Traditional, Toka-Ebisu, arr. Kemp (SATB)
Toka-Ebisu is a Japanese folk song.
Find the score on IMSLP: https://s9.imslp.org/files/imglnks/usimg/d/d2/IMSLP666007-PMLP1068811-Toka_Ebisu.pdf
23
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Carl Nielsen (1865-1931), Folketone fem Klaverstykker op. 3, arr. Mondrup (SATTB)
Find the score on IMSP: https://s9.imslp.org/files/imglnks/usimg/0/04/IMSLP493732-PMLP62417-folketone.pdf
17
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Traditional, Cindy, arr. Kemp (SATB)
Cindy is a relatively modern American Folk Song.
Find the score on IMSLP: https://s9.imslp.org/files/imglnks/usimg/7/7d/IMSLP666993-PMLP1070345-Cindy_-_Score.pdf
6
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Pariare Tomoana (1875-1946), E Pari Ra, arr. Rowe (SATB)
This is a relatively modern tune from New Zealand.
Find the score at 8notes.com: https://www.8notes.com/scores/34652.asp
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Jesus Gonzalez Rubio (d. 1874), Mexican Hat Dance, arr. Kemp (SATB)
The Mexican Hat Dance is the national song of Mexico.
Find the score at IMSLP: https://s9.imslp.org/files/imglnks/usimg/b/b2/IMSLP670260-PMLP1075574-Mexican_Hat_Dance_-_Score_%26_Parts.pdf
4
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Traditional, “The Bonnie Banks of Loch Lomond”, arr. Grosvenor (SATB)
This score was generously donated by Mr. Grosvenor. email: davidgrosvenor@hotmail.com
37
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G.F. Handel, Canticorum Jubilo from Judas Maccabeus, arr. Gomez (SSAT)
Join the Greater Fredericksburg Chapter of the American Recorder Society for our "Play the Recorder Month" Collaboration. Members submitted their recordings which were then compiled into a play along. The recorder is for everyone!
Score here: https://s9.imslp.org/files/imglnks/usimg/2/20/IMSLP188556-WIMA.5063-Handel-Canticorum-Recorders.pdf
42
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Henry Purcell (1659-1695), A New Scotch Tune, Z.655, arr. Tennent (SATB)
Find the score here: https://s9.imslp.org/files/imglnks/usimg/5/5a/IMSLP645427-PMLP592640-z655.pdf
When the public demanded new Scottish tunes to satisfy the publics' enthusiasm, Purcell complied.
28
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Traditional, The Skye Boat Song (Speed Bonny Boat), arr. Solomons (SAT)
Order your copy of the score and parts from Sheetmusicplus and support the composers and arrangers who work for them: https://www.sheetmusicplus.com/title/15-easy-trios-for-recorder-trio-soprano-alto-tenor-digital-sheet-music/21147793
31
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Traditional, Green Hills of Tyrol (A Scottish Soldier), arr. Morris (SATB)
Find the score here: https://www.8notes.com/scores/24248.asp
Learn more about this tune here: https://bagpipe.news/2020/07/04/stories-of-the-tunes-the-green-hills-of-tyrol/
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Traditional, The Black Bear, arr. Morris (SATB)
The score can be found at: https://www.8notes.com/scores/18199.asp
To learn more about the Black Bear visit: http://cornemusique.free.fr/ukblackbear.php
21
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Antonio Vivaldi (1678-1741) Allegro mvt. 1, from, RV 269 “Spring”, arr. 8Notes.com
This arrangement is an excerpt of the main tutti themes. Sorry, no solo parts. But let's be honest, it's really that opening tutti that puts us in a spring mood in the first place.
69
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Johann Strauss, Jr. (1825-1899) Voices of Spring Waltz, (SATB), arr. 8Notes.com
Voices of Spring (Frühlingsstimmen ) was originally a brilliant show piece for soprano Bianca Bianchi. The text of the piece are about the songs of the lark and nightengale as the fields and meadows break into their springtime splendor. The piece was so popular it was encored on the spot, and Strauss, being an excellent businessman, arranged the piece immediately (17 days) for orchestra.
35
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Robert Schumann (1810-1856) Fruhlingsgesang, from Album fur die Jugend, arr Bornstein (SATB)
Album fur die Jugend, op. 68 was written in 1848 for Schumann’s three daughters: Marie, Elise, and Julie. The album is a collection of 43 works. The pieces are not restricted to beginners only. The pieces become more challenging as one proceeds through the volume.
No. 15 Fruhlingsgesang means “Spring Song.”
44
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Edvard Grieg (1843-1907) “Morning Mood” (excerpt) from Peer Gynt Suite no. 1 (SATB), arr. 8Notes.com
The original version of this piece had nothing to do with spring. Enjoy looking up the original setting. It's a hoot.
15
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Henry Purcell (1659-1695), Sound the Trumpet from “Come, Ye Sons of Art” z.323, arr. Tennent (AATB)
“Come, Ye Sons of Art” is the second of two odes written for the birthday of Queen Mary II. The ode was written in 1694. The text is attributed to Nahum Tate. The primary woodwinds used in this ode are oboes. In the movement, “Strike the Viols”, the oboists double on recorder.
Imslp: https://s9.imslp.org/files/imglnks/usimg/c/c9/IMSLP420909-PMLP377575-sound4.pdf
31
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Henry Purcell (1659-1695), Hole in the Wall, from Playford Dancing Master (1701), arr. Hass (SATB)
Imslp: https://s9.imslp.org/files/imglnks/usimg/f/fc/IMSLP211345-WIMA.d503-Purcell-Hornpipe-rec.pdf
Dancing Master of 1709 (Hole in the Wall is no. 222): https://s9.imslp.org/files/imglnks/usimg/9/9e/IMSLP98453-PMLP144608-dancing_master_1709.pdf
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Daniel Purcell (1664-1717) Minuet (S A/T B)
Minuet: A minuet is a social dance for two people. It is said to originate in France and the music is usually in ¾ time. The dance was very popular in the 18th century.
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Daniel Purcell (1664-1717), Hornpipe (S A/T B)
Hornpipe: This dance emerged in Britain and Ireland in the 16th century (1500s). It is suggested that the dance developed on sailing ships and some of its’ movements are inspired by what happens to a person while the ship lurches to and fro. There are fast and slow hornpipes.
37
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Henry Purcell (1659-1695) Fantasia no. 2, Z.733, arr. Kompy
The Fantasia were written originally written for Voila da Gamba consort. The pieces themselves were written during a 2 week period in the summer of 1680. The are arguably the last great consort works written for the gamba.
Imslp: https://s9.imslp.org/files/imglnks/usimg/7/76/IMSLP21572-PMLP49666-fantazias_bfl.pdf
30
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John Wilson (1595-1673) Take, oh take those lips away, from Measure for Measure (Act IV scene I)
John Wilson (1595-1673) Take, oh take those lips away, from Measure for Measure (Act IV scene I)
51
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Thomas Morley (1577-1602) Though Philomena Lost Her Love (Canzonet)
Thomas Morley (1577-1602) Though Philomena Lost Her Love (Canzonet)
31
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Thomas Ravenscroft (1582-1635) Three Country Dances in One, from Henry IV, part 2 (Act 5, scene iii)
Thomas Ravenscroft (1582-1635) Three Country Dances in One, from Henry IV, part 2 (Act 5, scene iii)
44
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Anonymous, The Sinkapace (Galliard), from Twelfth Night (Act I, scene iii)
Anonymous, The Sinkapace (Galliard), from Twelfth Night (Act I, scene iii)
85
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John Whitfelde (fl. 1588-c.1620), Sweet Oliver, from As You Like It, (Act III, scene iii)
John Whitfelde (fl. 1588-c.1620), Sweet Oliver, from As You Like It, (Act III, scene iii)
50
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