Anatomy of a Murder is a 1959 American legal drama film produced and directed by Otto Preminger. The screenplay by Wendell Mayes was based on the 1958 novel of the same name written by Michigan Supreme Court Justice John D. Voelker under the pen name of Robert Traver. Voelker based the novel on a 1952 murder case in which he was the defense attorney. The film stars James Stewart, Lee Remick, Ben Gazzara, Eve Arden, George C. Scott, Arthur O'Connell, Kathryn Grant, Brooks West (Arden's husband), Orson Bean, and Murray Hamilton. The judge was played by Joseph N. Welch, a real-life lawyer famous for dressing down Joseph McCarthy during the Army–McCarthy hearings. It has a musical score by Duke Ellington, who also appears in the film. It has been described by Michael Asimow, UCLA law professor and co-author of Reel Justice: The Courtroom Goes to the Movies (2006), as "probably the finest pure trial movie ever made". In 2012, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Please Like and Follow

Battle of Neretva (Serbo-Croatian: Bitka na Neretvi, Битка на Неретви) is a 1969 Yugoslavian epic partisan film. Written by Stevan Bulajić and Veljko Bulajić, and directed by Veljko Bulajić, it is based on the true events of World War II. The Battle of the Neretva was due to a strategic plan for a combined Axis powers attack in 1943 against the Yugoslav Partisans. The plan was also known as the Fourth Enemy Offensive and occurred in the area of the Neretva river in Bosnia and Herzegovina. Battle of Neretva is the most expensive motion picture made in the SFR Yugoslavia. It was nominated for the Academy Award for Best Foreign Language Film, the year after Sergei Bondarchuk (playing the role of Martin in Neretva) won the honour for War and Peace. The score for the English-speaking versions was composed by Bernard Herrmann. Battle of Neretva was the first of a series of huge state-sponsored World War II film productions. It had a staggering budget approved by Yugoslav leader Josip Broz Tito. Shot over 16 months with funds put up in largest part by over 58 self-managed companies in Yugoslavia, the movie featured a combined battalion of 10,000 Yugoslav People's Army (JNA) soldiers. Four villages and a fortress were constructed for the film and destroyed. Several JNA-inventory Soviet T-34 tanks, touched up to look like German Panzers, met the same fate. Even used several Yugoslavian planes Soko 522 like germans luftwaffe planes with Balkenkreuz on the wings. Cast & Characters: Sergei Bondarchuk as Martin Yul Brynner as Vlado (Vladimir Smirnov) Curt Jürgens as Gen. Lohring Bata Živojinović as Stole Sylva Koscina as Danica Boris Dvornik as Stipe Hardy Krüger as Col. Kranzer Franco Nero as Capt. Michele Riva Lojze Rozman as Ivan Ljubiša Samardžić as Novak Orson Welles as Chetnik senator Milena Dravić as Nada Špela Rozin as Vlado's aide Pavle Vuisić as Jordan Fabijan Šovagović as Mad Boško Anthony Dawson as Gen. Morelli Dušan Bulajić as Chetnik Commander Renato Rossini as Sgt. Mario Oleg Vidov as Nikola Kole Angelovski as Žika Stole Aranđelović as Šumadinac Demeter Bitenc as Capt. Schröder Ralph Persson as Lt. Horst Radko Polič as Vuko Miha Baloh as Ustasha Commander Faruk Begolli as Stevo Zaim Muzaferija as tall peasant in the Partisans column Hajrudin Hadžikarić as Vladimir Nazor

In 1954, a group of Florida high-school guys try to help their buddy lose his virginity, which leads them to seek revenge on a sleazy nightclub owner and his redneck sheriff brother for harassing them.

A knight returning to Sweden after the Crusades seeks answers about life, death, and the existence of God as he plays chess against the Grim Reaper during the Black Plague. Director Ingmar Bergman Writer Ingmar Bergman Stars Max von Sydow- Gunnar Björnstrand- Bengt Ekerot

The Seventh Seal is one of the best movies of the 1950s. It is a Swedish movie with English subtitles. While Bergman didn’t star in "The Seventh Seal"—the star was Max von Sydow, the classic was directed by Ingmar Bergman. Step into a haunting medieval world with Ingmar Bergman's iconic classic, The Seventh Seal (1957). A disillusioned knight returns home from the Crusades to find his homeland ravaged by plague—and challenges Death himself to a game of chess. This film explores mortality, faith, and the silence of God, wrapped in unforgettable imagery and powerful performances. If you crave timeless cinema with deep philosophical questions, stark visual poetry, and raw emotional depth—this masterpiece delivers. 🎥 Directed by Ingmar Bergman ⭐️ Starring Max von Sydow, Gunnar Björnstrand, Bengt Ekerot 📺 Restored for your nostalgic viewing pleasure #TheSeventhSeal #IngmarBergman #MaxVonSydow #ClassicMovies #VintageCinema #SwedishFilm #PlagueEraDrama #ExistentialCinema #RumbleTVClassics #WatchFullMovie #1957Film

Don't forget to hit the Like button. :-) In 1921 a field expedition in Egypt discovers the mummy of ancient Egyptian prince Im-Ho-Tep, who was condemned and buried alive for sacrilege. Also found in the tomb is the Scroll of Thoth, which can bring the dead back to life. One night a young member of the expedition reads the Scroll out loud, and then goes insane, realizing that he has brought Im-Ho-Tep back to life. Ten years later, disguised as a modern Egyptian, the mummy attempts to reunite with his lost love, an ancient princess who has been reincarnated into a beautiful young woman. Director: Karl Freund Writers: Nina Wilcox Putnam / Richard Schayer / John L. Balderston

Directed by Karl Freund, is a classic horror film that blends elements of adventure and romance with supernatural themes. The story follows the awakening of Imhotep (Boris Karloff), a high priest in ancient Egypt, who is resurrected after being mummified alive for attempting to bring his lost love, Ankh-es-en-amon, back to life. --------------------------------------------- Vintage Martial Arts: https://rumble.com/c/c-5569106 Vintage War: https://rumble.com/c/c-6391082 Vintage Film Noir: https://rumble.com/c/VintageFilmNoirMovies Vintage Western: https://rumble.com/c/VintageWestern Vintage Animation: https://rumble.com/c/c-5560406 Vintage Comedy: https://rumble.com/c/c-5597598 Vintage Serials: https://rumble.com/c/c-5684846

The One That Got Away (1957)(IMDB 7.1)(HardyKrüger-ColinGordon)(Dir-RoyWardBaker) This is the true story of Oberleutnant Franz von Werra, the only German prisoner of war to escape from imprisonment in Britain during the Second World War. Director-Roy Ward Baker Writers-Howard Clewes-Kendal Burt-James Leasor Stars-Hardy Krüger-Colin Gordon-Michael Goodliffe

This was Roger Moore's debut as James Bond 007 and Jane Seymour's breakout role as Bond girl Solitaire.

Michael Jai White fun action movie

Chapman is an ex-marine in Brazil's slums, battling the yakuza outfit who attacked his sister and left her for dead. Director: Ernie Barbarash Cast: Michael Jai White, Neal McDonough, Jimmy Navarro Action, Crime Full length movie

Hit the like 👍🏾 and Follow. I'll be sharing this night a Michael Jai White Movie, Trouble Man. Open panel shall be available. https://cash.app/$Rayhanma

2000 CLASSIC CLASSIC SCARY FILM OR CLASSIC COMEDY FILM

AKA Nightmare Vacation 2. Slasher movie sequel.

Bunks and showers are a mad stabber's beat at a summer camp strictly for teens.

Director John Milius Cast Sean Connery — Mulai Ahmed er Raisuli Candice Bergen — Eden Pedecaris Brian Keith — Theodore Roosevelt John Huston — John Hay Geoffrey Lewis — Samuel Gummere Steve Kanaly — Capt. Jerome Vladek Sheybal — The Bashaw Nadim Sawalha — Sherif of Wazan Roy Jenson — Admiral Chadwick Deborah Baxter — Alice Roosevelt Jack Cooley — Quentin Roosevelt Simon Harrison — William Pedecaris Polly Gottesman — Jennifer Pedecaris Aldo Sambrell — Ugly Arab

Only one man can bring peace in a time of great suffering for Japan. Unfortunately Samurai Asshole was not that man.

1994 Movie with Kurt Russell. Ending is surprising. Is this a hint of Q's Plan to fix problems? STARGATE is the name Trump has given to the new plan to create AI in US to control cancer. Is this a good plan? Do we want to control disease in that way? Recommended Viewing: Alien World Control? Who are the globalists? Depopulation, Why? Why are we here? https://rumble.com/v2c8ya4-alien-world-control-who-are-the-globalists-depopulation-why.html?e9s=src_v1_upp Stargate & AI mRNA: Dystopian HELL! - Karen Kingston Maria Zeee (Clip) https://rumble.com/v6cchdg-stargate-and-ai-mrna-dystopian-hell-karen-kingston.html?utm_source=newsletter&utm_medium=email&utm_campaign=ZeeeMedia

Mister Roberts is aboard a US cargo ship, working in the Pacific during the Second World War. He'd do anything to leave the quiet of the ship to join in the 'action'. Trouble is, the captain of the ship, is a bit of a tyrant, and isn't willing to sign Roberts' transfer requests. Also on board is Ensign Pulver, who avoids work as best he can, whilst living off the riches of his buying and selling. Roberts and the crew are in constant battle, even over the smallest of disagreements.

The Born Losers (1967) Action Western Movie

Battle Stations is a 1956 American war film directed by Lewis Seiler and starring John Lund, William Bendix and Keefe Brasselle. It was produced and distributed by Columbia Pictures. It took inspiration from the 1944 documentary film The Fighting Lady.

1985 Comedy Classic John Candy, Richard Pryor

From the Boer War through World War II, a soldier rises through the ranks in the British military.

When Willie Comes Marching Home is a 1950 World War II comedy film directed by John Ford and starring Dan Dailey and Corinne Calvet. It is based on the 1945 short story "When Leo Comes Marching Home" by Sy Gomberg. The film won the Golden Leopard at the Locarno International Film Festival. Sy Gomberg also received an Oscar nomination for Best Motion Picture Story at the 23rd Academy Awards in 1951 but was edged out for the award by Edna Anhalt and Edward Anhalt for Panic in the Streets. The film was referred to in M*A*S*H (1970), directed by Robert Altman.

Director: John Ford Stars: Dan Dailey, Corinne Calvet, Colleen Townsend, William Demarest "When Willie Comes Marching Home" (1950) is a heartwarming and comedic tribute to the post-World War II era, directed by the legendary John Ford. The film stars Dan Dailey as Willie Kluggs, a small-town American soldier who becomes an unlikely hero and experiences the trials and tribulations of returning to civilian life. Set in the picturesque town of Parkview, USA, the film follows Willie Kluggs as he returns home after serving in the Pacific during World War II. Expecting a hero's welcome, Willie is surprised to find that the townsfolk are more interested in the local war hero, Joe Rogers (William Demarest). Unfazed, Willie sets out to win the heart of his longtime crush, Althea (Corinne Calvet), and to navigate the challenges of adjusting to civilian life. Dan Dailey delivers a charismatic and endearing performance as Willie, capturing the essence of a soldier grappling with the complexities of readjusting to everyday life. The film humorously explores Willie's attempts to fit back into his pre-war routine, including dealing with a meddling family, coping with newfound celebrity status, and navigating the intricacies of romance. The supporting cast, including Colleen Townsend as Margaret, adds charm to the film, creating a delightful ensemble that contributes to the overall nostalgic atmosphere. William Demarest's portrayal of the local hero and Willie's friend provides both comedic and poignant moments, adding depth to the narrative. John Ford's direction brings a blend of humor and sentimentality to the film, highlighting the challenges faced by returning veterans while celebrating the resilience of the human spirit. The screenplay, written by Sy Gomberg, skillfully balances comedy, romance, and drama, creating a narrative that resonates with audiences. As Willie's journey unfolds, "When Willie Comes Marching Home" explores themes of love, sacrifice, and the impact of war on individuals and communities. The film's warmth, wit, and genuine performances make it a timeless piece of post-war cinema, offering a lighthearted yet meaningful look at the experiences of those who served and returned to the home front. With its engaging characters, memorable performances, and the masterful touch of John Ford, "When Willie Comes Marching Home" stands as a delightful and enduring portrayal of the challenges and joys faced by returning veterans in the aftermath of World War II.

KILLER KLOWNS FROM OUTER SPACE 1988 - Aliens who look like clowns come from outer space and terrorize a small town. They also eat people. REPTILICUS 1961 - After copper miners discover a piece of the frozen tail of a giant prehistoric reptile in Lapland, scientists inadvertently bring it back to life.

During World War II, a junior American Army officer, Lt. Peter Stirling, gets sent to the psychiatric ward whenever he insists that an Army mule named Francis speaks to him.

Colorized Comedy Movie 1961 Leon Askin, Horst Buchholz, James Cagney, Arlene Francis, Liselotte Pulver, Howard St. John, Pamela Tiffin. Billy Wilder writer and director. Set in West Berlin during the Cold War, but before the Berlin Wall. MacNamara is a high-ranking executive in the Coca-Cola Company. He is asked to babysit the boss's hot-blooded 17 year old daughter. Along comes giant monkey wrench--Otto Piffl, a young East German Communist, newly married to the 17 year old. MacNamara is ringmaster of this political circus.

A rerun of many of the gags from the television series Police Squad! (1982). An Airplane! (1980)-type spoof, this time with the an incompetent Lieutenant Frank Drebin, who always "gets his man". Visual gags come thick and fast, and it's impossible to catch them all with one viewing. The plot: Queen Elizabeth II of England is coming to town, and Vincent Ludwig has plans to assassinate her using a brainwashed baseball player.

This 1994 action-thriller was Hollywood legend Meryl Streep's first and only action film.

Degenerate Monty Capuletti (Rodney Dangerfield) is perfectly content spending his life drinking, smoking and gambling with his other lay about buddies.

Get ready for nonstop laughs in Big Trouble, a fast-paced comedy set in the chaotic heart of a major city! When a case of mistaken identity sets off a chain reaction of misadventures, a group of quirky strangers—including a hitman, a housewife, a high school student, and an ex-con—find their lives hilariously intertwined. With misplaced luggage, bumbling criminals, and outrageous coincidences, Big Trouble delivers a wild rollercoaster of unexpected twists and laugh-out-loud moments. Directed by Barry Sonnenfeld (Men in Black, Get Shorty) and starring a stellar cast—Tim Allen, Rene Russo, Stanley Tucci, Tom Sizemore, and Zooey Deschanel—this underrated comedy gem brings together crime, chaos, and comedy in the most unpredictable ways. 💥 Don't miss this cult classic comedy that proves even the biggest messes can make the best memories! #BigTroubleMovie #ComedyGold #BarrySonnenfeld #TimAllen put comma instead of hashtag #ZooeyDeschanel #StanleyTucci #ReneRusso #TomSizemore #UnderratedComedy #FullFreeMovies #Comedymovie #freeyoutubemovies #2000smovies This video is sourced from https://youtu.be/hcBurUH6xR0?si=64Uda7dD2zbVaM6Ois used under the Creative Commons license. Any copyright claims should be directed to the original channel owner.

A high-school transfer student pushed to the edge by a trio of brutal bullies resorts to murder to reclaim the school from oppression, and later turns against the students wanting to fill the vacuum of their oppressors.

The Battle of Stalingrad is a 1949 two-part Soviet war film about the Battle of Stalingrad, directed by Vladimir Petrov. The script was written by Nikolai Virta. Audio in Russian with English and German subtitles (click on CC for subtitles). The film is the last of the 'Artistic Documentaries', a series of propaganda epics that recreated the history of the Second World War with a Stalinist interpretation of the events. Cast & Characters: Aleksei Dikiy – Joseph Stalin Maksim Shtraukh – Vyacheslav Molotov Viktor Khokhryakov – Georgy Malenkov Mikhail Kvarelashvili – Lavrentiy Beria Nikolai Dorokhin – Nikita Khrushchev Vladimir Solovyov – Mikhail Kalinin Yuri Tolubeyev – Andrei Zhdanov Nikolai Ryzhov – Lazar Kaganovich Garri Mushegyan – Anastas Mikoyan Mikhail Derzhavin – Kliment Voroshilov Yuri Shumsky – General Aleksandr Vasilevsky Vasili Merkuryev – General Nikolay Voronov Boris Livanov – General Konstantin Rokossovsky Nikolai Kolesnikov – General Andrey Yeryomenko Nikolay Simonov – General Vasily Chuikov Vasily Orlov – General Nikolay Krylov Sergei Brzhesky – General Aleksandr Rodimtsev Nikolai Plotnikov – Commissioner Gurov Boris Smirnov – Lieutenant Kaleganov Leonid Knyazev – Sergeant Yakov Pavlov Vladimir Golovin – General Nikolai Vatutin Aleksei Krasnopolsky – General Nikolai Trufanov Mikhail Nazvanov – Colonel Ivan Lyudnikov Nikolai Kryuchkov – Lieutenant Ivanov Aleksandr Antonov – Colonel Popov Nikolay Cherkasov – Franklin D. Roosevelt Viktor Stanitsyn – Winston Churchill/General Fyodor Tolbukhin Konstantin Mikhailov – W. Averell Harriman Mikhail Astangov – Adolf Hitler Mikhail Garkavi – Hermann Göring Nikolai Komissarov – Field Marshal Wilhelm Keitel Boris Svoboda – General Alfred Jodl Nikolai Rybnikov – Field Marshal Maximilian von Weichs Vladimir Vsevolodov – General Arthur Schmidt Vladimir Gaidarov – Field Marshal Friedrich Paulus Yevgeny Kaluzhsky – General Wilhelm Adam (first film) Nikolai Nikolayevsky – General Wilhelm Adam (second film) Vladimir Chernyavsky – General Kurt Zeitzler Rostislav Plyatt – General Hermann Hoth Sergei Blinnikov – Alexander Poskrebyshev (uncredited) Yuri Levitan – Narrator

The Siege of the Alcazar or L'Assedio dell'Alcazar is a 1940 Italian war film directed by Augusto Genina about the famous siege of the Alcázar during the Spanish Civil War, set in Toledo, Spain. Audio in Italian with English subtitles (click on CC for subtitles). The day the Spanish Civil War breaks out, Colonel Jose Moscardó, a veteran of the war in Africa, arrives in Madrid to prepare for his trip to Berlin with the Spanish delegation that is going to participate in the Olympic Games. Learning of the military uprising, he returns quickly to Toledo. As commander of the fortress at Alcazar, Moscardó has no doubts and at seven o'clock in the morning of July 21,1936, announces which side of the conflict he's on. Aware of the precariousness of the situation he is in, he digs in at Alcázar with 1,800 people, where they resist constant attacks and bombings until the arrival of Nationalist troops on September 27. One of the first post-Civil War films, The Siege of the Alcázar was filmed in the Roman studios of Cinecittà for the interiors and in Toledo for the exteriors. There were two versions, in Italian and Spanish, both directed by the Italian Augusto Genina. In the Italian version all three non-Italian actors (Mireille Balin, Rafael Calvo and Carlos Muñoz) spoke their lines in Italian. They were dubbed by Italian actors afterwards. The Siege of the Alcazar was one of the most successful films of the period. It won the Mussolini Cup in Venice Film Festival for being the Best Italian Film. The Italian version was released in Italy in August 1940. The Spanish version of the film, known as "Sin novedad en el Alcázar" was released in Spain in October 1940. After the war, the film was re-released in Italy under the new title 'Alcazar' with significant cuts. All references to the involvement of Italy in the Spanish Civil War as well as the cruelty of the Republicans were excised to avoid any political debate. Cast & Characters: Fosco Giachetti : Captain Vela Mireille Balin : Carmen Herrera María Denis : Conchita Álvarez Rafael Calvo Ruiz de Morales : Colonel José Moscardó Ituarte Carlos Muñoz : Colonel Moscardò's son Aldo Fiorelli: Francisco Andrea Checchi: Perro Carlo Tamberlani: Captain Vincenzo Alba Sivio Bagolini: Paolo Montez Checco Rissone: radiotelegrafista

The Battle of Algiers (Italian: La battaglia di Algeri) is a 1966 war film co-written and directed by Gillo Pontecorvo. Audio in French and Algerian with English subtitles (click on CC for subtitles). The film won the Golden Lion at the Venice Film Festival and was nominated for three Academy Awards (in non-consecutive years, a unique achievement): Best Foreign Language Film in 1966, and Best Screenplay (Gillo Pontecorvo and Franco Solinas) and Best Director (Gillo Pontecorvo) in 1968. The film is based on events undertaken by rebels during the Algerian War (1954–1962) against the French government in North Africa, the most prominent being the eponymous Battle of Algiers, the capital of Algeria. It was shot on location in a Roberto Rossellini-inspired newsreel style: in black and white with documentary-type editing to add to its sense of historical authenticity, with mostly non-professional actors who had lived through the real battle. The film's score was composed by Pontecorvo and Ennio Morricone. It is often associated with Italian neorealist cinema. The film concentrates mainly on revolutionary fighter Ali La Pointe during the years between 1954 and 1957, when guerrilla fighters of the FLN went into Algiers. Their actions were met by French paratroopers attempting to regain territory. The highly dramatic film is about the organization of a guerrilla movement and the illegal methods, such as torture, used by the French to stop it. Algeria succeeded in gaining independence from the French, which Pontecorvo addresses in the film's epilogue. The film has been critically acclaimed. Both insurgent groups and state authorities have considered it to be an important commentary on urban guerrilla warfare. A subject of sociopolitical controversy, the film was not screened for five years in France; it was eventually released in 1971. Sound – both music and effects – perform important functions in the movie. Indigenous Algerian drumming, rather than dialogue, is heard during a scene in which female FLN militants prepare for bombings. In addition, Pontecorvo used the sounds of gunfire, helicopters and truck engines to symbolize the French methods of battle, while bomb blasts, ululation, wailing and chanting symbolize the Algerian methods. Gillo Pontecorvo wrote the music for The Battle of Algiers, but because he was classified as a "melodist-composer" in Italy, he was required to work with another composer as well; his good friend Ennio Morricone collaborated with him. The solo military drum, which is heard throughout the film, is played by the famous Italian drummer Pierino Munari. Pontecorvo chose to cast non-professional Algerians. He chose people whom he met, picking them mainly on appearance and emotional effect (as a result, many of their lines were dubbed). The sole professional actor of the movie was Jean Martin, who played Colonel Mathieu; Martin was a French actor who had worked primarily in theatre. Pontecorvo wanted a professional actor, but one who would not be familiar to most audiences, as this could have interfered with the movie's intended realism. Martin had been dismissed several years earlier from the Théâtre National Populaire for signing the manifesto of the 121 against the Algerian War. Martin was a veteran; he had served in a paratroop regiment during the Indochina War and he had taken part in the French Resistance. His portrayal had autobiographical depth. Saadi Yacef, who plays El-Hadi Jaffar, and Samia Kerbash, who plays Fathia, were both members of the FLN and Pontecorvo is said to have been greatly inspired by their accounts. The actors credited are: Jean Martin as Colonel Philippe Mathieu Saadi Yacef as El-Hadi Jafar Brahim Haggiag as Ali La Pointe Tommaso Neri as Captain Dubois Samia Kerbash as Fathia Ugo Paletti as a Captain Fusia El Kader as Halima Franco Moruzzi as Mahmoud Mohamed Ben Kassen as Little Omar

Crime Busters (1977) | Trinity In Trouble Again | Terence Hill, Bud Spencer | Action | Full 4K Movie 👕GET MERCH HERE: 👉 https://amzn.to/3QefVdP ———————————— 💥Tap The Like Button & Subscribe For More! 💥 ———————————— ———————————— ⏱️⏱️VIDEO CHAPTERS⏱️⏱️ ———————————— 00:00 – Opening Credits 03:12 – The Jobless Duo 08:45 – Police Station Chaos 14:22 – Rookie Officers 20:18 – First Patrol Begins 26:36 – Trouble at the Docks 33:11 – Barroom Brawl 39:58 – Stumbling on the Smugglers 46:25 – The Undercover Sting 52:49 – Boat Chase Mayhem 59:40 – Warehouse Stakeout 1:06:10 – Crime Boss Revealed 1:12:33 – Fists Fly Again 1:18:47 – The Big Bust 1:25:02 – Crime Doesn’t Pay 1:31:44 – Commendation Ceremony 1:37:11 – Back to Their Old Ways 1:41:00 – End Credits ———————————— DESCRIPTION ———————————— Watch Trinity: In Trouble Again (1977) – A Hilarious Action-Comedy Western with Terence Hill & Bud Spencer! 🤠👊 In this action-packed slapstick classic, Terence Hill and Bud Spencer team up once again in Trinity: In Trouble Again — also known as Crime Busters. Follow their antics as two lovable drifters accidentally become police officers and take on a gang of smugglers in the most unconventional way possible! Packed with brawls, laughs, and wild stunts, this 1970s gem is a must-watch for fans of spaghetti westerns and buddy comedies. 🎬 Starring: Terence Hill, Bud Spencer 🎞️ Genre: Action, Comedy, Western 📅 Year: 1977 🕰️ Runtime: Approx. 102 minutes ✅ Enjoy this full-length movie and don’t forget to like, comment, and subscribe for more classic action-comedy films! ———————————— The Cinema Classics on Social Media: ———————————— 🔵FACEBOOK ► https://www.facebook.com/The.Cinema.Classics 🔵TWITTER / X ► https://x.com/The_CinemaClass 🔵INSTAGRAM ► https://www.instagram.com/the.cinema.classics ———————————— #TrinityInTroubleAgain #BudSpencer #TerenceHill #ClassicMovies #SpaghettiWestern #1970sMovies #PublicDomainFilm #ActionComedy #CrimeBusters #WesternComedy ———————————— Disclaimer: All movies uploaded to this channel are verified to be in the public domain or are copyright-free, meaning they are free to be distributed and shared. We take great care to ensure the content complies with copyright laws, but if you believe any material infringes on your copyright, please contact us immediately for review and resolution.

In American cinema, Blaxploitation is the film subgenre of action movie derived from the exploitation film genre in the early 1970s, consequent to the combined cultural momentum of the black civil rights movement, the black power movement, and the Black Panther Party, political and sociological circumstances that facilitated black artists reclaiming their power of the representation of the black ethnic identity in the arts. The term blaxploitation is a portmanteau of the words Black and exploitation, coined by Junius Griffin, president of the Beverly Hills–Hollywood branch of the NAACP in 1972. In criticizing the Hollywood portrayal of the multiracial society of the US, Griffin said that the blaxploitation genre was "proliferating offenses" to and against the black community, by perpetuating racist stereotypes of inherent criminality Sweet Sweetback's Baadasssss Song is a 1971 American independent blaxploitation action thriller film written, co-produced, scored, edited, directed by, and starring Melvin Van Peebles. His son Mario Van Peebles also appears in a small role, playing the title character as a young boy. The film tells the picaresque story of a poor black man fleeing from the white police authorities. Van Peebles began to develop the film after being offered a three-picture contract for Columbia Pictures. No studio would finance the film, so Van Peebles funded it himself, shooting it independently over 19 days, performing all of his own stunts and appearing in several sex scenes, some reportedly unsimulated. He received a $50,000 loan from Bill Cosby to complete the project. The film's fast-paced montages and jump-cuts were unique features in American cinema at the time. The picture was censored in some markets, and received mixed reviews. However, it has left a lasting impression on American cinema. The musical score of Sweet Sweetback's Baadasssss Song was performed by Earth, Wind & Fire. Van Peebles did not have money for traditional advertising methods, so he released the soundtrack album prior to the film's release in order to generate publicity. Initially, the film was screened in only two theaters in the United States (in Atlanta and Detroit). It went on to gross $15.2 million at the box office. Huey P. Newton celebrated and welcomed the film's revolutionary implications, and Sweetback became required viewing for members of the Black Panther Party. According to Variety, it demonstrated to Hollywood that films which portrayed "militant" Blacks could be highly profitable, leading to the creation of the blaxploitation genre, although critic Roger Ebert did not consider this example of Van Peebles' work to be an exploitation film.

BREAKTHROUGH, released 1950 Director: Lewis Seiler Writers: Joseph Breen, Bernard Girard, Ted Sherdeman Stars: David Brian, John Agar, Frank Lovejoy Breakthrough was one of the first films to showcase the D-Day landings. Several scenes were cut from the film to avoid an “anti-war” slant. Two actors suffered minor injuries during filming. Most of the non-combat footage for Breakthrough was shot in Burbank, California. Scenes of Omaha Beach were filmed on the Monterey Coast in California. The worldwide premiere was preceded by an hour-long military parade. 75 Years Later, This Forgotten War Film Is Still 1 of the Most Realistic WWII Movies of All Time (& It Uses Real Footage) While older works may not have the benefit of cutting-edge technology and CGI, even “vintage” war films can be unsettlingly realistic depictions of past conflicts. Lewis Seiler’s Breakthrough is the perfect example of an engrossingly realistic war film. Despite a 1950 debut date, this dramatic recollection of D-Day remains a stunning testament to cinematic talent. That’s not to say it’s perfect. Its story is a bit clichéd, and the old-fashioned acting can seem somewhat stilted. Nonetheless, Breakthrough still retains a sense of authenticity. t would be a lie to say Breakthrough is a narrative visionary. Despite its name, Lewis Seiler’s wartime drama is a fairly standard war drama. It’s a tale of one man’s struggles in the 1944 D-Day landings, and it says little that hadn’t been or has been said since. But that’s not why the film shines; Breakthrough is narratively weak. What truly sets Seiler’s film apart is its eye for detail. The film’s dramatic battles seem almost impossibly real, and considering the limitations of the 1950s, it’s easy to wonder if there’s a secret behind the film’s eye-popping combat. And the answer to that question is a resounding “yes.” Upon release, Breakthrough was hailed for its detail and dedication to its military roots. Audiences praised its authentic battle scenes and heart-pounding thrills. The film’s overwhelming presence and theatrical spectacle captivated audiences, and there’s a surprisingly simple trick behind the on-screen wizardry. Breakthrough used readily available newsreel footage for approximately half an hour of its 1.5-hour runtime. While some may call that “cheating,” many viewers praised the archival footage for its visual power. At a time when replicating the horrors of a global war was truly impossible, the producers went straight to the source. It’s a tactic films still employ today. FAIR USE: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. TO OWNERS OR COPYRIGHT HOLDERS: I do not own all these pictures or video, some of the pictures or video belong to their rightful owners. Also, I don't make any profit with this video. All others were created by me and are owned by me to be used by others. I make these Just for my entertainment so other people can enjoy them. If there are any complaints, please contact me before taking everything /anything down and ruin the enjoyment of innocent people. If you explain me the problem, I will do everything to solve it. Thank you in advance.

Free Spaghetti Western Movie: My Name Is Shanghai Joe - A Chinese immigrant, recently arrived in America, fights to free Mexican slaves from their cruel master. A Chinese immigrant named Chin How lands in a small Texas town inhabited by hard-nosed cowboys who don't take kindly to outsiders. The town folk soon realize that Chin is no ordinary drifter and he quickly gains a reputation for his unbeatable fighting skills. When word of Chin's skills spread to Stanley Spencer, the owner of the states largest cattle ranch, Chin lands a job working for Spencer as a fellow cowboy. Friend soon becomes foe when Chin realizes he is working for a cattle smuggler bent on brutalising Mexican farmers and anyone else who stands in his way. Written by Alan Smithee

👉​ ¡SUSCRIBETE AL CANAL! SERIES Y PELÍCULAS DEL OESTE Las películas del oeste, también conocidas como western, son un género cinematográfico clásico que transporta al espectador al período de expansión hacia el oeste de los Estados Unidos, generalmente durante el siglo XIX. Estas películas se desarrollan en paisajes áridos y salvajes, poblados por vaqueros, forajidos, colonos, y nativos americanos, y muestran temas de valentía, justicia, y supervivencia. En ellas, es común ver duelos, persecuciones a caballo, y la icónica lucha entre el bien y el mal en un entorno donde la ley aún está por establecerse. El género del western es conocido por personajes fuertes, como pistoleros solitarios, sheriffs con un férreo sentido de la justicia, y figuras rebeldes que desafían la autoridad. Además, su estilo visual, marcado por los grandes espacios abiertos y una banda sonora épica, ha convertido a estas películas en un símbolo de la cultura estadounidense. Desde sus inicios en el cine mudo hasta los westerns modernos, este género ha dejado un impacto duradero en la historia del cine, con películas que exploran no solo la acción y la aventura, sino también los aspectos más complejos de la naturaleza humana. #CineDelOeste,#PelículasDeVaqueros, #WesternClásico, #ClásicosDelWestern,#CineWestern,#OesteAmericano, #MúsicaDelOeste,#HistoriaDelOeste,#CowboysYForajidos,#peliculas del oeste, #películas de vaqueros, #peliculas western,

A British sergeant (William Hartnell) turns his last batch of misfit recruits into the top troops in camp.

In a small Southern town, four vigilantes wrongfully execute a mentally-challenged man, but after the court sets them free mysterious "accidents" begin to kill them off one by one.

IMDB Ratings: 7.8/10 Directed: Mel Gibson Release date : December 8, 2006 (United States) Genres: Action, Adventure, Drama, Thriller Languages: English Film Stars: Gerardo Taracena, Raoul Max Trujillo, Dalia Hernández Movie Quality: 1080p BluRay File Size: 2440MB Storyline : In the Maya civilization, a peaceful tribe is brutally attacked by warriors seeking slaves and human beings for sacrifice for their gods. Jaguar Paw hides his pregnant wife and his son in a deep hole nearby their tribe and is captured while fighting with his people. An eclipse spares his life from the sacrifice and later he has to fight to survive and save his beloved family.—Claudio Carvalho, Rio de Janeiro, Brazil

The Patriot is a 2000 American epic historical drama war film directed by Roland Emmerich and written by Robert Rodat. The film stars Mel Gibson, Heath Ledger, Joely Richardson, Jason Isaacs, Chris Cooper, and Tom Wilkinson. Set in Berkeley County, South Carolina, it follows Benjamin Martin (Gibson), an American colonist who is opposed to going to war with Great Britain but, along with his son Gabriel (Ledger), gets swept into the American Revolutionary War when his home life is disrupted, and one of his sons is murdered by a cruel British officer (Isaacs). Benjamin Martin is a French-Indian war hero who is haunted by his past, now wants nothing more than to live peacefully on his small plantation, and wants no part of a war with the most powerful nation in the world, Great Britain. Meanwhile, his two eldest sons, Gabriel and Thomas, can't wait to enlist in the newly formed "Continental Army." When South Carolina decides to join the rebellion against England, Gabriel immediately signs up to fight...without his father's permission. But when Colonel William Tavington, British dragoon, infamous for his brutal tactics, comes and burns the Martin Plantation to the ground, tragedy strikes. https://cash.app/$Realironeagle https://givesendgo.com/Realironeagle?utm_source=sharelink&utm_medium=copy_link&utm_campaign=Realironeagle

The D.I. 1957

Cattle Drive (Western 1951) Joel McCrea

The revenge classic from the 70 s. Restored.

This 1986 action-adventure-comedy was martial arts legend Chuck Norris's first comedy.

To the Los Angeles elite, Ford Fairlane (Andrew "Dice" Clay) is known as "Mr. Rock 'n' Roll Detective." This loudmouthed ladies' man serves an exclusive rock star clientele, who depend on his keen eye and smug discretion. So when a heavy-metal musician dies mid-concert, Fairlane is on the case before the lights come up. But things turn shocking when radio personality Johnny Crunch (Gilbert Gottfried) hires Fairlane to find a missing groupie mere hours before he is electrocuted live on air.

In Sirocco, Humphrey Bogart stars as Harry Smith, a gunrunner navigating the dangerous underworld of 1920s Syria during the French occupation. Alongside Märta Torén, who plays Violette, and Lee J. Cobb as Colonel Feroud, the film follows a tense and suspenseful tale of war, betrayal, and survival. As tensions rise between rebels and occupying forces, Smith finds himself entangled in a conflict where loyalties shift and danger is around every corner.

The Desperate Hours (1956) Humphrey Bogart, Fredric March (1958)

Classic Mel Brooks movie that taught me racism is a joke.

🎬 DRIVE-IN DEMENTIA DOUBLE FEATURE: Curse of the Fly + The Earth Dies Screaming Tonight, the Argus Drive-In Dementia Theatre brings you a bone-chilling black-and-white double dose of vintage sci-fi terror. First, the grotesque continuation of a mad experiment gone wrong in Curse of the Fly — grotesque mutations, teleportation nightmares, and family secrets that refuse to stay buried. Then brace yourself as the apocalypse arrives in The Earth Dies Screaming, a grim tale of alien invasion and reanimated corpses stalking the last survivors of humanity. Atmospheric. Paranoid. Unhinged. Prepare for a night of radioactive fear and atomic-age madness… only on Drive-In Dementia — where the bizarre lives again. ***** ✅ The Greater American Project Book Series is your no-BS blueprint to personal power, greatness-level success, and a life so sharp it cuts through mediocrity like a chainsaw through butter. These aren’t bedtime stories. These are mind grenades — packed with strategies, mindset shifts, and brutal truths that’ll rip the excuses out of your life like weeds from concrete. 🛒 Get Started: https://tinyurl.com/zt95m3hp ⚔️ DONATE LIKE A PATRIOT, NOT A PUNCHLINE 🇺🇸 This is your stand. Your shot. Your legacy. If you feel the fire, don’t ignore it. Every dollar fuels truth, rebuilds grit, and slaps back at the system that sold us out. Don’t just believe—act. Donate to The Greater American Project now… before freedom flatlines. 👉 https://square.link/u/A1f0JNb1 About The Creator Dave Capra is a battle-tested entrepreneur, lifelong student of the American Dream, and unapologetic freedom junkie. After spending years in the trenches—chasing money, meaning, and a way out of mediocrity—he realized the real fight wasn’t out there. It was inside. Today, Dave’s mission is simple: help everyday Americans remember what they’re made of. Through the Greater American Project, he arms Americans with the mental weaponry to break free from the cages they never even knew they were in. If you’re tired of living a life that feels like a rerun, if you’re ready to reclaim your time, your voice, and your freedom, visit: 👉 TheGreaterAmericanProject.com

An epic historical war drama film directed by Dean Wright and written by Michael Love, based on the true events of the Cristero War in Mexico. It stars Andy García, Eva Longoria, Oscar Isaac, Rubén Blades, and Peter O'Toole. The film dramatically documents the civil war that erupted in Mexico from August 1926 to June 1929 when newly elected Mexican President Plutarco Elías Calles (Rubén Blades) began a violent crackdown against the country's adherents of the Catholic faith in an attempt to impose a new Masonic political agenda there, based on a previously unenforced article in the Mexican constitution of 1917, which gives the State authority and rule over that of Church and religious matters. The film depicts the carnage by showing churches being set on fire, professed Catholic priests murdered, and countless of their faithful peasants killed and having their bodies publicly hanged on telegraph poles as a warning to others, all with very little help or support for the Cristeros from the Vatican and the reigning Antipope at the time, Pius XI. (In fact the tiny army of The Cristiada practically had Calles' hugely armed forces on the brink of defeat when they were commanded to call off their military campaign by the orders of the Vatican in light of a new bogus 'settlement agreement' which never materialised when hostilities ceased.) The story shifts to Father Christopher (Peter O’Toole), a professed Catholic priest, who is ruthlessly murdered by the Federales. A 13-year-old boy, José Luis Sánchez (Mauricio Kuri), witnesses the killing. Driven by love for his faith and anger against the injustices committed against Fr. Christopher and the Church in Mexico, he joins the rebels, the Cristeros ("soldiers for Christ") fighting against Calles. Their battle cry is "¡Viva Cristo Rey!" ("Long live Christ the King"). (Permission to share on this platform has been granted for some territories by the distributor. Some scenes or images may have been censored for immodesty or heresy.)

An NYPD cop is 'killed' in an accident. The death is faked, and he is inducted into the organization CURE, dedicated to preserving the constitution by working outside of it. Remo is to become the enforcement wing (assassin) of CURE, and learns an ancient Korean martial art from Chiun, the Master of Sinanju. Based on the popular pulp series "The Destroyer," by Richard Sapir and Warren Murphy

Remo Williams - The Adventure Begins 1985

Mackenna's Gold is a western classic that is a must see with the likes of Telly Savalas from the 1970's show "Kojak". Enjoy this classic with friends or family! Please share, hit the notification bell and subscribe!

Caddyshack is a 1980 American sports comedy film directed by Harold Ramis, written by Brian Doyle-Murray, Ramis and Douglas Kenney, and starring Chevy Chase, Rodney Dangerfield, Ted Knight (his final film role), Michael O'Keefe and Bill Murray with supporting roles by Sarah Holcomb, Cindy Morgan, and Doyle-Murray. It tells the story of a caddie, vying for a caddie scholarship, who becomes involved in a feud on the links between one of the country club's founders and a nouveau riche guest. A subplot involves a greenskeeper who uses extreme methods against an elusive gopher. (source) https://archive.org/details/caddyshack.1980.1080p.brrip.x264.yify___65af351121b4c "Fair Use" under Title 17 for purposes such as Criticism, Comments, Education, and Research! I do not own this C"Fair Use" under Title 17 for purposes such as Criticism, Comments, Education, and Research! I do not own this Content. All credits go to its rightful owner. This content may have been altered for use in Criticism, communication, Education, and Research. ontent. All credits go to its rightful owner. This content may have been altered for use in Criticism, communication, Education, and Research.

THE BEST DISCO MUSIC MOVIE EVER!

MessHall Live @12/8/23, 11:00 PM MESS HALL FRIDAY FREE TIME DOUBLE FEATURE JOIN US OVER IN THE MESS HALL FOR A DOUBLE FEATURE OF A BRILLIANTLY PUT TOGETHER COMEDY SERIES MADE TO MIMIC AND PARODY THE TOP GUN AND RAMBO MOVIES FRANCHISES. STARRING A "WINNING" CAST. FULL OF ZANY OFF THE WALL WRITING, MANY LUDACRISLY RIDICULOUS SCENES AND CRAZY SEQUENCES THAT WILL MAKE YOU FALL OFF YOUR CHAIR WITH LAUGHS. WE NEED THIS BREAK. SO GET A BONG PACK IT UP AND COME ON DOWN TO MESS HALL AND HAVE A FEW LAUGHS WITH THE PATRIOT CHEF. ILL SEE YOU ALL THERE. ENJOY THE SHOW HOT SHOTS PART I HOT SHOTS PART II

Hilarious 1980s comedy starring Rodney Dangerfield

Bitka na Neretvi je jugoslovenski partizanski film iz 1969., snimljen u međunarodnoj koprodukciji sa Italijom i Zapadnom Njemačkom. Scenario za film su napisali Stevan i Veljko Bulajić, a režirao ga je Veljko Bulajić. Glavne uloge tumače Sergej Bondarčuk, Yul Brynner, Anthony Dawson, Milena Dravić, Boris Dvornik i Orson Welles. Film je zasnovan na istinitim događajima tokom iz Drugog svetskog rata, strateškog plana udruženog napada sila osovine na jugoslovenske partizane koji su se povlačili sa ranjenicima 1943.

The Great Santini (1979) In 1962, the Marine Corps family, the Meechums - parents Lieutenant Colonel Wilbur "Bull" Meechum and Lillian Meechum, and their four children Ben Meechum, Mary Anne Meechum, Karen Meechum and Matthew Meechum - are moving like they do most years, this time to Beaufort, South Carolina. Bull - nicknamed "the Great Santini" - is known as a great pilot, but has gotten into much trouble in the past for his sophomoric behavior. He runs his family much as a military commander, where they are all to obey his orders without question. Everything he does within the family context he reasons is to build character, but in reality everything ends up being about him. The oldest Ben, approaching manhood, is the one of his offspring who has the greatest issue with his father. Ben wants his respect, but isn't sure if he really loves him. As Ben goes through his senior year in high school, his attempts to play varsity basketball and an incident between black Toomer Smalls - his friend and their cook Arrabella Smalls' son - and racist Red Petus may forever change the dynamic between father and son From IMDB: Memorable character study of a warrior without a war Robert Duvall is magnificent as a classic warrior without a war who moves his family from town to town. Blythe Danner is an excellent match as his wife. And Michael O'Keefe deserves all the kudos he received plus more as Duvall's put-upon son. Lisa Jane Persky strikes a nice balance as the sarcastic-yet-still-loving daughter. Stan Shaw, Paul Mantee, Paul Gleason, and David Keith are flawless in edgy supporting performances. There's perhaps one scene that's slightly overdone which causes me to give it a 9/10 rather than a 10. Otherwise, The Great Santini is an utterly riveting family portrait from start to finish.

Cape Fear is a 1962 American psychological horror thriller film directed by J. Lee Thompson, from a screenplay by James R. Webb, adapting the 1957 novel The Executioners by John D. MacDonald. It stars Gregory Peck as Sam Bowden, an attorney and family man who is stalked by a violent psychopath and ex-con named Max Cady (played by Robert Mitchum), who is bent on revenge for Bowden's role in his conviction eight years prior. The film co-stars Polly Bergen and features Lori Martin, Martin Balsam, Jack Kruschen, Telly Savalas, and Barrie Chase in supporting roles. Produced by Peck's company Melville Productions and distributed by Universal Pictures, the film includes several key cast and crew who had previously worked with director Alfred Hitchcock, including editor George Tomasini and composer Bernard Herrmann. J. Lee Thompson's direction was also strongly influenced by Hitchcock. The film was released on June 15, 1962. It received positive reviews from critics, who highlighted Peck and Mitchum's performances. A remake of the same name was released in 1991, directed by Martin Scorsese and starring Nick Nolte and Robert De Niro in the lead roles. Peck, Mitchum, and Balsam all appeared as different characters in the remake. Please Like and Follow

Army of Shadows (French: L'Armée des ombres; Italian: L'armata degli eroi) is a 1969 Franco-Italian World War II suspense-drama film written and directed by Jean-Pierre Melville, and starring Lino Ventura, Paul Meurisse, Jean-Pierre Cassel, and Simone Signoret. Audio in French with English subtitles (click on CC for subtitles). It is an adaptation of Joseph Kessel's 1943 book of the same name, which mixes Kessel's experiences as a member of the French Resistance with fictional versions of other Resistance members. The film follows a small group of Resistance fighters as they move between safe houses, work with the Allied militaries, kill informers, and attempt to evade the capture and execution that they know is their most likely fate. While portraying its characters as heroic, the film presents a bleak, unromantic view of the Resistance. Cast & Characters: Lino Ventura as Philippe Gerbier, a civil engineer who leads a French Resistance cell based in Lyon Paul Meurisse as "Saint" Luc Jardie, who, unknown to his brother Jean-François, is a senior member of the Resistance. This character is partly based on the philosopher and Resistance leader Jean Cavaillès. Jean-Pierre Cassel as Jean-François Jardie, Luc's younger brother, who joins Gerbier's Resistance cell through his friendship with Félix Simone Signoret as Mathilde, who becomes Gerbier's assistant Claude Mann as Claude "Le Masque" Ullmann, the youngest member of Gerbier's Resistance cell Paul Crauchet as Félix Lepercq, a member of Gerbier's Resistance cell Christian Barbier as Guillaume "Le Bison" Vermersch, a member of Gerbier's Resistance cell Serge Reggiani as the barber who gives Gerbier a shave and a jacket André "Colonel Passy" Dewavrin as himself, an official of the Free France intelligence services based in London Alain Dekok as Legrain, the young Communist who works at the power plant of the internment camp to which Gerbier is sent Alain Mottet as the commander of the internment camp to which Gerbier is sent Alain Libolt as Paul Dounat, the young member of Gerbier's Resistance cell who is killed by for informing on his associates Jean-Marie Robain as Baron de Ferté-Talloire, who lets Gerbier use his estate for Resistance activities Albert Michel as the gendarme who escorts Gerbier to the internment camp Denis Sadier as the doctor at the Gestapo headquarters in Lyon Georges Sellier as Colonel Jarret du Plessis, who is held in the same building as Gerbier at the internment camp Marco Perrin as Octave Bonnafous, a traveling salesman who is held in the same building as Gerbier at the internment camp Hubert de Lapparent as Aubert, a pharmacist who is held in the same building as Gerbier at the internment camp Colin Mann as the RAF soldier who rides in the plane with Gerbier Anthony Stuart as the RAF Major who teaches Gerbier about his parachuting equipment Michel Fretault as the "anonymous patriot" who escapes with Gerbier in Paris Michel Dacquin as one of Gerbier's cellmates after he is apprehended in the restaurant Jeanne Pérez as Marie, Luc's maid Pierre Vaudier as the man at the antique shop Jacques Marbeuf as the German officer and lead interrogator at the Gestapo headquarters in Lyon. Marcel Bernier as the customs agent who comes across Jean-François on the beach at night (uncredited) Nathalie Delon, who had made her big-screen debut in Melville's previous film, Le Samouraï (1967), has a cameo appearance in Army of Shadows as the woman with Jean-François at the bar in Marseille. The film's editor, Françoise Bonnot, plays the secretary at the talent agency in Lyon.

Please visit our streaming service at https://lostnfoundfilms.uscreen.io/ High Treason is a 1929 film based on a play by Noel Pemberton Billing. It was directed by Maurice Elvey, and stars James Carew, Humberstone Wright, Benita Hume, Henry Vibart, Hayford Hobbs, Irene Rooke, and Jameson Thomas. Raymond Massey makes his first screen appearance in a small role. The film was initially produced as a silent but mid-way during production, Elvey was pushed by the studio to add sound to the film in order to cash in on the talkies. Although a third of the film was filmed in sound, Elvey maintained much of the silent footage and dubbed over the dialogue for shots that were originally silent, with Elvey himself voicing some of the minor characters, which he admitted when interviewed by the Manitoba Free Press shortly after the film was released in the US. Likewise, BIP's Blackmail, directed by Alfred Hitchcock, was also turned into a sound picture mid-way during production (concurrently when High Treason was also in production) and many of the silent scenes used dubbed dialogue and sound effects in a similar fashion to High Treason. The sound version of the film was presented in a London trade show on 9 August 1929, then went into UK general release in silent and sound versions on 9 September 1929. The sound version was released in the US by Tiffany Productions in a heavily cut version (running just over 60 minutes) on 13 March 1930. The silent version and a trailer for the sound version are preserved and held by the British Film Institute; the only known surviving original copy of the sound version is a lavender fine grain of the American release version held in the collection of Alaska Moving Image Preservation Association (AMIPA), which has been recently restored by the Library of Congress. The film is a science fiction drama set in a futuristic 1940 (though this was originally set in 1950 for the silent version). The plot and aesthetics of the film are heavily influenced by Fritz Lang's Metropolis. Synopsis In 1940/50, world peace is threatened when the "United States of Europe" comes into conflict with the "Empire of the Atlantic States". The former comprises Europe, India, the Middle East, Canada, Africa, and Australasia. The latter is a combination of the United States and South America. In the film the prohibition era in America extends to 1940 and the tension is initially caused by bootleggers crossing the borders between territories. One such incident leads to a shoot-out between border guards in which both sides suffer casualties. War looks likely, but the pacifist Peace League intervenes. Meanwhile, we learn that the tension is in fact carefully orchestrated by a sinister terrorist group financed by arms manufacturers. They blow up a rail tunnel under the English Channel. The President of Europe orders a mass enlistment and mobilisation, fearing that the Atlantic States are preparing a sneak attack. Dr. Seymour, leader of the Peace League, desperately attempts to avert war. His daughter Evelyn seeks to convince her boyfriend Michael, commander of the European air force, not to fight, but he insists he must do his duty. Evelyn says she will leave him. The European council are divided, but the president decides on war, saying that he will announce the outbreak of hostilities on television. The terrorists try to kill Dr. Seymour by bombing the Peace League, but Seymour survives. He tells Evelyn to make another effort to stop Michael ordering the airforce to attack, while he appeals directly to the President. Pacifists led by Evelyn demonstrate en masse at the airfield. Michael is uncertain what to do, but Evelyn convinces him to delay the attack. Seymour confronts the President, but is forced, despite his pacifism, to shoot him to stop him making the broadcast. He's tried for murder but says he is content when a guilty verdict is reached. Cast & Crew Jameson Thomas as Michael Deane Benita Hume as Evelyn Seymour Basil Gill as President Stephen Deane Humberston Wright as Dr. Seymour Henry Vibart as Lord Sycamore James Carew as Lord Rawleigh Hayford Hobbs as Charles Falloway Milton Rosmer as Ernest Stratton Judd Green as James Groves Alf Goddard as Tele-radiographer Irene Rooke as Senator Clifford Heatherley as Delegate Wally Patch as Commissionaire Raymond Massey as cabinet-maker Directed by: Maurice Elvey Written by: L'Estrange Fawcett Based on: High Treason (play) by Noel Pemberton Billing Produced by: Gaumont British Picture Corporatio Cinematography: Percy Strong Music by: Louis Levy (musical director) Distributed by: Gaumont British (UK) Tiffany Pictures (US) Release date: 9 September 1929 Running time: 95 minutes Country: United Kingdom Languages: Silent Version (English Intertitles) Sound Version (All-Talking)

Directed by Peter Glenville and adapted by Graham Greene himself, 'The Comedians' is a political drama based on Greene’s 1966 novel. Set in Haiti during the brutal dictatorship of François "Papa Doc" Duvalier, the film explores themes of political terror, moral ambiguity, and personal disillusionment. Despite an all-star cast and a script faithful to the novel’s tone, the film struggles to fully capture the novel’s psychological depth and political complexity. Plot Overview The story follows Brown (Richard Burton), a cynical hotel owner in Port-au-Prince, who finds himself entangled in the violence and paranoia of Papa Doc’s oppressive regime. Brown’s life intersects with several outsiders: Major Jones (Alec Guinness), a bluff conman posing as a military expert; the Smiths (Paul Ford and Lillian Gish), naïve American idealists promoting vegetarianism; and Martha Pineda (Elizabeth Taylor), the wife of a South American ambassador with whom Brown is having an affair. As political tensions rise and the secret police—the feared Tontons Macoutes—tighten their grip, Brown is drawn deeper into the moral complexities of survival, betrayal, and courage. Performances The cast is impressive on paper but delivers uneven performances: Richard Burton embodies Brown’s world-weary cynicism with a brooding intensity, though his detached manner sometimes flattens the emotional stakes. Elizabeth Taylor, as the passionate but conflicted Martha, adds glamour but lacks the subtlety to convey her character’s inner turmoil. Alec Guinness provides a scene-stealing turn as the delusional but oddly likable Major Jones, blending humor and pathos effectively. Lillian Gish, as the idealistic Mrs. Smith, gives one of the film’s most heartfelt performances, her quiet dignity contrasting the surrounding chaos. Despite their individual talents, the chemistry between the leads—particularly Burton and Taylor—feels strained, perhaps reflecting the off-screen tension in their real-life relationship. Direction and Cinematography Peter Glenville’s direction is competent but lacks the urgency and claustrophobia that made the novel so powerful. The Haitian setting, though visually striking, often feels like a picturesque backdrop rather than a living, breathing dystopia. Cinematographer Henri Decaë captures the beauty and menace of Haiti’s landscapes, but the film’s pacing is sluggish, diluting the tension inherent in Greene’s narrative. Themes Like the novel, the film delves into themes of political repression, moral compromise, and the blurred line between heroism and cowardice. Brown, as the ultimate "comedian," symbolizes the detached bystander unwilling—or unable—to take a definitive moral stance. Major Jones, in contrast, represents the absurdity of self-delusion in the face of real danger. However, the film’s slower rhythm blunts the existential urgency that permeates Greene’s prose. Faithfulness to the Novel Greene’s screenplay remains largely faithful to his novel’s plot and dialogue but softens some of its darker edges. The novel’s pervasive sense of dread and moral ambiguity doesn’t fully translate to the screen, and the film’s more conventional storytelling downplays the psychological complexity of its characters. Legacy and Reception Upon release, The Comedians received mixed reviews. Critics praised the performances of Guinness and Gish but criticized the film’s lack of dramatic momentum. It failed to achieve the cultural or cinematic impact of other Greene adaptations like The Third Man (1949) or The Quiet American (1958). Still, the film remains an intriguing companion piece to the novel and a historical snapshot of Cold War-era anxieties. Conclusion The Comedians (1967) is an earnest but flawed adaptation of Graham Greene’s politically charged novel. While the film benefits from a prestigious cast and a faithful script, its slow pacing and uneven performances dilute the intensity of Greene’s vision. Fans of the novel or those interested in politically driven dramas may find it worthwhile, but as a cinematic experience, it falls short of fully conveying the haunting moral ambiguities that make Greene’s work so enduring.

(This is a recut for format and Education, and Research) Gremlins (1984) 🎄🎄🎄🎄/5 Gremlins is a 1984 American movie directed by Joe Dante and released by Warner Bros. It combines science fiction, horror, and comedy elements. Steven Spielberg was the movie's executive producer. The screenplay was written by Chris Columbus. Gremlins stars Zack Galligan as Billy Peltzer and Phoebe Cates as his girlfriend Kate Beringer. The creature Gizmo is voiced by Howie Mandel. The film was rated PG by the Motion Picture Association of America. The plot centers around a young man who is given a cute, furry animal as a pet. To his surprise, the animal reproduces when it is splashed with water. Its children later transform into dangerous monsters that threaten the small town of Kingston Falls on Christmas Eve. PetShop (1994) 🎄/5 A couple of alien slavers disguised as cowboys arrive to Earth and open up an E.T. pet shop in a small desert town where FBI hides witnesses against the mob to kidnap human children and sell them off at alien slave auctions. https://archive.org/compress/joe-bob-briggs-monstervision/formats=H.264&file=/joe-bob-briggs-monstervision.zip "Fair Use" under Title 17 for purposes such as Criticism, Comments, Education, and Research! I do not own this Content. All credits go to its rightful owner. This content may have been altered for use in Criticism, communication, Education, and Research.

Modesta (Antonia Hidalgo), a barrio woman, rebels against her husband's (Juan Ortiz Jimenez) authoritarianism. She and other women of her community who suffer the same treatment organize the Liberated Women League to fight for their rights.

☆☆ WEEKLY FEATURE MOVIE ☆☆ For educational/research purposes only Not for profit, fair use law The film is also known as The Rothschilds' Shares in Waterloo (International recut version, English title). It portrays the role of the Rothschild family in the Napoleonic wars. The Jewish Rothschilds are depicted in a negative manner, consistent with the anti-Semitic policy of Nazi Germany. The 1940 film has a similar title and a similar plot to a 1934 American film, The House of Rothschild, starring George Arliss and Boris Karloff, that presented the Rothschilds in a more positive light. It is one of three Nazi-era German films that provide an antisemitic retelling of an earlier film. The others, both released in 1940, bore titles similar to films released in 1934: The Eternal Jew was a documentary-format film with the same title as the 1934 film and Jud Süss was a drama based on a 1934 film adaptation of a 1925 novel. Directed by - Erich Waschneck Written by - Gerhard T. Buchholz, Mirko Jelusich , C.M. Köhn Produced by - C.M. Köhn (line producer) Cinematography - Robert Baberske Edited by - Walter Wischniewsky Music by - Johannes Müller Production company - UFA Distributed by - UFA Release date - 17 July 1940 Running time - 97 minutes Country - Nazi Germany Language - German Budget - 951,000 Box office - 2.5 million Actors Erich Ponto as Mayer Amschel Rothschild Carl Kuhlmann as Nathan Rothschild Herbert Hübner as Anthony Turner Albert Florath as Baring Hans Stiebner as Bronstein Walter Franck as Herries Waldemar Leitgeb as Wellington Hans Leibelt as King Louis XVIII Bernhard Minetti as Fouché Albert Lippert as James Rothschild Herbert Wilk as George Crayton Hilde Weissner as Sylvia Turner Ludwig Linkmann as Leib Herch Bruno Hübner as Ruthworth Rudolf Carl as Rubiner Michael Bohnen as Prince William IX Herbert Gernot as Clifford Theo Shall as Selfridge Ursula Deinert as Harriet Hubert von Meyerinck as Baron Vitrolles

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One of the all-time classic Arnold Schwarzenegger action films.

Army infantrymen (David Brian, John Agar) find time for romance as they work their way through Normandy after D-Day.

Flesh and the Spur is a 1956 American western film directed by Edward L. Cahn. The film stars John Agar as Lucius Random, Marla English as Wild Willow and Mike Connors (billed here as Touch Connors) as Stacy Tanner. The film was released by American International Pictures as a double feature with Naked Paradise. The plot is about a young cowboy who searches for the killer of his twin brother.

The Biggest Bundle of Them All -1968-Vittorio De Sica,Raquel Welch,Robert Wagner #fullmovie, #comedy, #VittorioDeSica, #RaquelWelch, #RobertWagner

Mr Mooney sends Lucy to deliver some papers pertaining to the financing of John Wayne's latest production. Despite his orders to drop off the papers with one of the studio's secretaries, Lucy insists on meeting Mr. Wayne in person at lunch and spills ketchup all over him. She then trails him to his movie set and causes all sorts of havoc. #ilovelucy #johnwayne #cultclassics #classicmovies #classictvshows Hit Subscribe to Get Daily Vintage Content!

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FullFreeMovies WesternMovie FreeYouTubeMovies The Villain Western Comedy Hal Needham Kirk Douglas Arnold Schwarzenegger Ann-Margret

New York lawyer Vinny has never won a case. When his teenage cousin Bill and his friend Stan are accused of murder in a backwater Alabama town, it's up to the nervous Vinny to save him from jail, even though he's only ever tried personal injury cases before, and none of them successfully. MOVIE-MA 1992 Comedy https://cash.app/$ktpita https://www.paypal.com/paypalme/ktpita71 https://www.venmo.com/u/ktpita71

Tang Lung arrives in Rome to help his cousins in the restaurant business. They are being pressured to sell their property to the syndicate, who will stop at nothing to get what they want. When Tang arrives he poses a new threat to the syndicate, and they are unable to defeat him. The syndicate boss hires the best Japanese and European martial artists to fight Tang, but he easily finishes them off. The American martial artist Colt is hired and has a showdown with Tang in Rome's famous Colosseum. IMDb: https://www.imdb.com/title/tt0068935

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Buddy Goes West (Western 1981) Bud Spencer

Alians Attacks on Earth

THE LEAD UP FILM TO THE UNTOUCHABLES SERIES IN OCTOBER 1959, STARRING ROBERT STACK AS ELIOT NESS, NEVILLE BRAND AS AL CAPONE.

The Eternal Jew (1940) With English subtitles. The Eternal Jew is a 1940 German documentary. The film's initial German title is Der Ewige Jude, the German term for the character of the "Wandering Jew" in medieval folklore. At the insistence of Germany's Minister of Propaganda, Dr Joseph Goebbels, the film was directed by Fritz Hippler. With a screenplay credited to Eberhard Taubert, the film consists of feature and documentary footage combined with materials filmed shortly after the German occupation of Poland. At this time, Poland's Jewish population was about two million,

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High Treason is a 1929 film based on a play by Noel Pemberton Billing. It was directed by Maurice Elvey, and stars James Carew, Humberstone Wright, Benita Hume, Henry Vibart, Hayford Hobbs, Irene Rooke, and Jameson Thomas. Raymond Massey makes his first screen appearance in a small role. The film was initially produced as a silent but mid-way during production, Elvey was pushed by the studio to add sound to the film in order to cash in on the talkies. Although a third of the film was filmed in sound, Elvey maintained much of the silent footage and dubbed over the dialogue for shots that were originally silent, with Elvey himself voicing some of the minor characters, which he admitted when interviewed by the Mantioba Free Press shortly after the film was released in the US. Likewise, BIP's Blackmail, directed by Alfred Hitchcock was also turned into a sound picture mid-way during production (concurrently when High Treason was also in production) and many of the silent scenes used dubbed dialogue and sound effects in a similar fashion to High Treason. The sound version of the film was presented in a London trade show on 9 August 1929, then went into UK general release in silent and sound versions on 9 September 1929. The sound version was released in the US by Tiffany Productions in a heavily cut version (running just over 60 minutes) on 13 March 1930. The silent version and a trailer for the sound version are preserved and held by the British Film Institute; the only known surviving original copy of the sound version is a lavender fine grain of the American release version held in the collection of Alaska Moving Image Preservation Association (AMIPA), which has been recently restored by the Library of Congress. The film is a science fiction drama set in a futuristic 1940 (though this was originally set in 1950 for the silent version). The plot and aesthetics of the film are heavily influenced by Fritz Lang's Metropolis. SYNOPSIS Women unite to prevent financiers from engineering a second world war. In 1940/50, world peace is threatened when the "United States of Europe" comes into conflict with the "Empire of the Atlantic States". The former comprises Europe, India, the Middle East, Canada, Africa, and Australasia. The latter is a combination of the United States and South America. In the film the prohibition era in America extends to 1940 and the tension is initially caused by bootleggers crossing the borders between territories. One such incident leads to a shoot-out between border guards in which both sides suffer casualties. War looks likely, but the pacifist Peace League intervenes. Meanwhile, we learn that the tension is in fact carefully orchestrated by a sinister terrorist group financed by arms manufacturers. They blow up a rail tunnel under the English Channel. The President of Europe orders a mass enlistment and mobilisation, fearing that the Atlantic States are preparing a sneak attack. Dr. Seymour, leader of the Peace League, desperately attempts to avert war. His daughter Evelyn seeks to convince her boyfriend Michael, commander of the European air force, not to fight, but he insists he must do his duty. Evelyn says she will leave him. The terrorists try to kill Dr. Seymour by bombing the Peace League, but Seymour survives. He tells Evelyn to make another effort to stop Michael ordering the airforce to attack, while he appeals directly to the President. CAST & CREW Jameson Thomas as Michael Deane Benita Hume as Evelyn Seymour Basil Gill as President Stephen Deane Humberston Wright as Dr. Seymour Henry Vibart as Lord Sycamore James Carew as Lord Rawleigh Hayford Hobbs as Charles Falloway Milton Rosmer as Ernest Stratton Judd Green as James Groves Alf Goddard as Tele-radiographer Irene Rooke as Senator Clifford Heatherley as Delegate Wally Patch as Commissionaire Raymond Massey as cabinet-maker Directed by Maurice Elvey Written by L'Estrange Fawcett Based on the play High Treason by Noel Pemberton Billing Produced by Gaumont British Picture Corporation Cinematography Percy Strong Music by Louis Levy (musical director) Distributed by Gaumont British (UK) Tiffany Pictures (US) Release date 9 September 1929 Running time 95 minutes Country United Kingdom Language English; also released in a silent version.

James Bond investigates the hijacking of British and Russian submarines carrying nuclear warheads, with the help of a K.G.B. agent whose lover he killed. Director Lewis Gilbert Writers Christopher Wood Richard Maibaum Ian Fleming Stars Roger Moore Barbara Bach Curd Jürgens

Former Z.O.W.I.E. spy Derek Flint (James Coburn) is called back from retirement after his former spy chief, Lloyd C. Cramden (Lee J. Cobb), is framed for prurient behavior with a prostitute, and U.S. President Trent (Andrew Duggan) experiences an incident of "lost time." After Flint discovers irregularities on a recently launched space-station mission, he realizes that an international conspiracy is afoot. He travels the world and assumes myriad disguises to unravel the nefarious plot.

'General Spanky' is a 1936 American comedy film produced by Hal Roach. A spin-off of Roach's popular Our Gang short subjects, the film stars George McFarland, Phillips Holmes, Rosina Lawrence, Billie Thomas and Carl Switzer. Directed by Fred Newmeyer and Gordon Douglas, it was originally released to theaters on December 11, 1936This film, a Civil War period piece, was intended as an experiment to determine if Roach could move Our Gang into features, as the double feature and block booking were slowly smothering his short subjects production. The film was a box-office disappointment and, after another year of shorts production, Roach ended up selling the Our Gang unit to MGM in May 1938.Spanky (George McFarland), Alfalfa (Carl Switzer), Buckwheat (Billie Thomas) and others form an army called "The Royal Protection of Women and Children Regiment Club of the World and Mississippi River". The group sees unexpected action when Union troops approach, engaging in battles more farcical than fierce. Using clowning tactics instead of military tactics, the kids stop the advance . . . and later save an adult friend from the firing squad. Principal cast Spanky McFarland as Spanfield George 'Spanky' Leonard Phillips Holmes as Marshall "Marsh" Valient Ralph Morgan as Yankee General Irving Pichel as Capt. Simmons, The Gambler Rosina Lawrence as Louella Blanchard Billie "Buckwheat" Thomas as Buckwheat Carl "Alfalfa" Switzer as Alfalfa Hobart Bosworth as Col. Blanchard Robert Middlemass as Overseer James Burtis as Boat Captain Louise Beavers as Cornelia William Best as Henry, the lazy slave Additional cast Harold Switzer as Harold Jerry Tucker as Jerry Flayette Roberts as Flayette—Gang kid in Army John Collum as Our Gang member Rex Downing as Our Gang member Dickie De Nuet as Our Gang member Ernie Alexander as Friend of Marshall Hooper Atchley as Slavemaster Harry Bernard as Man on the boat Jack Daugherty as General's Aid Walter Gregory as Capt. Haden Karl Hackett as First mate Henry Hall as Slavemaster Ham Kinsey as Man with paint on shoes Frank LaRue as Slavemaster Richard R. Neil as Col. Parrish Buddy Roosevelt as Lt. Johnson Jeffrey Sayre as Friend of Marshall Carl Voss as Second Lieutenant Jack Cooper as Bit role Alex Finlayson as Bit role Jack Hill as Bit role Portia Lanning as Bit role Harry Strang as Bit role Slim Whittaker as Bit role Von the Dog as Von

George Bailey is a man who has given up his dreams. In a moment of desperate frustration, George has thoughts of suicide on Christmas Eve. Immediately, his guardian angel, Clarence is sent from Heaven to intervene. Clarence shows George what life would have been like if he had never existed. Based on short story and booklet "The Greatest Gift," self-published by Philip Van Doren Stern in 1943. Which itself is loosely based on "A Christmas Carol" by Charles Dickens 1843. Lionel Barrymore, Ward Bond, Beulah Bondi, Frank Faylen, Gloria Grahame, Thomas Mitchell, Donna Reed, James Stewart, Henry Travers Nominated for 5 Academy Awards, including Best Picture. Produced and directed by Frank Capra. Makeup Supervisor Gordon Bau. (Thot ZaSu Pitts was in this movie... Maybe she should have been. She was great! Looked high & low for her in the net, beginning & ending credits--nope! Must have got confused w/ the name of the child--ZuZu. Oh, well!)

Race with the Devil is a 1975 American action horror film directed by Jack Starrett, written by Wes Bishop and Lee Frost, and starring Peter Fonda, Warren Oates, Loretta Swit, and Lara Parker. Roger Marsh and Frank Stewart own a successful motorcycle dealership in San Antonio, Texas. Together with their wives Kelly and Alice, and Kelly's small dog, they leave San Antonio in a recreational vehicle (RV) for a much anticipated ski vacation in Aspen, Colorado. Along the way, they set up camp in a desolate meadow in central Texas, where Roger and Frank race their motorcycles together. Later that night, after their wives retire to the RV, the men witness what turns out to be a Satanic ritual human sacrifice (Peggy Kokernot) a short distance from their campsite, across a river. After being chased by the Satanists and barely escaping with their lives, they arrive in a small town and report the incident to Sheriff Taylor, who investigates but attempts to convince them that they probably only saw hippies killing an animal. Unbeknownst to the sheriff, Roger steals a sample of dirt stained with the murder victim's blood, intent on delivering it to the authorities in Amarillo, as he became suspicious of being driven to the crime scene without having to offer any directions. At the same time, while cleaning, the wives find a cryptic rune pinned to the broken rear window of the RV, and they steal books about occultism from the local library to further research the incident, unaware they're being watched by a man in a red truck. One of the books reveals that the ritual is what Satanists often perform to gain magical powers. As the foursome leaves town, the sheriff notices the red truck that begins to follow the RV, making it clear that he is either aware or part of the Satanic cult. When the couples arrive at an RV park, Kelly sees she is being stared at by its residents while in a swimming pool and wants to return home. Nonetheless, she accepts a dinner invitation from another couple at the park. While at the restaurant/nightclub, Kelly again sees she is being stared at menacingly, this time by one of the musicians. When they return from dinner, the group discovers that Kelly's dog has been killed and hanged from the RV's broken open door, causing them to immediately leave the park. Shortly afterward, they find two rattlesnakes planted in the cupboards by the cultists. The frightened Kelly and Alice scream and panic, causing Frank to accidentally drive into a tree and break the RV motor's fan before the snakes are killed. The next day, Kelly's dog is buried, after which Roger and Frank repair the motor and find their motorbikes' tires, wheels and gas tanks cut. They purchase a shotgun and head towards Amarillo while being spied on by a steadily increasing number of cultists who seem to be networked throughout numerous small Texas towns. When Roger tries to place a long-distance call to the highway patrol, he finds one dead payphone and another with a "bad connection", and is told that long-distance service is down by a "big wind from up north". The couples leave for Amarillo and are chased by the Satanists in various trucks, which the couples escape. Later, they encounter a staged school bus "accident" that Frank sees through, since it occurs on a Sunday, and none of the children appear hurt. The couples flee the scene and have another showdown with the cult members during another high-speed chase that pits their RV against numerous trucks and cars. Roger and Frank kill or injure most of the attackers, and the couples escape. The RV's headlights were damaged during the chase, which forces the foursome to stop in a field at nightfall. They begin to celebrate when they pick up a radio signal coming from Amarillo. In the middle of their celebration, they hear chanting outside the RV and find themselves surrounded by cult members wearing black robes with hoods, including Sheriff Taylor and the couple with whom they had dinner. The film ends as the cultists light a ring of fire around the RV, trapping the couples inside while the chanting continues.

Mote: This 'documentary' also exactly show what sick world we all live in... And my Fucking World... Just have a Party... Have a Fucking 'Good' time... Drink, Smoke Hash/Cannabis, take Drugs and Fuck everyone as you can.. DONT think and TALK on What the Fuck is going on in this Sick World we all live in... And the Fucking 'Signal' you are sending to the Children and young people on how you Live your life... The World all our Children are gonna grow up and live in... Fucking just be happy and dont worry... Right! The reason I get fucking angry are also personal reasons... And my Mother Fucking know why... Fucking Sick... -- "For men shall be lovers of their own selves, covetous, boasters, proud, blasphemers, disobedient to parents, unthankful, unholy, Without natural affection, trucebreakers, false accusers, incontinent, fierce, despisers of those that are good, Traitors, heady, highminded, lovers of pleasures more than lovers of God; Having a form of godliness, but denying the power thereof: from such turn away." - 2 Timothy 3:2-5 "The acts of the flesh are obvious: sexual immorality, impurity and debauchery; idolatry and witchcraft; hatred, discord, jealousy, fits of rage, selfish ambition, dissensions, factions and envy; drunkenness, orgies, and the like. I warn you, as I did before, that those who live like this will not inherit the kingdom of god. But the fruit of the spirit is love, joy, peace, forbearance, kindness, goodness, faithfulness, gentleness and self-control. Against such things there is no law. Those who belong to christ jesus have crucified the flesh with its passions and desires. Since we live by the spirit, let us keep in step with the spirit". - galatians 5:19-25 "For we wrestle not against flesh and blood, but against rulers, against principalities and powers, against the rulers of darkness of this world, and spiritual forces of wickedness in heavenly realms". - Ephesians 6:12 "Be Sober, be viligent; because your adversary the Devil, as a roaring lion, walketh about, seeking whom he may devour! - 1 Peter 5:8 (KJV) "And the light shineth in darkness; and the darkness comprehended it not!" - John 1:5 (KJV) "Take no part in the unfruitful works of darkness, but instead EXPOSE them. For it is shameful even to speak of the things that they do in secret!" - 2 Timothy 3:5 -- Overview: A drama about a Maori family living in Auckland, New Zealand. Lee Tamahori tells the story of Beth Heke’s strong will to keep her family together during times of unemployment and abuse from her violent and alcoholic husband. Released: 1994-09-02 Genre: Drama Casts: Rena Owen, Pete Smith, Julian Arahanga, Joseph Kairau, Taungaroa Emile Duration: 99 min Country: New Zealand Production: NZ on Air, New Zealand Film Commission, Avalon Studios Note: Remember ADDBLOCK on this site: https://dopebox.to/movie/watch-once-were-warriors-online-hd-57937 https://dopebox.to/watch-movie/watch-once-were-warriors-online-hd-57937.5413699 IMDB RATING: 8.0 http://www.imdb.com/title/tt0110729/ Source: Showing 8 of 9 matches: https://www.bitchute.com/search/?query=once%20were%20warriors&kind=video

"The Over-the-Hill Gang Rides Again" is a made-for-television Western comedy film that originally aired on ABC in 1970. It is a sequel to the 1969 TV movie "The Over-the-Hill Gang." The film was directed by George McCowan and written by Richard Carr. The story revolves around a group of retired Texas Rangers who reunite to help their town when it faces a new threat. The main cast includes Walter Brennan, Fred Astaire, Edgar Buchanan, Andy Devine, Chill Wills, and Lana Wood. The film is known for its humor and lighthearted take on the Western genre, with the premise centering on the idea of elderly lawmen coming out of retirement to take on one last adventure. "The Over-the-Hill Gang Rides Again" is a nostalgic and entertaining film that capitalizes on the charm of its veteran cast. It's worth noting that this movie is a product of its time, with a style and tone characteristic of Western comedies from the late 1960s and early 1970s. If you enjoy classic Westerns with a comedic twist, this film might be a fun watch.

The story follows Louisa May Foster (Shirley MacLaine), a woman who, despite her best efforts, seems to find herself married to an extremely wealthy but tragically unlucky man. Each time she marries, her husbands meet untimely, often absurd deaths, and Louisa ends up inheriting their fortunes. Over the years, Louisa becomes a widow multiple times, with each marriage resulting in a bizarre or unfortunate death for her husband. First, she marries a poor man (Paul Newman) who later becomes a successful artist, but he dies in a strange accident. Then, she weds a playboy millionaire (Dean Martin), and he too meets an unusual end. This pattern continues with her final husband, a rich businessman, played by Dick Van Dyke. As Louisa becomes wealthier after each marriage, her mental and emotional state is tested. The film humorously explores the absurdity of her situation, the theme of bad luck, and the idea that wealth can’t buy happiness.

Watch Exodus (1960), an epic action drama based on Leon Uris's best-selling novel. This classic film follows the dramatic story of the founding of Israel, starring Paul Newman in a powerful performance. Experience the gripping historical narrative that shaped a nation. Don’t miss this cinematic masterpiece—watch the full movie now!

1935 directed by Leni Riefenstahl starring Adolph Hitler with star appearances by Herman Goering, Josef Goebbels, Max Amann, Martin Bormann, Walter Buch, Heinrich Himmler and thousands of adoring Germans. The Fuhrer decsends from the clouds to bless the German people with several days of speeches and fanfare while Nazis step in time to celebrate the takeover of the Nazi death-cult. Sieg Heil, everybody!

ROOTS ep.6 Number in parentheses indicates how many episodes in which the actor/character appears. Main cast John Amos – Older Kunta Kinte (3) Maya Angelou – Nyo Boto (1) Ed Asner – Capt. Davies (2) Lloyd Bridges – Evan Brent (2) Georg Stanford Brown – Tom Harvey (2) LeVar Burton – Young Kunta Kinte (2) Macdonald Carey – Squire James (1) Olivia Cole – Matilda (3) Chuck Connors – Tom Moore (2) Scatman Crothers – Mingo (1) Ji-Tu Cumbuka – Wrestler (2) Brad Davis – Ol' George Johnson (2) Sandy Duncan – Missy Anne Reynolds (2) Lynda Day George – Mrs. Reynolds (3) Louis Gossett Jr. – Fiddler (3) Lorne Greene – John Reynolds (2) Moses Gunn – Kintango (1) George Hamilton – Stephen Bennett (1) Hilly Hicks – Lewis (2) Burl Ives – Sen. Arthur Justin (1) Lawrence Hilton-Jacobs – Noah (1) Carolyn Jones – Mrs. Moore (2) Doug McClure – Jemmy Brent (1) Ian McShane – Sir Eric Russell (1) Lynne Moody – Irene Harvey (2) Vic Morrow – Ames (2) Thalmus Rasulala – Omoro (1) Robert Reed – Dr. William Reynolds (4) Harry Rhodes – Brima Cesay (1) Richard Roundtree – Sam Bennett (1) John Schuck – Ordell (1) Paul Shenar – John Carrington (1) O.J. Simpson – Kadi Touray (1) Madge Sinclair – Bell Reynolds (3) Cicely Tyson – Binta (1) Leslie Uggams – Kizzy Reynolds (2) Ben Vereen – Chicken George Moore (3) Ralph Waite – Third mate Slater (2) William Watson – Gardner (1) Ren Woods – Fanta (2) Also appearing Lane Binkley – Martha Johnson (2) Tanya Boyd – Genelva (2) Todd Bridges – Bud (1) Grand L. Bush – Captured runaway slave (1) Gary Collins – Grill (1) Charles Cyphers – Drake (1) Thayer David – Harlan (2) Richard Farnsworth – Trumbull (1) Tracey Gold – Young Missy Reynolds (1) Brion James – Slaver (1) Macon McCalman – Poston (1) Richard McKenzie – Sam Harvey (2) John Quade – Sheriff Biggs (1) Roxie Roker – Malizy (1) Lillian Randolph – Sister Sara (1) Raymond St. Jacques – Drummer (1) Austin Stoker – Virgil (2) Ernest Lee Thomas – Kailuba (1) Beverly Todd – Older Fanta (1) Zack Fisher as Abraham Lincoln Roots is an American television miniseries based on Alex Haley's 1976 novel Roots: The Saga of an American Family, set during and after the era of slavery in the United States https://rumble.com/v3ojqra-roots-1977-miniseries-episode-1-banned-black-history.html

SHOCK TROOP 1917 (1934) This is a 1934 German war film written and directed by NSDAP member Hans Zöberlein and starring Ludwig Schmid-Wildy, Beppo Brem, Max Zankl, Hans Possenbacher. It was financed by the National Socialist government; and featured German military and SA troops in its cast. The story of the steel hurricane known as the Great War, told from the German perspective following an infantry assault company on the Western Front in 1917. #history Telegram https://t.me/Barkic_Branko_Vinko https://t.me/Barkic_Branko VK : https://vk.com/barkic_branko https://vk.com/club167460747 Rumble https://rumble.com/account/content?type=all Facebook https://www.facebook.com/profile.php?id=100010455100385 https://www.facebook.com/barkic.banko https://www.facebook.com/groups/258216981488462 https://www.facebook.com/groups/1672837666336259 https://www.facebook.com/groups/2407136332751695 https://www.facebook.com/groups/Barkic YouTube https://www.youtube.com/channel/UCRAzQLUEu69kY5Hbv17gYEQ https://www.youtube.com/channel/UCFUHKhrBtJSN5dhnMhbW1rA Barkic Branko - Kontakt – [email protected] Infos Europäischer Gerichthof ( Councl of Europa ) Für Menschenrehte/Europarat ( Europski Sud za Ljudska Prava ) F – 67075 Strasbourg Cedex Kontakt – 0033388412018

On the Allied invasion and conquest of Western Europe, 1944-1945. Reel 1, German officers inspect coastal defenses in France. Survivors are rescued from a freighter sinking in the North Atlantic. A U.S. transport arrives at Liverpool and troops debark. Shows street scenes in London and servicemen's clubs. Troops run obstacle courses and scale cliffs in training. Reel 2, Gens. Arnold, Montgomery, and Marshall meet in SHAEF headquarters. Landing craft for "Operation Mulberry," tanks, munitions, and gasoline supplies are assembled on English coasts. Pres. Roosevelt, Churchill, and Stalin pose at Teheran, Dec. 1943. Gens. Eisenhower, Bradley, and Montgomery pose at SHAEF headquarters. Goring, et al. inspect Normandy defenses. B-17s bomb marshalling yards. Invasion convoys assemble at Southampton; ships are loaded and rest in the harbor; Gen. Eisenhower inspects troops; and the convoy weighs anchor. Reel 3, paratroops and gliders land behind the beaches. Naval guns bombard the beaches. Landing craft hits the shoreline. British troops crawl inland across fields and dig in. Wounded huddle together on Omaha Beach. Supplies are ferried to shore in LCTs. Reel 4, British mortars pound Caen and troops fight through the streets. Improvised beach facilities are erected in "Operation Mulberry." British troops advance through hedgerows outside Cherbourg. Artillery blasts the city and Allied troops enter. Maquis units are armed. Harbor installations are repaired. A tank battle rages south of Caen. Reel 5, refugees return to rubbled St. Lo. Prisoners of war are taken. Tanks of the 3rd Army roll through villages and are greeted by throngs of people in Rennes. Shows Gen. Patton. Allied infantry is pinned down by artillery fire near Mortain. Royal Air Force (RAF) Typhoon fighter planes are armed, take off, and strafe the Nazi positions. Armored units roll toward Argentan under artillery support. Reel 6 shows abandoned and destroyed Nazi equipment. Thousands of Nazis surrender. Tanks roll toward Paris. Germans retreat as Free French forces, led by Gen. de Gaulle, enter Paris. 20,000 Germans surrender to British outside Brussels. Infantry and tank units cross the German border. Reel 7, infantry units assault Siegfried Line defenses. Paratroops land near Arnhem and gliders near Eindhoven in the Netherlands. Assault troops land on the Scheldt Islands and at Antwerp. Trucks are loaded at Antwerp and roll toward the front. Wintry weather strikes Allied positions from the Low Countries to the Vosge Mountains. Reel 8, infantry units at Arnhem and Bastogne are cut off and blasted by German artillery. Allied artillery and rocket fire effects a breakthrough and armor moves forward from "The Bulge." Pres. Roosevelt, Churchill, and Stalin meet at Yalta. Armored units enter Cologne. Assault boats are moved by truck across Belgium to the Rhine. The 9th Armored Division crosses a bridge at Remagen. Troops cross in an amphibious operation. Paratroops drop on the east bank. Reel 9, thousands of Nazis surrender. U.S. prisoners are liberated. Belsen prison camp is occupied. Shows scenes of Nazi atrocities. U.S. and Russian troops meet at the Elbe. Shows brief scenes at conference tables as German leaders surrender. Find out more about the restoration of this film, featured in "The Unwritten Record," the National Archives blog of the Special Media Archives Services Division: http://blogs.archives.gov/unwritten-record/2014/05/29/restoring-the-true-glory/ Creator(s): Department of Defense. Department of the Army. Office of the Chief Signal Officer. (09/18/1947 - 02/28/1964) (Most Recent) Series : Documentary Films, compiled ca. 1914 - ca. 1944 Record Group 111: Records of the Office of the Chief Signal Officer, 1860 - 1985 Production Date: 1945 General Note(s): Credits: [Director, Carol Reed, Garson Kanin; Script, Eric Maschwitz, Arthur MacRae, Jenny Nicholson, Gerald Kersh, Guy Trosper; Editor, Robert Verrell; Music, William Alwyn.] Contributor: Producer, Signal Corps in cooperation with the Ministry of Information (Great Britain). Distributed by the Office of War Information. Use Restriction(s): Undetermined Contact(s): National Archives at College Park - Motion Pictures (RD-DC-M), National Archives at College Park, 8601 Adelphi Road, College Park, MD 20740-6001 Phone: 301-837-3540, Fax: 301-837-3620, Email: [email protected] National Archives Identifier: 35912 Local Identifier: 111-M-1211 http://research.archives.gov/description/35912 Fair Use Disclaimer: All content that uses public funds by any US government agency, state, or local government is available for worldwide use and reuse under the terms of the Creative Commons CC0 1.0 Universal license. Included within these resources may be copyrighted material(s), the use of which has not always been specifically authorized by the copyright owner. Any copyrighted content used is for educational, research, reporting, commentary, entertainment, informational, and criticism purposes. 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During many missions, Dom Toretto and his family outwitted, outwitted and outwitted all enemies in their path. Now they face the deadliest adversary they've ever faced: a terrifying threat rising from the shadows of the past, motivated by bloody revenge, determined to tear this family apart and destroy everything—and everything—Dom loves forever. . Marshside village: Toiminta, Trilleri, Kaikki eloquent, Rikos Rolantaro: Benicio Del Toro, Josh Brolin, Carlos Munoz Portal, Willard Overstreet, Bill Holmquist, Orlando Hernandez, Richard Foreman Jr., Hans Bjerno, Brad Arensman, Stacey Butterworth, Lori McCoy-Bell, Emily Egge, Darryl Garcia Jr., David B. Nowell, Saleem Watley, Corey Welk, Sarah M. Pennington, Jennifer Gingery, Wolf Schneider, Brian Austin Wenrich, Ernest M. Sanchez, Kevin Murray, Juan Pablo Noval, Anthony Simonaitis, Eva Jensen, Derek Wentworth , Keith Walters, Patrick A. . Reynolds Jr., Carlos Y. Jacques, Bonnie Masoner, Michelle Kelly, Katy Wood, Katy Wood, Bradford Bell, Lawrence Decker, Michael Meinardus, Whitney Coleman, James Goldman, Jennifer Josephson, John Trejo, Erik Messerschmidt, Trent Luckinbill, Emma McGill , Marie A. Kohl, Al Goto, Elissa Kannon, Michael Miller, Christopher Flick, Russell Cannon, Arthur Kirk Martin, Guillaume Poulin, Jonathan Watkins, Donald Murphy, James Ashwill, Alexandre Lafortune, Annie Johnson, Brenda Yanez, Samuli Kosminen, Damon Marcellino, Marisol Roncali, Nancy Lamontagne, Luis Yañez Jacques, Christopher Walsh, Raphael Letertre, Céline Zapater, Louis-Charles Lapointe, Nick Jimenez, Brian Barela, Maeve Wilson, Stephen Nakamura, Lawrence L. Commans, Melanie North Sla Rue, , Frédéric Norda, Louis Delavenne, Wynema Chavez, John D. Miller, Dan Ming, Jack Taggart, Doug Uttecht, Peter Graf, Jason Oliver, Michael Gaspar, Bob Riggs, Ethan Scroggins, Sean McClellan, Genica Lee, Matthew R. Williams, Jonathan Lheureux, Skylar Gorrell, Phyllis Corcoran-Woods, Jovany Garcia, Olivier Blanchet, William Cote, Etienne Deshaies, Rene Morel, Adam Harrison, No-e Gomez, Jeremy Chiordi, Etienne Poulin St-Laurent, Erica Lee, Ryan N ., Patricia Leblanc, John Tripp, Heather Martini, Rebecca Hill Casey, Raylin Sabo, Giovanni DiGiorgio, Josh Fapp, Eboni Price, Elizabeth Gabel, David Bishop Noriega, Moïse Charest, Stéphane Keller, Mai-Anh Tran, Matthieu Veillette, Alexandra Robert , John C. Cameron, Rodney Sandoval, Ester Kim, Jonathan Gesinski, Dee Schuka, Christian Wenger, Olafur Bjorn Olafsson, Jonathan Grégoire, Dawid Borkiewicz, Jean-Michel Cristofaro, Samuel Jacques, Vincent Vezina, Romain Hubert,Isabella Merced, Jeffrey Donovan, Manuel Garcia-Rulfo, Catherine Keener, Matthew Modine, Shea Whigham, Elijah Rodriguez, Howard Ferguson Jr., David Chestnut, Jacqueline Torres, Jake, Bruno Max Trujillo Picking, Arturo Maese Bernal, Faisal Ahmed, Graham Beckel, Lourdes Del Rio Garcia, Christopher Heyerdahl, Ian Bohen, JD Picking. Garfield, Ryan Begay, Diane Villegas, Ibrahim Renno, Alexander Calju, Brian Reynolds, Frederick North, Joseph A. Garcia, JD Garfield. Marmion, Hector Dez, Jon Christian Moore, Thang Khan Gin, Mang Khai, Zaw Tan, Mickey Dolan, Alex Cacho, Rick Vargas, Lloyd Voights, Rob Franco, Oscar Avila, Billy R. Sanchez, Gary Anthony Castro, Iliana Donatlan, Beth Bailey, Stafford Douglas, Nick Shakoour, Zakaria Ali, Tasha Ames, David Manzanares, Connor Skific, Jackamoe Buzzell, Christian Pedersen, Ryan Jason Cook, Chris Adams, Catherine Haun, Barrett James, Gonzalo Robles, Cassandra Roche Fetters, Tim Aydelott, Reuben Leedy Corbin, James Devoti, Lawrence Gilligan, Andrea Good, Alison Grainger, Johnnie Hector, Sharon Anne Henderson, Alan Humphrey, Jose B. Martinez, Aaron Mastriani, Manny Rubio Lyle Sandoval,Tenzin Marco-Taylor, Dan Davidson, Sherman Allen, Michael Slusher E. Stogner, Cheo Wall, Sandra L Velez, Tsailii Rogers, Jay Moore, Gregory Paul Valdez, Dariusz Wolski, Mary Vernieu, Jimmy Ortega, Edward McDonnell, Meg Everist, Deborah Lynn Scott, Erik Feig, John Caglione Jr., Kevin Kavanaugh, Roland N. Thai, Lee Scott, Chris Palermo, Ellen H. Schwartz, Marisa Frantz, Molly Smith, Joe Bucaro III, Basil Iwanyk, Thomas Rosales Jr., Lee Brunet, Tod Gerit Georgia Tornai Packard, Jacob Cottrell, Robert Chase Derian, James McCray, David Ochoa, Michael Neal, Daniel Remillard, Patrick Toohey, Arlen Cooke, Justin Gonzales, Steven Maes, Justin Meriwether, Bryan Chapman, JoAnna Maes-Corlew, Carma Harvey, Emmanuelle Thad Luckinbill, Jo Edna Boldin, Richard Middleton, Gary Archer, David Brownlow, Dean A. Zupancic, Mitch Toles, Amos Carver, Doug Coleman, Doug Coleman, Peter Epstein, Justice Whitaker, Barbara Harris, Shone Taylor, Stefano Sollima, Andrejs Prokopenko, Alejandro Reza, Matthew Newman, Omar Ayala, Bobby Burns, Hildur Guðnadóttir, Hildur, Guðllacnadóttir, Hildur, Guðnadóttir, Paul E. Short, Bren Cook, Dan Oand#8217;Connell, John T. Reitz, John T. Cucci, Steve Gehrke, Alan Robert Murray, Johano, Lisa Ward, Lonam Fogleman, John Laing, Laila Weeks, Mary Bowman, Diana Navarrete, Paulina Reyes, Sarah Everest, Shawn Roberts, Stéphane Rioux, Karen Arredondo Lopez, Francesco Cadoni, Marcin Charlicki, Juan Fermin Maldonado, Rosi Rames Ruiz Jean -Michel St-Pierre Lapierre, Felix Vallieres, Tim Blake, Philip Harris-Genois, Colin McBain, Lucy Cooke, Sarah Elizabeth Howe, Frederique Gollain, Widy Haral, Emmanuelle Ngan Sing, Jessica Toucoula, Jozelle Andersriquez, Salvador Melliquez, Adrianago Juza Susan Murphy, Sarah Mummey, Jacob Swanson, Josh Mason, Stephanie ja#039;Tutyand#039; Correa, Zac Pitre, Carrie Leonard de Aguirre, Tabata Gasse Estrada, J. Alexander Douglas, Daniel James Chavez, Daniel James Chavez, Andy Ochoa, Mario ja#039;Pikachuand#039; Rojas, Viktor Orri Árnason, Viktor Orri Árnason, Kjartan Hólm, Roman Vinuesa, Ben Roe, Ruben Portal, Elizabeth Storm Dwyer, Shani Orona, Miranda Rivera, Vanessa Zamarripa, Þórarinn Guðnason

Due sorelle, Anna e Ester, di ritorno a casa dalla villeggiatura attraversano in treno un paese straniero; con loro è Johan, il figlio di Anna. Ester ha un malore, i tre sono costretti a fermarsi nella prima città raggiunta, che ha il nome di Timoka. La lingua che si parla nel paese è totalmente sconosciuta, un misto di magiaro e lingue slave. Prendono alloggio in un albergo. Il clima è soffocante, il bambino non ha nulla da fare tutto il giorno e curiosa nei corridoi dell'hotel dove rimane incantato davanti a un quadro che rappresenta il mito di Nesso e Deianira [N 1] e scopre una troupe di nani spagnoli. È difficile anche comunicare con l'anziano e gentile cameriere che si prodiga in ogni modo per aiutare Ester. Insofferente per il caldo e l'inattività, Anna esce lasciando soli il figlio e la sorella. Entra in un bar, dove attrae l'attenzione del cameriere. Sfoglia un giornale scritto nella lingua incomprensibile, si capisce solo il nome J.S. Bach. Più tardi in albergo è proprio la musica di Bach che permette di comunicare brevemente con l'anziano cameriere. Anna entra in un teatro dove recita l'équipe di nani; nel palco accanto a lei un uomo e una donna fanno l'amore senza alcun pudore, lei li osserva affascinata. Frattanto, dopo avere bevuto troppo alcol, Ester chiacchiera con il nipote; la sorella rientra di soppiatto e fa un lungo bagno. Più tardi vorrebbe ancora uscire; affrontata da Anna, le rivela di avere fatto l'amore con un uomo incontrato al bar, e rinfaccia alla sorella alcune cose che si portava dietro da tempo. La accusa di non volerle bene, Ester assicura che la ama. Uscita dalla stanza, Anna si incontra nel corridoio dell'albergo con il suo amante e si infilano in un'altra camera, Johan li vede e lo rivela alla zia. Ester bussa alla porta, la sorella apre per farle vedere l'uomo con cui ha avuto un altro rapporto. Ester aspetta fuori dalla stanza ma si sente male e si accascia. Anna la ritrova solo quando esce, la riportano in camera, poi comunica alla sorella che il giorno dopo ripartirà con il figlio, lasciandola da sola. È come se avesse tagliato ogni vincolo con lei. Assistita del cameriere anziano, Ester, che di mestiere è traduttrice, scrive su un foglio alcune parole della lingua sconosciuta per il nipote. L'addio è struggente, Johan pensa che non rivedrà più la zia, Anna invece è molto fredda. In treno, Johan comincia a leggere il piccolo vocabolario della zia e pronuncia a voce alta “Hadjek”.

C'è una guerra in corso ed Eva e Jan Rosenberg, marito e moglie violinisti, si sono rifugiati su un'isola dove trascorrono i giorni, lontano dal conflitto, coltivando un frutteto e vivendo del suo ricavato. Mentre stanno innaffiando le piante, dopo essere stati in città per vendere i lamponi raccolti e aver discusso sulla possibilità di avere un bambino per rinsaldare il loro rapporto, da un aereo si getta con il paracadute un pilota. Inutilmente cercano di prestargli soccorso. Il pilota è morto e i due vengono interrogati da alcuni soldati che li accusano di aver sparato al pilota, e registrano le loro parole con una cinepresa. Jan, che soffre di disturbi cardiaci, sviene e la moglie, dopo avergli somministrato una pillola, lo conforta. Si sentono degli spari e Jan ed Eva decidono di fuggire in auto, ma, dopo aver attraversato la campagna disseminata di cadaveri, trovano la strada bloccata e sono costretti a ritornare indietro. Il giorno dopo si recano in città per fare delle compere e vengono fermati dai militari che, dopo averli condotti al comando di polizia, li interrogano dopo averli malmenati. L'intervista del giorno prima era infatti stata manipolata e i due vengono accusati di collaborazionismo con il nemico e imprigionati. Nell'adunata nel cortile del carcere vengono decretate le pene; i due vengono condotti nell'ufficio del colonnello Jacobi che, conoscendo Eva ed avendo avuto per lei in passato una simpatia, li favorisce e li libera. In seguito, Jacobi porta alcuni doni. In un momento di intimità, Jacobi esprime verso Eva delle chiare avance, e le dà anche parecchio denaro, ma lei gli dice di non aver mai tradito Jan; nel frattempo Jan beve molto e si addormenta, mentre Eva e Jacobi si allontanano verso la serra. Giungono nel frattempo dei soldati nemici di Jacobi, che lo catturano e gli chiedono dei soldi; l'uomo quindi prega Eva di restituirgli quanto le aveva dato. Ma Eva non ha più il denaro, che è stato preso da Jan, il quale finge di non saperne nulla. La casa viene brutalmente messa a soqquadro dai soldati, senza trovare il denaro. A questo punto il comandante nemico fa porre Jacobi di spalle e porge una pistola a Jan, che dopo una prima esitazione spara contro Jacobi, uccidendolo. La casa viene data alle fiamme e i due si rifugiano nella serra, dove Jan mostra ad Eva il denaro nascosto nella propria tasca. Successivamente incontrano un uomo armato, un disertore, ed Eva, presa da compassione, gli offre da mangiare, ma Jan, che è ormai contagiato dalla guerra, non è più l'uomo mite e pauroso di prima: dopo averlo derubato, uccide anche lui. Eva e Jan abbandonano l'isola e, caricate poche cose su un carretto, si dirigono al mare e, visto un barcone che sta per salpare, dopo aver pagato vengono fatti salire. Il mare è pieno di cadaveri di soldati.[1]

James Bond is targeted by the world's most expensive assassin, while he attempts to recover sensitive solar cell technology that is being sold to the highest bidder. Director Guy Hamilton Writers Richard Maibaum Tom Mankiewicz Ian Fleming Stars Roger Moore Christopher Lee Britt Ekland

Baby Doll is a 1956 American black comedy film directed by Elia Kazan and starring Carroll Baker, Karl Malden and Eli Wallach. It was produced by Kazan and Tennessee Williams, and adapted by Williams from his own one-act play 27 Wagons Full of Cotton (1955). The plot focuses on a feud between two rival cotton gin owners in rural Mississippi. Filmed in Mississippi in late 1955, Baby Doll was released in December 1956. It provoked significant controversy, mostly because of its implied sexual themes, and the National Legion of Decency condemned the film. Despite the moral objections, Baby Doll enjoyed a mostly favorable response from critics and earned numerous accolades, including the Golden Globe Award for Best Director for Kazan and nominations for four other Golden Globe awards, four Academy Awards and four BAFTA Awards. Wallach won the BAFTA award for Most Promising Newcomer. Baby Doll has been listed by some film scholars as among the most notorious films of the 1950s, and The New York Times included it in its Guide to the Best 1,000 Movies Ever Made.[1] Plot In the Mississippi Delta, bigoted, middle-aged cotton gin owner Archie Lee Meighan has been married to pretty, naïve 17-year-old "Baby Doll" Meighan for two years. Archie Lee impatiently waits for her 18th birthday, when, by prior agreement with her now-deceased father, the marriage can finally be consummated. In the meantime, she sleeps in a crib, because the only other bedroom furniture in the house is the bed in which Archie sleeps; Archie, an alcoholic, spies on her through a hole in a wall. Baby Doll's senile Aunt Rose Comfort lives in the house, as well, much to Archie's chagrin. After defaulting on payments to a furniture-leasing company due to his failing cotton gin, virtually all the furniture in the house is repossessed, and Baby Doll threatens to leave. Archie's competitor, a Sicilian-American named Silva Vacarro—who is manager of a newer and more modern and profitable cotton gin—has taken away all of Archie's business. Archie retaliates by burning down Vacarro's gin that night. Suspecting Archie as the arsonist, Vacarro visits the farm the following day with truckloads of cotton, offering to pay Archie Lee to gin for him. Archie asks Baby Doll to entertain Vacarro while he supervises the work, and the two spend the day together. Vacarro explicitly inquires about Archie's whereabouts the night before and makes sexual advances toward her. When Vacarro outright accuses Archie of burning down his gin, Baby Doll goes to find Archie, who slaps her in the face and leaves for town to purchase new parts for his gin. Vacarro comforts Baby Doll, and after becoming friendly, Vacarro forces her to sign an affidavit admitting Archie's guilt. He then takes a nap in Baby Doll's crib, and is invited for supper at Baby Doll's request as a storm approaches. Archie, drunk and jealous of Baby Doll's romantic interest in Vacarro, angrily tells Aunt Rose she needs to move out of the house; Vacarro immediately offers to let her live with him as his cook, and Baby Doll and he flirt with each other and taunt Archie. After Vacarro confronts Archie with the affidavit, Archie retrieves his shotgun and chases Vacarro outside while Baby Doll calls the police. The police arrive, and Archie is arrested when Vacarro presents them with the affidavit. Vacarro then leaves the farm, telling Baby Doll he will be back the following day with more cotton. As Archie is taken away by the police, remarking that it is Baby Doll's birthday, Baby Doll and her Aunt Rose return inside the house to await Vacarro's return. Cast Karl Malden as Archie Lee Meighan Carroll Baker as Baby Doll Meighan Eli Wallach as Silva Vacarro Mildred Dunnock as Aunt Rose Comfort Lonny Chapman as Rock Eades Hogue as Town Marshal Noah Williamson as Deputy R. G. Armstrong as Townsman Sid (voice only, uncredited) Madeleine Sherwood as Nurse in Doctor's Office (uncredited) Rip Torn as Dentist (uncredited) Production Development Jack Garfein, Carroll Baker, and Elia Kazan on the set of Baby Doll Although the film's title card reads "Tennessee Williams' Baby Doll" and the film is based on Williams' one-act play 27 Wagons Full of Cotton, Elia Kazan claimed in his autobiography that Williams was only "half-heartedly" involved in the screenplay and that Kazan actually wrote most of it.[2][3] Casting Kazan cast Baby Doll using numerous alumni of the Actors Studio, including each of the principal cast members.[4] Carroll Baker was Kazan's first choice for the title role, although Williams had considered Marilyn Monroe for the part.[2][5] Williams favored Baker after she performed a scene from his script at the Actors Studio. Kazan had been impressed by her performance in All Summer Long on Broadway the year prior.[6] Eli Wallach was cast in his first screen role[7] but was hesitant, as he was unfamiliar with film acting and lacked confidence in his ability.[8] Although racial segregation was still present in Mississippi at the time,[9] several local black actors appear in bit parts.[7] Actors Studio alumnus Rip Torn appears in an uncredited role as a dentist.[8] Filming Principal photography began in October 1955 in Benoit, Mississippi[10] at the J.C. Burrus house, an 1848 antebellum home in Bolivar County.[7] Kazan asked the actors to dress the home's interiors with props that they felt reflected their characters' personalities.[7] Other shooting locations included nearby Greenville, Mississippi and New York City.[2] According to Kazan, Williams did not stay long while the film was shooting in Benoit because of the way in which locals looked at him.[2] Some locals were used for minor roles, and one called "Boll Weevil" acted and also served as the production unit's utility man.[2] The working titles for the film included the name of the play and Mississippi Woman. Baker claims that Kazan changed the title to Baby Doll as a present to her.[7] Release Box office Baby Doll premiered in New York City on December 18, 1956, opening the following week in Los Angeles on December 26 before receiving an expanded release on December 29.[7] During its opening week at New York's Victoria Theater, the film earned promising box-office returns, totaling $51,232.[11] It grossed a total of $2.3 million at the U.S. box office.[12] According to Kazan, the film was ultimately not profitable.[13] Claims of indecency Cardinal Francis Spellman, Archbishop of New York, protested the film. Baby Doll courted controversy before its release with the display of a promotional billboard in New York City that depicted Baker lying in a crib and sucking her thumb.[14] Cardinal Spellman urged both Catholics and non-Catholics to avoid the film, deeming it a moral danger.[15] Although Baby Doll received a seal of approval from the MPAA, Motion Picture Herald criticized the approval, noting: "Both the general principles of the Code and several specific stipulations are tossed aside in granting the film a Code seal. Among these, the law is ridiculed, there are sexual implications, vulgarity, and the words 'wop' and 'nigger.'"[7] Religious groups continued to apply pressure following the film's December 18, 1956 premiere, and the Catholic Legion of Decency rated the film as a "C" ("Condemned") and deemed it "grievously offensive to Christian and traditional standards of morality and decency."[7] The group succeeded in having the film withdrawn from numerous theaters.[2] Variety noted that it was the first time in years that the Legion of Decency had condemned a major American film that had been approved by the MPAA.[2] Drive-in advertisement from 1957 Response to the film from Catholic laity was mixed,[16] and Episcopal bishop James A. Pike argued that The Ten Commandments contained more "sensuality" than did Baby Doll.[2] According to Baker, the cast and crew were unaware that the material would be perceived as controversial.[17] The main reason for the backlash was believed to be the seduction scene between Baker and Wallach.[17] Speculation arose among some audiences that during their scene together on a swinging chair, Wallach's character was fondling Baby Doll underneath her dress because his hands are not visible in the frame.[17] According to both Baker and Wallach, the scene was intentionally filmed as such because Kazan had placed heaters all around them in the cold weather.[17] The film was banned in many countries, including Sweden, because of "exaggerated sexual content." It also was condemned by Time, which called it "just possibly the dirtiest American-made motion picture that has ever been legally exhibited."[18] Such heated objections and the ensuing publicity earned Baby Doll a reputation as one of the most notorious films of the 1950s.[19] Critical response Reviews from critics were mostly positive. Bosley Crowther of The New York Times wrote in a generally favorable review that Tennessee Williams "has written his trashy, vicious people so that they are clinically interesting...But Mr. Kazan's pictorial compositions, got in stark black-and-white and framed for the most part against the background of an old Mississippi mansion, are by far the most artful and respectable feature of 'Baby Doll.'"[20] Variety wrote that Kazan "probably here turns in his greatest directing job to date" and praised the "superb performances," concluding that the film "ranks as a major screen achievement and deserves to be recognized as such."[21] Richard L. Coe of The Washington Post called it "one of the finest films of this or many another year, a chilling expose of what ignorance does to human beings...and an excellent example of why the Motion Picture Association should follow Britain's lead in classifying films into distinct categories for children and adults."[22] John McCarten of The New Yorker praised the cast as "uniformly commendable" and wrote that the plot machinations "add up to some hilarious French-style farce, and it is only at the conclusion of the piece, when Mr. Kazan starts moving his camera around in a preternaturally solemn way, that one's interest in 'Baby Doll' briefly wanes."[23] The Monthly Film Bulletin wrote "Kazan has often fallen afoul of his own cleverness, but in Baby Doll he responds to a brilliant and astute scenario by Tennessee Williams with a great invention and the most subtle insight...There are no bad performances, and those of Carroll Baker as Baby Doll and Eli Wallach as the Sicilian are outstanding."[24] Not all reviews were positive. Edwin Schallert of the Los Angeles Times wrote that the film "offers an experience so basically sordid, and so trying besides, that if one does not manage to laugh at its fantastic ribaldry, he will think that he has spent two hours in bedlam."[25] Harrison's Reports called the film "thoroughly unpleasant and distasteful screen fare, in spite of the fact that it is expertly directed and finely acted."[26] Accolades Institution Category Recipient(s) Result Ref. Academy Awards Best Actress Carroll Baker Nominated [27] Best Supporting Actress Mildred Dunnock Nominated Best Adapted Screenplay Tennessee Williams Nominated Best Black-and-White Cinematography Boris Kaufman Nominated BAFTA Awards Most Promising Newcomer Eli Wallach Won [28] Best Film Baby Doll Nominated Best Foreign Actor Karl Malden Nominated Best Foreign Actress Carroll Baker Nominated Golden Globe Awards Best Director Elia Kazan Won [29] Best Actor – Drama Karl Malden Nominated Best Supporting Actor Eli Wallach Nominated Best Actress – Drama Carroll Baker Nominated New Star of the Year Won Best Supporting Actress Mildred Dunnock Nominated WGA Awards Best Written American Drama – Screen Tennessee Williams Nominated Stage play In the 1970s, Williams wrote the full-length stage play Tiger Tail, based on his screenplay for Baby Doll. The screenplay and stage play have been published in one volume.[30] In 2015, the McCarter Theatre in Princeton, New Jersey premiered a stage version of Baby Doll,[31] adapted by Emily Mann, the theater's artistic director, and Pierre Laville, who had written an earlier version that premiered at the Théâtre de l’Atelier in Paris in 2009.[32] The latest adaptation supplemented parts of the film script with material based on several others of Williams' works, including Tiger Tail.[33] See also Film portal flag United States portal List of American films of 1956 References Nichols, Peter M. (ed.). The New York Times' Guide to the Best 1,000 Movies Ever Made. pp. 66–7. {{cite book}}: |work= ignored (help) "Notes" on TCM.com Reed, Courtney (March 17, 2011). "In the galleries: The productive, but complicated, relationship between Tennessee Williams and Elia Kazan". Cultural Compass. University of Texas. Archived from the original on September 17, 2016. Wallach 2014, p. 170. Baker 1983, p. 175. Murphy 1992, p. 131. "Baby Doll". AFI Catalog of Feature Films. Los Angeles, California: American Film Institute. Archived from the original on January 13, 2020. Wallach 2014, p. 169. Wallach 2014, pp. 169–170. Wallach 2014, pp. 170–171. Haberski 2007, p. 79. "Top Grosses of 1957". Variety: 30. January 8, 1958. Steinberg, Jay. "Baby Doll". Turner Classic Movies. Archived from the original on December 28, 2017. Nashawaty, Chris (January 26, 2007). "Baby, oh, baby". Entertainment Weekly. Retrieved January 13, 2020. Haberski 2007, p. 63. Haberski 2007, pp. 78–82. See No Evil: Making Baby Doll (2006), as featured on the Baby Doll DVD. Warner Bros. Home Video. "New Picture", Time, December 24, 1956. Accessed 29 June 2008. Palmer & Bray 2009, p. 94. Crowther, Bosley (December 19, 1956). "Screen: Streetcar on Tobacco Road". The New York Times: 39. "Baby Doll". Variety: 6. December 5, 1956. Coe, Richard L. (December 29, 1956). "Villain Here Is Ignorance". The Washington Post. p. 7. McCarten, John (December 29, 1956). "The Current Cinema". The New Yorker. p. 60. "Baby Doll". The Monthly Film Bulletin. 24 (257): 14. February 1957. Schallert, Edwin (December 27, 1956). "'Baby Doll' Real Terrible Infant". Los Angeles Times. Part IV, p. 7. "'Baby Doll' with Karl Malden, Carroll Baker and Eli Wallach". Harrison's Reports: 195. December 8, 1956. "1957 Oscars". Academy Awards. Archived from the original on October 28, 2014. Retrieved January 13, 2020. "Film in 1957". British Academy of Film and Television Arts. Archived from the original on January 16, 2017. "Baby Doll". Golden Globe Awards. Hollywood Foreign Press Association. Archived from the original on January 13, 2020. Baby Doll & Tiger Tail – New Directions Publishing Byron, Leigh (2015-09-21). "Review: BABY DOLL at McCarter Theatre Center". Broadway World. Retrieved 2022-12-04. Piepenburg, Erik (July 15, 2015). "Dylan McDermott to Star in 'Baby Doll' at the McCarter Theater". The New York Times. Retrieved October 9, 2018. "Theater: 'Baby Doll' at Princeton's McCarter Theatre Center". NJ.com. 2015-09-16. Retrieved October 9, 2018. Sources Baker, Carroll (1983). Baby Doll: An Autobiography. New York City, New York: Arbor House. ISBN 978-0-87795-558-0. Palmer, R. Barton; Bray, William Robert (2009). Hollywood's Tennessee: The Williams Films and Postwar America. Austin, Texas: University of Texas Press. ISBN 978-0-292-71921-7. Haberski, Raymond J. (2007). Freedom to Offend: How New York Remade Movie Culture. Lexington, Kentucky: University Press of Kentucky. ISBN 978-0-813-13841-1. Murphy, Brenda (1992). Tennessee Williams and Elia Kazan: A Collaboration in the Theatre. Cambridge, England: Cambridge University Press. ISBN 978-0-521-40095-4. Wallach, Eli (2014) [2006]. The Good, the Bad, and Me: In My Anecdotage. Boston: Mariner Books. ISBN 978-0-544-53578-7.

Another film that actually lived up to the book.. Gregory Peck's finest performance, - JW In small-town Alabama in 1932, Atticus Finch (Gregory Peck) is a lawyer and a widower. He has two young children, Jem and Scout. Atticus Finch is currently defending Tom Robinson, a Black man accused of raping a white woman. Meanwhile, Jem and Scout are intrigued by their neighbors, the Radleys, in particular the mysterious, seldom-seen Boo Radley. From IMDB: 10/10 One of the most important films of all time To Kill a Mockingbird is the movie based on the Harper Lee novel of the same name about Scout, Jem and their father, Atticus Finch who is an attorney in a small southern town. It is both a coming of age story about the children as well as a hard-hitting drama, as Atticus defends a black man who is on trial for the rape of a white woman. This review is not an easy one to write, despite the fact that I have seen this film at least 10 times. The reason it does not come easily is that this is one of the most personally important films I have ever seen and is in my personal `Top Five of All Time'. I'm certain there is nothing that can be said about the film that has not already been repeated a multitude of times, so I guess the best thing to do is explain why the film is so important to me. I first saw this film several years ago and was so profoundly affected by it that I immediately watched it again. Of course, the defense of a man wrongly accused of a crime is a common story line, but To Kill a Mockingbird stands out as an exceptional example for several reasons. Among them, the date that the film was released: 1962, on the cusp of the civil rights movement in America, and the fact that it takes place in the south in the 1930's. It is also far from the first film to explore the experiences of children and their own personal growth, but To Kill a Mockingbird stands out because of its sheer honesty and natural performances by the child actors portraying these rich characters. But most of all, this film is special because of Gregory Peck's portrayal of Atticus Finch, a true hero. At the risk of sounding histrionic, my heart aches when I watch him on screen because he is such an incredible man, and is so inherently good. No matter how many times I have seen this film, I smile when I see his interaction with his children, and I well with tears when I see his incredible strength of character. (No easy feat to break through the armor of this cynical film geek who, if given the chance would remake at least a few dozen films with tragic endings.) I was sitting in my car listening to National Public Radio recently the day Gregory Peck died, and I'm not ashamed to admit that I sat and cried hearing the retrospective they offered – mainly because the man who portrayed my own personal cinematic hero was gone, but also because Peck lived his life with the same conviction as his best known role; a fact that makes Atticus Finch all the more tangible. The American Film Institute recently named Atticus Finch the number one hero of all time, a choice I consider both brave and insightful in an age where our heroes generally either wield weapons or have super human physical strength. Atticus Finch fights evil as well, but with his strong moral fiber and his mind. To Kill a Mockingbird is generally required reading during the course of one's education. If you have not read it, do so. If you have not seen the film, do so; and share it with others. It is an exceptional film that stands the test of time and will remain an important addition to film history for as long as the genre exists.

Last Action Hero (1993) A9E Movie Night

The Seventh Seal | Full Movie 1956 (English Subtitles) The Seventh Seal is a Swedishfilm that follows knight Antonius Block who returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life... 👀 – The Allegory of THE SEVENTH SEAL | Every Individual Faces An Apocalypse

Red Dawn Movie My 2 Movie test. i got USB bluray player now.. so let the test begin

TEENAGE CAVEMAN 1958 - Directed by Roger Corman. Robert Vaughn portrays a young man who defies tribal laws and searches for answers to the tribe's past history. The result of his quest yields knowledge of bizarre past generations. Along the way, he must fight prehistoric beasts and a strange creature that can kill with a touch. (Subscribe to this channel and my others as some videos are not monetized and/or not searchable) You can watch the 2002 remake on my channel Radical Remakes, here: https://rumble.com/c/c-1352114

One Flew Over The Cuckoo's Nest (1975) One Flew Over the Cuckoo's Nest is a 1975 American psychological comedy-drama film directed by Miloš Forman, based on the novel by Ken Kesey. The film stars Jack Nicholson as a new patient at a mental institution and Louise Fletcher as the domineering head nurse. Will Sampson, Danny DeVito, Sydney Lassick, William Redfield, Christopher Lloyd and Brad Dourif play supporting roles, with the latter two making their feature film debuts. Originally announced in 1962 with Kirk Douglas starring, the film took 13 years to develop. Filming finally began in January 1975 and lasted three months, on location in Salem, Oregon and the surrounding area, and in Depoe Bay on the north Oregon coast. The producers shot the film in the Oregon State Hospital, an actual psychiatric hospital, which is also the novel's setting. The hospital is still in operation, though the original buildings in the film have been demolished. The film was released on November 19, 1975. One Flew Over the Cuckoo's Nest received critical acclaim, and is considered by critics and audiences to be one of the greatest films ever made. It is the second of three films to win all five major Academy Awards (Best Picture, Best Actor, Best Actress, Director, and Screenplay) following It Happened One Night (1934), and preceding 1991's The Silence of the Lambs. It won numerous Golden Globe and BAFTA Awards. In 1993, the film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress, and selected for preservation in the National Film Registry. Additionally, One Flew Over the Cuckoo's Nest was ranked No. 33 on the American Film Institute's updated 100 Years... 100 Movies list in 2007. In 1963 Oregon, Randle McMurphy is incarcerated for the statutory rape of a 15-year-old girl, (which he claims he committed under the assumption that she was an 18-year-old) with five previous arrests for assault. He feigns mental illness so he can be moved to a mental institution and avoid hard labor at a work farm. The medical ward is dominated by the cold, passive-aggressive Nurse Ratched who intimidates her patients and maintains control through fear. The other patients include young, anxious, stuttering Billy Bibbit; Charlie Cheswick, who is prone to temper tantrums; delusional, child-like Martini; the articulate and repressed Dale Harding; belligerent and profane Max Taber; epileptics Jim Sefelt and Bruce Fredrickson; quiet but violent-minded Scanlon; tall, deaf-mute Native American Chief Bromden; and several others with chronic conditions. Ratched sees McMurphy's lively, rebellious presence as a threat to her authority, to which she responds by confiscating and rationing the patients' cigarettes and suspending their card-playing privileges. McMurphy finds himself in a battle of wills against Ratched. One night, he makes a bet with the other inmates that he can escape by tearing a hydrotherapy fountain off its hinges and throwing it out the window, but is unable to lift it. Shortly after, he steals a charter bus, picks up his girlfriend Candy, and escapes with several patients to go fishing, exposing them to the outside world and encouraging them to discover their abilities and find self-confidence. After an orderly tells him that his sentence term does not apply in the mental institution, and can become indefinite, McMurphy questions why no one told him this before. He also learns that he, Chief, and Taber are the only non-chronic patients who have been involuntarily committed; the others have committed themselves voluntarily but are too afraid to leave. After Cheswick bursts into a fit and demands his cigarettes from Ratched, McMurphy starts a fight with the orderlies, and Chief intervenes to help him. McMurphy, Chief, and Cheswick are sent to the disturbed ward after the fight, and Chief reveals to McMurphy that he can speak and hear normally, having faked deaf-muteness to avoid engaging with anyone. The two make plans to escape to Canada together. McMurphy is subjected to electroconvulsive therapy, and returns to the ward pretending to be brain-damaged before revealing that the treatment has made him even more determined to defeat Ratched. McMurphy and Chief plan to throw a secret Christmas party for their friends after Ratched and the orderlies leave for the night before making their escape. McMurphy sneaks Candy and her friend Rose into the ward, each bringing bottles of alcohol for the party, and bribes the night orderly Turkle to allow the party. McMurphy and Chief prepare to escape, inviting Billy to come with them. Billy refuses but asks for a "date" with Candy; McMurphy arranges for him to have sex with her. McMurphy and the others get drunk, and McMurphy falls asleep instead of escaping with Chief. Ratched arrives in the morning to find the ward in disarray; most patients have passed out. She discovers Billy and Candy together and aims to embarrass Billy in front of everyone. Billy manages to overcome his stutter and stands up to Ratched. When she threatens to tell his mother, Billy cracks under the pressure and reverts to stuttering, before Ratched orders he be locked in a separate room as punishment. McMurphy punches an orderly when trying to escape out of a window with the Chief, causing the other orderlies to intervene. Suddenly, Billy kills himself by slitting his throat with broken glass, causing a huge commotion. Ratched tries to control the situation by calling for the day's routine to continue as usual, but her nonchalant reaction enrages McMurphy, who begins strangling her. The orderlies subdue McMurphy, saving Ratched's life. Sometime later, Ratched is wearing a neck brace and speaking weakly, and Harding leads the now-unsuspended card-playing. McMurphy is nowhere to be found, leading to rumors that he has escaped. Later that night, Chief sees McMurphy being returned to his bed. He is initially elated that McMurphy had kept his promise not to escape without him, before discovering that McMurphy has been lobotomized. After tearfully embracing McMurphy, Chief smothers him to death with a pillow. He then rips the hydrotherapy fountain off its mountings and throws it through the window, as McMurphy had earlier attempted. He escapes, with Taber and the other inmates awakening to cheer him on. Jack Nicholson as Randle Patrick "R.P." McMurphy Louise Fletcher as Nurse Mildred Ratched Will Sampson as "Chief" Bromden William Redfield as Dale Harding Brad Dourif as Billy Bibbit Sydney Lassick as Charlie Cheswick Christopher Lloyd as Max Taber Danny DeVito as Martini Dean Brooks as Dr. John Spivey William Duell as Jim Sefelt Vincent Schiavelli as Bruce Frederickson Michael Berryman as Ellis Alonzo Brown as Attendant Miller Mwako Cumbaka as Attendant Warren Nathan George as Attendant Washington Marya Small as Candy Scatman Crothers as Night Guard Turkle Phil Roth as Woolsey Louisa Moritz as Rose Peter Brocco as Col. Matterson Delos V. Smith Jr. as Scanlon Josip Elic as Bancini Mimi Sarkisian as Nurse Pilbow Ted Markland as Hap Arlich Mary Costa as Mrs. Johnson Principal photography began on January 13, 1975, and concluded approximately three months later. The film was shot on location in Salem, Oregon, the surrounding area, and the coastal town of Depoe Bay, Oregon. The producers decided to shoot the film in the Oregon State Hospital, an actual mental hospital, as this is also the setting of the novel.[24] The hospital's director, Dean Brooks, was supportive of the filming and eventually ended up playing the character of Dr. John Spivey in the film. Brooks identified a patient for each of the actors to shadow, and some of the cast even slept on the wards at night. He also wanted to incorporate his patients into the crew, to which the producers agreed. Douglas recalls that it was not until later that he found out that many of them were criminally insane. For the group therapy scenes, Forman and his cinematographer Haskell Wexler used three cameras to record all shots for the scene simultaneously. Although this was unusual for the time and more expensive, it allowed Forman and Wexler to capture the actors' authentic reactions to each other. As Forman did not allow the actors to see the day's filming, this led to the cast losing confidence in him, while Nicholson also began to wonder about his performance. Douglas convinced Forman to show Nicholson something, which he did, and restored the actor's confidence. Haskell Wexler was fired as cinematographer and replaced by Bill Butler. Wexler believed his dismissal was due to his concurrent work on the documentary Underground, in which the radical militant group the Weather Underground were being interviewed while hiding from the law. However, Forman said he had terminated Wexler's services over artistic differences. Douglas also claimed Wexler wanted to get Forman fired in order to direct the film himself, and was fueling the cast's distrust of Forman and lack of confidence in their own performances. Both Wexler and Butler received Academy Award nominations for Best Cinematography for One Flew Over the Cuckoo's Nest, though Wexler said there was "only about a minute or two minutes in that film I didn't shoot". According to Butler, Nicholson refused to speak to Forman: "...[Jack] never talked to Miloš at all, he only talked to me". The production went over the initial budget of $2 million and over-schedule, but Zaentz, who was personally financing the movie, was able to come up with the difference by borrowing against his company, Fantasy Records. The total production budget came to $4.4 million.

Release date September 27, 1940 Dean Jagger as Brigham Young and Vincent Price as Joseph Smith Brigham Young is maligned by today's "cancel culture". This is the story of a hero that stood up to tyranny and fought for the less fortunate. This film is not available on any of the streaming platforms, so almost no one knows about it and even fewer have actually seen it. We hope you'll take some time with your family to watch this classic film. Please visit our sponsors: Advanced Plumbing Services - https://utahadvancedplumbing.com/ Cardio Miracle 15% *Discount Code: DEFENDINGUTAH - https://cardiomiracle.com/discount/DEFENDINGUTAH?ref=Ee6yjikAcTD_s Seven Prep Steps, Be Prepared - https://www.7prepsteps.com Food Storage Depot, Utah's local preparedness store - https://www.foodstoragedepot.com Shop for Liberty at Defending Utah - https://shop.defendingutah.org Health Saves, alternative health clinic - https://www.HealthSaves.org LDS Freedom Books - https://www.ldsfreedombooks.com Allegiance Real Estate - https://ChandlerR.com Global Remarketing - https://www.globalremarketing.net Andersen Accounting - https://www.andersenaccounting.com Integra Law - https://www.IntegraLaw.net Freedoms Rising Sun, Material to teach your family the constitution in your home - https://freedomsrisingsun.com Water of Champions - http://waterofchampions.org Mount Zerin Ministries, get your religious exemption verified - https://www.MountZerin.org

Unforgettable Made-for-TV Movie, made during the Vietnam War and released in 1970, about Marine Boot Camp. Darren McGavin and Jan-Michael Vincent make it unforgettable. It must have been re-run hundreds of times because we didn't see it until the '80s. It was Rated TV-PG at the time. *Jan-Michael Vincent had served in the California Army National Guard. *Remained in the National Guard Reserves until 1971. *Darren McGavin was the father in 'A Christmas Story". Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.

Sahara (1943) Colorized Version Director: Zoltán Korda Screenwriters: John Howard Lawson, based on a story by Lionel Houser and Zoltán Korda Producers: Zoltán Korda, Alexander Korda Cinematography: Russell Metty Editing: Jack Murray Music: Miklós Rózsa Production Studio: Alexander Korda Productions / United Artists Cast: Humphrey Bogart as Sgt. Joe Gunn Bruce Bennett as Corporal Lou T. Kennedy J. Carrol Naish as Gen. Dan el-Kader Dan Duryea as Private Sam "Tennessee" Fonda Lloyd Bridges as Pvt. Waco Onslow Stevens as Sgt. Fred Willard Richard Rober as Pvt. Al O'Hara Sabu as Ahmed Synopsis: The Sahara (1943) is a World War II war film set in the vast and unforgiving North African desert. The film follows a group of Allied soldiers, led by Sgt. Joe Gunn (Humphrey Bogart), who are stranded in the desert after a brutal battle with German forces. Their chances of survival grow slimmer as they attempt to make their way through the treacherous terrain while evading the enemy. The group, including men of various nationalities, comes together and forms a bond as they face the harsh conditions of the desert and the constant threat of the German army. Their morale is tested when they discover a group of refugees, including an important Arab leader, and must protect them from the German forces in a desperate fight for survival. Sgt. Gunn leads them with courage and determination, rallying the soldiers and refugees as they battle not only the enemy but also the extreme desert environment. The colorized version of Sahara brings new vibrancy to its desert landscapes and wartime tension, enhancing the visual experience. Themes: The harsh realities of war. Camaraderie and teamwork in the face of adversity. Sacrifice and survival. The clash between cultures during wartime. #Sahara1943 #ColorizedVersion #HumphreyBogart #WWII #DesertWarfare #WarFilm #Survival #Camaraderie #AlliedSoldiers #NorthAfricanCampaign #WartimeDrama #HumphreyBogartFilm

My YouTube Channel: https://www.youtube.com/@markdeuce/videos My Deviant Art: https://www.deviantart.com/markdeuce My Stage32: https://www.stage32.com/profile/1092531/scripts_screenplays My Instagram: https://www.instagram.com/markdeucegt My X Twitter: https://x.com/MarkDeucefilms COPYRIGHT "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

After his hands are mangled in an accident, concert pianist Vernon Paris receives an experimental transplant. But the psychological strain of having another man’s hands stops Vernon from resuming his career and sends him down a path of madness and murder. Starring: Paul Lukather, Joan Harvey, James Noah, Ted Otis, Michael Rye, Laurence Haddon Director: Newt Arnold About Gemini International: Welcome to Gemini International Movies & TV, your gateway to a world of unconventional, obscure, and hidden cinematic gems. Explore a curated collection of full-length films and shows from across the globe—offering everything from experimental masterpieces to lesser-known treasures. Whether you're a fan of the unknown, the unusual, or the downright bizarre, this is the place to discover something new and unexpected. Dive in, and let your film journey begin! Subscribe to the channel for more CLASSIC HORROR MOVIES: https://rumble.com/user/GeminiEntIntl

Bismarck (1940) A biographical film of Otto von Bismarck, the Prime Minister of Prussia, and how he and his policies helped to unite Germany.

Blondie (Penny Singleton) takes over Dagwood's (Arthur Lake) job when he lets his mind make the quick decision to quit. The irresponsible Dagwood leaves Baby Dumpling (Larry Simms) home alone. Based on the long running (1930 to present) print cartoon of the same name originally written by Murat Bernard "Chic" Young but has since been written by subsequent authors

The King and Four Queens (1956) Western, Clark Gable, Eleanor Parker #clarkgable #eleanor parker #western #thekingandfourqueens #1956

FREAKS 1932 FILM | INFAMOUS TOD BROWNING | UNCENSORED | FULL MOVIE A beautiful and conniving trapeze artist named Cleopatra seduces a carnival sideshow little person named Hans after learning of his large inheritance, much to the chagrin of Frieda, his fiancée, also a little person. Cleopatra also conspires with circus strongman Hercules to kill Hans and inherit his wealth. Meanwhile, other romances flourish among the sideshow performers: the Bearded Lady, who is in love with the Human Skeleton, gives birth to their daughter. The news is spread among the friends by the Stork Woman. Additionally, Violet, a conjoined twin whose sister Daisy is married to Roscoe, the stuttering circus clown, becomes engaged to the circus's owner. Hans, enamored of Cleopatra, ultimately marries her. At their wedding, Cleopatra begins poisoning Hans's wine but drunkenly kisses Hercules in front of Hans, revealing her affair. Oblivious, the other "freaks" announce that they accept Cleopatra in spite of her being a "normal" outsider; they hold an initiation ceremony in which they pass a loving cup around the table while chanting, "We accept her, one of us. We accept her, one of us. Gooble-gobble, gooble-gobble."[12] However, Cleopatra's mean-spirited amusement at this ceremony soon turns into fear and anger after Hercules jokes that the rest of the entertainers plan to turn her into one of them. She mocks them, tosses the wine in their faces and drives them away before berating Hans and drunkenly parading him around on her shoulders like a child. The humiliated Hans realizes that he has been played for a fool and rejects Cleopatra's attempts to apologize, but then he falls ill from the poison. While bedridden, Hans pretends to apologize to Cleopatra and also pretends to take the poisoned medicine that she is giving him, but he secretly plots with the other entertainers to strike back at Cleopatra and Hercules. In the film's climax, Hans confronts Cleopatra with three of the entertainers as backup thugs. However, Hans's circus wagon is overturned in a storm, giving Cleopatra the chance to escape into the forest, closely pursued by them. At the same time Hercules goes to kill seal-trainer Venus for knowing about the plot. Venus's boyfriend, Phroso the clown, attempts to stop Hercules but is nearly killed before the rest of them intervene and injure Hercules, saving Phroso. They all pursue an injured Hercules. The freaks then capture Cleopatra and sometime later, she is shown to be a grotesque, squawking "human duck" on display for carnival patrons; her tongue has been removed, one eye has been gouged out, the flesh of her hands has been melted and deformed to look like duck feet, her legs have been cut off, and what is left of her torso has been permanently tarred and feathered. In the original version of the film, it is revealed that after the freaks caught Hercules, they made him into a castrato singer. While some versions end on Cleopatra as the human duck, another ending shows Hans, now living in a mansion from his inheritance and still humiliated, visited by Phroso, Venus and Frieda. Frieda tells Hans she knows he just wanted to demand the bottle of poison from Cleopatra, not to mutilate her, and not to blame himself for what happened; and that she still loves him. The two then share a heartwarming hug. Freaks is a 1932 American MGM pre-Code horror film produced and directed by Tod Browning. The original version of the film, running 90 minutes, was considered too shocking to be released, so several scenes were cut, resulting in an abridged runtime of 64 minutes. The original version no longer exists. #FREAKS #CLASSIC #horrormovie #1932 #oldmovie #freak #todbrowning #history #historical #circus #sideshow #art #arthouse #classichorror #goth #film #hollywood #fullmovie #deformity

Woman of the River -The River Girl- - Sophia Loren -1955-

FRANKENSTEIN MEETS THE SPACE MONSTER 1965 - An atomic war on Mars destroys the planet's women. Martian Princess Marcuzan & weird Dr. Nadir travel to earth to get women for breeding. And they brought an ape-like reptilian monster just for fun. They shoot down a NASA space capsule operated by an android/cyborg. With his brain damaged & hideous appearance, the pilot becomes a 'Frankenstein' monster terrorizing teenagers while the Martians raid beaches and pool parties. Of course the Frankenstein android & Martian monster must have a match. This weird cult film is just as bizarre as the plot suggests. Pretty much a grade C movie that never takes itself too seriously. You'd swear Ed Wood had a hand in it. He was still alive at the time. Maybe he did? Presented here in HD & Widescreen format. (Subscribe to this channel as some videos are not monetized or not searchable)

Cantinflas- El Sr Fotografo one of the best movies of the mexican actor Mario Moreno Cantinflas

If you like what I do you can always tip me or send a Title you would like to see on this channel: paypal.me/DZdunowski Thanks :)

Bon Voyage, Charlie Brown (and Don't Come Back!!) is a 1980 American animated mystery comedy film produced by United Feature Syndicate and distributed by Paramount Pictures, directed by Bill Melendez and Phil Roman.[2] It was the fourth full-length feature film to be based on the Peanuts comic strip.[3] Peanuts creator Charles M. Schulz wrote that he came up with the idea for the story while visiting the Manoir de Malvoisine in Le Héron, where he was stationed briefly as a soldier during World War II. The castle plays a large role in the film.[4] Paramount Home Entertainment released this film on VHS and Laserdisc in 1995 in 4:3 format, and released it to DVD (cropped to widescreen) on October 6, 2015.[5] The film was also released on Blu-ray for the first time on March 15, 2022 in the US.[6] Plot At Charlie Brown's school, Linus Van Pelt introduces to his class two French students, Babette and Jacques, who will be spending two weeks there in order to get accustomed to the United States. In exchange, Charlie Brown and Linus are chosen to go to France. Charlie Brown heads home and invites Snoopy and Woodstock to go with him. He gets a call from Peppermint Patty, who tells him that she and Marcie were also chosen to go to France as a student exchange. Charlie Brown also gets a letter from France, but cannot read it because it is written in French. He is not very positive about the trip because of the letter he got, but Marcie, who has been studying French, translates the letter, explaining that Charlie Brown has been invited to stay at a French chateau, the Château du Mal Voisin (House of the Bad Neighbor). Charlie Brown cannot understand why someone in France would invite him to their home, let alone know who he is. The group arrive first in London and head to Victoria Station, where they take the train to Dover. They ride across the English Channel from Dover to France via hovercraft. Then, they pick up a Citroën 2CV, which is driven by Snoopy (because the kids are too young to drive), although he grinds the gears out of it and causes a double fender bender when stopping to look for directions. Upon their arrival, the four go to their respective homes. Patty and Marcie go to stay at a farm in Morville-sur-Andelle, where they meet a boy named Pierre, who immediately attracts their attention. It is obvious that Marcie and Pierre have a spark between them – obvious to everyone except Patty, who manages to convince herself that Pierre likes her. Meanwhile, Charlie Brown, Linus, Snoopy, and Woodstock head to the chateau, which is actually owned by an unfriendly baron while his niece, Violette Honfleur, frequently leaves Charlie Brown and Linus food. Late one night, while Charlie Brown is asleep, a suspicious Linus investigates the chateau's attic and meets Violette. She explains to him that Charlie Brown's grandfather, Silas Brown, had served in the U.S. Army and helped them out during World War II. The baron returns home and Violette tries hiding Linus, but she drops her candle, starting a fire in the chateau's attic. Charlie Brown wakes up and hears Linus crying for help, and runs to get Peppermint Patty and Marcie and Pierre calls the fire department, while Snoopy and Woodstock get an old fashioned fire hose from a shed. Charlie Brown, Peppermint Patty, Marcie, and Pierre rescue Linus and Violette, and Snoopy uses the hose to keep the fire under control until the fire department arrives to help. Thankful for the chateau's rescue, the baron has a change of heart and allows the gang inside, and Charlie Brown learns the truth behind the mysterious letter he received from Violette: one of the villagers toured the United States when he got a haircut from Charlie Brown's father, whereupon Violette was able to find Silas' grandson. Charlie Brown later wishes Violette and Pierre goodbye as he, Snoopy, Woodstock, Linus, Patty, and Marcie leave the chateau to see more of the French countryside, and eventually return home to the United States. https://en.wikipedia.org/wiki/Bon_Voyage,_Charlie_Brown_(and_Don%27t_Come_Back!!)

In the Name of the Father is a 1993 biographical crime drama film co-written and directed by Jim Sheridan. It is based on the true story of the Guildford Four, four people falsely convicted of the 1974 Guildford pub bombings that killed four off-duty British soldiers and a civilian.[2] The screenplay was adapted by Terry George and Jim Sheridan from the 1990 autobiography Proved Innocent: The Story of Gerry Conlon of the Guildford Four by Gerry Conlon.[3] The film grossed $65 million at the box office and received overwhelmingly positive reviews. It was nominated for seven Oscars at the 66th Academy Awards, including Best Actor (Daniel Day-Lewis), Best Supporting Actor (Pete Postlethwaite), Best Supporting Actress (Emma Thompson), Best Director, and Best Picture. Plot In Belfast, Gerry Conlon is mistaken as an IRA sniper by British security forces and pursued until a riot breaks out. Gerry is sent to London by his father Giuseppe to dissuade an IRA reprisal against him. One evening, Gerry burgles a prostitute's flat and steals £700. While he is taking drugs in a park with his friend Paul Hill, alongside homeless Irishman Charlie Burke, an explosion in Guildford occurs, killing four off-duty soldiers plus a civilian as well as injuring many others. Returning to Belfast sometime later, Gerry is captured by the British Army and Royal Ulster Constabulary and arrested on terrorism charges. Gerry is flown to England, where he and his friend Paul together with two others are dubbed the Guildford Four and are subjected to police torture as part of their interrogation. Gerry maintains his innocence, but signs a confession after the police threaten to kill his father, who is later arrested along with other members of the Conlon family, later dubbed the Maguire Seven. At his trial, although Gerry's defence points out numerous inconsistencies in the police investigation, he, along with the rest of the Guildford Four, is sentenced to life imprisonment. During their time in prison Gerry and Giuseppe are approached by new inmate Joe McAndrew, who informs them that he was the real perpetrator of the bombing and had confessed this to the police. The police, in order to save face, withheld this new information. Though Gerry warms to Joe, his opinion changes when Joe sets a hated prison guard on fire during a riot. Giuseppe later dies in custody, leaving Gerry to take over his father's campaign for justice. Giuseppe's lawyer Gareth Peirce, who had been investigating the case on Giuseppe's behalf, discovers vital evidence related to Gerry's original alibi with a note attached that reads: "Not to be shown to the defence." Through a statement made by Charlie Burke, at a court appeal, it totally exonerates Gerry and the rest. The film ends with the current activities of the wrongly accused being given, and also by stating that the police who investigated the case were never prosecuted for any wrongdoing. The real perpetrators of the Guildford Bombing have not been charged with the crime. Cast Daniel Day-Lewis as Gerard Patrick "Gerry" Conlon Pete Postlethwaite as Patrick "Giuseppe" Conlon Emma Thompson as Gareth Peirce John Lynch as Paul Hill Corin Redgrave as Inspector Robert Dixon Beatie Edney as Carole Richardson John Benfield as Chief PO Barker Paterson Joseph as Benbay Marie Jones as Sarah Conlon Gerard McSorley as Detective Pavis Frank Harper as Ronnie Smalls Mark Sheppard as Patrick Joseph "Paddy" Armstrong Don Baker as Joe McAndrew Tom Wilkinson as an Appeal Prosecutor Anthony Brophy as Danny Model, now actress, Saffron Burrows made her feature film debut in the film, as Gerry Conlon's free love-interest at a commune/squat in London at the time of the bombings. Production To prepare for the role of Gerry Conlon, Day-Lewis lost over 23 kilograms (50 lb) in weight. To gain an insight into Conlon's thoughts and feelings at the time, Day-Lewis also spent three days and nights in a jail cell. He was prevented from sleeping by a group of thugs, who would bang on the door every ten minutes with tin cups through the night, then he was interrogated by three different teams of real Special Branch officers for nine hours. He would also insist that crew members throw cold water at him and verbally abuse him. He also kept his Belfast accent on and off set. Day-Lewis has stated in an interview that he went through all this because otherwise "How could I understand how an innocent man could sign that confession and destroy his own life."[4][5] Reception The film received very positive reviews from most critics. The review aggregator website Rotten Tomatoes gave the film a score of 94% based on 49 reviews, with an average rating of 7.80/10. The site's consensus states: "Impassioned and meticulously observed, In the Name of the Father mines rousing drama from a factual miscarriage of justice, aided by scorching performances and director Jim Sheridan's humanist focus."[6] On Metacritic, the film has a score of 84 out of 100 based on 16 reviews indicating "universal acclaim".[7] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[8] The film was the second highest-grossing ever in Ireland (behind Jurassic Park), and the highest-grossing Irish film, beating the record set by The Commitments in 1991, with a gross of IR£2.91 million ($4.5 million).[9][10] Year-end lists 2nd – James Berardinelli, ReelViews[11] Top 10 (not ranked) – Dennis King, Tulsa World[12] Honorable mention – Dan Craft, The Pantagraph[13] Accolades Award Category Subject Result Australian Film Institute Awards Best Foreign Film Jim Sheridan Nominated Academy Awards Best Picture Nominated Best Director Nominated Best Adapted Screenplay Nominated Terry George Nominated Best Actor Daniel Day-Lewis Nominated Best Supporting Actor Pete Postlethwaite Nominated Best Supporting Actress Emma Thompson Nominated Best Film Editing Gerry Hambling Nominated ACE Eddie Best Edited Feature Film – Dramatic Nominated British Academy Film Awards Best Adapted Screenplay Jim Sheridan Nominated Terry George Nominated Best Actor Daniel Day-Lewis Nominated Berlin International Film Festival Golden Bear[14] Jim Sheridan Won BSFC Award Best Actor Daniel Day-Lewis Won DFWFCA Award Best Film Nominated David di Donatello Awards Best Foreign Actor Daniel Day-Lewis Nominated Best Foreign Film Jim Sheridan Won European Film Award European Film of the Year Nominated Evening Standard British Film Award Best Film Jim Sheridan Won Golden Globe Awards Best Motion Picture – Drama Nominated Best Actor – Motion Picture Drama Daniel Day-Lewis Nominated Best Supporting Actress – Motion Picture Emma Thompson Nominated Best Original Song ("You Made Me the Thief of Your Heart") Bono Nominated Gavin Friday Nominated Maurice Seezer Nominated Humanitas Prize Feature Film Category Terry George Nominated Jim Sheridan Nominated Nastro d'Argento European Silver Ribbon Nominated Kansas City Film Critics Circle Awards Best Supporting Actress Emma Thompson Won LAFCA Award Best Actor Daniel Day-Lewis 2nd place NBR Award Top Ten Films Won NSFC Award Best Actor Daniel Day-Lewis 2nd place NYFCC Award Best Actor 3rd place PGA Award Best Theatrical Motion Picture Jim Sheridan Nominated PFS Award Exposé Won Human Rights Nominated Peace Nominated WGA Award Best Adapted Screenplay Jim Sheridan Nominated Terry George Nominated Controversy Upon its release, the film proved controversial for some historical inaccuracies and for fictionalising parts of the story. Jim Sheridan was forced to defend his choices. In 2003, he stated: "I was accused of lying in In the Name of the Father, but the real lie was saying it was a film about the Guildford Four when really it was about a non-violent parent."[15] In the film Gerry and his father Giuseppe (in the closing credits, the name is misspelled "Guiseppe") share a cell, but this never took place; they were usually kept in separate prisons. The real perpetrators of the Guildford pub bombings were the IRA's Balcombe Street Gang, who admitted to the Guildford and Woolwich bombings during their trials, rather than the fictional character of Joe McAndrew. The courtroom scenes featuring Gareth Peirce were also heavily criticised as clearly straying from recorded events and established English legal practices since, as a solicitor and not a barrister, she would not have been able to appear in court at the time. Furthermore, Peirce did not represent Giuseppe Conlon. Investigative journalist David Pallister wrote: "The myriad absurdities in the court scenes, straight out of LA Law, are inexcusable."[16] In a 1994 radio interview, Anne Maguire, a member of The Maguire Seven who, along with her husband, brother and two young sons, went to prison because of the false confessions of her nephew Gerry Conlon and Paul Hill, revealed her lingering anger and bitterness at the pair for wrongly incriminating them, as well as her dismay at the film for, in her view, depicting Conlon as a hero. (She and her family were all officially exonerated by the British government in 1991.) She also criticised director Jim Sheridan for, as she claims, never reaching out to her or her family for their side of the story, and sharply castigated the film for alleged inaccuracies, including a scene showing Conlon and Hill visiting her prior to their arrests, as she adamantly maintains that Hill never once set foot in her home -- a key point in her defense at trial.[17] Soundtrack The soundtrack of the film includes the song "You Made Me the Thief of Your Heart", performed by Sinéad O'Connor and written by Bono, Gavin Friday, and Maurice Seezer. The soundtrack also includes "Voodoo Child (Slight Return)" performed by The Jimi Hendrix Experience. However, the Bob Dylan Song "Like a Rolling Stone" was not included on the album due to licensing restrictions.

Steven Chow's fantastic movie set in China.. #Comedy, #Action, #English dub

3Wu Tang Collection Sea Goddess English Subtitled_480p

New Movie Channel and video Segment Entertainment trending movies 2023 #movies #trending #entertainment #rumble #viral #movie #kungfu

If you like this video and my channel, please subscribe. You are very welcome to visit my store. https://michaart.fwscheckout.com/ Sword for Hire (戦国無頼, Sengoku burai) is a 1952 black-and-white Japanese film directed by Hiroshi Inagaki. The adventures of a few brave men and women who are scattered around Japan after the siege of a castle, during the wars of the Sengoku period. The film is based on a serialized novel by Yasushi Inoue. Directed by Hiroshi Inagaki Produced by Tomoyuki Tanaka Starring: Toshiro Mifune, Rentarō Mikuni, Yoshiko Yamaguchi

Twenty years ago, Matt Carver – an American citizen raised in Japan – was forced to leave the only home he ever knew by the start of World War II. Returning now to Japan in search of his lost love, Matt is pulled into a conspiracy involving a Nazi war criminal and a fortune in stolen platinum. But what the badguys don’t know is that Matt is an expert in the deadly Japanese art of karate! Starring: Joel Holt, Frank Blaine, Akira Shiga, Joe Hirakawa, Reiko Okada, Ken Noyle Director: Joel Holt About Gemini International: Welcome to Gemini International Movies & TV, your gateway to a world of unconventional, obscure, and hidden cinematic gems. Explore a curated collection of full-length films and shows from across the globe—offering everything from experimental masterpieces to lesser-known treasures. Whether you're a fan of the unknown, the unusual, or the downright bizarre, this is the place to discover something new and unexpected. Dive in, and let your film journey begin! Subscribe to the channel for more CLASSIC MARTIAL ARTS MOVIES: https://rumble.com/user/GeminiEntIntl

Watch the thrilling new action movie of 2025 in full English! 🎬🔥

Step back in time to the thrilling world of crime and justice with "G-Men," the 1935 classic crime drama that will keep you on the edge of your seat! Join James "Brick" Davis, an ordinary man turned fearless government agent, as he infiltrates a ruthless gang of criminals, determined to bring them to justice. Directed by William Keighley and featuring an outstanding performance by James Cagney, "G-Men" delivers heart-pounding action, suspense, and gripping storytelling. Don't miss this masterpiece from the Golden Age of Cinema, where courage, loyalty, and justice collide! #GMen1935 #fbi

Directed by Raoul Walsh, this classic film noir follows the volatile gangster Cody Jarrett, portrayed with chilling intensity by James Cagney. As Jarrett leads a ruthless gang in a series of daring heists, he becomes increasingly unhinged, haunted by his troubled past and driven by a relentless thirst for power. ------------------ Vintage Horror: https://rumble.com/c/VintageHorrorMovies Vintage Western: https://rumble.com/c/c-6331277 Vintage Animation: https://rumble.com/c/c-5560406 Vintage Comedy: https://rumble.com/c/c-5597598 Vintage Serials: https://rumble.com/c/c-5684846

Based on the best-selling manga series, the six intensely kinetic Lone Wolf and Cub films elevated chanbara to bloody new heights. The shogun’s executioner, Itto Ogami (Tomisaburo Wakayama), takes to wandering the countryside as an assassin—along with his infant son Daigoro (Akihiro Tomikawa) and a seemingly infinitely weaponized perambulator—helping those he encounters while seeking vengeance for his murdered wife. Delivering stylish thrills and a body count that defies belief, Lone Wolf and Cub is beloved for its brilliantly choreographed action sequences as well as its tender depiction of the bonds between a parent and a child. In this exploitation-cinema classic, which took the action and graphic violence of the Lone Wolf and Cub series to delirious new heights, Itto Ogami and Daigoro continue their quest for vengeance through meifumado, the spiritual way of “demons and damnation,” pursued constantly by the Shadow Yagyu clan and the shogun’s spies. https://buymeacoffee.com/kcbowser

In the final Lone Wolf and Cub film, star Tomisaburo Wakayama decided to make the sort of wild movie he’d always wanted to: one in which Lone Wolf battles zombies and Daigoro’s baby cart zips improbably across an icy landscape on skis. https://buymeacoffee.com/kcbowser

Unfolding in an idyllic countryside that contrasts sharply with the violence that occurs within it, the third Lone Wolf and Cub film follows Itto Ogami and Daigoro as they continue their journey and stumble upon a crime scene involving a group of lowlife swordsmen from the watari-kashi class. https://buymeacoffee.com/kcbowser

Balancing physical action with Buddhist musings on life and death, the most spiritual of the Lone Wolf and Cub films finds Ogami’s combat skills put to the test by five different warrior-messengers. https://buymeacoffee.com/kcbowser

In this distinctly lowbrow entry in the Lone Wolf and Cub series, Itto Ogami is hired by the Owari clan to assassinate a tattooed woman who is killing her enemies and cutting off their topknots. Meanwhile, Daigoro is separated from his father when he follows a pair of traveling street performers outside of town.

The Tale of Zatoichi (Japanese: 座頭市物語, Hepburn: Zatōichi Monogatari) is a 1962 Japanese chanbara film directed by Kenji Misumi and based on the 1948 essay of the same name by Kan Shimozawa. It is the first installment in a long-running jidaigeki film series starring Shintaro Katsu as the blind swordsman Zatoichi. The "jidaigeki" film genre corresponds to the "period drama" of other nations. "Chambara" corresponds to sword fighting films. Though Samurai films make up the bulk of these films, there are many others which also fit this group. The epic saga of Zatoichi begins. As tensions mount between rival yakuza clans, one boss hires a formidable but ailing ronin as his clan’s muscle—while the other employs a humble, moral blind masseur named Ichi. With its lightning-fast swordplay, sleight-of-hand dice games, and codes of honor upheld and betrayed, this first chapter sets the stage for all the Zatoichi adventures to come. And Shintaro Katsu brings author Kan Shimozawa’s blind swordsman to vivid life, making the character excitingly, indelibly his own.

The itinerant Zatoichi comes across a dying man, who begs the masseur to escort a young woman back to her family in Edo. The honorable swordsman agrees, but in so doing, he catapults himself between two warring yakuza clans, each with its own interest in kidnapping the girl.

The blind swordsman is shot and nursed back to health by kind strangers. He soon discovers that his saviors are caught between sparring crime lords; bound by honor, Zatoichi stays to ensure their safety. Along the way, we learn more about the origins of Zatoichi’s amazing abilities, and get to see them in action in a stunning underwater duel and a nighttime clash set against fireworks. https://buymeacoffee.com/kcbowser

After arriving in a small village, Zatoichi finds himself accused of stealing the citizens’ hefty tax payments. To clear his name, he must face off against a corrupt official, a succession of hired blades, and a bullwhip-wielding titan, played by star Shintaro Katsu’s brother Tomisaburo Wakayama. This sixth installment of the increasingly popular and prestigious Zatoichi series features ravishing visuals by Rashomon cinematographer Kazuo Miyagawa.

Nearing the village of his sensei, Zatoichi decides to pay the teacher a visit, only to learn that he has been murdered and his daughter forced into prostitution. Ichi’s investigation into these injustices uncovers a corrupt alliance between government officials and criminals, putting the blind swordsman on a bloody path of retribution in one of the series’ darkest entries. https://buymeacoffee.com/kcbowser

An elderly prisoner accused of murder begs Zatoichi to find evidence of his innocence. The blind swordsman, for the first time, chooses not to help, but fate has other plans for him. Director Issei Mori, who played a significant role in getting Shintaro Katsu cast as Zatoichi in the first place, shows his filmmaking flair, delivering bloody battles and raucous humor while mischievously upending narrative expectations. https://buymeacoffee.com/kcbowser

Zatoichi encounters a dying man, who asks the itinerant masseur to deliver a bag of money to his young son; he agrees to fulfill the request, finding the boy in a village terrorized by criminals. This is the first entry to scrutinize the swordsman’s methods, as a blind monk confronts Zatoichi about his violent approach to problem solving and Zatoichi finds the child turning to the same bloodstained path. https://buymeacoffee.com/kcbowser

Troubled by his violent past, Zatoichi begins a journey to a series of shrines for a dose of cleansing spirituality. But as always, trouble isn’t far behind, and the blind swordsman soon finds himself defending a widow from the self-interest of ruthless thugs and despicable townsfolk. Written by Kaneto Shindo (Onibaba), this fourteenth Zatoichi is a scathing attack on the upper classes and those who wield power, both in the criminal underworld and everyday society. https://buymeacoffee.com/kcbowser

Wearying of his wandering lifestyle, Zatoichi yearns to settle down; unfortunately, when he does so it’s in a town overrun by yakuza. He has an eye-opening encounter with the town’s blacksmith, who reveals himself to be the apprentice of the man who forged Zatoichi’s legendary cane sword, and informs Zatoichi that it’s a hairline crack away from snapping. The news prompts Zatoichi to hang up his sword, yet leaving the fighting life and his code of honor behind proves not to be so simple. https://buymeacoffee.com/kcbowser

Zatoichi arrives in a town where a gambling house is kidnapping its poor, debt-ridden patrons. A rival establishment moves to pay those debts and free the peasants, but this second house’s seemingly altruistic boss is actually laying the groundwork for a ruthless money-grabbing scheme. The sixteenth Zatoichi film is the first effort from its star’s own Katsu Productions, and it is one of the series’ most daring, with its complex characters, subversive social themes, and moral outrage. https://buymeacoffee.com/kcbowser

The wandering swordsman finds himself in a small village that serves as hideout for a band of fugitives who control the town officials and enforce brutal slave labor in the local silk mill. This lean and mean entry is packed with coldhearted villainy and rough justice, but it finds its heart in the great Takashi Shimura (Ikiru), who plays a kindly country doctor caught up in a violent world. https://buymeacoffee.com/kcbowser

Hired by a yakuza boss to eliminate an accused debtor, Zatoichi fulfills his task, only to witness the victim’s sister paying the owed amount minutes later. When the crime lord tries to possess the woman along with the cash, the blind swordsman wrestles with the injustice he has caused, and vows to protect the young lady at all costs. https://buymeacoffee.com/kcbowser

Kenji Misumi, who directed the first installment of the Zatoichi series, returns with this tale in which the blind swordsman once again finds himself the protector of a child: a little girl pursued by both devious family members and bloodthirsty ruffians. Further complicating his journey is a new acquaintance—a tremendously skilled chess player (the charismatic Mikio Narita) who has mysterious motivations and a dark past. https://buymeacoffee.com/kcbowser