Mystery The World's Fairs Lyon 1894 Fair L'Exposition Internationale et Coloniale

Mystery The World's Fairs​ Maybe the History we've been told is a lie! Were some ancient buildings built by a different race and their true history was covered up? Did ancient peoples have advanced forms of technology that have now been forgotten ? Was the massive kingdom of Tartaria visible on ancient maps much more advanced than we realize? This sub is an open forum for collaborative discussion of all topics "Tartaria" related, including Mud Flood, Tesla, AntiquiTech, Free Energy, Conspiracies, Hidden History, etc.
I wonder if this video has been posted here before? If yes, then i am not sorry for posting it again, because its just one helluva epic video. If not, I highly recommend watching it if you are interested in perhaps how Tartarian technology worked. I am still thinking about all the stuff he said and points out to us. As its a lot to deal with and can shake one up. I find it fascinating though.

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Could it be that this civilization, split off from our official historical line of development, is behind many of the events of the 20th century?

And what of the World's Fairs? Were a large proportion of the World's Fair Buildings actually built from scratch, as the official historiography claims? There is much to suggest that the robber barons of the industrial age not only hid once widespread technological knowledge from us, but that they also hijacked some of the impressive architectural masterpieces in which parts of this knowledge was displayed.

Some of the buildings from the World's Fairs still exist today, and they are obviously not made of plaster or similar fragile materials. Were they subsequently rebuilt to be permanent structures? Is it even possible that the elaborately designed Expo sites were built with the technological capabilities of the time within just a few months, only to be destroyed again a few months later after the exhibitions had ended? Or is it plausible that after a great catastrophe the worldwide remains of the preceding high culture were not only systematically destroyed, but also pressed into an image of history imposed on us?

Some available information suggests that even after the worldwide, game-changing event we call the Reset or Mud Flood, there still remained countless complete and beautiful cities that were conquered by a new power elite and then repurposed as "World's Fairs".

Especially in America, the so-called New World, the many Greco-Roman cities would have been difficult to explain because in contrast to Europe, the Americas do not have an official greco-roman history.

The more carefully one investigates, the more difficult it becomes to find plausible explanations for the construction and destruction of these extraordinary and huge exhibition areas.

The official version about the World's Fairs can be summarized as follows: People in the 19th century loved Greco-Roman architecture for reasons unknown, so it was extremely important to the architects who organized the World's Fairs between 1850 and about 1914 to build in a classical style.

(Note: With World War I, classical architectural ambitions in Europe ended abruptly and many exhibitions also did not take place as planned. It was only in the wake of fascism that there was a return to ancient design principles, but these were often implemented superficially and were mainly applied to a few representative magnificent buildings. After the Second World War, on the other hand, classical architecture was deliberately replaced with new trends - e.g. Bauhaus and Brutalism. Officially the intention was to create an aesthetic distance to fascism, but in all likelihood its purpose was to cut the connection to the Old World through soulless, brutalistic architecture.)

No effort was spared for the world's fairs, enormous amounts of work went into creating complex statues, ornaments, columns, parks, buildings, and even the world's largest organs. No expenses were spared in the making of these massive structures. Made of plaster and linen or hemp fibers, they were only intended to last for the duration of the Expo. However the attention to detail was so great that purely visually there seemed to be no difference between the Expo buildings and the classical splendor-buildings of antiquity. The purpose of the World's Fairs was to make the supposedly "new" technologies discovered during the Industrial Revolution palatable to the masses, to create new markets. In the end, most of the buildings were torn down, with only meadows or empty parks remaining.

The Exposition Universelle, Internationale et Coloniale was a world’s fair including a colonial exhibition held at Parc de la Tète d’or in Lyon, France in 1894. The exposition was originally planned as a national exposition to be held in 1892, but the short interval since the Paris 1889 Universal Exposition led to a postponement of two years and a call for international participation. 3.8 million people visited the exposition.

The 1894 Exposition in Lyon included the first known exhibition of incubators and human babies at a World’s Fair by Alexandre Lion. Dr. Lion operated storefront “institutes”” with incubators and human babies in several cities in France, and also had incubator pavilions at many international exhibitions in both Europe and the United States around the turn of the century.

INTERNATIONAL EXHIBITION 1894

Only twenty-two years after the first failed attempt at’Exposition Universelle in Lyon, the one of 1894 was a great success. It has the particularity of’ to have been organized just between the two universal exhibitions of Paris of 1889 and 1900. Always having a vocation of’information of the visitors on the novelties of the industrial world, it has been the opportunity of many festivities and entertainments. At the Head of’Or park, there are three exhibitions: a Universal and International Exhibition, a Workers' Exhibition, and finally a Colonial Exhibition. Thus it was normal to’ have as attraction villages featuring natives of the French colonies to delight the public amateur of’exotism. From this Exhibition,we especially remember the date of June 24 when the President of the Republic Sadi Carnot is brutally murdered while’il was on an official visit to Lyon.

From Idea to First Project

The idea of making a Lyonnaise Exhibition was born shortly after the closure of the Universal Exhibition in Paris in 1889, in the head of the publicist Henri Martin who wishes to take advantage of the success of the latter. The idea appeals to the daily press and to the public.

The conditions are rather favorable to project the holding of’an Exhibition in Lyon because this city, at the crossroads in France, is a place of passage. However, there is a shadow on the table : the burning’ failure of the’Exposition of 1872 remains in the minds when one speaks of’Exposition in Lyon. Henri Martin must redouble his effort to convince the mayor. In his letter addressed to the mayor to submit the’idea, he specifies that this kind of demonstration can generate considerable gains but can above all bring a moral benefit to the city of Lyon.

On June 24, 1890, the proposed draft was discussed at’a special meeting of the municipal council. In September, the city of Lyon commits to concede free of charge some parts of the Parc de la Tete d’Or but will not make any subsidy. It therefore grants its moral support but is hardly more involved in’organization.

The concessionaire undertakes him to build the buildings on the granted land but above all to constitute a guarantee by paying a capital of four million francs to the city before December 31, 1890. However, despite the support of’a syndicate of’entrepreneurs, Henri Martin is unable to produce such a considerable sum on the date requested, which leads to the nullity of the project. But the’ project failure is not synonymous with’abandonment.

The Second Project, Budget and Administrative Organization

In August 1891, the Municipal Council, under the leadership of Mayor Antoine Gailletton, decided to take charge of the project. The city will therefore take effective direction of the International Exhibition, with the assistance of a guarantee company, which will bear the hazard of losses and profits.

It was a certain Jean Claret, a public works contractor who became the city's concessionaire. Its mission is to establish the exhibition buildings and organize the interior operation.

In 1894, there were not one but three Exhibitions planned: a Universal and International Exhibition, a Colonial Exhibition, and finally a Workers' Exhibition. The Chamber of Commerce takes charge of the Colonial Exhibition and receives a subsidy of 250,000 francs from the city to do so.

In January 1893, about fifty workers' unions met to form a purely workers' exhibition within that of Lyon. 100,000 francs have been allocated to them by the City Council. In total, the city will participate to the tune of’a million francs.

The General Council of the Rhone, in turn, voted a credit of 200,000 francs to ensure the participation of the department in the’Exposition. The city of Paris invests 30,000 francs, Mr. Claret, for his part, 300,000 francs.

On March 22, 1894, only a few days before the planned opening, the’ State finally agreed to grant its moral and pecuniary patronage with a sum of 380,000 francs, voted by Parliament.

The Land : Parc de la Tete d'Or

The site chosen is the same as’en 1872 : the Park of the Head of’Or. This park is a real advantage compared to the other cities organizing’Exhibitions. Indeed, they tend to hold them in large spaces, mostly bare and without any apparent charm.

Here it’ is the opposite, the park created in 1857 as a real network of urban’aeration presents a quite grandiose and charming decor. The main element of decor is the lake of the park, surrounded by the main alley where are placed the facilities of leisure and’accommodation.

It also has the’ advantage of’ being located two minutes from the station of Brotteaux and fifteen minutes from the city, connected to the city by many tram lines.

Preparation of the City

A universal exhibition is in essence linked to the city that receives it, the two maintain special relationships.

To host a Universal Exhibition, the city has prepared for its visitors.

Indeed, the Metallic Tower having just been built, it is about to offer the public elevators to contemplate the panorama of Mont-Blanc.

The development of Place des Terreaux, embellished by the Bartholdi fountain on Hirsh's plans, dates from 1892; the buildings of the Prefecture, inaugurated on January 1, 1891, the very recent construction of three bridges :

the Morand bridge inaugurated on July 14, 1890,
the Lafayette bridge on October 23, 1890,
the Pont du Midi on July 13, 1891.

Constructions

At the end of the XIXe century, the Universal Exhibitions are like real cities artificially created and ephemeral. Despite their temporary character, their millions of visitors require the construction of resistant buildings. Thus, in Lyon, visitors enter this new city through two large entrances with monumental gates: the so-called "main" one" from the banks of the Rhone and the one located in front of the rue Tete d’Or. The nail building of the’Exposition Lyonnaise was the main palace also called the "Cupola". Serving mainly to receive and stage the products of the’Exposition, this gigantic rotunda (47,751 m² in area, 242 meters in diameter, 55 meters in height) marked the spirits. Circular in shape and composed of’immenses vaulted galleries of glass and’steel,it is the central building around which gravitate the multiple pavilions.

Pavilions of the International and Universal Exhibition

The pavilions have varied architectural styles and work by themes. A few can be cited :

the Palais dit de l'’enseignement which contains the triple exhibition of the city of Lyon, the Rhone department and the city of Paris,
the Pavilion of the Press, next to the Central Office of Posts and Telegraphs where the visitor wishing to follow the’actuality can consult different newspapers, including,
the Palace of the religious arts which is a vast construction with ogival bays decorated with stained glass windows,
the Pavilion of the’Social Economy,
the Palace of Fine Arts and’agriculture,
the Pavilion of the’Exposition ouvrier, located between the Coupole and the Palais des Beaux-Arts,
the railway pavilion, the,
the civil engineering pavilion,
the forest pavilion, which is a rustic cottage.

Pavilions of the Colonial Exhibition

The pavilions of the’Colonial Exhibition are of another architectural genre because indeed, they try to’imitate the architecture of the countries staged. This pleases the public eager for’exotism and oriental charms. There are four pavilions executed by Messrs Bouilheres and Teysseire :

The first is the Palais de l’Algeria, in Arabic style, inspired by the Mustapha Palace, the’ residence of Governor Jules Cambon. This is’ the largest colonial palace of the’Exposition with its 1,536 m² of surface, and the 1,540 m² of the oriental’art room. The whole is dominated by an 18m high minaret.

The Palace of Tunisia is a replica of the Souk-el-Bey Mosque in Tunis. It covers an area of 580 m², not to mention its « souk ».

The Palace of’Indochina represents an Annamite Pagoda of the early nineteenth century. It has an area of 1,483 m². This palace has a total of five exhibitions:’Annam, Tonkin, Cochinchine, Cambodia and the collections of products from all French colonies of the Permanent Museum of Paris.

The last pavilion is that of the’West Africa. In its 630 m², the colonies represented are Dahomey, Congo,’Ivoire Coast, Sudan, Senegal and Guinea. It was built a little hastily, set back and did not’a the artistic cachet of the other three.

Service Infrastructure

In addition to the’ exhibition buildings, other services are offered to visitors. In fact, not far from the Cupola is a Medical Office with 20 doctors providing the necessary care for injured or indisposed people. Also, to ensure safety, a Police Office is established in the’ enclosure, towards the’entry. The fire stations are distributed throughout the’Exposition.

In addition, at various places in the park, there are sanitary facilities in the form of demountable and hygienic cabins without the’eau effect.

And finally, countless’ restaurants and cafes take place in the’ of the Park. There is enough to satisfy all the tastes and all the purses. Popular restaurants « to portion » just like good bourgeois cooking houses are concentrated around the Lake.

For bars, counters and other taverns, it is noted that the’offre has largely exceeded demand and that some have had to close shop. Colonial palaces also have their own restaurants and bars « exotic » as for example the "Indigenous Restaurant".

Transport

In order to have access to these buildings, a whole transport network has been set up. First of all’, visitors can go to the’Exposition with eight tram lines or with the service of « » square cars parked at strategic points.

Given the size of the land occupied by the’Exposition, an electric tram traveling about 3.8 km in 17 minutes was installed. In the’Colonial Exhibition we can also find some exotic means of locomotion such as rickshaws, rides on the backs of’ans or camels.

To stroll on the lake, pleasure craft are made available: Venetian gondolas, steamers, electric or petroleum boats, boats, canoes or canoes.

Attractions

The Universal Exhibition in Lyon has been measured at the largest with its innumerable attractions. First, to enter the Exhibition as a whole, visitors rise to the challenge. The first panorama to observe is that of the circular promenter allowing to go around the Coupole, accessible by two stairs or four elevators.

Another mode of’ascension is done by the captive Ballon, considered as the symbol of the’Exposition Lyonnaise as it offers a magical panorama. Taking place in the middle of’ an aerostatic park of 5 hectares, the’ invention of the Parisian manufacturer Henri Lachambre climbs up to 35Om. Led by the’aeronaut of Paris Leon Laire, the climbs last 13 minutes and are done day and night. Finally, for the more affluent, every Sunday free climbs take place in an aerostat called « l’Annam ». For 200 francs, Antonin Boulade took the curious up’ to 2,000 meters above the Lyon region.

In the XIXe century, the popular masses have an attraction for’optic illusions. During the’Exposition, two new entertainment techniques by the’image were implemented: the panorama and the diorama. The panoramas are the first devices offering simulations of’environment, whether’s are landscapes or scenes of’history. Placed in front of the realization, the spectator really has the’impression of’being present in the reproduced decor. Three scenes are set up here: the Battle of Nights, the coronation of Czar Alexander III and the Battle of the Dogba. The diorama is an invention of Jacques-Louis Daguerre where monumental decorations painted double-sided on a support in translucent canvas, they change continuously with variations in daylight.

Here, the painter Constantin Zukowski traces the main phases of Jacquard's working life there, the illustrious Lyonnais hut.

Other attractions making the Exhibition look like a fair: mirror labyrinth, roller coaster, underground and showy mine. The latter was put out of order by report.

Colonial Exhibition

The general public of this time is sensitive to the exoticism of distant lands. To respond to this feeling of adventure that accompanies the discovery of the continents, the exhibitions at the end of the century take the initiative to present visitors to "folklorized" peoples".

The’illusion is given to visitors to discover "physically" distant countries by immersing them in an evocative setting. In 1894, there is a desire to make a trip around the world by doing only’un tour of the park. Indigenous villages are then installed to present exotic life scenes.

The’indigenous exhibition, stripped of private life and exhibited to the eyes of the spectators is placed in an artificially reconstituted setting and must pretend to live daily as in his country. There is the Arab encampment, the village with the tribes of the Fellatahs and Aissahouas, the senegalese, sudanese and dahomean villages and the annamite village.

An exotic atmosphere is restored. In small bazaars, native merchants sell exotic souvenirs cheap and picturesque, giving the’illusion of having visited distant countries. Tunisian concerts are given with belly dance performances or exotic plays annamites, egyptian or chinese.

Inaugurations and Events

L’official inauguration of the’Exposition took place on April 29, 1894. From there, the’ exhibition is open every day from 9am to midnight and its entry is subject to control : attendants receive the tickets of’entered of 1 francs or check the cards of’abonnement.

From May 11 to 14, the 20th international gymnastics competition brings together 120 companies on the course of the Midi in a large enclosure with grandstands.

On May 27th, the’Colonial Exhibition is inaugurated. The day ends with a great cosmopolitan festival organized in the vast enclosure of the velodrome of the’Exposition inaugurated on May 3. Night parties are possible thanks to the « Fairy electricity » that illuminates the whole park until midnight. The Dome and even the fountains benefit from the electric’lighting.

On June 23 and 24, it’is the reception of the President of the Republic. Venetian nautical festivals on the Saone and a night party with’artifice fire on the lake were to be the’apotheosis of these days.

The shooting contest takes place from July 7 to 18, organized in the’ of the’Exposition, in the so-called "stand dome" as well as’s military mounds of the Grand Camp.

From 12 to 14 August, the major international music competition brought together 380 musical societies. And throughout the duration of the’Exposition, many concerts were given every evening in the Kiosk in front of the Cupola as well as in singing cafes.

During the’ year 1894 and taking advantage of the success of the’Exposition, Lyon was also the host of many congresses and conferences. On October 21st, the awards are distributed to exhibitors. The official distinctions are awarded in the form of’or,’argent and bronze medals by international juries.

President's Assassination

On 23, 24 and 25 June 1894, President Sadi Carnot came to Lyon to officially dedicate the French exhibition. On this occasion, the city is splendidly decorated, the people of Lyon are proud to receive it and parties are given in his honor.

On June 24 afternoon, in an enthusiastic crowd, the President visited the’Exposition and the great Cupola at length. S’en follows the official banquet at the Palais de la Bourse during which Mr. Carnot gives what will be his last speech. At about 21 a.m., he drove to the Grand Theatre.

Desiring to enjoy the illuminations illuminating the Rue de la Republique and the crowd, the President made the two officers who hid his view retreat. This was the shooting window that the Italian’anarchist Jeremio Santo Caserio was waiting for to hit him with a dagger and scream « Vive l’anarchy ». Sadi Carnot succumbed to his injury.

These tragic events dealt a blow to the’Exposition. All festivities were banned on June 30, the day of his funeral. Then gradually the’activity resumed, especially with the’aide of the international music competition of August 12, 13, 14.

From 12 to 14 August, the major international music competition brought together 380 musical societies. And throughout the duration of the’Exposition, many concerts were given every evening in the Kiosk in front of the Cupola as well as in singing cafes.

During the’ year 1894 and taking advantage of the success of the’Exposition, Lyon was also the host of many congresses and conferences. On October 21st, the awards are distributed to exhibitors. The official distinctions are awarded in the form of’or,’argent and bronze medals by international juries.

End and Balance sheet

The’Universal Exhibition of 1894 has known some elements detrimental to its full success. In addition to the’inclemence of time and the tragic attack of June 24, it was carried out at the same time as that of’ Antwerp. Thus, detractors wanting to harm the’Exposition lyonnaise go so far as’ to take part in the concurrent exhibition of the Belgian city.

It can be noted that the’Exposition Lyonnaise has brave the’eternal competition with Paris. It has managed to assert its identity in the face of an omnipotent capital in a form of struggle for decentralization.

Its audience was composed of both’initiated, curious’s, of’intellectuals as well as walkers. We note a record influx on Sundays, the only day of rest for the working classes. In addition, the neighboring departments provided the majority of its visitors.

That said, with the establishment of "pleasure trains", in collaboration with the Paris-Lyon-Mediterranean network, visitors also came from all over France. The’Exposition de Lyon had a certain success in terms of attendance: there are about three million eight hundred thousand entries.

The’Exposition has economically favored the Lyon trade: it is estimated a profit of 50 million francs. To obtain the recipes of the’Exposition itself, there are more than three million’-entered francs and seventeen hundred thousand francs for registration and concession of exhibitors. Despite these contributions, the expenses were large and the’Exposition ends on a deficit estimated at 120,000 francs on a budget of four million. The closing of the’Exposition, first postponed from October 30 to November 5, finally took place on November 11, 1894.

https://rumble.com/v36zig8-antiquitech-tartarian-empire-greatest-story-ever-un-told-video-very-old-900.html

Purpose of the World Exhibitions​
If it is true that many of the buildings at the World's Fairs already existed and were only renovated, then the destruction of these buildings is one of the largest cover-ups in recent history. Also, this would be further proof that pretty much all countries were already controlled by the cabal 100 years ago, and modern politics was intended from the beginning as a means to infiltrate and control cultures. The systematic destruction of knowledge and the theft of cultural goods and property by the church continued seamlessly with the advent of more contemporary nation states. With the help of a central monetary system imposed on us, state-legitimized robbery is still the main cause of the transfer of wealth and possessions into the hands of a few.

https://rumble.com/v48fd59-antiquitech-tartarian-empire-old-world-2100-photographs-ultimate-compilatio.html

The misappropriation of majestic old-world building sites by the new post-colonial power elite happened at the same time as other events that all seem to be connected. Thus, from the mid-19th century onwards, not only were World's Fairs held in oversized and far too expensive buildings that were completely inappropriate for them, but at the same time the first psychiatric hospitals ("insane asylums") were being built. Just like the world exhibitions, these psychiatric hospitals were architecturally unsuitable for the defined purpose. Architecture always reflects the consciousness of the builders and is defined by its purpose. However, we would expect industrialists to build simply and economically, to use steel and concrete, and by no means to demolish their buildings immediately, but to try to generate income from land and buildings for as long as possible. But we see just the opposite - the buildings at the World's Fairs are detailed, ornate, aesthetic, and far too large and expensive for their purpose. They represent something completely different from the world we know. They represent ancient Rome, the classical ideals of the beautiful, the true, the good; the pursuit of the divine and perfection.

The World's Fairs connect two completely opposite eras (or cultures) that should have no points of contact at all - the world of the industrial robber barons and an old world that we can no longer remember, but in which the economic principles we know played no great role.

Greatest Story Ever Un-Told 10 Parts Set and This 1893 World Columbian Exposition In Chicago Is Really A 1,000 Years Old City From Past Antiquitech Tartarian Empire and the True Believers in the “Tartaria” conspiracy theory that 100s of old world fairs 1801 thru 1940 era are convinced that the elaborate temporary fairgrounds built for events like the Panama-Pacific International Exposition in San Francisco in 1915 and 100s of other city were really the ancient capital cities of a fictional empire !

"Expositions are the timekeepers of progress. They record the world's advancement. They stimulate the energy, enterprise, and intellect of the people; and quicken human genius. They go into the home. They broaden and brighten the daily life of the people. They open mighty storehouses of information to the student. Every exposition, great or small, has helped to some onward step." President William McKinley, speaking at the 1901 Pan-American Exposition in Buffalo, NY.

The 1893 World Columbian Exposition in Chicago inaugurated an age of great fairs and expositions in the United States whose influence is felt to this day. The Chicago Exposition and the similar events that followed in Buffalo, NY; St. Louis, MO; Seattle, WA, San Francisco, CA and New York, NY dramatized technology and the fine arts, and illuminated the era ahead, as industrialism took hold, immigration peaked, science moved ever forward, and a vibrant, multi-faceted American music culture grew throughout the country.

Though the 1876 Philadelphia Centennial Exposition in Philadelphia had been a great success, the Chicago Exposition took its immediate inspiration from the Exposition Universelle held in Paris in 1889. Like all previous world's fairs, the Paris exposition hosted music and other entertainment among its exhibits, but in greater variety and on a much larger scale. A major work, Esclarmonde, was commissioned from French composer Jules Massenet and was performed nightly. Music from all over the world was heard, including Javanese gamelan, which was to have a profound effect on composer Claude Debussy. Fairgoers could also hear indigenous music at the village nègre, where some 400 Africans from European colonies spent the duration of the fair demonstrating their culture and crafts. A similarly conceived Algerian Village was also an attraction.

The organizers of the Chicago Exposition would try to match or outdo the 1889 Exposition in every way. For awhile, they even thought of creating a structure taller than the Eiffel Tower built for the 1889 fair, and the tallest building in the world at the time. In the end, they settled for a spectacular city-within-a-city that sprawled over 600 acres and featured 65,000 exhibits. "The White City," so named for its many white buidlings that were made even brighter by the night-time illumination supplied by General Electric, captured the imagination of the country, and drew over 27 million paying customers during its run from May 1st to October 30th, 1893. Within its walls, fairgoers could marvel at the ever-multiplying technological wonders of the age, enjoy art exhibits, concerts and sports; listen to lectures on various topics, view short films in the world's first dedicated movie theater, or ride the original Ferris Wheel.

The basic human desires for community, stories (the more outrageous the better) and the need to feel like a protagonist in a wider struggle are what pulls us from moments of real social, economic and cultural dislocation into fabricated histories. Buildings and cities are made to grow old, to outlast people, and to be a testament to these cultural histories. They’re a yardstick for a culture’s ability to endure. When they’re not given the chance to do this, the contradiction can break something loose, and send people scavenging for cultural memory that feels ancient enough to anchor them in an uncertain now.

Sullivan aptly describes here the poisoned rebirth of pseudo-classicism in the 20th century - the attempt to imitate the old structures without having understood the architectural principles. We always see two fundamentally different types of architecture in the photos of the expos - on the one hand, the massive, classicist buildings, with uniform and harmonious proportions of the golden ratio. They do not differ in the slightest from the real European renaissance buildings, because in fact they come from the same era. On the other hand, we also see cheap-looking, actually temporary buildings made of plaster and other cheap materials, which do not originate from any known historical epoch and which were obviously built with the intention of tearing them down again as quickly as possible.

Many temporary structures were erected around the old buildings for the Expos - e.g. cheap pavilions, walls made of plaster and imitations of famous buildings, but after the Expos not only the temporary but also the old buildings were demolished.

Did the World's Fairs perhaps serve, among other things, as an instrument to give people a national identity after the unified culture had collapsed? The separation into nations seems artificial - the Slavs, for example, seem just like the Germans of Nordic origin and thus part of the same people. The term "Slav" originated from the pejorative term "sclavi", was put into the world by the Vatican and stood for the "pagan" tribes of Europe who did not want to submit to the monotheistic power apparatuses. After the successful infiltration of the German cultural area, only the pagan Eastern Europeans were referred to as "Slavs". In fact, most of the nations we know today were not founded until after 1850 - modern Egypt, for example, only in 1953, after the British conquest. Illyria, the homeland of the Illyrians, became the Balkans after annexation by France. Free Tartary became Uzbekistan, Persia became Iran in 1935, the Ottoman Empire became Turkey in 1923, and so on. The old words have a meaning - our whole past resonates in them. When these words are spoken, that alone establishes a real connection with the past. By losing these words, we also lose that connection, and with it, the connection to our ancestors. Meanwhile, our world is divided into various soulless administrative units, controlled by a small secret elite.

It was at the Expos that people first came into contact with the "new technologies" - telephones, railways, electric light (i.e. the light bulb), wireless communication, incubators, cars, photography, films. In addition, the supposed realities of life in the colonies were also frequently depicted (Africa, South America, etc.). The creation of the patent system played an important role in building the monopolies - because only with patents it was possible to own knowledge and thus technologies, and thus control people.

The foundation of the world we live in today was laid then during the time of the world expositions. The technological knowledge of the old world was selected: One part of the knowledge was kept secret, the other part was presented to the public. One of the most important criteria in this decision-making process was whether a technology could be controlled by a central authority. Any form of free energy must have been very dangerous to the forces that controlled the robber barons of the industrial age from the shadows. It is important to understand that these industrialists had not earned their wealth themselves - they were born into elite families and chosen to play a predetermined role.
Only since the dawn of the 20th century has the attitude prevailed that one must take something from others in order to be able to have something oneself. Competition took the place of cooperation. These two opposing world views - cooperation and competition - can be visualized as follows: With a circle and a pyramid.

The competition system is pyramidally organized. It involves an authoritarian chain of command that requires absolute obedience. At the level of the intelligence services, this system is represented by the "need-to-know" principle. Competitive thinking can only arise in a hierarchically organized society. In this society, energy flows from the masses at the base upward to the top of the pyramid, where it may even be absorbed or consumed by non-earthly entities. At the top seems to be what is named in mythological, religious and esoteric lore as Satan, Antichrist, Evil, or the Demiurge. At the base of the pyramid are people who feel powerless, basically slaves. Success in this system is defined by making it "to the top". This always implies that on the way up you oppress other people - take something away from them. The further up you go, the more powerful you feel. Energy is represented or symbolized by money in this system. The money system was built in such a way that, in the sense of the pyramidal system, it gradually directs people's life energy to the top of the pyramid. We can assume that this is also where the true reason for the existence of the fiat money system is hidden: to rob people of their life energy.

We already encounter the connection between parasitic, paranormal beings, the monetary system and the oppression of humanity in the work "Momo" by the author Michael Ende: men in grey, called time thieves, steal people's time. These interdimensional parasites convince the adults that they can save time by depositing it in a time savings bank. The adults believe the promises of the men in gray. In reality, the more they save, the less time they have - the time they save is lost to them. Life gradually becomes sterile and bleak. Buildings become standardized and all look the same, just like clothes. No one lives in the present anymore, no one has time for each other and life becomes hectic. Only the children recognize the cold, vicious nature of the gray men, as they are still in touch with their own aliveness. The adults fall prey to the idea of having to save time and so their lives become increasingly bleak and grey. But the Gray Men are gradually able to cast their spell over the children as well. Only Momo can resist the cold, psychopathic power of the Grey Men. Outside of space and time, she defeats the Men in Grey, frees the stolen time, and gives people back their vitality and the love in their hearts.

It's amazing, by the way, that in the novel Momo lives in an old, decaying Roman amphitheater surrounded by dreary, modern new buildings. Momo represents the connection to the old world. She represents life. When Momo defeats the men in gray, the last one says with relief, "Finally it's over!" Michael Ende realized that evil has no existence of its own. It is only a shadow, a black hole, the absence of something. Evil can only exist as long as there are people running away from themselves and their own aliveness. The parasites are our own creation. The destruction of the parasites is the triumph of man over his own contradictory nature and his dark side.

Power and powerlessness are in truth only two sides of the same coin, and also in karmic terms everything has its price. Every experience of power is always based on a corresponding experience of powerlessness, even if these experiences are separated on a temporal level. A good metaphor for the pyramidal system is a black hole that absorbs all light, consumes everything and releases nothing - it is a one-way street. That's why secret societies exist in the first place - in a pyramidal system, the relevant decisions have to be made in the shadows and no one is allowed to know the people making the decisions. The system is like a hydra, and we can only see some of their heads. Evil is always absorbing, consuming, calculating, inward looking. It closes itself to life, to exchange and to truth.

Possibly in the old world, on the other hand, people were integrated into a cycle. Everything was cyclical and in balance. People knew that they had nothing to lose by giving to others. In these communities, people lived for each other - on an energetic level, energy flowed freely between them without flowing outward. In these small, healthy communities there were no authoritarian hierarchies, no chains of command, no parasitic forces. Authorities evolved naturally, and people with natural authority were keen not to abuse their power, as this would have resulted in expulsion from the communities. The system, built on cooperation, includes multiple rings running concentrically outward. In the center is the "heart" - the wisest, most intelligent, most capable people in the community. Unlike the pyramidal system, these people do not hide, for they need not fear transparency. Even architecture reflected this concentric system. For example, in the round city of Baghdad, or Atlantis, which was supposedly built in rings. From the center or heart of the city, life moves outward in rings. The city wall separates the city from the outside world, creating a self-contained, living system. Goodness is outwardly radiant, giving, without ulterior motive and without expecting anything in return. It is its own cause, its own source, and has enormous radiance.

This is a chronological list of international or colonial world's fairs.
https://en.wikipedia.org/wiki/List_of_world's_fairs

All elaborate temporary fairgrounds built are removed after the fair is over.

Real Timeline Of Deception Part 0 Exploring Tartaria 1000 Years
Exploring Tartaria - Old World Secrets Revealed
https://rumble.com/v2u8ef4-real-timeline-of-deception-part-0-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 1 Exploring Tartaria 1000 Years
The Timeline Deception - Part I - Exploring Tartaria
https://rumble.com/v2ua8sa-real-timeline-of-deception-part-1-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 2 Exploring Tartaria 1000 Years
The Timeline Deception - Part II - Exploring Tartaria
https://rumble.com/v2ubf4w-real-timeline-of-deception-part-2-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 3 Exploring Tartaria 1000 Years
The King of Tartaria - Exploring Tartaria
https://rumble.com/v2ueih6-real-timeline-of-deception-part-3-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 4 Exploring Tartaria 1000 Years
The Saints - Relics, Reliquaries, & The First Resurrection
https://rumble.com/v2ugl92-real-timeline-of-deception-part-4-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 5 Exploring Tartaria 1000 Years
The Saints - The Ruling Class - Exploring Tartaria
https://rumble.com/v2uij7w-real-timeline-of-deception-part-5-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 6 Exploring Tartaria 1000 Years
From Atheism, Agnosticism, New Age, Protestantism, to Roman Catholicism
https://rumble.com/v2ujvr6-real-timeline-of-deception-part-6-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 7 Exploring Tartaria 1000 Years
The Millennial Kingdom of God - Exploring Tartaria
https://rumble.com/v2uldss-real-timeline-of-deception-part-7-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 8 Exploring Tartaria 1000 Years
Magic of the White City 1893 Chicago World's Fair
https://rumble.com/v2un20g-real-timeline-of-deception-part-8-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 9 Exploring Tartaria 1000 Years
1000 Years Added To Our History & Dark Ages Never Existed
https://rumble.com/v2uo07i-real-timeline-of-deception-part-9-exploring-tartaria-1000-years-added-to-ou.html

Real Timeline Of Deception Part 10 Exploring Tartaria 1000 Years
Church History - Complete Documentary AD 33 to Present
https://rumble.com/v2uprfu-real-timeline-of-deception-part-10-exploring-tartaria-1000-years-added-to-o.html

Real Timeline Of Deception Part 11 Exploring Tartaria 1000 Years
Christmas Unveiled - Pied Piper - Templars Secret - Saturn's Workshop - Giants Stealing Children
https://rumble.com/v2urmd0-real-timeline-of-deception-part-11-exploring-tartaria-1000-years-added-to-o.html

Real Timeline Of Deception Part 12 Exploring Tartaria 1000 Years
Ancient Cloning Factories - Foundlings - Incubators - Test-Tube Babies
https://rumble.com/v2uu8ck-real-timeline-of-deception-part-12-exploring-tartaria-1000-years-added-to-o.html

Real Timeline Of Deception Part 13 Exploring Tartaria 1000 Years
Homunculus Unveiled - Jesus - Artificial Generation - Liber Vaccae - Lost Esoteric Secrets

https://rumble.com/v2uwmvc-real-timeline-of-deception-part-13-exploring-tartaria-1000-years-added-to-o.html

Archaix Chronology Anunnaki Sumerian Gods Crystalinks Timelines 2040B.C. 2046A.D.

https://rumble.com/v2v0zks-archaix-chronology-anunnaki-sumerian-gods-crystalinks-timelines-2040b.c.-20.html

Archaix 2.0 Doomsday Chronology Five color charts with extensive Legend-chronology; exhibits 62 dates involving 300 events in linear timeline combining the Phoenix and Nemesis X Object appearances, the Mayan Long-Count baktuns and the Anunnaki NER 600 year periods, a history spanning over 74 centuries to May 2040 and November 2046.

https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html

The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth
Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally.

https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html

The Secret Life of Symbols with Jordan Maxwell Knowledge of the Heavens, Life on Earth

https://rumble.com/v28wyns-the-secret-life-of-symbols-with-jordan-maxwell-knowledge-of-the-heavens-lif.html

Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity

https://rumble.com/v2wigv2-ancient-religions-from-alpha-to-stone-age-to-omega-to-modern-times-to-infin.html

This 11.5 Hrs. Full Documentary With Sound Is About Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity.

Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally.

Proofs Earth Is Not A Spinning Ball What The Hell Happened 200 Times Collection

https://rumble.com/v2u2d94-proofs-earth-is-not-a-spinning-ball-what-the-hell-happened-200-times-collec.html

Proofs Earth Is Not A Spinning Ball When a photo of spherical Earth is pointed out to flat-earthers, they will dismiss it as CGI in the blink of an eye; even if they haven’t done any analysis at all. They do this because their belief in flat-Earth is not evidence-based, and any evidence contrary to their beliefs needs to be invalidated no matter how. They are so used to doing it, and sometimes they become confused by it themselves, to the point that they would take the slightest hint of digital manipulation of any picture of the Earth as evidence of the flat Earth.

Mystery The World's Fairs 00 This Evidence Hidden History Chronological All World’s Fair's - https://rumble.com/v49zfro-mystery-the-worlds-fairs-this-evidence-hidden-history-chronological-all-wor.html

Mystery The World's Fairs​ 01 London 1851 Crystal Palace Works Industry All Nations - https://rumble.com/v49xr6f-mystery-the-worlds-fairs-london-1851-crystal-palace-works-industry-all-nati.html

Mystery The World's Fairs​ 02 Paris 1855 World's Fair L'Exposition Universelle de Paris # 1 - https://rumble.com/v49wmff-mystery-the-worlds-fairs-paris-1855-worlds-fair-lexposition-universelle-de-.html

Mystery The World's Fairs 03​ Paris 1867 World's Fair L'Exposition Universelle de Paris # 2 - https://rumble.com/v49vttt-mystery-the-worlds-fairs-paris-1867-worlds-fair-lexposition-universelle-de-.html

Mystery The World's Fairs 04​ Philadelphia 1876 Fair Centennial International Exposition - https://rumble.com/v49us5z-mystery-the-worlds-fairs-philadelphia-1876-fair-centennial-international-ex.html

Mystery The World's Fairs​ 05 Paris 1878 World's Fair L'Exposition Universelle de Paris # 3 - https://rumble.com/v49soh6-mystery-the-worlds-fairs-paris-1878-worlds-fair-lexposition-universelle-de-.html

Mystery The World's Fairs 06 Paris 1889 World's Fair Exposition Universelle de Paris # 4 - https://rumble.com/v49pdu3-mystery-the-worlds-fairs-paris-1889-worlds-fair-exposition-universelle-de-p.html

Mystery The World's Fairs 07​ Chicago 1893 World's Fair World's Columbian Exposition - https://rumble.com/v49ryc5-mystery-the-worlds-fairs-chicago-1893-worlds-fair-worlds-columbian-expositi.html

Mystery The World's Fairs 08 Lyon 1894 Fair L'Exposition Internationale et Coloniale - https://rumble.com/v49qjd3-mystery-the-worlds-fairs-lyon-1894-fair-lexposition-internationale-et-colon.html

Mystery The World's Fairs 09​ Nashville Tennessee 1897 Centennial International Exposition - https://rumble.com/v49obhi-mystery-the-worlds-fairs-nashville-tennessee-1897-centennial-international-.html

Mystery The World's Fairs​ 10 Omaha 1898 Nebraska Trans-Mississippi Exposition Part 1 - https://rumble.com/v49kvne-mystery-the-worlds-fairs-omaha-1898-nebraska-trans-mississippi-exposition-p.html

Mystery The World's Fairs 11​ Omaha 1898 Nebraska Trans-Mississippi Exposition Part 2 - https://rumble.com/v49ls22-mystery-the-worlds-fairs-omaha-1898-nebraska-trans-mississippi-exposition-p.html

Mystery The World's Fairs​ 12 Buffalo 1901 New York World's Fair Pan American Exposition - https://rumble.com/v49dg39-mystery-the-worlds-fairs-buffalo-1901-new-york-worlds-fair-pan-american-exp.html

Mystery The World's Fairs 13 St. Louis 1904 World's Fair Louisiana Purchase Exposition - https://rumble.com/v49h2n9-mystery-the-worlds-fairs-st.-louis-1904-worlds-fair-louisiana-purchase-expo.html

Mystery The World's Fairs​ 14 Louisiana 1904 Purchase Exposition St. Louis World's Fair - https://rumble.com/v49bv7t-mystery-the-worlds-fairs-louisiana-1904-purchase-exposition-st.-louis-world.html

Mystery The World's Fairs 15​ Seattle 1909 World's Fair Alaska Yukon Pacific Exposition - https://rumble.com/v499353-mystery-the-worlds-fairs-seattle-1909-worlds-fair-alaska-yukon-pacific-expo.html

Mystery The World's Fairs 16​ San Francisco 1915 Panama-Pacific International Exposition - https://rumble.com/v49aa13-mystery-the-worlds-fairs-san-francisco-1915-panama-pacific-international-ex.html

Mystery The World's Fairs 17​ 1962 Seattle Chronological All International World’s Fair's - https://rumble.com/v49is0f-mystery-the-worlds-fairs-1962-seattle-chronological-all-international-world.html

Antiquitech Tartarian Empire Old World's Fairs 18 Before The World's Fair 1851 Thru 1974 - https://rumble.com/v4968hi-antiquitech-tartarian-empire-old-worlds-fairs-before-the-worlds-fair-1851-t.html

Chicago Old Museum Tell About 1,000 Year 19 Old World History Of 1893 World's Fair - https://rumble.com/v2cphwy-chicago-old-museum-tell-about-1000-year-old-world-history-of-1893-worlds-fa.html

Chilaga Where Chicago Is Now On Map 20 of America and 1893 World’s Columbian Exposition - https://rumble.com/v2cqmdc-chilaga-where-chicago-is-now-on-map-of-america-and-1893-worlds-columbian-ex.html

Antiquitech Tartarian Empire Greatest Story 21 Ever Un-told Rewriting Recorded History - https://rumble.com/v36porm-antiquitech-tartarian-empire-greatest-story-ever-un-told-rewriting-recorded.html

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