Mystery The World's Fairs​ Philadelphia 1876 Fair Centennial International Exposition

Mystery The World's Fairs​ Maybe the History we've been told is a lie! Were some ancient buildings built by a different race and their true history was covered up? Did ancient peoples have advanced forms of technology that have now been forgotten ? Was the massive kingdom of Tartaria visible on ancient maps much more advanced than we realize? This sub is an open forum for collaborative discussion of all topics "Tartaria" related, including Mud Flood, Tesla, AntiquiTech, Free Energy, Conspiracies, Hidden History, etc.
I wonder if this video has been posted here before? If yes, then i am not sorry for posting it again, because its just one helluva epic video. If not, I highly recommend watching it if you are interested in perhaps how Tartarian technology worked. I am still thinking about all the stuff he said and points out to us. As its a lot to deal with and can shake one up. I find it fascinating though.

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Could it be that this civilization, split off from our official historical line of development, is behind many of the events of the 20th century?

And what of the World's Fairs? Were a large proportion of the World's Fair Buildings actually built from scratch, as the official historiography claims? There is much to suggest that the robber barons of the industrial age not only hid once widespread technological knowledge from us, but that they also hijacked some of the impressive architectural masterpieces in which parts of this knowledge was displayed.

Some of the buildings from the World's Fairs still exist today, and they are obviously not made of plaster or similar fragile materials. Were they subsequently rebuilt to be permanent structures? Is it even possible that the elaborately designed Expo sites were built with the technological capabilities of the time within just a few months, only to be destroyed again a few months later after the exhibitions had ended? Or is it plausible that after a great catastrophe the worldwide remains of the preceding high culture were not only systematically destroyed, but also pressed into an image of history imposed on us?

Some available information suggests that even after the worldwide, game-changing event we call the Reset or Mud Flood, there still remained countless complete and beautiful cities that were conquered by a new power elite and then repurposed as "World's Fairs".

Especially in America, the so-called New World, the many Greco-Roman cities would have been difficult to explain because in contrast to Europe, the Americas do not have an official greco-roman history.

The more carefully one investigates, the more difficult it becomes to find plausible explanations for the construction and destruction of these extraordinary and huge exhibition areas.

The official version about the World's Fairs can be summarized as follows: People in the 19th century loved Greco-Roman architecture for reasons unknown, so it was extremely important to the architects who organized the World's Fairs between 1850 and about 1914 to build in a classical style.

(Note: With World War I, classical architectural ambitions in Europe ended abruptly and many exhibitions also did not take place as planned. It was only in the wake of fascism that there was a return to ancient design principles, but these were often implemented superficially and were mainly applied to a few representative magnificent buildings. After the Second World War, on the other hand, classical architecture was deliberately replaced with new trends - e.g. Bauhaus and Brutalism. Officially the intention was to create an aesthetic distance to fascism, but in all likelihood its purpose was to cut the connection to the Old World through soulless, brutalistic architecture.)

No effort was spared for the world's fairs, enormous amounts of work went into creating complex statues, ornaments, columns, parks, buildings, and even the world's largest organs. No expenses were spared in the making of these massive structures. Made of plaster and linen or hemp fibers, they were only intended to last for the duration of the Expo. However the attention to detail was so great that purely visually there seemed to be no difference between the Expo buildings and the classical splendor-buildings of antiquity. The purpose of the World's Fairs was to make the supposedly "new" technologies discovered during the Industrial Revolution palatable to the masses, to create new markets. In the end, most of the buildings were torn down, with only meadows or empty parks remaining.

The 100th anniversary of the United States was celebrated in a grand manner by the 1876 Centennial Exhibition, recognized as the first true world fair in the western hemisphere in terms of the number of participating nations of the world as well as its size and success. The official name of the fair was the International Exhibition of Arts, Manufactures, and Products of the Soil and Mine.

Treasures and artifacts from around the world were displayed at world fairs, many new and exciting ideas were introduced and innovative products were unveiled. Nations came together to highlight progress in all aspects of human life: scientific, technological, economic and social. As such, the Centennial Exhibition was a stage for displaying the ingenuity and industrial power of the United States and demonstrating the progress of the fledgling nation for the world to see.

Philadelphia was chosen for the exhibition location for its historical significance as the site of the signing of the Declaration of Independence, the seat of the Continental Congress, and for practical reasons such as the ease of access by every state of the nation as well as the nations of Europe by sea.

The exhibition grounds in the beautiful Fairmount Park along the Schuylkill River were designed by Herman J. Schwarzmann. The exhibition opened on May 10, 1876 and lasted for six months with 37 countries participating. By the time it closed on November 10, 1876, it had about 10 million visitors. Over 57 million pounds of goods were put on display in the exhibition buildings.

Ten years in the making, the event involved many people and groups starting with John L. Campbell, a professor at Wabash College, Indiana, credited with the idea of the centennial exhibition. The Pennsylvania legislature and the Franklin Institute lobbied Congress to take up the idea, and the general public helped finance this immense undertaking by purchasing stocks issued by the Centennial Board of Finance.

Two bodies were tasked with executing this unprecedented event: the United States Centennial Commission, led by General Joseph R. Hawley, was responsible for the general executive management and the Centennial Board of Finance, led by John Welsh, was in charge of negotiating all the contracts and making sure the funds were available. In addition, the Women's Centennial Executive Commission, led by Elizabeth Duane Gillespie, great-granddaughter of Ben Franklin, played an important role in raising funds for the exhibition and promoting inventions by women.

Some inventions and new products exhibited are still popular with consumers to this day such as popcorn and Heinz ketchup. Some, like typewriters, were in use for another century before giving way to more advanced technologies, while others, such as the Singer sewing machine, went through many transformations, and are today nothing like what was exhibited almost 150 years ago. This story is about Alexander Graham Bell’s first public demonstration of his first telephone at the 1876 Centennial Exhibition that ushered a new era of communication.

In a matter of months there was an opportunity for Bell to demonstrate his invention to the world. Bell’s future father-in-law Gardiner Greene Hubbard, a Boston businessman, saw great potential in Bell's telephone and backed the idea financially.

Hubbard was one of the three prominent Bostonians appointed by the Massachusetts Board of Education to a committee in charge of organizing the education and science exhibit of the state. He made repeated visits to the exhibition and secured space for Bell’s prototypes of multiple telegraph and speaking telephone apparatus as well as a display of Visible Speech charts.

Having seen the attention other inventors were getting by demonstrating their inventions in person, Hubbard decided that Bell needed to be there to demonstrate his apparatus for the awards committee on June 25, 1876. However, there was a little snag, as the time of the planned demonstration coincided with an examination Bell was scheduled to give that very weekend. He wanted to send Willy Hubbard, his fiancé’s cousin to demonstrate his invention.

Hubbard insisted that it was important for Bell to travel to Philadelphia and demonstrate the transmission of vocal sounds personally. As later told by Bell’s daughter Elsie Bell Grosvenor in a letter to Lamar Trotti, the screenwriter of the film The Story of Alexander Graham Bell in 1939, two people appear to have played major roles in Bell’s successful public experiment.

Gardiner Greene Hubbard’s daughter, Mabel Gardiner Hubbard, who used to be one of Bell's deaf students, and was his fiancé at the time, overcame Bell’s strong objections to skipping the scheduled examination. Mabel insisted that Willy wasn’t qualified to properly demonstrate the experiment and explain it to the judges, and Bell had to be there in person. To enhance her persuasive efforts she also used a little bit of trickery and tears, including a threat to break off their engagement. Bell found himself on the train heading to Philadelphia.

Bell’s instruments suffered damage on the way to Philadelphia. In his letter to Mabel, full of trepidation about the upcoming experiment, he wrote that “seven of my glass cells were smashed to pieces. The cones of my telephones were completely flattened.” He managed to put it back together in a workable shape for the demonstration. Bell also mentioned in a letter that an organ exhibitor offered to fix his organ used for the demonstration of transmitting sound and the Superintendent of the Atlantic and Pacific Telegraph company kindly offered to lend him as much battery power as needed for the demonstration.

The other person who influenced Bell’s success at the exhibition was Dom Pedro II, the Emperor of Brazil, and a prominent figure at the Centennial Exhibition who had the honor of starting the famous Giant Corliss engine at the ceremonial opening of the Exhibition along with President Ulysses Grant. The Corliss engine powered every building on the exhibition grounds. The Emperor of Brazil, known to be progressive and devoted to culture and sciences, had spent months touring the United States before the exhibition and happened to have visited the Boston school for the deaf where Alexander Graham Bell taught. The Emperor also happened to be among the judges of the electrical exhibits Bell was participating in.

In her letter to Trotti, Elsie Bell Grosvenor describes the scene when the Emperor encountered Bell at the Exhibition, as she had heard from her father. Bell himself wrote about this scene in his letter to his parents shortly after the demonstration as well. At the end of a very hot day, the judges making rounds in the exhibition were quite weary and not very interested in looking at another thing. Dom Pedro II, recognizing Bell, came over to greet him and took interest in his instrument. One of the other judges was Sir William Thompson, a prominent English scientist. Bell wrote that after explaining what his invention was about, he offered to test the transmission of the human voice. Bell went to a distant room and sang into the telephone. Willie Hubbard reported to Bell that Sir William heard his voice distinctly and then exclaimed when he heard and understood Bell’s full sentence: “Do you understand what I say?” The Emperor then listened and exclaimed in surprise “I have heard! – I have heard!”-wrote Bell.

The success at the Centennial Exhibition earned Bell an award in the Group XXV Instruments of Precision, Research, etc. category and a lasting fame. The Report of the Massachusetts Commissioner to the Centennial Exhibition at Philadelphia includes the following: “...In this connection should be mentioned Prof. A. Graham Bell’s “Visible Speech,” in ten volumes and six charts. This gentleman also contributed greatly to the interest of this department by exhibiting his recent wonderful inventions and discoveries in telegraphy and telephony, with apparatus by which words spoken by the human voice are to be carried to great distances by means of the telegraph wire.”

Dates Open - May 10 to November 10, 1876 (exposition period). Open 159 days. No Sundays. Gates also open from November 10 to December 16.

Attendance - Total Attendance (including staff) - 9,910,966. Paid Attendance - 8,004,274, Total Visitor Attendance (paid & free) 8,095,349. An additional 213,744 were added to total through December 16 (10,164,489) with 43,327 additional paid (8,047,601).

International Participants - 34 Nations and 20 Colonies, according to the Official History allotment of space.

Total Cost - $9,021,849.97, including $2.5 million appropriation for buildings by the city and state.

Site Acreage - 285 acres. 236 acre enclosed by fence with some exhibits outside.

Sanction and Type - Prior to sanctioning by the Bureau of International Expositions. Would be considered a Universal style Registered event today like those on the 0 years of the decade. Was officially recognized by the United States government with Foreign nations invited on July 5, 1873.

Ticket Cost - Admission to exhibition 50 cents. The per capita $ per admission was $0.479, with $.062 spend on concessions.

The Philadelphia Centennial International Exhibition is, in our opinion, the least known most important historical event in United States history. Almost nobody knows about it. And why do we say that? Well, coming one decade after the Civil War, and in an era when the United States was not considered a nation on a par with European or Asian powers, the Centennial with its industrial might on display, flabbergasted the heads of state of foreign nations. These exhibits, including Alexander Graham Bell with his telephone, Edison with the phonograph, McCormick with the reaper, Colt with the repeating pistol, and most of all, Corliss with his gigantic engine, showed the world that not only was the nation still recovering from Civil conflict an equal to them in innovation and power, but within two generations, would be the most powerful nation on earth. It's hard for us today to imagine a time when the U.S.A. was not thought of in that way. Prior to 1876, and the Centennial Exhibition, we were rubes without a cube, a backwards colony that recently could not get its act together, in a Civil War that England and France would have preferred go the other way. After the Philadelphia Centennial International Exhibition, with President U.S. Grant as President, no nation in the world would ever quite think of us in the prior way again.

And the star of this show was the Corliss Engine. The engine had been around in various forms for a quarter century, but not in quite the large form exhibited at the Centennial. When it powered eight hundred machines in Machinery Hall with a network of shafts over one mile in length at the opening ceremony, pressed into service by President U.S. Grant and Emperor Dom Pedro II of Brazil, the dignitaries in attendance were in awe. Today you can see a representation of the Corliss engine and other exhibits from the Centennial at the National Museum of Industrial History in Bethlehem, Pennsylvania.

Of course, the fair had more to offer than just that remarkable engine and even those other industrial marvels that sat in the buildings of the International Exhibition of Arts, Manufactures and Products of the Soil and Mine. Seated around the two hundred and eighty-four acres of Fairmount Park was the Torch and Arm of the Statue of Liberty, one of the first working monorails brought to the fair by General Roy Stone (cost 3 cents to travel 500 feet), as well as elevators by Otis. Buildings covered seventy-one acres, two hundred and fifty of them, including five main exhibition halls. Thirty thousand exhibitors filled them. How well thought of were these exhibits? After the fair, forty-two freight cars transported them to the Smithsonian. The portion of the Statue of Liberty exhibited in Philadelphia was shipped to New York to wait for the rest of the statue. The original Centennial Corliss engine was tranported to the Chicago Pullman rail car factory.

Ground was broken for construction of Memorial Hall on July 4, 1874, even though financing, due to the depression, was difficult. Getting money from Congress was not easy either. It took until February of 1876 before they appropriated $1,500,000. Fair buildings were complete when the fair opened, along with sixteen bridges, sixteen fountains, and five and one half miles of railroad track. The narrow gauge railway within the expo grounds cost 5 cents to ride and was used by 3,812,794 people. Opening ceremonies were held at 10:00 a.m. on May 10 with President U.S. Grant presiding. One hundred thousand people thronged in front of Memorial Hall. President Dom Pedro II of Brazil and his wife were on the dais, the first reigning monarchs to visit the United States. The main exhibition hall was the largest structure in the world at the time. It had eleven miles of walkways and covered twenty-one acres.

By the end of the exhibition, it was considered an unqualified success, far surpassing the expectations of the government and the fair authority. Beyond the promotion of the United States as an equal to European power, it served as reparation to the Civil War, bringing together the states for an event of national significance, the 100th Anniversary of its founding, the reading of the Declaration of Independence in the center of Philadelphia. It did not, however, do as well financially. Part of that problem was a disagreement on how federal funds would be spent and whether they had to be repaid. The fair authority was a private concern, advanced that $1.5 million by the federal government. In court proceedings after closing, the court said it was a loan and not a grant, causing the private subscribers of the centennial to fail getting their original subscriptions back.

Now, there were criticisms. The London Times reported that many of the exhibits were not finished when the fair opened, and that the summer was hot, hurting attendance. The New York Times reported on the opening that the attendance was so high by the time President Grant came back for dinner that night, all the food at the principal restaurant was gone.

Historian's Perspective
Thomas Prasch - "Philadelphia clearly benefitted from the fact that the fair coincided with the national centennial. National profile was thus very much part of its design from the start."

International Participants
Nations and Colonies
Nations - Great Britain (B) and Ireland (Colonies of India, Straits Settlements, South Australia, Queensland, New South Wales, Victoria, Tasmania, New Zealand, British Guiana, Gold Coast, Ceylon, Seychelles/Mauritius, Trinidad, Jamaica, Bahamas), Canada (B), Cape of Good Hope, Bermudas, Orange Free State, Liberia, France (B), Germany (B), Grand Dutchy of Luxembourg, Austria and Hungary, Russia, Norway, Sweden (B), Denmark, Netherlands, (Incl. East Indian Colonies), Belgium, Switzerland, Italy, Spain (2 colonies) (B), Cuba, Phillipine Islands, Portugal (B), Turkey (Egypt & Tunisia), Egypt, Tunis, Japan (B), China, Brazil (B), Chili, Argentine Republic, Peru, Venezuela, Hawaii, Mexico, United States. Countries that accepted invitation but not exhibit in Main Building; Bolivia, Greece, Uruguay.

Note: (B) indicates nation/colony had their own building.

A variety of sources list different international participants. Some are listed with buildings, exhibits, and/or as concessions. Use the above as a guide, not gospel.
Expo Tidbits
William T. Sherman, Philip Sheridan, President U.S. Grant, and Governor Hartranft were among the Civil War soldiers at fair.

The Fair Commission published notices of adequate rooms in Philadelphia, including 150,000 in hotels, 20,000 from the Centennial Lodging-House Agency, 40,000 of accomodations with relatives and friends, 13,000 in boarding-houses, 5,000 for patrons of husbandry (Grangers), 5,000 at Camp Scott for military organizations, 5,000 camp in Fairmount Park for military, and 20,000 in suburban hotels. Hotel prices ranged from $1.50 to $5.00 per day, boarding houses $1 to 2.50, Centennial Lodging Agency $1.25 per day, including meals $2.50.

Eight hotels were built near the exhibition. Grand Exposition Hotel, located at the corner of Girard and Lancaster Avenues, was advertised as the largest hotel in world. It was made of brick with 1,325 rooms and a capacity of 3,500. The United States Hotel, 42nd & Columbia, charged $4 per day. Atlas Hotel, 48th to 52nd St., contained 1,500 rooms, housing 3,000 people. Globe Hotel was located at Elm and Belmont Avenue, had five stories, and fed 30,000 people a day. The Transcontinental Hotel stood opposite the main entrance to the exposition with 500 rooms. There were a number of small hotels near 51st and Elm Ave., including the Elm Avenue Hotel, Metropolitan, the International and Congress Hall, housing 200 to 800 guests each.

Largest attendance day was September 28, 1876, Pennsylvania Day with 274,919.

One exhibit on site was "Old Abe" a war eagle that had been in thirty-six Civil War battles.

Legacies
There are two buildings of significance that remain from the fair. The Art Gallery, which became known as Memorial Hall, at one time served as the Pennsylvania Museum of Art from 1877 to 1928, before it moved to a new building on the parkway. After that, Memorial Hall was used in various ways, including as a school that today is the University of the Arts, and Fairmont Park recreation and offices. In 2008, the Please Touch Museum renovated the building and moved in. They have exhibits and a scale model of the Centennial, beside their children based exhibits. The Ohio Building still remains. It is currently used as a cafe. Two comfort stations for the original Horticultural Hall remain near the Japanese House. They have or are still being renovated for exhibits and comfort. The original Horticultural Hall, which was meant to be permanent, remained until 1954 as a horticultural center, when, after damage by Hurricane Hazel, it was demolished. Twenty years later, it was replaced by the current Horticultural Center.
Those in Charge
Hermann Joseph Schwarzmann was principal assistant and consulating engineer for commissioners of Fairmount Park, and designed many of the buildings. He became the Engineer of the Exhibition Grounds. Major-General George Gordon Meade was a Fairmount Park Commissioner. General Joseph R. Hawley was president of the Centennial Commission. Alfred T. Goshorn was elected Director-General of the Centennial. A separate Board of Finance was established by Congress and authorized to raise $10 million by selling public stock with John Welsh elected president of the board.

Photo column top: Main Exhibition Building and Machinery Hall, the two largest structures at the Philadelphia Centennial International Exhibition, 1875, Brett Lithographing Company. Courtesy Library of Congress. Center: Art Gallery (Memorial Hall) today as the Please Touch Museum. Bottom: Ohio Building today.

Sources: U.S International Exhibition 1876 (Official Record); Worlds Fairs from 1851 to 1893; Story of Exhibitions; New York Times; London Times; Fair News; Historical Dictionary of World's Fairs by Alfred Heller; World of Fairs; Centennial Guide - Philadelphia 1876; All The World's A Fair; "The Search for Common Ground: British Participation in the American Exhibitions of 1876 and 1893" by Thomas Prasch; Footsteps at the American World's Fairs by Stanley K. Hunter; Official History - Portland 1905; Monorail Society; The Glorious Enterprise; Centennial Philadelphia; Philadelphia, the Centennial Exposition.

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Purpose of the World Exhibitions​
If it is true that many of the buildings at the World's Fairs already existed and were only renovated, then the destruction of these buildings is one of the largest cover-ups in recent history. Also, this would be further proof that pretty much all countries were already controlled by the cabal 100 years ago, and modern politics was intended from the beginning as a means to infiltrate and control cultures. The systematic destruction of knowledge and the theft of cultural goods and property by the church continued seamlessly with the advent of more contemporary nation states. With the help of a central monetary system imposed on us, state-legitimized robbery is still the main cause of the transfer of wealth and possessions into the hands of a few.

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The misappropriation of majestic old-world building sites by the new post-colonial power elite happened at the same time as other events that all seem to be connected. Thus, from the mid-19th century onwards, not only were World's Fairs held in oversized and far too expensive buildings that were completely inappropriate for them, but at the same time the first psychiatric hospitals ("insane asylums") were being built. Just like the world exhibitions, these psychiatric hospitals were architecturally unsuitable for the defined purpose. Architecture always reflects the consciousness of the builders and is defined by its purpose. However, we would expect industrialists to build simply and economically, to use steel and concrete, and by no means to demolish their buildings immediately, but to try to generate income from land and buildings for as long as possible. But we see just the opposite - the buildings at the World's Fairs are detailed, ornate, aesthetic, and far too large and expensive for their purpose. They represent something completely different from the world we know. They represent ancient Rome, the classical ideals of the beautiful, the true, the good; the pursuit of the divine and perfection.

The World's Fairs connect two completely opposite eras (or cultures) that should have no points of contact at all - the world of the industrial robber barons and an old world that we can no longer remember, but in which the economic principles we know played no great role.

Greatest Story Ever Un-Told 10 Parts Set and This 1893 World Columbian Exposition In Chicago Is Really A 1,000 Years Old City From Past Antiquitech Tartarian Empire and the True Believers in the “Tartaria” conspiracy theory that 100s of old world fairs 1801 thru 1940 era are convinced that the elaborate temporary fairgrounds built for events like the Panama-Pacific International Exposition in San Francisco in 1915 and 100s of other city were really the ancient capital cities of a fictional empire !

"Expositions are the timekeepers of progress. They record the world's advancement. They stimulate the energy, enterprise, and intellect of the people; and quicken human genius. They go into the home. They broaden and brighten the daily life of the people. They open mighty storehouses of information to the student. Every exposition, great or small, has helped to some onward step." President William McKinley, speaking at the 1901 Pan-American Exposition in Buffalo, NY.

The 1893 World Columbian Exposition in Chicago inaugurated an age of great fairs and expositions in the United States whose influence is felt to this day. The Chicago Exposition and the similar events that followed in Buffalo, NY; St. Louis, MO; Seattle, WA, San Francisco, CA and New York, NY dramatized technology and the fine arts, and illuminated the era ahead, as industrialism took hold, immigration peaked, science moved ever forward, and a vibrant, multi-faceted American music culture grew throughout the country.

Though the 1876 Philadelphia Centennial Exposition in Philadelphia had been a great success, the Chicago Exposition took its immediate inspiration from the Exposition Universelle held in Paris in 1889. Like all previous world's fairs, the Paris exposition hosted music and other entertainment among its exhibits, but in greater variety and on a much larger scale. A major work, Esclarmonde, was commissioned from French composer Jules Massenet and was performed nightly. Music from all over the world was heard, including Javanese gamelan, which was to have a profound effect on composer Claude Debussy. Fairgoers could also hear indigenous music at the village nègre, where some 400 Africans from European colonies spent the duration of the fair demonstrating their culture and crafts. A similarly conceived Algerian Village was also an attraction.

The organizers of the Chicago Exposition would try to match or outdo the 1889 Exposition in every way. For awhile, they even thought of creating a structure taller than the Eiffel Tower built for the 1889 fair, and the tallest building in the world at the time. In the end, they settled for a spectacular city-within-a-city that sprawled over 600 acres and featured 65,000 exhibits. "The White City," so named for its many white buidlings that were made even brighter by the night-time illumination supplied by General Electric, captured the imagination of the country, and drew over 27 million paying customers during its run from May 1st to October 30th, 1893. Within its walls, fairgoers could marvel at the ever-multiplying technological wonders of the age, enjoy art exhibits, concerts and sports; listen to lectures on various topics, view short films in the world's first dedicated movie theater, or ride the original Ferris Wheel.

The basic human desires for community, stories (the more outrageous the better) and the need to feel like a protagonist in a wider struggle are what pulls us from moments of real social, economic and cultural dislocation into fabricated histories. Buildings and cities are made to grow old, to outlast people, and to be a testament to these cultural histories. They’re a yardstick for a culture’s ability to endure. When they’re not given the chance to do this, the contradiction can break something loose, and send people scavenging for cultural memory that feels ancient enough to anchor them in an uncertain now.

Sullivan aptly describes here the poisoned rebirth of pseudo-classicism in the 20th century - the attempt to imitate the old structures without having understood the architectural principles. We always see two fundamentally different types of architecture in the photos of the expos - on the one hand, the massive, classicist buildings, with uniform and harmonious proportions of the golden ratio. They do not differ in the slightest from the real European renaissance buildings, because in fact they come from the same era. On the other hand, we also see cheap-looking, actually temporary buildings made of plaster and other cheap materials, which do not originate from any known historical epoch and which were obviously built with the intention of tearing them down again as quickly as possible.

Many temporary structures were erected around the old buildings for the Expos - e.g. cheap pavilions, walls made of plaster and imitations of famous buildings, but after the Expos not only the temporary but also the old buildings were demolished.

Did the World's Fairs perhaps serve, among other things, as an instrument to give people a national identity after the unified culture had collapsed? The separation into nations seems artificial - the Slavs, for example, seem just like the Germans of Nordic origin and thus part of the same people. The term "Slav" originated from the pejorative term "sclavi", was put into the world by the Vatican and stood for the "pagan" tribes of Europe who did not want to submit to the monotheistic power apparatuses. After the successful infiltration of the German cultural area, only the pagan Eastern Europeans were referred to as "Slavs". In fact, most of the nations we know today were not founded until after 1850 - modern Egypt, for example, only in 1953, after the British conquest. Illyria, the homeland of the Illyrians, became the Balkans after annexation by France. Free Tartary became Uzbekistan, Persia became Iran in 1935, the Ottoman Empire became Turkey in 1923, and so on. The old words have a meaning - our whole past resonates in them. When these words are spoken, that alone establishes a real connection with the past. By losing these words, we also lose that connection, and with it, the connection to our ancestors. Meanwhile, our world is divided into various soulless administrative units, controlled by a small secret elite.

It was at the Expos that people first came into contact with the "new technologies" - telephones, railways, electric light (i.e. the light bulb), wireless communication, incubators, cars, photography, films. In addition, the supposed realities of life in the colonies were also frequently depicted (Africa, South America, etc.). The creation of the patent system played an important role in building the monopolies - because only with patents it was possible to own knowledge and thus technologies, and thus control people.

The foundation of the world we live in today was laid then during the time of the world expositions. The technological knowledge of the old world was selected: One part of the knowledge was kept secret, the other part was presented to the public. One of the most important criteria in this decision-making process was whether a technology could be controlled by a central authority. Any form of free energy must have been very dangerous to the forces that controlled the robber barons of the industrial age from the shadows. It is important to understand that these industrialists had not earned their wealth themselves - they were born into elite families and chosen to play a predetermined role.
Only since the dawn of the 20th century has the attitude prevailed that one must take something from others in order to be able to have something oneself. Competition took the place of cooperation. These two opposing world views - cooperation and competition - can be visualized as follows: With a circle and a pyramid.

The competition system is pyramidally organized. It involves an authoritarian chain of command that requires absolute obedience. At the level of the intelligence services, this system is represented by the "need-to-know" principle. Competitive thinking can only arise in a hierarchically organized society. In this society, energy flows from the masses at the base upward to the top of the pyramid, where it may even be absorbed or consumed by non-earthly entities. At the top seems to be what is named in mythological, religious and esoteric lore as Satan, Antichrist, Evil, or the Demiurge. At the base of the pyramid are people who feel powerless, basically slaves. Success in this system is defined by making it "to the top". This always implies that on the way up you oppress other people - take something away from them. The further up you go, the more powerful you feel. Energy is represented or symbolized by money in this system. The money system was built in such a way that, in the sense of the pyramidal system, it gradually directs people's life energy to the top of the pyramid. We can assume that this is also where the true reason for the existence of the fiat money system is hidden: to rob people of their life energy.

We already encounter the connection between parasitic, paranormal beings, the monetary system and the oppression of humanity in the work "Momo" by the author Michael Ende: men in grey, called time thieves, steal people's time. These interdimensional parasites convince the adults that they can save time by depositing it in a time savings bank. The adults believe the promises of the men in gray. In reality, the more they save, the less time they have - the time they save is lost to them. Life gradually becomes sterile and bleak. Buildings become standardized and all look the same, just like clothes. No one lives in the present anymore, no one has time for each other and life becomes hectic. Only the children recognize the cold, vicious nature of the gray men, as they are still in touch with their own aliveness. The adults fall prey to the idea of having to save time and so their lives become increasingly bleak and grey. But the Gray Men are gradually able to cast their spell over the children as well. Only Momo can resist the cold, psychopathic power of the Grey Men. Outside of space and time, she defeats the Men in Grey, frees the stolen time, and gives people back their vitality and the love in their hearts.

It's amazing, by the way, that in the novel Momo lives in an old, decaying Roman amphitheater surrounded by dreary, modern new buildings. Momo represents the connection to the old world. She represents life. When Momo defeats the men in gray, the last one says with relief, "Finally it's over!" Michael Ende realized that evil has no existence of its own. It is only a shadow, a black hole, the absence of something. Evil can only exist as long as there are people running away from themselves and their own aliveness. The parasites are our own creation. The destruction of the parasites is the triumph of man over his own contradictory nature and his dark side.

Power and powerlessness are in truth only two sides of the same coin, and also in karmic terms everything has its price. Every experience of power is always based on a corresponding experience of powerlessness, even if these experiences are separated on a temporal level. A good metaphor for the pyramidal system is a black hole that absorbs all light, consumes everything and releases nothing - it is a one-way street. That's why secret societies exist in the first place - in a pyramidal system, the relevant decisions have to be made in the shadows and no one is allowed to know the people making the decisions. The system is like a hydra, and we can only see some of their heads. Evil is always absorbing, consuming, calculating, inward looking. It closes itself to life, to exchange and to truth.

Possibly in the old world, on the other hand, people were integrated into a cycle. Everything was cyclical and in balance. People knew that they had nothing to lose by giving to others. In these communities, people lived for each other - on an energetic level, energy flowed freely between them without flowing outward. In these small, healthy communities there were no authoritarian hierarchies, no chains of command, no parasitic forces. Authorities evolved naturally, and people with natural authority were keen not to abuse their power, as this would have resulted in expulsion from the communities. The system, built on cooperation, includes multiple rings running concentrically outward. In the center is the "heart" - the wisest, most intelligent, most capable people in the community. Unlike the pyramidal system, these people do not hide, for they need not fear transparency. Even architecture reflected this concentric system. For example, in the round city of Baghdad, or Atlantis, which was supposedly built in rings. From the center or heart of the city, life moves outward in rings. The city wall separates the city from the outside world, creating a self-contained, living system. Goodness is outwardly radiant, giving, without ulterior motive and without expecting anything in return. It is its own cause, its own source, and has enormous radiance.

This is a chronological list of international or colonial world's fairs.
https://en.wikipedia.org/wiki/List_of_world's_fairs

All elaborate temporary fairgrounds built are removed after the fair is over.

Real Timeline Of Deception Part 0 Exploring Tartaria 1000 Years
Exploring Tartaria - Old World Secrets Revealed
https://rumble.com/v2u8ef4-real-timeline-of-deception-part-0-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 1 Exploring Tartaria 1000 Years
The Timeline Deception - Part I - Exploring Tartaria
https://rumble.com/v2ua8sa-real-timeline-of-deception-part-1-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 2 Exploring Tartaria 1000 Years
The Timeline Deception - Part II - Exploring Tartaria
https://rumble.com/v2ubf4w-real-timeline-of-deception-part-2-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 3 Exploring Tartaria 1000 Years
The King of Tartaria - Exploring Tartaria
https://rumble.com/v2ueih6-real-timeline-of-deception-part-3-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 4 Exploring Tartaria 1000 Years
The Saints - Relics, Reliquaries, & The First Resurrection
https://rumble.com/v2ugl92-real-timeline-of-deception-part-4-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 5 Exploring Tartaria 1000 Years
The Saints - The Ruling Class - Exploring Tartaria
https://rumble.com/v2uij7w-real-timeline-of-deception-part-5-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 6 Exploring Tartaria 1000 Years
From Atheism, Agnosticism, New Age, Protestantism, to Roman Catholicism
https://rumble.com/v2ujvr6-real-timeline-of-deception-part-6-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 7 Exploring Tartaria 1000 Years
The Millennial Kingdom of God - Exploring Tartaria
https://rumble.com/v2uldss-real-timeline-of-deception-part-7-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 8 Exploring Tartaria 1000 Years
Magic of the White City 1893 Chicago World's Fair
https://rumble.com/v2un20g-real-timeline-of-deception-part-8-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 9 Exploring Tartaria 1000 Years
1000 Years Added To Our History & Dark Ages Never Existed
https://rumble.com/v2uo07i-real-timeline-of-deception-part-9-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 10 Exploring Tartaria 1000 Years
Church History - Complete Documentary AD 33 to Present
https://rumble.com/v2uprfu-real-timeline-of-deception-part-10-exploring-tartaria-1000-years-added-to-o.html

Real Timeline Of Deception Part 11 Exploring Tartaria 1000 Years
Christmas Unveiled - Pied Piper - Templars Secret - Saturn's Workshop - Giants Stealing Children
https://rumble.com/v2urmd0-real-timeline-of-deception-part-11-exploring-tartaria-1000-years-added-to-o.html

Real Timeline Of Deception Part 12 Exploring Tartaria 1000 Years
Ancient Cloning Factories - Foundlings - Incubators - Test-Tube Babies
https://rumble.com/v2uu8ck-real-timeline-of-deception-part-12-exploring-tartaria-1000-years-added-to-o.html

Real Timeline Of Deception Part 13 Exploring Tartaria 1000 Years
Homunculus Unveiled - Jesus - Artificial Generation - Liber Vaccae - Lost Esoteric Secrets

https://rumble.com/v2uwmvc-real-timeline-of-deception-part-13-exploring-tartaria-1000-years-added-to-o.html

Archaix Chronology Anunnaki Sumerian Gods Crystalinks Timelines 2040B.C. 2046A.D.

https://rumble.com/v2v0zks-archaix-chronology-anunnaki-sumerian-gods-crystalinks-timelines-2040b.c.-20.html

Archaix 2.0 Doomsday Chronology Five color charts with extensive Legend-chronology; exhibits 62 dates involving 300 events in linear timeline combining the Phoenix and Nemesis X Object appearances, the Mayan Long-Count baktuns and the Anunnaki NER 600 year periods, a history spanning over 74 centuries to May 2040 and November 2046.

https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html

The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth
Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally.

https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html

The Secret Life of Symbols with Jordan Maxwell Knowledge of the Heavens, Life on Earth

https://rumble.com/v28wyns-the-secret-life-of-symbols-with-jordan-maxwell-knowledge-of-the-heavens-lif.html

Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity

https://rumble.com/v2wigv2-ancient-religions-from-alpha-to-stone-age-to-omega-to-modern-times-to-infin.html

This 11.5 Hrs. Full Documentary With Sound Is About Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity.

Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally.

Proofs Earth Is Not A Spinning Ball What The Hell Happened 200 Times Collection

https://rumble.com/v2u2d94-proofs-earth-is-not-a-spinning-ball-what-the-hell-happened-200-times-collec.html

Proofs Earth Is Not A Spinning Ball When a photo of spherical Earth is pointed out to flat-earthers, they will dismiss it as CGI in the blink of an eye; even if they haven’t done any analysis at all. They do this because their belief in flat-Earth is not evidence-based, and any evidence contrary to their beliefs needs to be invalidated no matter how. They are so used to doing it, and sometimes they become confused by it themselves, to the point that they would take the slightest hint of digital manipulation of any picture of the Earth as evidence of the flat Earth.

Mystery The World's Fairs 00 This Evidence Hidden History Chronological All World’s Fair's - https://rumble.com/v49zfro-mystery-the-worlds-fairs-this-evidence-hidden-history-chronological-all-wor.html

Mystery The World's Fairs​ 01 London 1851 Crystal Palace Works Industry All Nations - https://rumble.com/v49xr6f-mystery-the-worlds-fairs-london-1851-crystal-palace-works-industry-all-nati.html

Mystery The World's Fairs​ 02 Paris 1855 World's Fair L'Exposition Universelle de Paris # 1 - https://rumble.com/v49wmff-mystery-the-worlds-fairs-paris-1855-worlds-fair-lexposition-universelle-de-.html

Mystery The World's Fairs 03​ Paris 1867 World's Fair L'Exposition Universelle de Paris # 2 - https://rumble.com/v49vttt-mystery-the-worlds-fairs-paris-1867-worlds-fair-lexposition-universelle-de-.html

Mystery The World's Fairs 04​ Philadelphia 1876 Fair Centennial International Exposition - https://rumble.com/v49us5z-mystery-the-worlds-fairs-philadelphia-1876-fair-centennial-international-ex.html

Mystery The World's Fairs​ 05 Paris 1878 World's Fair L'Exposition Universelle de Paris # 3 - https://rumble.com/v49soh6-mystery-the-worlds-fairs-paris-1878-worlds-fair-lexposition-universelle-de-.html

Mystery The World's Fairs 06 Paris 1889 World's Fair Exposition Universelle de Paris # 4 - https://rumble.com/v49pdu3-mystery-the-worlds-fairs-paris-1889-worlds-fair-exposition-universelle-de-p.html

Mystery The World's Fairs 07​ Chicago 1893 World's Fair World's Columbian Exposition - https://rumble.com/v49ryc5-mystery-the-worlds-fairs-chicago-1893-worlds-fair-worlds-columbian-expositi.html

Mystery The World's Fairs 08 Lyon 1894 Fair L'Exposition Internationale et Coloniale - https://rumble.com/v49qjd3-mystery-the-worlds-fairs-lyon-1894-fair-lexposition-internationale-et-colon.html

Mystery The World's Fairs 09​ Nashville Tennessee 1897 Centennial International Exposition - https://rumble.com/v49obhi-mystery-the-worlds-fairs-nashville-tennessee-1897-centennial-international-.html

Mystery The World's Fairs​ 10 Omaha 1898 Nebraska Trans-Mississippi Exposition Part 1 - https://rumble.com/v49kvne-mystery-the-worlds-fairs-omaha-1898-nebraska-trans-mississippi-exposition-p.html

Mystery The World's Fairs 11​ Omaha 1898 Nebraska Trans-Mississippi Exposition Part 2 - https://rumble.com/v49ls22-mystery-the-worlds-fairs-omaha-1898-nebraska-trans-mississippi-exposition-p.html

Mystery The World's Fairs​ 12 Buffalo 1901 New York World's Fair Pan American Exposition - https://rumble.com/v49dg39-mystery-the-worlds-fairs-buffalo-1901-new-york-worlds-fair-pan-american-exp.html

Mystery The World's Fairs 13 St. Louis 1904 World's Fair Louisiana Purchase Exposition - https://rumble.com/v49h2n9-mystery-the-worlds-fairs-st.-louis-1904-worlds-fair-louisiana-purchase-expo.html

Mystery The World's Fairs​ 14 Louisiana 1904 Purchase Exposition St. Louis World's Fair - https://rumble.com/v49bv7t-mystery-the-worlds-fairs-louisiana-1904-purchase-exposition-st.-louis-world.html

Mystery The World's Fairs 15​ Seattle 1909 World's Fair Alaska Yukon Pacific Exposition - https://rumble.com/v499353-mystery-the-worlds-fairs-seattle-1909-worlds-fair-alaska-yukon-pacific-expo.html

Mystery The World's Fairs 16​ San Francisco 1915 Panama-Pacific International Exposition - https://rumble.com/v49aa13-mystery-the-worlds-fairs-san-francisco-1915-panama-pacific-international-ex.html

Mystery The World's Fairs 17​ 1962 Seattle Chronological All International World’s Fair's - https://rumble.com/v49is0f-mystery-the-worlds-fairs-1962-seattle-chronological-all-international-world.html

Antiquitech Tartarian Empire Old World's Fairs 18 Before The World's Fair 1851 Thru 1974 - https://rumble.com/v4968hi-antiquitech-tartarian-empire-old-worlds-fairs-before-the-worlds-fair-1851-t.html

Chicago Old Museum Tell About 1,000 Year 19 Old World History Of 1893 World's Fair - https://rumble.com/v2cphwy-chicago-old-museum-tell-about-1000-year-old-world-history-of-1893-worlds-fa.html

Chilaga Where Chicago Is Now On Map 20 of America and 1893 World’s Columbian Exposition - https://rumble.com/v2cqmdc-chilaga-where-chicago-is-now-on-map-of-america-and-1893-worlds-columbian-ex.html

Antiquitech Tartarian Empire Greatest Story 21 Ever Un-told Rewriting Recorded History - https://rumble.com/v36porm-antiquitech-tartarian-empire-greatest-story-ever-un-told-rewriting-recorded.html

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