Trump vs Biden 2024 final countdown, America lives or dies! 👀
man versus machines, Get out and vote, make a difference, be apart of trying to help save America, if she falls, so does the rest of the world x
courtesy of wain-the-pain 👍
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DJ WAIN-THE-PAIN, ACID MIX. 2024 💊
Step into the world of DJ Wain-The-Pain's Acid Mix, where pulsating beats and ethereal melodies converge to create a sonic journey unlike any other. From the moment you press play, you're transported to a realm where time bends and reality blurs, inviting you to lose yourself in the hypnotic rhythm.
As the mix begins, subtle whispers of synthesized sounds gently wrap around you, pulling you deeper into the abyss of sound. The bassline, deep and resonant, thumps with an intensity that reverberates through your core, setting the stage for the auditory adventure ahead.
With each track seamlessly blending into the next, DJ Wain-The-Pain masterfully crafts a tapestry of sound that ebbs and flows like waves crashing against the shore. Layers of intricate melodies cascade over driving percussion, creating a dynamic contrast that keeps you on the edge of your seat.
But it's not just about the beats—it's about the journey. As the mix progresses, you feel yourself slipping further into a trance-like state, your senses heightened and your mind liberated. Time becomes irrelevant as you surrender to the music, letting it guide you through a kaleidoscope of emotions and sensations.
In this realm of sonic exploration, boundaries dissolve and inhibitions fade away. It's a place where you can truly let go, allowing the music to wash over you like a warm embrace. Whether you're dancing under the stars or simply closing your eyes and letting the music take control, DJ Wain-The-Pain's Acid Mix promises an experience that is both exhilarating and transcendent.
So sit back, relax, and prepare to embark on a journey into the unknown. With DJ Wain-The-Pain at the helm, the possibilities are endless, and the adventure is just beginning.
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Nadine Sutherland's action
In the pulsing heart of Jamaican music, there exists a force that embodies the essence of reggae and dancehall—Nadine Sutherland. With a voice that carries the weight of generations and a spirit that ignites the stage, Nadine stands tall as a titan of action in the realm of Caribbean music.
From her early days as a prodigious talent, Nadine Sutherland captured the hearts of listeners with her soulful melodies and unwavering passion. Born and bred in Kingston, Jamaica, her journey from a young girl singing in church to a celebrated icon is a testament to her resilience and determination.
Nadine burst onto the scene in the 1980s, a time when reggae and dancehall were undergoing a seismic shift. Her breakout hit "Starvation on the Land" not only showcased her vocal prowess but also highlighted her commitment to social commentary. Through her music, she became a voice for the voiceless, shedding light on issues of poverty, injustice, and hope.
But it was her collaboration with dancehall legend Terror Fabulous on "Action" that truly solidified her status as a force to be reckoned with. The track was more than a hit—it was a cultural phenomenon. "Action" reverberated through the streets of Kingston and beyond, its infectious beat and empowering lyrics becoming anthems for a generation.
Nadine's action extends far beyond the recording studio. As a woman in a male-dominated industry, she blazed a trail for future generations of female artists. Her presence was not just a symbol but a call to action for equality and respect within the music scene.
In the decades since, Nadine Sutherland has continued to evolve, her music mirroring the changing tides of Jamaican culture. Whether she's collaborating with emerging artists or headlining sold-out shows, Nadine remains a beacon of authenticity and artistry.
To witness Nadine Sutherland in action is to witness the raw power of music. It's in the way she commands the stage, her voice carrying the weight of history and the promise of tomorrow. She is not just a singer; she is a movement—a rhythmic force that continues to shape the very soul of Jamaican music.
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Rebel Time Song by Beres Hammond and Sean Paul
Easy like the Caribbean breezy
You done know baby girl a tease me
Tell her fi a while it's time to rent a tile
Style, buddi-bang-bang-bang-bang
Beres
Woman, you can't leave me like this, no
Not when the night is so young, girl
When the dance is getting so hot, no, no, no, no, no (like fire)
You can't leave me like this, no (baby girl)
You got to give it a shot (I like you a lot)
Seany P hold her pon di spot (yeah, yeah)
Tell you this
A rebel time under the bass and treble time
Baby girl, don't you worry, nor fret, yeah
See the sign and every time we combine
Girl, you know seh we keep it fresh, woii
Loving the way that you be looking tonight
Girl, you're keeping it fly
Girl when you in that dress
Oh yes, and as the night does progress
I know you feeling all right under your rum and sess
Empress, don't leave The Dutty in a mood like this
Beres
Woii, now me seh one more drink to mi head (buss a bokkle)
Or should I have a big spliff instead? (Blaze dem)
A me seh, one more drink to mi head, whoa, aye, aye (buss a bokkle)
Tell dem
Woman, you can't leave me like this, no (mek them know)
Please stay, baby girl
When the dance is getting so hot, no, no, no, no, no (volcano)
You can't leave me like this, no (don't dweet)
You got to give it a shot (I like you a lot)
Seany P hold her pon di spot (pon di spot)
She press it back and now the sweat wall-to-wall
And her body keep calling me
Ready fi give her the vibe and put all in
Me know me not stallin', me give her the love properly
Free the lock 'cause I got the key
Don't let this moment go to waste (don't do it)
Tell you that would be wrong, girl
Tonight can never be replaced (say it)
Buddi-bang-bang-bang-bang
Rub-a-dub it never feel like that
Rub-a-dub it never smooth like that, no
Rub-a-dub never feel like that
Rub-a-dub-a never
Cha-cha-cha-cha-cha-cha-cha, ayy
Woman, you can't leave me like this, no
Not when the night is so young, girl
When the dance is getting so hot, no, no, no, no, no (like fire)
You can't leave me like this, no (baby girl)
You got to give it a shot (I like you a lot)
Seany P hold her pon di spot (pon di spot, yeah, yeah)
Tell you this
A rebel time under the bass and treble time
Baby girl, don't you worry, nor fret, yeah
See the sign and every time we combine
Girl, you know seh we keep it fresh, woii
Free up yuhself and let it flow (freely)
You have to understand the dancehall to know how it flow (lifestyle)
Free up yourselves and let it flow (baby girl)
Everything Jamaica does, the world follows (buddi-bang-bang, girl)
Woii, now me seh one more drink to mi head (buss a bokkle)
Or should I have a big spliff instead? (Blaze dem)
A me seh, one more drink to mi head, whoa, aye, aye (buss a bokkle)
Tell dem
Rub-a-dub it never feel like that (mek them know)
Rub-a-dub it never smooth like that, no
Rub-a-dub never feel like that (buddi-bang-bang-bang-bang)
Rub-a-dub-a never
Cha-cha-cha-cha-cha-cha-cha, ayy
Woman, you can't leave
No
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Sting & Shaggy Morning Is Coming
Morning Is Coming" is a song by Sting featuring Shaggy. It was released in 2018 as part of their collaborative album titled "44/876". The album title is a reference to the respective country codes of the United Kingdom (44) and Jamaica (876), representing Sting's and Shaggy's home countries.
"Morning Is Coming" is a reggae-infused track that blends Sting's signature vocals with Shaggy's dancehall style. The album "44/876" received positive reviews for its fusion of reggae, pop, and rock elements, showcasing the musical chemistry between Sting and Shaggy.
Lyrics
It's a beautiful day
For me to rock 'er on your way
Only wanna say Sting
Sweet nightingale
Why do you wake me so?
Sweet nightingale
You're telling me something I don't know
It's quarter to three
You're singing driving me right outta my tree
I'm so tired that I could weep
When all the other birdies are still fast asleep, yeah
Morning is coming
Morning is on its way
Morning is coming
It's revelation day
Sweet nightingale
We'll talk it over in the light of day
Why can't it wait?
I need my beauty sleep whatever you say
Wake up, it's a beautiful day
Wake up, don't you hear what I say?
'Cause I be rocking in my shoes
To this sweet reggae groove
Ain't nobody gonna spoil my mood
To this beautiful sunshine I'm rising up
Just a positive vibe me you sun build me up
Overflowing like the hot coffee inna me cup
Ain't no time for easing up (Yeah!)
Morning is coming (Morning is coming)
Morning is on its way (It's on its way)
Morning is coming
It's revelation day (It's revelation day)
Oh nightingale
You broke a dream or I don't live on my own
Oh nightingale
I look around but there's nobody home
Rouse yourself and get out of bed (Uh-uh)
And drag your comb across your sleepy head
Clean your teeth and wash your face
Look like you're a member of the human race
Wake up, it's a beautiful day
I said for up, don't you hear what I say?
'Cause I be rocking in my shoes
To this sweet reggae groove
Ain't nobody gonna spoil my mood
Now me saw morning time bop to evening time
Me saw message when me used to uplift mankind
Well a you, no off dee bubble and ya no off dee wine
Enjoy, it's a beautiful time
Oh, morning is coming (Mornin' is coming)
Morning is on its way (It's on its way)
Morning is coming
It's revelation day (Revelation day)
Morning is coming
Morning is on its way (On its way)
Morning is coming
It's revelation day, hey
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Atlantic starr secret lovers
Secret Lovers" is a popular song by the American R&B group Atlantic Starr. It was released in 1985 as the lead single from their album "As the Band Turns." The song was written by David Lewis and Wayne Lewis of Atlantic Starr along with producer David "Pic" Conley.
"Secret Lovers" is a ballad that tells the story of two people who are in a relationship with other partners but have a secret love affair. The lyrics express the struggle of keeping their love hidden and the desire to be together openly.
Here we are the two of us together
Taking this crazy chance to be all alone
We both know that we should not be together
'Cause if they found out
It could mess up, both our happy homes
I hate to think about us all meeting up together
As soon as I looked at you it would show on my face
Then they'll know that we've been loving each other
They can never no, oh no, we can't leave a trace
Secret Lovers that's what we are, we shouldn't be together
But we can't let it go, oh no, cause we love each other so
Sittin at home I do nothing all day
But think about you and hope that your ok
Hoping you'll call before anyone gets home
I'll wait anxiously, alone by the phone
How could something so wrong be so right
I wish we didn't have to keep our love out of sight
Living two lives just ain't easy at all
But we gotta hang on and after fall
Secret lovers that's what we are
Trying so hard to hide the way we feel
Cause we both belong to someone else
But we can't let it go, cause what we feel is oh so real
So real
You and me, are we fair
Is this cruel, or do we care
Can they tell what's in our minds
Maybe they've had secret love all of the time
In the middle of makin love we notice the time
We both get nervous cause it's way after nine
Even though we hate it, we know it's time that we go
We gotta be careful, so that no one will know
Secret lovers, that's what we are
Trying so hard to hide the way we feel
'Cause we both belong to someone else
But we can't let it go
'Cause what we feel is oh so real
So real
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(Keane)... 'Somewhere only we know' Reggae Version...Reggae Cover
"Somewhere Only We Know" by Keane is transformed into a captivating reggae cover, infusing the heartfelt lyrics with a new rhythmic energy. The familiar melody takes on a fresh interpretation as the reggae beat sets the stage for a musical journey.
In this reggae rendition, the song opens with an inviting rhythm that beckons listeners to join in. The vocals, now intertwined with the classic reggae groove, carry the message of a secret place shared between two souls. It's a place where the skies are eternally blue, and time seems to stand still.
The verses unfold with a sense of longing and adventure, urging the listener to come along and discover this hidden sanctuary. As the chorus arrives, the reggae beat pulses with a laid-back yet infectious vibe, inviting swaying and dancing. "Somewhere only we know" becomes a mantra, a promise of a special, secluded haven away from the world's chaos.
A reggae breakdown in the bridge gives a moment to bask in the music's rhythm, letting it wash over like a gentle breeze. The song crescendos back into the chorus, the repetition of the phrase now carrying the weight of shared secrets and intimate moments.
In the outro, the reggae rhythm gently fades away, leaving a sense of serenity and longing in its wake. "Somewhere Only We Know" in its reggae cover form is not just a song, but an experience—an escape to a place of solace and connection, set to the irresistible groove of reggae music.
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