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The Ten Commandments (Silent Film With Music) 1923

Ben-Hur A Tale Of The Christ (Silent Film) 1925

Ben-Hur A Tale Of The Christ (Movie Trailer) 1925

Samson And Delilah (Silent Film) 1922

Cleopatra (Silent Film) 1912

The Lost World (Movie Trailer) 1925

The Lost World (Silent Film) 1925

The Lodger: A Story of the London Fog (Movie Trailer HD) 1927 Remastered

The Lodger: A Story of the London Fog (Silent Film) 1927

Stella Maris (Silent Film With Music Great Quality) 1918

Safety Last! (Silent Film HD) 1923

Go West (Silent Film HD) 1925

Our Hospitality (Silent Film Great Quality) 1923

The Covered Wagon (Silent Film Great Quality) 1923

Scaramouche (Silent Film HD) 1923

Wings (Silent Film HD) 1927

7th Heaven (Silent Film With Music Great Quality) 1927

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The King of Kings (Silent Film with Music) 1927

The King of Kings (Movie Trailer) 1927

Street Angel (Silent Film with Music) 1928

The Last Command (Silent Film With Music Great Quality) 1928

The Man Who Laughs (Silent Film With Music Great Quality) 1928

The Circus (Silent Film Great Quality) 1928

Plane Crazy (Walt Disney Silent Cartoon HD) 1928

Steamboat Willie (Walt Disney Cartoon) 1928

Our Hospitality (Silent Film Great Quality) 1923
Our Hospitality - Starring Buster Keaton, Joe Roberts and Natalie Talmadge; with Craig Ward, Buster Keaton Jr., Francis X. Bushman Jr., Edward Coxen and Kitty Bradbury.
Sole heir Willie McKay (Buster Keaton) journeys by train from New York City to Kentucky to claim his fortune amid a decades-old feud with the Canfield family. En route, he meets and is smitten with young beauty Virginia (Natalie Talmadge), who invites him to dinner, but he realizes too late that she is the only daughter of patriarch Joseph Canfield (Joe Roberts). The rules of hospitality protect McKay from harm in their house, but he must outwit her brothers to resolve the feud.
Our Hospitality is a 1923 American silent comedy film directed by Buster Keaton and John G. Blystone. Starring Keaton, Joe Roberts, and Natalie Talmadge and distributed by Metro Pictures Corporation, it uses slapstick and situational comedy to tell the story of Willie McKay, caught in the middle of the infamous "Canfield–McKay" feud, an obvious satire of the real-life Hatfield–McCoy feud.
It was a groundbreaking work for the comedy film genre, as Keaton included "careful integration of gags into a dramatically coherent storyline", "meticulous attention to period detail" and beautiful cinematography and extensive location shooting" - in considerable contrast to the era's other slapstick comedies.
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