths
04:33 Attacking sacred trees: Yggdrasil & Irminsul
14:23 Ragnarok - the world ending is not the end of the world
18:26 "Asia Men" & the Germanic world view
23:09 Odin's wisdom & travels to the underworld
29:18 Wells, bridges, the number nine & Saros' cycles
37:40 Did "Hyperboreans" teach the Greeks?
46:11 Scandinavia, Greece and tripping reindeer
49:50 Fighting and dancing to acquire wisdom
53:25 Inuit & Sami stories: helping spirits and singing
58:05 Dancing, fasting and being more dead than alive
1:05:37 Odin's words to his dead son
This episode featured Sturla Ellingvåg & Jan-Ove Tuv and was filmed and edited by Bork Nerdrum.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
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Diego
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For inquiries — talk@caveofapelles.com
301
views
Seth Fite Paints a Ram Skull | Demonstration of Andrew Wyeth's Water Color Technique
Returning for his second stay at the Nerdrum Studio, Seth Fite has taken upon him the challenge of depicting the Binding of Isaac.
Influenced by the Kitsch philosophy, Fite recently founded the Louisville School of Painting in his home-state Kentucky, where he teaches traditional techniques, focusing on observations and inspiration from nature.
The subdued, terre-verte-palette is ever present, emphasizing the gloomy atmosphere in his paintings. His mythic imagery and sensual rendering of skin, gives Fite’s work the aura of a crossover between Rembrandt and Andrew Wyeth.
Jan-Ove Tuv sits down with Fite to observe him as he starts a new painting with a water-based medium — a technique they are both devoted to.
In this video you will learn about:
• Drawing first, to secure forms
• Defining motif size as you go
• Tips on brushes, paints and paper
• Making the paper wet before painting
• Starting with warm tones
• Laying in general tone & the shadows first
• The function of cool vs. warm tones
• Ideas for glazing water colour
• Using white gouache for highlights
• Picking up paint with paper towel
• Making areas wet again to soften transitions
• Saving the glow by making shadows darker
The board used by Seth Fite in this video: https://www.strathmoreartist.com/draw-bristol/id-500-series-bristol
▶️ Full video (1 hour 4 min): https://www.patreon.com/posts/94988016
🎵 Full audio: https://caveofapelles.com/podcast
Video by Bork Nerdrum
Music by Hector Berlioz (performed by University of Chicago Orchestra & European Archive)
↪ https://musopen.org/music/8729-le-corsaire-overture-h-101/
↪ https://musopen.org/music/464-symphonie-fantastique-op-14/
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282
views
Henrik Knightingale on his Debut Play "In His Own Shadow" and How to Write a Compelling Story
The 22 year old playwright Henrik Knightingale has just released his debut play In His Own Shadow.
The play is set 150 years into the future, where a miracle happens: a new theater play is produced - and it is actually good! Can stories about love restore our faith in existence?
Knightingale sits down to talk about the craft of writing a story, how he overcomes the challenges of writing, and how he "kills his darlings".
Putting his own play in context, he will also discuss the authors who spur him in his own writing, taking a look at the structure of Antigone and Cyrano de Bergerac.
Henrik Knightingale's debut play "In His Own Shadow" is now available on Amazon:
🇺🇸 https://www.amazon.com/dp/B0CGYPVSZT
🇳🇴 https://t.ly/V7mzU
👍✨ Support our show and get access to more than 200 exclusive posts:
https://patreon.com/caveofapelles/
Chapter markers:
00:00: Intro
01:14 Learning how to essentialize
04:03 Sense of Life
06:16 Knightingale's play In His Own Shadow
11:45 The Shakespeare/Bacon theory
14:00 Questions unfold the plot
16:12 Starting to write
19:22 Causality, logic and internal consistency
27:59 The importance of a synopsis
31:40 Everything must serve a function
33:22 Climax and the inevitable
39:00 Developing the villain and killing your darlings
47:23 Subplots and double meaning
53:40 Learning how to write from Leonard Peikoff
56:07 “Plot theme” keeps you on track
59:48 Opposition, stakes and key concepts
1:05:08 “A nest of characters at each others' throat”
1:08:02 Trusting the audience
1:16:05 What is most vulnerable
1:19:28 The importance of being important
This episode featured Henrik Knightingale & Jan-Ove Tuv and was filmed and edited by Bork Nerdrum.
The centerpiece was a reproduction of Wanderer Above a Sea of Fog by Caspar David Friedrich.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
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For inquiries — talk@caveofapelles.com
112
views
Portrait Demonstration in Oil by Cheng Wu
Cheng Wu came all the way from China to demonstrate his technique with Jan-Ove Tuv to observe him at the Nerdrum studio.
In this video you will learn about:
• Establishing the main forms first
• Laying in middle tones
• Establishing the darkest and lightest areas early on
• Painting in planes
• Painting with wet, opaque strokes
• Efficiently blocking in ear, eyes and hair
• Simplifying forms to get more volume
• Zorn vs Sargent (painting technique)
• The glory of thin brushes
▶️ Full video (1 hour 31 min): https://www.patreon.com/posts/94277013
🎵 Full audio: https://caveofapelles.com/podcast
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
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For inquiries — school@caveofapelles.com
205
views
The Genius, Museum and Art vs Craft: Reading Larry Shiner’s The Invention of Art | Pt. 2
Bork Nerdrum and Jan-Ove Tuv take a deep-dive into Larry Shiner's book The Invention of Art (2001), commenting on the contents from the perspective of classical painting and culture.
Part one: https://rumble.com/v3ma3qa-fine-arts-expulsion-of-craft-and-sensuality-reading-larry-shiners-the-inven.html
👍✨ Support our show and get access to more than 200 exclusive posts:
https://patreon.com/caveofapelles/
Chapter markers:
00:00 Architects separated from masons
05:16 Craft vs. genius
09:41 “Creative imagination” vs imitation
20:11 Kant's superhuman genius
24:25 Artification of music and the idiosyncratic world of genius
31:20 “From patronage to market”
44:21 Art vs. money, copyright and the “aesthetic”
48:50 “Kant and Schiller sum up the aesthetic”
53:24 Kant's “fine art vs craft” & indifference vs. storytelling
58:00 Kant's spontaneous genius
1:00:42 Schiller
1:03:28 Museums as the great neutralizers
1:15:28 de Quincy's warnings against the museum
1:19:26 Do we need museums?
This episode featured Bork Nerdrum and Jan-Ove Tuv and was filmed by Myndin Nerdrum and Auden Dillon.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Matthias Proy
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For inquiries — talk@caveofapelles.com
144
views
Everything Starts With the Columns | Architect Nils Freckeus on Beauty and Classical Principles
The young architect has already made a mark on one of Sweden's cities by winning a competition to build a housing complex in multiple classical styles. Nils Freckeus has a strictly classical approach and aspires to work like the old building masters.
👍✨ Support our show and get access to more than 200 exclusive posts:
https://patreon.com/caveofapelles/
Chapter markers:
00:00 Introduction
01:14 Columns not allowed!
05:05 The problem of complaining
09:48 Freckeus' first place in a municipal architecture competition
16:41 "Our time" is what you make of it
18:13 Sticking to the classical principles
19:45 Everything starts with the columns!
26:27 Beauty is recognizing nature…?
28:32 Freckeus' Nobel center in Stockholm
32:26 The tactics of pushing modernist buildings
37:20 "Classical", "traditional" or "classicism"?
43:00 Reflecting the time? Rebuilding The Notre Dame in Paris
49:43 Corbusier's five conservative rules
53:08 The eastern idea of "copying"
59:00 Fear, boredom & lack of confidence
1:04:03 Classical: sustainability in material, style and economy
1:11:33 Regulations and the big developers
1:15:32 "Humans are beautiful - architecture should be too"
1:21:57 Built not by gods, but by human beings
This episode featured Nils Freckeus & Carl Korsnes and was filmed and edited by Bork Nerdrum.
The centerpiece was a study drawing of a Nobel Center in Stockholm by Nils Freckeus, based on an idea by Ferdinand Boberg.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
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For inquiries — talk@caveofapelles.com
362
views
The Æsir, Vanir & Jötnar | Bronze Age Blending, War and Trade | Norse Mythology Pt. 1
Jan-Ove Tuv sits down with Sturla Ellingvåg to dive deep into norse mythology.
Ellingvåg is the historian behind the Viking Stories YouTube-channel.
He is associated with the Max Planck Institute in Germany, and is convinced that history has to be studied in a broader context than current fashion allows.
We have previously released an interview with Ellingvåg on this channel:
https://www.youtube.com/watch?v=sFeje-6fYmw
👍✨ Support our show and get access to more than 200 exclusive posts:
https://patreon.com/caveofapelles/
Chapter markers:
00:00 Can we trust Snorre's "Edda"?
08:04 The Yamnaya warriors from the Armenian highlands
10:23 Crisis and mixing
12:26 Bronze Age blending: the Jötnar, Æsir & Vanir
15:57 Mobility, boat types and trade
23:00 “Euhemerism“ and “Hieros gamos“
25:38 Different priorities for agriculturalists and warriors
30:50 What always happens after catastrophes
34:43 DNA studies from the east
38:18 Trading hostages - an Indo-European way of ruling
40:37 Horse & carriage
42:55 The marriage between Njord and Skade: culturally too different?
45:03 The strange heritage of Norse individualism and conformity
This episode featured Sturla Ellingvåg & Jan-Ove Tuv and was filmed and edited by Bork Nerdrum.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
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For inquiries — talk@caveofapelles.com
229
views
The Extended Apelles Palette | Core and Additional Colors, “Palette Hygiene” and Zorn's Brush Tip
In this video you will learn about:
• The colors of the Apelles palette
• How the Apelles palette is doubly divided into cool vs warm
• Three colors to extend your Apelles palette (and their strengths)
• Three additional colors you can mix from the core colors
• What brushes to use in the beginning
• The uses of grey
• A good way of setting up your palette
• The advantage of “palette hygiene” (separate mixing zones)
• Zorn's advice on three brushes
Jan-Ove Tuv has previously covered the basics of the Apelles Palette:
https://www.youtube.com/watch?v=s_7lLQkglj0
▶️ Full video (11 min): https://www.patreon.com/posts/extended-apelles-91813436
🎵 Full audio: https://caveofapelles.com/podcast
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
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For inquiries — school@caveofapelles.com
286
views
Sebastian Salvo Applies the First Layer of the Portrait of Gloria Bedoire
Jan-Ove Tuv visits Sebastian Salvo to observe him as he applies the first layer of a frontal portrait of the Swedish model Gloria Bedoire. You can follow her on instagram:
https://www.instagram.com/gloria.bedoire/
In this video you will learn about:
• Starting “dry“ with a color similar to the ground
• The importance of the eyes
• How a schematic approach to painting may go against nature
• “Hand memory“ (thinking with your hands)
• Combining sharpness and softness
• Slowing down (because you demand more)
• Being on guard against hubris (which makes you “blind“)
• Avoiding dark shadows in the beginning
• Continuing until you get a clearer idea of the point of the portrait
▶️ Full video (1 hour 35 min): https://patreon.com/posts/91162072
🎵 Full audio: https://caveofapelles.com/podcast
Video by Bork Nerdrum
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Matthias Proy
Børge Moe
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*
Would you like to get access to the full segment and more exclusive content from The School of Apelles?
✨ Become a $10 patron:
https://patreon.com/caveofapelles/
Subscribe to our newsletter. It is the only way to make sure that you receive content from us on a regular basis: https://bit.ly/2L8qCNn
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For inquiries — school@caveofapelles.com
436
views
Kaja Norum on Beauty, Sentimentality and the Pleasure of Imitation
Kaja Forum is a Norwegian painter with an acute sensibility to value and tender moments. Living off of commissions, Norum will explain how she balances her own wishes and those of the commissioner. She will also discuss how she approaches her own work, laying out her method of solving compositions and how she double-checks herself by comparing her own work with the old masters.
In addition, Norum will talk about her favorite contemporary colleague Molly Judd, and how she has been inspired by the works of August Rodin, Eugène Carrière and Odd Nerdrum.
You can visit her website by going to:
https://www.ateliernorum.com/
👍✨ Support our show and get access to more than 200 exclusive posts:
https://patreon.com/caveofapelles/
Chapter markers:
00:00 Introduction
01:07 Waldorf education and the modernist hostility
06:39 First time seeing Odd Nerdrum in person
09:45 Originality vs pleasure of imitation
13:28 Norum's charcoal drawing “Outcasts”
14:24 Beauty: recognizing the human condition
21:07 Resonating with archetypal images (Rodin and Carrière)
27:24 The problem of painting from photo
31:01 Working with compositions
34:12 Working with commissions
36:41 Loose and rough paintings look alive
38:09 Practical advice on commissions
47:16 Norum's hijacked website
48:21 Commissions: spotting the carrot in it
51:35 Rodin, Nerdrum and making changes to the model
58:43 The Figurativas exhibition at MEAM in Barcelona
1:07:04 Correcting your own paintings
1:10:02 Norum on her friend and colleague Molly Judd
This episode featured Kaja Norum & Jan-Ove Tuv and was filmed and edited by Bork Nerdrum.
The centerpiece was a charcoal drawing by Norum entitled "Outcasts".
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Matthias Proy
Børge Moe
Eivind Josten
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For inquiries — talk@caveofapelles.com
282
views
Fine Art’s Expulsion of Craft and Sensuality: Reading Larry Shiner’s "The Invention of Art" | Part 1
Bork Nerdrum and Jan-Ove Tuv take a deep-dive into Larry Shiner's book The Invention of Art (2001), commenting on the contents from the perspective of classical painting and culture.
👍✨ Support our show and get access to more than 200 exclusive posts:
https://patreon.com/caveofapelles/
Chapter markers:
00:00 "A European invention barely 200 years old"
05:58 The Great Division
10:02 Disinterested contemplation and the new religion
14:06 "The Greeks had no word for it"
17:50 A broader idea of imitation
21:45 Finding "Art" in the ancient Greeks
23:43 No "aesthetics": The Knidian Aphropdite & Daidalos
25:37 The Middle Ages: "artifici" vs. "artist"
28:32 Rubens the factory owner & Alexander Dumas’ ghost writers
31:30 The Middle Ages and the workshop tradition
37:29 Beauty and categorization in the middle ages
44:47 The status of the painter in the Renaissance
52:45 "Renaissance Rivals" and the categorization of music
55:53 Leonardo’s Madonna and the idea of progress
1:06:07 Projecting "modern" values into the past
1:17:00 "A Proto-Aesthetic"
1:24:20 Charles Batteux and the invention of "fine" arts
1:31:31 The Enlightenment Encyclopedia: fine arts versus reason
1:34:54 From "fine" art to "Art"
1:44:01 Signs of the modern art vs. craft polarity
1:47:49 Value: from painting to painter
This episode featured Bork Nerdrum & Jan-Ove Tuv and was filmed by Myndin Nerdrum & Eduardo Nogueira and was edited by Bork Nerdrum.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Matthias Proy
Børge Moe
Diego
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For inquiries — talk@caveofapelles.com
291
views
Belief in Progress: Blessing or Curse to Classical Painters? | Nerdrum, Hicks and Tuv
Are we progressing towards a brighter future, or have we lost something important on the way? Should we look at science and poetry through the same lens, or is that one of the reasons why we have ended up with modernism? Philosopher Stephen Hicks sits down with Classical painters, Odd Nerdrum & Jan-Ove Tuv, to discuss the modern belief in progress and whether it is shaping the art world for good or for bad.
👍✨ Support our show and get access to more than 200 exclusive posts:
https://patreon.com/caveofapelles/
Chapter markers:
00:00 Belief in progress: net negative or corrective to nihilist art world?
10:08 Recycling vs decay and "spiritual racism"
18:36 Cyclical history and modern nihilism
22:24 Only the Greek sculptures are destroyed
25:08 Progress vs unchanging reality
28:53 The universal in the particular
30:15 The fish pudding
35:12 Should painters celebrate scientific progress?
38:15 A piece of burned wood in Leonardo´s hands…
40:58 Melancholy, a gold mine
45:56 Skill, sensuality, desire and poetry
49:09 Meeting people on their weakest point
53:05 Death and resurrection of Rembrandt
57:21 Michelangelo's Pietá vs David
59:34 They developed their whole life
1:04:09 Made by the same person
This episode featured Stephen Hicks, Odd Nerdrum & Jan-Ove Tuv and was filmed and edited by Bork Nerdrum.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Matthias Proy
Børge Moe
Diego
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instagram.com/caveofapelles/
For inquiries — talk@caveofapelles.com
498
views
The Necessity of Contour Line in Painting to Achieve a Credible Form
Jan-Ove Tuv gives his analysis on the use of the contour line in historical paintings, from the icon tradition to the Renaissance and Baroque and even how it has been employed in sculpture.
In this video you will learn about:
• How the contour line lends credibility to the whole form
• Why you should calm down contrasts within the contour line
• The detrimental effect of many details, strong contrast and color
• How a solid contour line makes a work easier to read
• Why Klimt's "Kiss" wanes in comparison to an ok icon
• Similarities between Titian and the best Russian icons, and their roots in the Greeks
• Why Greek sculptures trump Bernini
• The danger of becoming ornamental or decorative
• Scraping off the newly painted layer with a palette knife
▶️ Full video: https://www.patreon.com/posts/necessity-of-to-89093000
🎵 Full audio: https://caveofapelles.com/podcast
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Matthias Proy
Børge Moe
Diego
*
Would you like to get access to the full segment and more exclusive content from The School of Apelles?
✨ Become a $10 patron:
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Subscribe to our newsletter. It is the only way to make sure that you receive content from us on a regular basis: https://bit.ly/2L8qCNn
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Visit our facebook page:
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For inquiries — school@caveofapelles.com
227
views
The Art of Fiction | Using Ayn Rand's Ideas to become a Good Storyteller
What are the foundational rules of storytelling and can Ayn Rand's philosophy serve as an inspiration to fiction authors? Henrik Knightingale, who just released his first play, is an objectivist with a keen interest for the work of Ayn Rand. He sits down with Jan-Ove Tuv and Carl Korsnes to discuss her ideas about literature and reveals how he went from being a modernist to a writer with structure and a clear goal in mind.
Henrik Knightingale's debut play "In His Own Shadow" is now available on Amazon:
https://www.amazon.com/dp/B0CGYPVSZT
👍✨ Support our show and get access to more than 200 exclusive posts:
https://patreon.com/caveofapelles/
Chapter markers:
00:00 From unconscious modernist to clear standards
05:25 Forging a plot
10:28 The Climax: a struggle of life and death
21:38 Definition of "plot" & "theme"
22:45 Tragedy vs unfaltering heroes?
29:05 Rand's so-called "cardboard figures"
33:16 Determinism vs Romanticism
40:41 The role of volition
50:04 Balzac, Lucian Freud and Andrew Wyeth
56:00 Disregarding biographical data
58:35 Show, don’t tell
1:02:37 Which authors Rand favored
1:05:12 Life as it can be — and ought to be
1:09:54 My sense of life…?
This episode featured Henrik Knightingale, Jan-Ove Tuv & Carl Korsnes and was filmed and edited by Bork Nerdrum.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Matthias Proy
Børge Moe
Diego
Subscribe to our newsletter. It is the only way to make sure that you receive content from us on a regular basis:
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Check out our other channels:
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Podcast available on SoundCloud, iTunes, and Spotify:
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https://spoti.fi/2AVDkcT
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Website:
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For inquiries — talk@caveofapelles.com
415
views
1
comment
Kaja Norum Draws a Male Nude from the Back in Graphite
Near Oslo in a little coastal town we find the studio space of the paintress Kaja Norum.
Apart from a three year study period with Odd Nerdrum, she is mostly self-taught with a basis in techniques from the Renaissance and Baroque.
In her own words, she aims for images with a timeless quality, currently under the influence of the French naturalist painter Jules Bastien-Lepage.
"Shame" is non-existent in Norum’s vocabulary. The human body has her prime attention, in graphite, charcoal, and oil — a celebration of flesh and sensuality.
Norum courteously agreed to do a graphite drawing session from a live model, demonstrating her sensuous abilities.
▶️ Full video (1 hour 29 min): https://www.patreon.com/posts/88290353
🎵 Full audio: https://caveofapelles.com/podcast
In this video you will learn about:
(In the beginning)
• Drawing with a light touch
• Getting the head & general contour line
• Looking for abstract shapes
• Looking at the darkest shadows first
(In general)
• A balanced imbalance in the pose
• Making the head somewhat smaller
• How shadows typically behave
• Advantages of talking to the model
• Using photo as a tool…?
• Seeing rhythms in the forms
• Dealing with small changes in the pose
• Using different pencil numbers - and your finger
Special thanks to Christian Ringnes and Christensen Private Kitsch Museum for giving us the opportunity to record their works by Kaja Norum.
Music:
Schumann Piano Concerto in A minor, Op. 54 - I. Allegro affettuoso
Performed by European Archive (In the Public Domain)
Video by Bork Nerdrum
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