RT367

Shot on the Sony FX30 Codec: ALL-I Frame Rate: 60fps Profile: Slog3 Cine EI Lens: Tamron 17-75 F2.8 LUT: Alexa LUT Color Graded in DaVinci Resolve Selected clips (3 clips) slowed down in Topaz VIdeo AI 4 'Effervescence' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au

Welcome to my Topaz Video AI 4 tutorial, where I'll teach you the art of creating stunning 240 FPS 4K slow-motion videos. Learn the essential workflow, from trimming clips to exporting with Apple ProRes for the highest quality. Plus, discover how to acquire Topaz Video AI 4 at a fantastic price of $249. Download Topaz Video AI 4: https://www.topazlabs.com/topaz-video-ai Join me as I explore Topaz Video AI 4's frame interpolation feature, transforming 60 FPS footage into mesmerizing slow-motion sequences. I'll guide you step-by-step through the process, and you'll witness the magic of your clips coming to life in buttery-smooth slow motion. Don't miss this opportunity to elevate your video editing skills. Subscribe, like, and hit the notification bell for more video editing tips and cinematic magic. 📽️🎬✨ 'Effervescence' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au

Welcome to my Topaz Video AI 4 tutorial, where I'll teach you the art of creating stunning 240 FPS 4K slow-motion videos. Learn the essential workflow, from trimming clips to exporting with Apple ProRes for the highest quality. Plus, discover how to acquire Topaz Video AI 4 at a fantastic price of $249. Join me as I explore Topaz Video AI 4's frame interpolation feature, transforming 60 FPS footage into mesmerizing slow-motion sequences. I'll guide you step-by-step through the process, and you'll witness the magic of your clips coming to life in buttery-smooth slow motion. Don't miss this opportunity to elevate your video editing skills. Subscribe, like, and hit the notification bell for more video editing tips and cinematic magic. 📽️🎬✨" 'Effervescence' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au

Watch as we take you through the process of replacing a background in your videos using DaVinci Resolve and Adobe Photoshop's Generative AI. In this tutorial, we'll show you step by step how to achieve stunning results. Learn how to match lighting, focal length, and more for a seamless blend. Don't forget to let us know in the comments if you find the final result convincing! DaVinci Resolve background replacement Photoshop Generative AI tutorial Video editing with DaVinci Resolve Background replacement techniques LUT color grading in video S-Log3 video recording Magic mask tool in DaVinci Resolve Focal length matching in video editing Generative AI in Photoshop Tutorial for realistic background replacement Lens blur effect in video editing Enhancing video with AI technology Video editing tips and tricks Achieving professional video effects Creating a seamless video background joshrchappell.com https://www.instagram.com/joshrchappell/

In this video, I'm sharing my insights on using the standard profile available on Sony cameras like the FX3, A7iv, FX30, and other Sony Alpha cameras. Over the past few months, I've been experimenting with this profile, and I have to say, it's been surprisingly helpful, especially for those times when you're on a tight schedule and can't afford extensive color grading. However, I've also encountered situations where it may not be the best choice. So, I decided to put together some test shots, comparing the standard profile to log footage. We'll dive into different scenarios and camera settings to understand when and how the standard profile can work in your favor. Join me as we explore its advantages and limitations, and I'll even walk you through the camera settings to make the most out of this profile. Whether you're new to Sony cameras or looking to optimize your workflow, this video has something for everyone. Work with me(serious inquiries please) - joshrchappell.com

In this video, I'm sharing my insights on using the standard profile available on Sony cameras like the FX3, A7iv, FX30, and other Sony Alpha cameras. Over the past few months, I've been experimenting with this profile, and I have to say, it's been surprisingly helpful, especially for those times when you're on a tight schedule and can't afford extensive color grading. However, I've also encountered situations where it may not be the best choice. So, I decided to put together some test shots, comparing the standard profile to log footage. We'll dive into different scenarios and camera settings to understand when and how the standard profile can work in your favor. Join me as we explore its advantages and limitations, and I'll even walk you through the camera settings to make the most out of this profile. Whether you're new to Sony cameras or looking to optimize your workflow, this video has something for everyone. Work with me(serious inquiries please) - joshrchappell.com 0:00 - 0:43 Intro 0:43 - 1:46 Comparisons with Slog3 1:46 - 3:26 Camera Settings