The Great Gatsby by Scott Fitzgerald | Recreating the Past in a Valley of Ashes
Carl Korsnes and Jan-Ove Tuv sit down to talk about Scott Fitzgerald's famous novel "The Great Gatsby".
Topics discussed in this episode:
• Making the present eternal
• Condensed storytelling and sensory descriptions
• The rich descriptions of Dickens and Fitzgerald
• Gatsby was a boy who never grew up
• Valley of ashes, broad hips and timelessness
• Killing Myrtle and Daisy’s relationship to Gatsby
• Gatsby's obsession with recreating the past
• What is important in a story
• Gatsby or the modern Sisyphus
▶ Full video: https://www.patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
The conversation was filmed and edited by Bork S. Nerdrum.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
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Fergus Ryan
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Anders Berge Christensen
Eivind Josten
Erik Lasky
Fernando Ramirez
Francisco Salvacao
Herman Borge
Hårek Jordal Andreassen
Iver Ukkestad
Jack Entz Warner
Jared Fountain
Marion Bu-Pedersen
Maurice Robbins
Michael Irish
Stacey Evangelista
Tonelise Rugaas
Trym Jordahl
Yngve Hellan
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Odd Nerdrum's Exhibition "You see we are Blind" at Fineart Oslo Gallery | Guided by Jan-Ove Tuv
For the first time since the Retrospective at the Astrup Fearnley Museum in 1998, an Odd Nerdrum solo exhibition is on display in Norway. Sixty paintings made in the past twenty years are hanging on the walls of the Fineart Oslo gallery, and we decided to go their before the opening to show you around!
For more information about the gallery:
https://www.fineart.no/fineart_oslo
In this video you will learn about:
• Achieving the impression of movement
• "Shock effects" to push or pull figures in a certain direction
• "Bleeding lines" to craft a cohesive image
• Unifying figures into one organism to enhance the story
• Compositional importance of one dominant diagonal
• Rhythmic connection between all parts of a painting
• Building form through warm/cool contrasts
• Handling of paint, rather than strong contrasts
Featured paintings in this video:
Wanderer • 120,5 x 142 cm • Oil on canvas
Good News • 140,5 x 131,5 cm • Oil on canvas
Happy Boat • 348 x 209 cm • Oil on canvas
Crossing the Border • 256 x 204 cm • Oil on canvas
Night Jumper • 207 x 289 cm • Oil on canvas
The Golden Cape • 266,5 x 191 cm • Oil on canvas (Premium)
Memorosa • 331 x 206 cm • Oil on canvas
The title of the exhibition is “You see we are blind” and will run from 17th March – 13th April.
A selection of the paintings will move on to the second part of the exhibition in Stavanger at BGE Contemporary Art where the paintings will hang from 27th April – 25th May. This show will also include a handful of new paintings, such as “The Back”.
▶️ Full video (1 hour): https://patreon.com/caveofapelles
The premium video includes in-depth analysis of the paintings and extra material.
🎵 Full audio: https://caveofapelles.com/podcast
Voiceover by Jan-Ove Tuv (parts of the text taken from Öde Nerdrum's article "The Face Digger" in Odd Nerdrum's new book "Nerdrum" (2022)
The video was filmed and edited by Bork Nerdrum.
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Misty DeLaine
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Alastair Blain on the Mythic Landscape, Poems of Ossian and the Joy of Grief
The Scottish kitsch-painter Alastair Blain visits The Cave to convey his love for landscape painting and the importance of making it mythical. He is concerned with ancient tales like The Poems of Ossian, and claims they have wisdom or even medicine for us "if we can come to behold them from a universal perspective".
Blain will also discuss how historical knowledge of the Western Scottish landscape has opened up its timeless dimension, as well as the challenges of painting landscapes in a studio.
The conversation was produced by Bork S. Nerdrum and assisted by Sebastian Salvo.
The centerpiece was landscape painting of Glen Rosa by Alastair Blain.
01:33 Introducing the guest
02:12 The Glen Rosa landscape painting
03:36 Life took me to New Zealand
05:21 Hungry Creek Art and Craft school
08:09 Oleg Korolev and the Academy of Visionary Art
17:05 The River Gryffe and the mythic landscape
24:55 Being craft-oriented and making your own tools
27:27 John Constable and painting inside VS outside
30:11 The Apelles palette is so blue!
31:08 Veiviseren (The Path Finder)
32:09 Influence from the poems of Ossian
37:04 Escaping the sad realities of modern life
43:44 Horatio McCulloch and Degas' academy idea
47:03 The joy of grief and The Sick Child by Munch
55:03 Blain's handmade brushes
1:00:25 Beautiful books and James MacPherson
1:05:50 Fionn mac Cumhaill (Finn MacCool)
1:08:05 The tale about the piper called Alastair
SHOUTOUT to our TOP SPONSORS!
Dean Anthony
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Alastair Blain
Anders Berge Christensen
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Jack Entz Warner
Jared Fountain
Jon Harald Aspheim
Jose Luis
Marion Bu-Pedersen
Maurice Robbins
Michael Irish
Stacey Evangelista
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Trym Jordahl
Villiam S-ian
Yngve Hellan
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How to Make Your Own Painting Brush | Step-by-step
In this video you will learn how to make your own brushes in nine steps developed by the Scottish painter Alastair Blain who will perform a demonstration together with his apprentice, Jan-Ove Tuv.
You need:
• Hair from a boar, horse or cow
• A branch of fitting diameter
• Bee’s wax candle (or just Bee’s wax)
• Linen thread (shredded from a piece of canvas)
• Lighter/matches
• A knife
• A comb
• A pair of scissors
Step 1: Cut the necessary amount of hair from the fur
Step 2: Comb off excess "woolly" hairs
Step 3: "Glue" the base with a Bee’s wax candle, then let it cool
Step 4: Cut the branch to the preferred length of your handle
Step 5: Cut a thumb’s length of the tip (half its thickness)
Step 6: Shape the Bee’s wax base to fit the handle
Step 7: Attach the hairs using linen canvas thread
Step 8: Make a knot and seal it with Bee’s wax
Step 9: Shape the tip with a pair of scissors (if needed)
▶️ Full video: https://patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
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Børge Moe
Alastair Blain
Anders Berge Christensen
Erik Lasky
Fernando Ramirez
Francisco Salvacao
Herman Borge
Hårek Jordal Andreassen
Iver Ukkestad
Jack Entz Warner
Jared Fountain
Jose Luis
Marion Bu-Pedersen
Maurice Robbins
Michael Irish
Stacey Evangelista
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Trym Jordahl
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257
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Painting the Northern Coastline from Sketch and Memory | Demonstration by Alastair Blain
TO A NORTHERN COASTLINE
by Alastair Blain
"To a Northern Coastline
Past the peak of Day an’ Pine
A Wanderer,
In search of the Eternal Sunset
The Rocks are rounded
An’ wet as Whales beached upon
Some hidden Bank
The Light of the Sun
Bleeds into the Burning
Hues Of Dusk
The last Beam,
Bringing to Him
This Primal Dream"
Thus reads the poem Mr. Blain wrote in honor of the southern shoreline in Norway while visiting the Nerdrum studio. For the occasion, he demonstrated a landscape painting from sketch and memory, while being interviewed by Jan-Ove Tuv.
In this video you will learn about:
• Creating an atmosphere
• Implying different elements (water, rocks etc.)
• Directing the focus
• Curving the horizon
• Working with a twilight motif
• Suggesting a narrative
• To avoid being precious
• Basing a painting on a pencil sketch
Video was filmed and edited by Bork & Öde Nerdrum.
Music:
Mahler - Symphony No.4 in G major - 3. Ruhevoll
Performed by European Archive (Public Domain Mark 1.0)
▶️ Full video: https://patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
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Eivind Josten
Alastair Blain
Anders Berge Christensen
Erik Lasky
Fernando Ramirez
Francisco Salvacao
Herman Borge
Hårek Jordal Andreassen
Iver Ukkestad
Jack Entz Warner
Jared Fountain
Jose Luis
Marion Bu-Pedersen
Maurice Robbins
Michael Irish
Stacey Evangelista
Tonelise Rugaas
Trym Jordahl
Yngve Hellan
*
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256
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Jung’s Collective Unconscious, Participation in Eternity and Becoming a Whole Man
Öde Nerdrum, Jan-Ove Tuv & Sebastian Salvo sit down to discuss Carl Jung's idea about the collective unconscious.
Topics in this episode include:
• Art is collective consciousness, kitsch is collective unconsciousness
• Translating the unconscious, making the archetypes understandable
• Jung reintroduced spirituality, but in scientific language
• Modern man divided between science and belief — politics fills the gap.
• Opposition between Jung's individualism and collective unconscious?
• Not an island unto oneself but learning from all cultures and all times
• Save the Cat! and why we only have a handful of stories
• Protestantism and art as iconoclast movements
• Rejecting collective unconscious robs the castle of its defense
• Becoming a whole man through "re-ligion"
• The superficiality of Art's claim to archetypal content
• On Persephone and Demeter and Beauty and the Beast
• Cindarella & Peter Pan: Many characters are aspects of one person
• The Anima and the Animus: Have men lost more than women?
• The reward of performing "the persona"
• Daphne and Apollo» VS theater and the Dionysian mysteries
• Little Red Riding Hood: Understanding, not knowing the story
• The genuine laughter in Rembrandt's "Self-Portrait as Zeuxis"
▶ Full video: https://www.patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
The conversation was produced by Bork S. Nerdrum and assisted by Alastair Blain.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
Børge Moe
Diego
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Anders Berge Christensen
Erik Lasky
Fernando Ramirez
Francisco Salvacao
Hårek Jordal Andreassen
Iver Ukkestad
Jack Entz Warner
Jared Fountain
Jose Luis
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Maurice Robbins
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Trym Jordahl
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138
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Aristotle's Poetics: The Craft of Storytelling | Lecture by Jan-Ove Tuv
The bible for Hollywood scriptwriters and film makers, as well as kitsch-painters. Aristotle's Poetics is the antidote to the ugliness of the modern world.
Previously, we have devoted two episodes of Cave of Apelles specifically to Aristotle's Poetics:
▶️ https://caveofapelles.com/2020/a-dark-flame-for-aristotles-poetics-painters-pay-attention/
▶️ https://caveofapelles.com/2019/making-painting-great-again-with-aristotles-poetics/
***
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Jan-Ove Tuv Demonstrates How to Paint Old-Masterly with Watercolor (Pt. 2)
Watercolor and old master painting are not usually seen as equals, but why should they not be? Jan-Ove Tuv is a kitsch-painter and the show host of Cave of Apelles .
In this video, he demonstrates a technique that allows you to take watercolor to another level.
Part one: https://www.youtube.com/watch?v=pPcxKihn-iE
In this video you will learn about:
• Establishing an «anchor point» from which you can correct everything else
• Thinking rhythmically and measuring angles to achieve correct proportions
• How to «dig» and push color around
• How to pick up color with paper to achieve lighter values
• Being aware of how wet and dry areas influence the flow of the color
▶️ Full video: https://patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
SHOUTOUT to our TOP SPONSORS!
Børge Moe
Fergus Ryan
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Shaun Roberts
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Anders Berge Christensen
Eivind Josten
Erik Lasky
Fernando Ramirez
Francisco Salvacao
Herman Borge
Hårek Jordal Andreassen
Iver Ukkestad
Jack Entz Warner
Jared Fountain
Jon Harald Aspheim
Marion Bu-Pedersen
Maurice Robbins
Michael Irish
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195
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The Romantic Manifesto by Ayn Rand | Aristotelian or Kant-Hegelian?
Is Ayn Rand's book on aesthetics a worthy continuation of Aristotle's Poetics or is it inconsistent and full of contradictions? Jan-Ove Tuv, Bork Nerdrum and Nic Thurman sit down to discuss The Romantic Manifesto by the American author and philosopher, Ayn Rand.
Topics discussed in this episode:
• The importance of Volition and people in action
• Are Rand's aesthetic ideas Kant-Hegelian?
• Rand's taste in painting and confusing ideology with “quality”
• On depicting people with Flaws
• A clear line = A clear thought?
• Rand's peculiar taste for modernist architecture
• Sculptures: Just for ornamentation?
• Romanticism: An embrace of life
• Why figurative painters should read The Fountainhead
• The pathos of the “indifferent” judgment
• Romanticism gives us stories to live by
▶ Full video: https://www.patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
The conversation was produced by Bork S. Nerdrum and assisted by Cassander Straumsgaard and Kristine Onsrud.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
Børge Moe
Diego
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Shaun Roberts
Viorel Trandafir
Fergus Ryan
Dean Anthony
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Alastair Blain
Anders Berge Christensen
Erik Lasky
Fernando Ramirez
Francisco Salvacao
Herman Borge
Hårek Jordal Andreassen
Iver Ukkestad
Jack Entz Warner
Jared Fountain
Jose Luis
Marion Bu-Pedersen
Maurice Robbins
Michael Irish
Stacey Evangelista
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Villiam S-ian
Yngve Hellan
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154
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Sebastian Salvo Demonstrates How to Paint a Poetic Portrait (Pt. 3)
Jan-Ove Tuv observes as Sebastian Salvo continues painting on his portrait of Melisa Calabria.
Part one: https://www.youtube.com/watch?v=81rNI79vCRI
Part two: https://www.youtube.com/watch?v=odoIdS9jS7U
▶️ Full video (37 minutes): https://www.patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
Topics discussed in this video include:
• Finding mistakes by looking in the mirror
• Skin should look like the inside of a shell
• The pros of painting from live model
• Forcing cold tones into the face
• Painting something by not painting on it
• Great contrast is not that great
• Van Hoogstraten on colors being friends
• Good ideas can come out of really bad ideas
• Toning things down to enhance the focus
• What to do when you are getting nowhere
• Why not 95% black?
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Anders Berge Christensen
Erik Lasky
Fernando Ramirez
Francisco Salvacao
Herman Borge
Hårek Jordal Andreassen
Iver Ukkestad
Jack Entz Warner
Jared Fountain
Jose Luis
Marion Bu-Pedersen
Maurice Robbins
Michael Irish
Stacey Evangelista
Tonelise Rugaas
Trym Jordahl
Yngve Hellan
*
Would you like to get access to the full segment and more exclusive content from The School of Apelles?
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417
views
Nic Thurman on How Modernism Originates with Kant and Hegel and Why Kitsch is a Viable Alternative
Jan-Ove Tuv sits down with Nic Thurman in tonight's episode to talk about his video on the Truth About Art, reactions to his commentary and common misconceptions about art history and the reevaluation of kitsch.
You can watch Thurman's video "The Truth About Art" here:
https://www.youtube.com/watch?v=_3ZPtSWEkZ8
00:48 Introducing Nic Thurman
04:20 On his video "The Truth About Art"
06:31 Reactions from The Boston Art Podcast
10:13 Hyper realism equals aesthetical indifference?
12:12 Disclosing a historical myth about photography
14:28 How Cezanne and Kandinsky were inspired by Kant and Hegel
23:30 19th century Realism as the first Art style
25:42 Is Kitsch just Pretty and Sweet?
30:45 Two different value systems
32:00 Kitsch values VS. Memorosa dogmas
34:53 Does outdated Art become Kitsch?
36:28 Kitsch is more than Odd Nerdrum
37:52 Let go of your "personal style"
42:00 Comparing the Art religion to Alinsky's Rules for Radicals
45:22 To those who are uncertain about "Kitsch"
51:00 People think I paint kitchens
The conversation was produced by Bork S. Nerdrum and assisted by Kristine Onsrud.
The centerpiece was a portrait of Nic Thurman by Odd Nerdrum.
Studio visit with Nic Thurman:
https://www.youtube.com/watch?v=fzd9_0tihk0&t=1s
And he has previously featured on our show as a monthly guest:
https://www.youtube.com/watch?v=SiUh1uGsNAw&t=2842s
SHOUTOUT to our TOP SPONSORS!
Dean Anthony
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Elizabeth Freeman
Endika
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Jared Fountain
Jon Harald Aspheim
Jose Luis
Maurice Robbins
Michael Irish
Shaun Roberts
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Trym Jordahl
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Would you like to get premium access? Become a patron:
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290
views
Will a Laissez-faire Society Lead to the Best and Most Noble Achievements of Mankind?
Jan-Ove Tuv and Carl Korsnes sit down to discuss the pros and cons of capitalism in terms of classical culture. Will a society based on the laissez-faire model lead to the best and most noble achievements of mankind?
Topics discussed in this episode:
• The philosophical roots of cultural politics
• Disguised political propaganda
• What if cultural politics supported classical values?
• The immoral price gap between modern and classical works
• Adam Smith: only virtuous products are sustainable?
• The typical "capitalist" attitude towards culture
• Open markets equals more "diversity"
• The state: as small as possible
• The solution
▶ Full video: https://www.patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
This conversation was produced by Bork S. Nerdrum and assisted by Melisa Calabria.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Shaun Roberts
Viorel Trandafir
Børge Moe
Jon Harald Aspheim
Dean Anthony
Alastair Blain
Anders Berge Christensen
Erik Lasky
Fernando Ramirez
Herman Borge
Hårek Jordal Andreassen
Iver Ukkestad
Jack Entz Warner
Jared Fountain
Jose Luis
Maurice Robbins
Michael Irish
Stacey Evangelista
Tonelise Rugaas
Trym Jordahl
Villiam S-ian
Yngve Hellan
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74
views
How Olga Boznanska Builds Form in her Paintings | Analysis of Portrait of a Woman (1914-16)
In this Masterclass, Jan-Ove Tuv analyzes Olga Boznanska's Portrait of a Woman (1914-16).
Watch the full video (link below) and you will learn about:
• Making connections between the different parts of a painting
• Mastering warm against cool colors
• A case for extremely bright shadows
• Hiding central parts in plain sight
• Using warm colors instead of white to achieve light
• Strokes crossing the line! (transitions united by color)
• Setting up "wedges" to support the notion of a line
• Separating forms by the direction of the strokes
▶️ Full video: https://patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
SHOUTOUT to our TOP SPONSORS!
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210
views
The Dehumanization of Art by Ortega y Gasset | 📕 Book review
Magnus Vanebo, Sebastian Salvo, and Jan-Ove Tuv sit down to discuss the Spanish philosopher Ortega y Gasset's essay "The Dehumanization of Art".
Topics covered in this conversation:
• The problem of pathos in literature and paintings
• Salvo: "This stinks of Kant and Hegel!"
• An art for the select few (screw the proletariat!)
• The window metaphor: seeing "beyond the illusion"
• The modern imperative: Bow to your time
• Purity conveyed in emotional language
• Vanebo on modern art as a jest
• How romanticism dulls the mind
• The sentimentality of the idea of the select few
• Gasset´s greatest compliment to modern art
• The artist´s approach should not be serious
• Was Gasset "Woke"?
• "Girls, women, and old men should step aside"
• Eradicating personal sentiments from music
• Art is like chimney smoke
• Mallarmé´s poetry
• A cult of death
• All great periods «dehumanized» what they made
• A summary of what modern art is
▶ Full video: https://www.patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
The conversation was produced by Bork S. Nerdrum and assisted by Carl Straumsgaard.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
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Jack Entz Warner
Jared Fountain
Jose Luis
Maurice Robbins
Michael Irish
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122
views
Don't let the devil know about your little brush 😈
Getting caught up in details? Be careful!
This video is taken from Sebastian Salvo's demonstration on how to paint a poetic portrait.
https://rumble.com/vsbsbf-sebastian-salvo-demonstrates-how-to-paint-a-poetic-portrait-pt.-2.html
5
views
Frederik Magle on the fear of being sentimental
Have you ever feared that your work is becoming kitsch?
Watch our episode with the danish composer Frederik Magle tonight to find out how he dealt with the bitterness of being an outsider and how he managed to overcome the fear of making sentimental music.
2
views
Frederik Magle on his Education at Conservatory, his Music, and Loosing the Fear of Becoming Kitsch
He is a danish, tonal composer who seeks to create works you would want to listen to on your deathbed. Frederik Magle visits The Cave to explain why storytelling — not musical technicalities — is the goal of a composer.
He also touches on the strange and mixed reception of his work, and how the sway «modern» values may still hold over classically minded people, and how to counter that.
The conversation was produced by Bork S. Nerdrum and assisted by Öde S. Nerdrum.
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Elizabeth Freeman
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For inquiries — talk@caveofapelles.com
39
views
A Hidden Treasure among Painters: Olga Boznańska | Kristine Onsrud & Jan-Ove Tuv
Kristine Onsrud and Jan-Ove Tuv sit down to talk about the 19th century Polish painter Olga Boznańska and her loose manner of painting. The topics covered in this episode include:
• Who was Olga Boznańska?
• Edvard Munch and the squinting test
• Boznańska VS. Helene Schjerfbeck
• Jack the Ripper (aka. Walter Sickert)
• Self-portrait at Age Twenty-two by Munch
• Portrait of the painter Anna Saryusz-Zaleska by Boznańska
• "The Sick Child" (1986) by Munch
• Boznańska VS. Bonard
• Bonard VS. Matisse (comparing an old master to a psychopath)
• Lack of philosophical training in traditional painting academies
• Combining two opposite principles to achieve a masterpiece
• Boznańska: achieving flatness and volume simultaneously
• The concept of colors being friends
• Getting an unfinished totality instead of a finished detail
• The problem of hyper-realism and painting from photo
• Jacques Louis David's portrait of Madame Récamier
• Constable, Rembrandt and Titian: their loose manner of painting
• Titian's Pietà and the concave shape of Mary Magdalene's head
• Eugene Carriére and his "floating figures"
▶ Full video: https://www.patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
This is a preview of an episode from the 🔥 Dark Flame series. To get access to the full conversation and more exclusive material, become a $5 patron at https://patreon.com/caveofapelles
The conversation was produced by Bork S. Nerdrum and assisted by Carl August Klevjer.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Dean Anthony
Jon Harald Aspheim
Alastair Blain
Anders Berge Christensen
Erik Lasky
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Jared Fountain
Jose Luis
Maurice Robbins
Michael Irish
Raven Shadowz
Shaun Roberts
Stacey Evangelista
Tonelise Rugaas
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139
views
Sebastian Salvo Demonstrates How to Paint a Poetic Portrait (Pt. 2)
Jan-Ove Tuv observes as Sebastian Salvo continues painting on his portrait of Melisa Calabria.
Topics discussed in this video include:
• Using tape marker VS. free positioning of the model
• To not be concerned about using the exact colors
• Softening transitions and progressing carefully
• Blurring eyes to focus on the mouth
• Emphasizing areas by the vibrancy of the strokes
• The subtlety of the Apelles palette
• Letting things grow organically out of the context
• Local glazing and removal of the excess oil
• Connecting initial "crazy" or accidental brush strokes
• The shock effect of color when working in greys
• Keeping the devil (small brush) away
• Using carpenters brushes instead of expensive art brushes
• Achieving transparency with few layers
• "Sometimes the devil (small brush) has good advices"
• Rembrandt and Nerdrum's bright shadows
• Manipulating reality to achieve better results
• Ending up as an artist by being too exact
• Katatexitechnos
• The king's crown in Titian's "The Flaying of Marsyas"
• Andrew Wyeth's ability of knowing what to emphasize
• Painting stick VS. the pinky finger
• Achieving harmony between background and figure
• Loving the subject instead of making "passport photos"
• Salvo's advice: "Depict a person with intention"
• Ortega y Gasset and the clownish approach
• How Art projects its own values onto Kitsch
• Jung's Shadow
• Never say that you can handle the little brush!
• Keep brushes in oil instead of cleaning them
• Jan-Ove Tuv's trip to the Middle East
▶️ Full video (1 hour): https://patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
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Herman Borge
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Iver Ukkestad
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Jose Luis
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85
views
1
comment
Painting stick VS. Pinky finger — Which do you prefer?
This video is taken from the upcoming episode "How to Paint a Poetic Portrait (Pt. 2)" with Sebastian Salvo.
CAVEOFAPELLES.COM
19
views
Sebastian Salvo Demonstrates How to Paint a Poetic Portrait
Jan-Ove Tuv observes Sebastian Salvo as he starts a new portrait from live model.
▶️ The full video (1:15:40): https://www.patreon.com/posts/59169113
Video produced by Bork Nerdrum and Jan-Ove Tuv.
SHOUTOUT to our TOP SPONSORS!
Dean Anthony
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Jon Harald Aspheim
Jose Luis
Maurice Robbins
Michael Irish
Shaun Roberts
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Trym Jordahl
Viorel Trandafir
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*
Would you like to get access to the full segment and more exclusive content from The School of Apelles?
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40
views
The Hunt of Odd Nerdrum continues... | Jan-Ove Tuv, Öde & Bork Nerdrum
The trio behind "The Hunt of Odd Nerdrum" sit down to talk about Nerdrum's sources of inspiration that they did NOT cover in the documentary.
We talk about influences on Nerdrum's work, such as:
• The Russian Icons
• Puvis de Chavannes
• Francisco Goya
• Käthe Kollwitz
• Soviet films
...and much more!
🎥 You can watch The Hunt of Odd Nerdrum (2018) on Vimeo:
https://vimeo.com/ondemand/oddnerdrum
▶ Full video: https://www.patreon.com/posts/60320586
🎵 Full audio: https://caveofapelles.com/podcast
This is a preview of an episode from the 🔥 Dark Flame series. To get access to the full conversation and more exclusive material, become a $5 patron at https://patreon.com/caveofapelles
The conversation was produced by Bork S. Nerdrum and assisted by Kristine Onsrud & Melisa Calabria.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
Dean Anthony
Fergus Ryan
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Anders Berge Christensen
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Jared Fountain
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Michael Irish
Shaun Roberts
Stacey Evangelista
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Trym Jordahl
Villiam S-ian
Yngve Hellan
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32
views