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Psycho (Movie Trailer) 1960

North By Northwest (Movie Trailer) 1959

The Birds (Movie Trailer) 1963

Rebecca (Movie Trailer) 1940

Easy Virtue (Silent Film with Music) 1928

Dial M For Murder (Movie Trailer) 1954

The Man Who Knew Too Much (Movie Trailer) 1956

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Spellbound (Movie Trailer) 1945

Stage Fright (Movie Trailer) 1950

Lifeboat (Movie Trailer) 1944 Remastered

I Confess (Movie Trailer) 1953

Notorious (Movie Trailer) 1946

Rope (Movie Trailer) 1948

Strangers on a Train (Movie Trailer) 1951

Mr & Mrs Smith (Movie Trailer)1941

Blackmail (Movie Trailer) 1929 Remastered

Foreign Corrspondent (Movie Trailer) 1940

To Catch A Thief (Movie Trailer) 1955

Vertigo (Movie Trailer) 1958

Blackmail (Movie HD) 1929

The 39 Steps (Movie Trailer) 1935

The 39 Steps (Movie) 1935

The Lodger: A Story of the London Fog (Silent Film) 1927

The Lodger: A Story of the London Fog (Movie Trailer HD) 1927 Remastered

Strangers on a Train (Movie Trailer) 1951
Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, based on the 1950 novel of the same name by Patricia Highsmith. It was shot in late 1950, and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman and Robert Walker.
Tennis star Guy Haines (Farley Granger) is enraged by his trampy wife's refusal to finalize their divorce so he can wed senator's daughter Anne (Ruth Roman). He strikes up a conversation with a stranger, Bruno Anthony (Robert Walker), and unwittingly sets in motion a deadly chain of events. Psychopathic Bruno kills Guy's wife, then urges Guy to reciprocate by killing Bruno's father. Meanwhile, Guy is murder suspect number one.
The story concerns two strangers who meet on a train, one of whom is a psychopath who suggests that they "exchange" murders so that neither will be caught. The film initially received mixed reviews, but has since been regarded much more favorably. In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
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