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Hondo (1953) | Directed by John Farrow

High Noon (1952) | Directed by Fred Zinnemann

Powder River (1953) | Directed by Louis King

Wild Horse Canyon (1938) | Directed by Robert F. Hill

The Tall Texan (1953) | Directed by Elmo Williams

The Great Jesse James Raid (1953) | Directed by Reginald Le Borg

Law and Order (1953) | Directed by Nathan Juran

The Naked Spur (1953) | Directed by Anthony Mann

3 Godfathers (1948) | Directed by John Ford

River of No Return (1954) | Directed by Otto Preminger

Abilene Town (1946) | Directed by Edwin L. Marin

Siege at Red River (1954) | Directed by Rudolph Maté

High Lonesome (1950) | Directed by Alan Le May

Black Stallion (aka King of the Sierras) (1938) | Directed by Samuel Diege & Arthur Rosson

The Outcast (1954) | Directed by William Witney

A Bullet Is Waiting (1954) | Directed by John Farrow

The Texas Rangers (1951) | Directed by Phil Karlson

Cattle Drive (1951) | Directed by Kurt Neumann

The Savage Horde (1950) | Directed by Joseph Kane

The Return of Daniel Boone (1941) | Directed by Lambert Hillyer

The Furies (1950) | Directed by Anthony Mann

Stranger on Horseback (1954) | Directed by Jacques Tourneur

The Far Country (1954) | Directed by Anthony Mann

Rawhide Rangers (1941) | Directed by Ray Taylor

Rawhide (1951) | Western film directed by Henry Hathaway

Ambush at Tomahawk Gap (1953) | A Western film set in the post-Civil War era

The Gunfighter (1950) | A classic Western film directed by Henry King

The Capture (1950) | Western film directed by John Sturges

Train to Tombstone (1950) | Western film directed by William Berke

Panhandle (1948) | A Western film directed by Lesley Selander & starring Rod Cameron

Outlaw Women (1952) | Directed by Sam Newfield & Ron Ormond

The Big Trail (1930) | Directed by Raoul Walsh

The Desperadoes (1943) | Directed by Charles Vidor

Masterson of Texas (1954) | Directed by William Castle

Silver Lode (1954) | Directed by Allan Dwan

Garden of Evil (1954) | Directed by Henry Hathaway

Frontier Marshal (1939) | Directed by Allan Dwan

Coroner Creek (1948) | Directed by Ray Enright

Oklahoma Annie (1952) | Directed by R.G. Springsteen

They Rode West (1954) | Directed by Phil Karlson

Southwest Passage (1954) | Directed by Ray Nazarro

The Paleface (1948) | A classic Western comedy directed by Norman Z. McLeod Private Video

The Last of the Comanches (1953) | Western film directed by Andre DeToth

Kit Carson (1940) | Directed by George B. Seitz

Yellow Sky (1948) | Directed by William A. Wellman

In Old Oklahoma (1943) | Western directed by Albert S. Rogell

Two Flags West (1950) | A Western war film directed by Robert Wise

The Ox-Bow Incident (1943) | Directed by William A. Wellman

Indian Uprising (1952) | A Western film directed by Ray Nazarro

Bugles in the Afternoon (1952) | A Western film directed by Roy Rowland

Angel and the Badman (1947) | Directed by James Edward Grant

Green Grass of Wyoming (1948) | Western film directed by Louis King

My Darling Clementine (1946) | Western directed by John Ford

Flame of Barbary Coast (1945) | Western film directed by Joseph Kane

Lust for Gold (1949) | Directed by S. Sylvan Simon

Passion (1954) | Directed by Allan Dwan

They Died with Their Boots On (1941) | Directed by Raoul Walsh

Bend of the River (1952) | Classic Western film directed by Anthony Mann

The Cowboy and the Lady (1938) | Directed by H.C. Potter

The Secret of Convict Lake (1951) | Directed by Michael Gordon

Distant Drums (1951) | Directed by Raoul Walsh

Hellgate (1952) | Directed by Charles Marquis Warren

Only The Valiant (1951) | Directed by Gordon Douglas

Angel and the Badman (1947) | Directed by James Edward Grant

The Thundering Trail (1951) | Directed by Ron Ormond

Comanche Territory (1950) | Directed by George Sherman

Vengeance Valley (1951) | Directed by Richard Thorpe

The Doolins of Oklahoma (1949) | Directed by Gordon Douglas

Fury at Furnace Creek (1948) | Directed by H. Bruce Humberstone

War Paint (1953) | Western film directed by Lesley Selander

Two Flags West (1950) | Western drama directed by Robert Wise

Buffalo Bill (1944) | A biographical Western film directed by William A. Wellman.

South of St. Louis (1949) | Western film directed by Ray Enright

Woman They Almost Lynched (1953) | A Western film directed by Allan Dwan.

Operation Haylift (1950) | Post War Western

The Westerner (1940) | Directed by William Wyler

Bells of San Angelo (1947) | Directed by William Witney

Gunfire (1950) | Directed by William Berke

Renegade Girl (1946) | Directed by William Berke

Little Big Horn (1951) | Directed by Charles Marquis Warren

The Raiders (1952) | Directed by Lesley Selander

The Beautiful Blonde from Bashful Bend (1949) | Directed by Preston Sturges

The Daring Caballero (1949) | Directed by Wallace Fox

Pursued (1947) | Directed by Raoul Walsh

Jesse James (1939) | Directed by Henry King

The Return of Frank James (1940) | Directed by Fritz Lang

El Paso (1949) | Directed by Lewis R. Foster

The Walking Hills (1949) | Directed by John Sturges

The Gal Who Took the West (1949) | Directed by Frederick de Cordova

The Outlaw (1943) | Directed by Howard Hughes

Silver River (1948) | Directed by Raoul Walsh

Relentless (1948) | Directed by George Sherman

Western Union (1941) | Directed by Fritz Lang

Pirates on Horseback (1941) | Directed by Lesley Selander

The Capture (1950) | Western film directed by John Sturges
"The Capture" is a 1950 Western film directed by John Sturges. It combines elements of the Western genre with psychological drama to tell a gripping tale of loyalty, betrayal, and the aftermath of war. Here's a detailed description of the film:
Plot Summary:
The story revolves around Lin Vanner (Lew Ayres), a World War II veteran who returns to his Arizona ranch after the war. Lin discovers that his wife Ellen (Teresa Wright) has been living with a new man, Harvey (Victor Jory), in his absence. The situation becomes more complex when Lin is accused of being a collaborator with the enemy during the war.
As tensions rise, Lin is pursued by a relentless sheriff, Captain Bent (Barry Sullivan), who is determined to bring him to justice. Lin's journey becomes a psychological and emotional struggle as he faces the challenges of proving his innocence, dealing with the betrayal of those close to him, and navigating the harsh Arizona landscape.
Key Themes:
1. Post-War Trauma: "The Capture" explores the psychological impact of war on returning veterans. Lin Vanner's struggle with accusations and suspicions reflects the challenges faced by those trying to reintegrate into civilian life after experiencing the horrors of war.
2. Betrayal and Loyalty: The film delves into themes of betrayal and loyalty as Lin discovers the changes that occurred in his absence. His relationships are tested, and he must confront the question of whom he can trust.
3. Western Tropes: While incorporating Western genre elements, "The Capture" goes beyond traditional cowboy narratives, introducing psychological and moral complexities that add depth to the story.
Production and Reception:
Directed by John Sturges, "The Capture" stands out for its blending of Western and psychological drama. The film benefits from the performances of its cast, with Lew Ayres delivering a compelling portrayal of a man caught in a web of suspicion.
Released in the early 1950s, "The Capture" received positive reviews for its unique approach to the Western genre and its exploration of complex human emotions. The film is recognized for its atmospheric cinematography and engaging storytelling, making it a noteworthy entry in the Western film canon.
Overall, "The Capture" offers audiences a thought-provoking and emotionally charged narrative set against the backdrop of post-war Arizona, where the challenges faced by its protagonist mirror the broader themes of a changing society and personal redemption.
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1:23:20
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