Canto di AURA LUNARE (LUNAR AURA) de Leandro Monteiro (Taubaté, São Paulo, Brasil, 1983)
Produzione autoriale.
Leandro Monteiro
Nato a Taubaté, il 7 novembre 1983, (e tuttora residente in città) ha avuto contatti con la letteratura fin da bambino. Ha avuto contatti con opere di poeti di tempi e luoghi diversi, con Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevalendo nella sua lettura come fondamenti estetici e artistici all'interno della poetica creata dall'autore. Ha una laurea in Lettere (portoghese/inglese) e un diploma post-laurea in Lettere. Nel 2017 si laurea in Psicologia. Il libro “Ninho de Borboletas” è stata la sua prima opera tradotta (in inglese), seguita dalla traduzione (anche in inglese) di “Versejando com Olga” e “Eu Fizio Quero Quizio” (in spagnolo e inglese), 2020. Nel 2021 , essendo membro del Gruppo degli Scrittori Taubaté, ha curato, formattato e partecipato alla Prima Antologia del Gruppo degli Scrittori (pubblicata da Escritores da Alma). Oltre a queste opere, l'autore mette a disposizione, attraverso la propria pagina sul sito RECANTO DAS LETRAS, opuscoli (in portoghese, spagnolo, inglese e italiano) e libri in PDF scaricabili gratuitamente.
Dal 2020 partecipa a gruppi letterari e serate online con scrittori provenienti da tutti gli angoli del Brasile: Sarau Corujão da Poesia (con sede a Rio de Janeiro), Sarau das Ratas di Versos (con sede anche a Rio de Janeiro) e Sarau do Invencionática ( Prodotto nel Rio Grande do Sul). Dalla seconda metà del 2020, inoltre, produce e pubblica poesie proprie e altre poesie nazionali e internazionali attraverso il canale MUNDO DA POESIA, nel quale i testi vengono mostrati sotto forma di videopoesie.
Infine, dal 2017 al 2021, ha ricoperto la cattedra di Letteratura, Lettura, Biblioteca e Libri presso il Consiglio Comunale della Cultura di Taubaté, nella quale ha contribuito alla valutazione e all'approvazione dei bandi (insieme alla segreteria di Taubaté) per contribuire alle spese. e assistenza agli artisti dei diversi ambiti artistici della città, oltre a contribuire a strutturare norme e regole sempre più democratiche all'interno del comune.
Para ver e ler mais do autor
(Per vedere ed leggere di più dell'autore):
https://www.recantodasletras.com.br/
(Leandro Monteiro)
e
https://leandropoemas.blogspot.com/
Há, também, vídeos no instagram
(Ci sono anche video su instagram):
https://www.instagram.com/leandremonoli_1983/
Testo (Leandro Monteiro)
AURA LUNARE
Nella mattina, il sole
Lavora in spazio nudo
Durante molte ore...
Mentra il giorno passa
Alcuna bella aura sta
Dietro di vita nella luce...
Quando stanco io sono
Della ostinata solitudine
Lei sorge per separarmi
Come una grande donna,
La Luna vive con me sola
Nella notte chiara e pura!
A me, tua luce, tuttavia
Non é forte quale sole,
Ma, intensa e profonda...
Tra le miei secchi routine
Tra gli miei sonni sfonda
Alle miei desideri liberi!
.................
Authoral Work
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
To read and watch other videos and poems
Instagram
https://www.instagram.com/leandremonoli_1983/
Blog
https://leandropoemas.blogspot.com/
https://www.recantodasletras.com.br/autor.php?id=218618
Contato (Contacts):
https://www.facebook.com/leandro.monteiro.351/
LYRICS (Leandro Monteiro)
LUNAR AURA
In the Morning, the Sun
Works through naked space
During so many hours faced…
While the morning goes
There is a beauty soul
In the light, behind of life…
When so tired I’ve got
Of the obstinate loneliness,
She comes up to apart me
Like some great duchess,
The moon lives with me, only,
In the clear and pure night!
To me, her light, notwithstanding,
Is not as strong as the sun;
Though, so deep and intense…
Among my arid routine,
Among my sleep pushes in
All my desire, loose and free!
8
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Sing of BIRD'S RESET SONG by Leandro Monteiro (Taubaté, São Paulo, Brazil, 1983)
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
Texts and recitations of self-authored poems in different languages.
To read and watch other videos and poems
Instagram
https://www.instagram.com/leandremonoli_1983/
Blog
https://leandropoemas.blogspot.com/
https://www.recantodasletras.com.br/autor.php?id=218618
Contato (Contacts):
https://www.facebook.com/leandro.monteiro.351/
9
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LONGUM ET TARDE ITER (A LONG AND SLOW TRAVEL) by Leandro Monteiro (Taubaté, SP, Brazil, 1983)
Produção Autoral.
Leandro Monteiro
Nascido em Taubaté, em 7 de novembro de 1983, (e ainda residente na cidade) teve contato com a Literatura desde criança. Teve contato com obras de poetas de diferentes épocas e lugares, com Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevalecendo na leitura como fundamentos estéticos e artísticos dentro da poética criada pelo autor. É licenciado em Letras (Português/Inglês) e pós-graduado em Letras. Em 2017, formou-se em Psicologia. O livro “Ninho de Borboletas” foi sua primeira obra traduzida (para o inglês), seguida da tradução (também para o inglês) de “Versejando com Olga” e “Eu Fizio Porque Quizio” (em espanhol e inglês), 2020. Em 2021 , sendo integrante do Grupo de Escritores de Taubaté, editou, formatou e participou da Primeira Antologia do Grupo de Escritores (publicada pela editora Escritores da Alma). Além dessas obras, o autor disponibiliza, por meio de página própria no site RECANTO DAS LETRAS, livretos (em português, espanhol, inglês e italiano) e livros em pdf para download gratuito.
Desde 2020, participa de grupos literários e saraus online com escritores de todos os cantos do Brasil: Sarau Corujão da Poesia (radicado no Rio de Janeiro), Sarau das Ratas di Versos (também radicado no Rio de Janeiro) e Sarau do Invencionática ( Produzido no Rio Grande do Sul). Além disso, desde o segundo semestre de 2020, produz e divulga poemas próprios e outros poemas nacionais e internacionais por meio do canal MUNDO DA POESIA, no qual os textos são exibidos em forma de videopoemas.
Por fim, de 2017 a 2021, ocupou a cadeira de Literatura, Leitura, Biblioteca e Livros do Conselho Municipal de Cultura de Taubaté, na qual tem contribuído na avaliação e aprovação de editais (em conjunto com a secretaria de Taubaté) para auxiliar com despesas e auxílio a artistas de diversas áreas da arte da cidade, além de ajudar a estruturar normas e regras cada vez mais democráticas dentro do município.
Para verem ou lerem outros textos:
Para ver e ler mais do autor
https://www.recantodasletras.com.br/
(Leandro Monteiro)
e
https://leandropoemas.blogspot.com/
Há, também, vídeos no instagram:
https://www.instagram.com/leandremono...
Letra (Leandro Monteiro)
Quando surgebat humanitas
Haec verba oriebantur jam
Eae voces volabant ilac;
Volabant ibi illo
Sed hic venerunt non
Donec ego has recipio,
Post duo milia annorum,
Carmine in hoc
........
Authoral Work
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
Texts and recitations of self-authored poems in different languages.
To read and watch other videos and poems
Instagram
https://www.instagram.com/leandremonoli_1983/
Blog
https://leandropoemas.blogspot.com/
https://www.recantodasletras.com.br/autor.php?id=218618
Contato (Contacts):
https://www.facebook.com/leandro.monteiro.351/
LYRICS (Leandro Monteiro)
A LONG AND SLOW TRAVEL
When come up the mankind
The words still were flying
Those voices flew by there
They flew from here to out there
Though did not come here
Until now I receive their
After two thousand years
Through these songs this moment.
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Sing of BIS WANN (TILL WHEN) von Leandro Monteiro (Taubaté, São Paulo, Brazil, 1983)
Authoral Work
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
Texts and recitations of self-authored poems in different languages.
To read and watch other videos and poems
Instagram
https://www.instagram.com/leandremonoli_1983/
Blog
https://leandropoemas.blogspot.com/
https://www.recantodasletras.com.br/autor.php?id=218618
Contato (Contacts):
https://www.facebook.com/leandro.monteiro.351/
....
Autorenarbeit
Leandro Monteiro
Er wurde am 7. November 1983 in Taubaté geboren (und lebt immer noch in der Stadt) und hatte seit seiner Kindheit Kontakt zur Literatur. Er hatte Kontakt zu Werken von Dichtern aus verschiedenen Zeiten und Orten, wobei Fernando Pessoa, Carlos Drummond, Castro Alves und Tomás Antônio Gonzaga in der Lektüre als ästhetische und künstlerische Grundlagen innerhalb der vom Autor geschaffenen Poetik vorherrschten. Er hat einen Abschluss in Literatur (Portugiesisch/Englisch) und einen Postgraduiertenabschluss in Literatur. Im Jahr 2017 schloss er sein Studium der Psychologie ab. Das Buch „Ninho de Borboletas“ war ihr erstes übersetztes Werk (ins Englische), gefolgt von der Übersetzung (ebenfalls ins Englische) von „Versejando com Olga“ und „Eu Fizio Porque Quizio“ (in Spanisch und Englisch), 2020. Im Jahr 2021 Als Mitglied der Gruppe der Schriftsteller von Taubaté redigierte, formatierte und beteiligte er sich an der ersten Anthologie der Gruppe der Schriftsteller (herausgegeben vom Verlag Writers da Alma). Zusätzlich zu diesen Werken stellt der Autor auf seiner eigenen Seite auf der Website von RECANTO DAS LETRAS Broschüren (auf Portugiesisch, Spanisch, Englisch und Italienisch) und PDF-Bücher zum kostenlosen Download zur Verfügung.
Seit 2020 nimmt er an Literaturgruppen und Online-Soireen mit Schriftstellern aus allen Teilen Brasiliens teil: Sarau Corujão da Poesia (mit Sitz in Rio de Janeiro), Sarau das Ratas di Versos (ebenfalls mit Sitz in Rio de Janeiro) und Sarau do Invencionática ( Hergestellt aus Rio Grande do Sul). Darüber hinaus produziert und verbreitet er seit der zweiten Jahreshälfte 2020 eigene Gedichte sowie weitere nationale und internationale Gedichte über den Kanal MUNDO DA POESIA, in dem die Texte in Form von Videogedichten gezeigt werden.
Schließlich war er von 2017 bis 2021 Vorsitzender des Lehrstuhls für Literatur, Lesen, Bibliothek und Bücher des städtischen Kulturrates von Taubaté, wo er (zusammen mit dem Sekretariat von Taubaté) zur Bewertung und Genehmigung öffentlicher Bekanntmachungen beitrug mit Kosten und Unterstützung für Künstler aus verschiedenen Kunstbereichen in der Stadt sowie mit der Unterstützung bei der Strukturierung zunehmend demokratischer Normen und Regeln innerhalb des Rates.
Texte und Rezitationen selbst verfasster Gedichte in verschiedenen Sprachen.
Zum Lesen und Ansehen anderer Videos und Gedichte
Instagram
https://www.instagram.com/leandremonoli_1983/
Blog
https://leandropoemas.blogspot.com/
https://www.recantodasletras.com.br/autor.php?id=218618
Kontakte:
https://www.facebook.com/leandro.monteiro.351/
26
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Sing of COCKROACH (version of BARATINHA) by Leandro Monteiro (Taubaté, São Paulo, Brazil, 1983)
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
Texts and recitations of self-authored poems in different languages.
To read and watch other videos and poems
Instagram
https://www.instagram.com/leandremonoli_1983/
Blog
https://leandropoemas.blogspot.com/
https://www.recantodasletras.com.br/autor.php?id=218618
Contato (Contacts):
https://www.facebook.com/leandro.monteiro.351/
Produção Autoral.
27
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VETUS SPIRITUS TEMPORUM (OLD SPIRIT ON THE TIME) by Leandro Monteiro
Biography
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
Show less
(Text of self-authored poems in different languages.)
Para ler e ver outros vídeos e poemas
(To read and watch other videos and poems):
Instagram
https://www.instagram.com/leandremonoli_1983/
Blog
https://leandropoemas.blogspot.com/
https://www.recantodasletras.com.br/autor.php?id=218618
Contato (Contacts):
https://www.facebook.com/leandro.monteiro.351/
15
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STRANGE CASE (Poetry Melody) By Leandro Monteiro (Taubaté, São Paulo, Brasil, 1983)
Authoral Work
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
Texts and recitations of self-authored poems in different languages.
To read and watch other videos and poems
Instagram
https://www.instagram.com/leandremonoli_1983/
Blog
https://leandropoemas.blogspot.com/
https://www.recantodasletras.com.br/autor.php?id=218618
Contato (Contacts):
https://www.facebook.com/leandro.monteiro.351/
Produção Autoral.
17
views
2
comments
Recitation of ADIEU by Dante Gabriel Rossetti (London, UK, 1828-1882, Birchington-on-sea, UK)
A little bit about the author:
Dante Gabriel Rossetti (12 May 1828, London – 9 April 1882, Birchington-on-Sea), originally Gabriel Charles Dante Rossetti, was an English poet, illustrator and painter of Italian origin. Due to his preference for medieval poetry and in particular the work of Dante, Rossetti changes the order of his names and uses Dante first.
He founded, together with John Everett Millais and William Holman Hunt, in 1848, the Pre-Raphaelite Brotherhood, an artistic group between the revivalist spirit of romanticism and the new vanguards of the 20th century.
Rossetti also wrote poems for his paintings, such as "Astarte Syraica". As a designer, he worked with William Morris to produce images for stained glass and decorations.
As an illustrator, Rossetti produced few works, but they had a lasting influence on 19th and 20th century illustrators. He did illustrations for Moxon Tennyson, Allingham and his sister Christina Rossetti's books of poetry.
(Source: https://pt.wikipedia.org/wiki/Dante_Gabriel_Rossetti)
...............................
Um pouco sobre o autor:
Dante Gabriel Rossetti (Londres, 12 de maio de 1828 — Birchington-on-Sea, 9 de abril de 1882), originalmente Gabriel Charles Dante Rossetti, foi um poeta, ilustrador e pintor inglês de origem italiana. Devido à sua preferência pela poesia medieval e em especial pela obra de Dante, Rossetti muda a ordem dos seus nomes e passa a usar Dante em primeiro lugar.
Fundou, juntamente com John Everett Millais e William Holman Hunt, em 1848, a Irmandade Pré-Rafaelita, um grupo artístico entre o espírito revivalista do romantismo e as novas vanguardas do século XX.
Rossetti também escrevia poemas para seus quadros, como "Astarte Syraica". Como designer, trabalhou com William Morris para produzir imagens para vitrais e decorações.
Como ilustrador, Rossetti produziu poucas trabalhos, mas que tiveram influência duradoura sobre ilustradores do século XIX e XX. Fez ilustrações para Moxon Tennyson, Allingham e para os livros de poesia de sua irmã Christina Rossettti.
(Fonte: https://pt.wikipedia.org/wiki/Dante_Gabriel_Rossetti)
36
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2
comments
THE IARA by Olavo Bilac (Rio de Janeiro, RJ, Brazil, 1865-1918)
A bit about the author:
Olavo Bilac (Olavo Braz Martins dos Guimarães Bilac), journalist, poet, teaching inspector, was born in Rio de Janeiro, RJ, on December 16, 1865, and died, in the same city, on December 28, 1918. founders of the Brazilian Academy of Letters, created chair nº. 15, whose patron is Gonçalves Dias.
His parents were Dr. Braz Martins dos Guimarães Bilac and D. Delfina Belmira dos Guimarães Bilac. After primary and secondary studies, he enrolled at the Faculty of Medicine in Rio de Janeiro, but dropped out in the 4th. year. He then tried to study law in São Paulo, but did not pass the first year. He dedicated himself from an early age to journalism and literature. He was heavily involved in politics and civic campaigns, the most famous of which was in favor of compulsory military service. He founded several newspapers, with a more or less ephemeral life, such as A Cigarra, O Meio, A Rua. In the “A Semana” section of Gazeta de Notícias, he replaced Machado de Assis, working there for years. He is the author of the lyrics of the Anthem to the Flag.
Doing political journalism at the beginning of the Republic, he was one of those persecuted by Floriano Peixoto. He had to hide in Minas Gerais, when he went to Afonso Arinos' house in Ouro Preto. On his return to Rio, he was arrested. In 1891, he was appointed official of the Secretariat of the Interior of the State of Rio. In 1898, he was school inspector for the Federal District, a position he retired from shortly before his death. He was also a delegate at diplomatic conferences and, in 1907, secretary to the mayor of the Federal District. In 1916, he founded the National Defense League.
His poetic work fits into Parnassianism, which had its most fruitful phase in the 1880s. Although he was not the first to characterize the Parnassian movement, as he only published Poesias in 1888, Olavo Bilac became the most typical of Brazilian Parnassians, alongside Alberto de Oliveira and Raimundo Correia.
Fusing French Parnassianism and the Portuguese tradition, Olavo Bilac preferred fixed forms of lyricism, especially the sonnet. In the first two decades of the 20th century, his golden-key sonnets were memorized and recited everywhere, in soirées and literary salons common at the time. In the Poems are the famous sonnets of Via Láctea and the “Profissão de Fé”, in which he codified his aesthetic creed, which is distinguished by the cult of style, the purity of form and language and the simplicity as a result of the craftsmanship.
Alongside the lyric poet, there is in him a poet of epic tone, as expressed in the poem “The emerald hunter”, celebrating the feats, disillusionment and death of the pioneer Fernão Dias Paes. Bilac was, in his time, one of the most popular and widely read Brazilian poets in the country, having been elected the “Prince of Brazilian Poets”, in the contest that Fon-Fon magazine launched in 1st. March 1913. A few years later, Parnassian poets would be the main target of Modernism. Despite the modernist reaction against his poetry, Olavo Bilac has a prominent place in Brazilian literature, as one of the most typical and perfect within Brazilian Parnassianism. He was a notable lecturer, at a time when conferences were in vogue in Rio de Janeiro, and also produced short stories and chronicles.
He received academic Afonso Arinos.
(Source: https://www.academia.org.br/academicos/olavo-bilac/biografia)
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Um pouco do autor:
Olavo Bilac (Olavo Braz Martins dos Guimarães Bilac), jornalista, poeta, inspetor de ensino, nasceu no Rio de Janeiro, RJ, em 16 de dezembro de 1865, e faleceu, na mesma cidade, em 28 de dezembro de 1918. Um dos fundadores da Academia Brasileira de Letras, criou a cadeira nº. 15, que tem como patrono Gonçalves Dias.
Eram seus pais o Dr. Braz Martins dos Guimarães Bilac e D. Delfina Belmira dos Guimarães Bilac. Após os estudos primários e secundários, matriculou-se na Faculdade de Medicina no Rio de Janeiro, mas desistiu no 4º. ano. Tentou, a seguir, o curso de Direito em São Paulo, mas não passou do primeiro ano. Dedicou-se desde cedo ao jornalismo e à literatura. Teve intensa participação na política e em campanhas cívicas, das quais a mais famosa foi em favor do serviço militar obrigatório. Fundou vários jornais, de vida mais ou menos efêmera, como A Cigarra, O Meio, A Rua. Na seção “A Semana” da Gazeta de Notícias, substituiu Machado de Assis, trabalhando ali durante anos. É o autor da letra do Hino à Bandeira.
Fazendo jornalismo político nos começos da República, foi um dos perseguidos por Floriano Peixoto. Teve que se esconder em Minas Gerais, quando frequentou a casa de Afonso Arinos em Ouro Preto. No regresso ao Rio, foi preso. Em 1891, foi nomeado oficial da Secretaria do Interior do Estado do Rio. Em 1898, inspetor escolar do Distrito Federal, cargo em que se aposentou, pouco antes de falecer. Foi também delegado em conferências diplomáticas e, em 1907, secretário do prefeito do Distrito Federal. Em 1916, fundou a Liga de Defesa Nacional.
Sua obra poética enquadra-se no Parnasianismo, que teve na década de 1880 a sua fase mais fecunda. Embora não tenha sido o primeiro a caracterizar o movimento parnasiano, pois só em 1888 publicou Poesias, Olavo Bilac tornou-se o mais típico dos parnasianos brasileiros, ao lado de Alberto de Oliveira e Raimundo Correia.
Fundindo o Parnasianismo francês e a tradição lusitana, Olavo Bilac deu preferência às formas fixas do lirismo, especialmente ao soneto. Nas duas primeiras décadas do século XX, seus sonetos de chave de ouro eram decorados e declamados em toda parte, nos saraus e salões literários comuns na época. Nas Poesias encontram-se os famosos sonetos de Via Láctea e a “Profissão de Fé”, na qual codificou o seu credo estético, que se distingue pelo culto do estilo, pela pureza da forma e da linguagem e pela simplicidade como resultado do lavor.
Ao lado do poeta lírico, há nele um poeta de tonalidade épica, de que é expressão o poema “O caçador de esmeraldas”, celebrando os feitos, a desilusão e a morte do bandeirante Fernão Dias Paes. Bilac foi, no seu tempo, um dos poetas brasileiros mais populares e mais lidos do país, tendo sido eleito o “Príncipe dos Poetas Brasileiros”, no concurso que a revista Fon-Fon lançou em 1º. de março de 1913. Alguns anos mais tarde, os poetas parnasianos seriam o principal alvo do Modernismo. Apesar da reação modernista contra a sua poesia, Olavo Bilac tem lugar de destaque na literatura brasileira, como dos mais típicos e perfeitos dentro do Parnasianismo brasileiro. Foi notável conferencista, numa época de moda das conferências no Rio de Janeiro, e produziu também contos e crônicas.
Recebeu o acadêmico Afonso Arinos.
(Fonte: https://www.academia.org.br/academicos/olavo-bilac/biografia)
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Recitation of THE SECOND SINFUL SPHERE by Leandro Monteiro (Taubaté, São Paulo, Brasil, 1983)
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
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MEMORY (MEMÓRIA) by Anne Brontë (Thornton, UK, 1820-1849, Scarborough, UK)
A little bit of this author:
Anne Brontë (17 January 1820, Thornton, England – 28 May 1849, Scarborough, England) was a British poet and novelist, the youngest of the Brontë literary family.
Daughter of Patrick Brontë, a poor Irish clergyman, Anne Brontë lived most of her life with her family in the village of Haworth, in the Yorkshire hills. Between 1836 and 1837, she attended a boarding school in Mirfield, also in Yorkshire. At the age of 19, Anne left Haworth and worked as a governess between 1839 and 1845. After leaving this job, she began to fulfill her desire to become a writer. In 1846, she published a volume of poetry with her sisters (Poems by Currer, Ellis and Action Bell) and, the following year, she published the novel Agnes Grey, based on her own experiences as a governess. Her second and final novel, The Tenant of Wildfell Hall, considered one of the first feminist novels, was published in 1848. Like her poems, both of her novels were published under the male pen name Acton Bell. Anne died at the age of 29, a victim of pulmonary tuberculosis.
Publication of the book of poems
First edition of the book of poems Poems by Currer, Ellis, and Acton Bell which the Brontë sisters published independently and under male pseudonyms in 1846
In the summer of 1845, Anne's sisters had returned to their father's house with no prospects of employment. Charlotte found some of Emily's poems that she had only shared with Anne, her collaborator in the fantastical world of Gondal. Charlotte suggested publishing these poems and the sisters worked together, eventually putting together 40 poems (Anne and Emily wrote 21 poems and Charlotte the remaining 19) in a book that they published independently, and without telling the rest of the family, with the inheritance money. from the aunt.[33]
The sisters feared that their work would be evaluated differently because they were women, so they decided to publish it under male pseudonyms whose initials were the same as their real names. Charlotte, Emily and Anne became, respectively, Currer, Ellis and Acton Bell and the book Poems by Currer, Ellis and Acton Bell was published in May 1846. Despite receiving some positive reviews, the book was a complete failure, selling only two copies in a year. However, Anne managed to have some success with poems of her own. In December 1848, Leeds Intelligencer and Fraser's Magazine published his poem "The Narrow Way", written under his pseudonym, Acton Bell, and four months earlier Fraser's Magazine had published his poem, "The Three Guides".
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Um pouco sobre a autora
Anne Brontë (Thornton, Inglaterra, 17 de janeiro de 1820 – Scarborough, Inglaterra, 28 de maio de 1849) foi uma poetisa e romancista britânica, a mais jovem da família literária Brontë.
Filha de Patrick Brontë, um clérigo irlandês pobre, Anne Brontë viveu a maioria da sua vida com a sua família na aldeia de Haworth, nos morros de Yorkshire. Entre 1836 e 1837, frequentou um internato em Mirfield, também em Yorkshire. Aos 19 anos, Anne deixou Haworth e trabalhou como governanta entre 1839 e 1845. Depois de deixar este emprego, começou a cumprir o seu desejo de se tornar escritora. Em 1846, publicou um volume de poesia com as suas irmãs (Poems by Currer, Ellis and Action Bell) e, no ano seguinte, publicou o romance Agnes Grey, baseado nas suas próprias experiências como governanta. O seu segundo e último romance, The Tenant of Wildfell Hall, considerado um dos primeiros romances feministas, foi publicado em 1848. À semelhança dos seus poemas, ambos os seus romances foram publicados sob o pseudónimo masculino Acton Bell. Anne faleceu ainda jovem, aos 29 anos, vítima de tuberculose pulmonar.
Publicação do livro de poemas
No verão de 1845, as irmãs de Anne tinham regressado a casa do pai sem perspetivas de emprego. Charlotte encontrou alguns poemas de Emily que ela tinha partilhado apenas com Anne, a sua colaboradora no mundo fantástico de Gondal. Charlotte sugeriu publicar esses poemas e as irmãs trabalharam em conjunto, acabando por reunir 40 poemas (Anne e Emily escreveram 21 poemas e Charlotte os restantes 19) num livro que publicaram de forma independente, e sem contar à restante família, com o dinheiro da herança da tia.[33]
As irmãs temiam que o seu trabalho fosse avaliado de forma diferente por serem mulheres, por isso decidiram publicá-lo sob pseudónimos masculinos cujas iniciais eram iguais às dos seus nomes verdadeiros. Charlotte, Emily e Anne tornaram-se, respectivamente, Currer, Ellis e Acton Bell e o livro Poems by Currer, Ellis and Acton Bell foi publicado em maio de 1846. Apesar de ter recebido algumas críticas positivas, o livro foi um fracasso completo, vendendo apenas duas cópias num ano. No entanto, Anne conseguiu ter algum sucesso com poemas próprios. Em dezembro de 1848, a Leeds Intelligencer e a Fraser's Magazine publicaram o seu poema "The Narrow Way", escrito sob o seu pseudónimo, Acton Bell e, quatro meses antes, a Fraser's Magazine tinha publicado o seu poema, "The Three Guides".
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Recite of GOAL (META) by Leandro Monteiro (Taubaté, São Paulo, Brasil, 1983)
About the author:
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
Para ler e ver outros vídeos e poemas
(To read and watch other videos and poems):
Instagram
https://www.instagram.com/leandremonoli_1983/
Blog
https://leandropoemas.blogspot.com/
https://www.recantodasletras.com.br/autor.php?id=218618
Contato (Contacts):
https://www.facebook.com/leandro.monteiro.351/
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Recite of THE MODERN LIFE (PROGRESS) by Leandro Monteiro (Taubaté, São Paulo, Brazil, 1983)
About the author:
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
Para ler e ver outros vídeos e poemas
(To read and watch other videos and poems):
Instagram
https://www.instagram.com/leandremonoli_1983/
Blog
https://leandropoemas.blogspot.com/
https://www.recantodasletras.com.br/autor.php?id=218618
Contato (Contacts):
https://www.facebook.com/leandro.monteiro.351/
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X - TABATINGUERA by Mário de Andrade (São Paulo, Brazil, 1893-1945)
A little bit about the author:
Mário Raul de Morais Andrade (São Paulo, October 9, 1893 – São Paulo, February 25, 1945) was a Brazilian poet, short story writer, columnist, novelist, musicologist, art historian, critic and photographer. One of the founders of modernism in the country, he practically created modern Brazilian poetry with the publication of his Pauliceia Desvairada in 1922. He had an enormous influence on modern Brazilian literature and, as a scholar and essayist, he was a pioneer in the field of ethnomusicology. His influence reached far beyond Brazil.[1]
Andrade was the central figure of São Paulo's avant-garde movement for twenty years.[2] Trained as a musician and best known as a poet and novelist, Andrade became personally involved in virtually every discipline related to São Paulo modernism and became Brazil's national polymath. His photographs and essays on a wide variety of subjects, from history to literature and music, have been widely published.
He was the driving force behind Semana de Arte Moderna, the 1922 event that reshaped literature and the visual arts in Brazil, and a member of the avant-garde Grupo dos Cinco. The ideas behind the week were explored in the preface to her poetry collection Pauliceia Desvairada and in the poems themselves.
After working as a music teacher and newspaper columnist, he published his great novel, Macunaíma, in 1928. Works on Brazilian folk music, poetry and other themes were unevenly followed, often interrupted by the change in Andrade's relationship with the Brazilian government. At the end of his life, he became the founding director of São Paulo's Department of Culture, formalizing a role he had long played as a catalyst for the city's - and the nation's - entry into artistic modernity.
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Um pouco sobre o autor:
Mário Raul de Morais Andrade (São Paulo, 9 de outubro de 1893 – São Paulo, 25 de fevereiro de 1945) foi um poeta, contista, cronista, romancista, musicólogo, historiador de arte, crítico e fotógrafo brasileiro. Um dos fundadores do modernismo no país, ele praticamente criou a poesia brasileira moderna com a publicação de sua Pauliceia Desvairada em 1922. Ele teve uma influência enorme na literatura brasileira moderna e, como estudioso e ensaísta, foi pioneiro no campo da etnomusicologia. Sua influência chegou muito além do Brasil.[1]
Andrade foi a figura central do movimento de vanguarda de São Paulo por vinte anos.[2] Treinado como músico e mais conhecido como poeta e romancista, Andrade se envolveu pessoalmente em praticamente todas as disciplinas relacionadas ao modernismo paulistano e se tornou o polímata nacional do Brasil. Suas fotografias e ensaios sobre uma ampla variedade de assuntos, da história à literatura e à música, foram amplamente publicados.
Ele foi a força motriz por trás da Semana de Arte Moderna, o evento de 1922 que reformulou a literatura e as artes visuais no Brasil, e um membro do vanguardista Grupo dos Cinco. As ideias por trás da semana foram exploradas no prefácio de sua coleção de poesia Pauliceia Desvairada e nos próprios poemas.
Depois de trabalhar como professor de música e colunista de jornal, publicou seu grande romance, Macunaíma, em 1928. Os trabalhos sobre música folclórica brasileira, poesia e outras temáticas foram seguidos de maneira desigual, muitas vezes interrompidos pela mudança na relação de Andrade com o governo brasileiro. No final de sua vida, ele se tornou o diretor fundador do Departamento de Cultura de São Paulo, formalizando um papel que exercia há muito tempo como catalisador da entrada da cidade - e da nação - na modernidade artística.
(Fonte: https://pt.wikipedia.org/wiki/M%C3%A1rio_de_Andrade
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Recite of A SIMPLE DESIRE by Leandro Monteiro (Taubaté, São Paulo, Brazil, 1983)
About the author:
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
Para ler e ver outros vídeos e poemas
(To read and watch other videos and poems):
Instagram
https://www.instagram.com/leandremonoli_1983/
Blog
https://leandropoemas.blogspot.com/
https://www.recantodasletras.com.br/autor.php?id=218618
Contato (Contacts):
https://www.facebook.com/leandro.monteiro.351/
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UPON THE DEATH OF HER HUSBAND by Elizabeth Singer Rowe (Ilchester, UK, 1674-1737, Frome, UK)
A little bit of this female author:
Elizabeth Singer Rowe (née Singer, 1674–1737) was an English poet, essayist and fiction writer called "the ornament of her sex and age"[1] and the "Heavenly Singer".[2] She was among 18th-century England's most widely read authors.[3] She wrote mainly religious poetry, but her best-known work, Friendship in Death (1728), is a series of imaginary letters from the dead to the living. Despite a posthumous reputation as a pious, bereaved recluse, Rowe corresponded widely and was involved in local concerns at Frome in her native Somerset.[4] She remained popular into the 19th century on both sides of the Atlantic and in translation. Though little read today, scholars have called her stylistically and thematically radical for her time.[5]
Biography
Born on 11 September 1674 at Ilchester, Somerset, she was the eldest daughter of Elizabeth Portnell and Walter Singer, a dissenting minister.[6] Her parents met while Portnell was doing charity work in the prison at Ilchester where Singer was being held with other Dissenters.[6] He left the ministry after marrying Portnell and became a clothier.[7] In her youth, Elizabeth was "doted on by her father" and well educated. She was also taught Nonconformist or Dissenting doctrine: women were allowed to speak in public, and to participate in choosing ministers and admitting new church members; she participated vigorously in local church affairs.[7] Her father also inculcated her interests in literature, music and painting, and she is thought to have attended a boarding school.[6]
In the biography affixed to the front of her posthumously published Miscellaneous Works, her brother-in-law, Theophilus Rowe, described her: "Mrs. Rowe was not a regular beauty, yet she possessed a large measure of the charms of her sex. She was of a moderate stature, her hair of a fine auburn colour, and her eyes of a darkish grey inclining to blue, and full of fire. Her complexion was exquisitely fair, and a natural rosy blush glowed in her cheeks. She spoke gracefully, and her voice was exceeding sweet and harmonious, and perfectly suited to that gentle language which always flowed from her lips."[8]
Rowe's mother died when she was about 18, and her father moved the family to Egford Farm, Frome, Somerset, where she was tutored in French and Italian by Henry Thynne, son of the first Viscount Weymouth of Longleat, Wiltshire.[9] The connections Rowe made at Longleat benefited her literary career and initiated a lifelong friendship with Frances Thynne, the viscount's daughter. Thynne's great-aunt, Anne Finch, wrote a coterie poem that mentions Philomela (Rowe) around 1713, and the Thynnes and Finch became her patrons.[6] Although courted by John Dunton, Matthew Prior and Isaac Watts, she married the poet and biographer Thomas Rowe, 13 years her junior, in 1710. Their marriage was reportedly happy, but short: Thomas died of tuberculosis in 1715. After his death, Rowe left London and returned to Frome and joined her father in Rook Lane House,[10] where a plaque in her memory has been placed.[11]
Rowe's father died in 1719 leaving her a considerable inheritance, half the annual income of which she gave to charity. Rowe once wrote, "My letters ought to be call'd Epistles from the Dead to the Living," and she carefully put her papers in order before her death, even writing farewell letters to friends in what seems "to have been conceived as part of a posthumous 'good-death' print event staged" by Rowe herself.[12] She died on 20 February 1737 of apoplexy and was interred with her father in his grave at Rook Lane Congregational Church.
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Um pouco sobre a autora:
Um pouco dessa autora:
Elizabeth Singer Rowe (nascida Singer, 1674–1737) foi uma poetisa, ensaísta e escritora de ficção inglesa chamada "o ornamento de seu sexo e idade"[1] e a "Cantora Celestial".[2] Ela estava entre os autores mais lidos da Inglaterra do século XVIII.[3] Ela escreveu principalmente poesia religiosa, mas sua obra mais conhecida, Friendship in Death (1728), é uma série de cartas imaginárias dos mortos para os vivos. Apesar de uma reputação póstuma como uma reclusa piedosa e enlutada, Rowe se correspondia amplamente e estava envolvida em questões locais em Frome, em Somerset, sua terra natal.[4] Ela permaneceu popular no século 19 em ambos os lados do Atlântico e na tradução. Embora pouco lida hoje, os estudiosos a chamaram de radical estilística e tematicamente para seu tempo.[5]
Biografia
Nascida em 11 de setembro de 1674 em Ilchester, Somerset, ela era a filha mais velha de Elizabeth Portnell e Walter Singer, um ministro dissidente.[6] Seus pais se conheceram enquanto Portnell fazia trabalhos de caridade na prisão de Ilchester, onde Singer estava detido com outros dissidentes.[6] Ele deixou o ministério depois de se casar com Portnell e se tornou um fabricante de roupas.[7] Em sua juventude, Elizabeth foi "adorada por seu pai" e bem educada. Ela também aprendeu a doutrina não-conformista ou dissidente: as mulheres podiam falar em público e participar da escolha de ministros e da admissão de novos membros na igreja; ela participou vigorosamente dos assuntos da igreja local.[7] Seu pai também inculcou seus interesses em literatura, música e pintura, e acredita-se que ela tenha frequentado um internato.[6]
Na biografia afixada na capa de sua obra publicada postumamente, Miscellaneous Works, seu cunhado, Theophilus Rowe, a descreveu: "A Sra. Rowe não era uma beleza normal, mas possuía uma grande medida dos encantos de seu sexo. Ela era de estatura moderada, seu cabelo era de uma bela cor ruiva e seus olhos eram de um cinza escuro que se inclinava para o azul e cheios de fogo. Sua tez era requintadamente clara e um rubor rosado natural brilhava em suas bochechas. , e sua voz era extremamente doce e harmoniosa, e perfeitamente adequada àquela linguagem gentil que sempre fluía de seus lábios."[8]
A mãe de Rowe morreu quando ela tinha cerca de 18 anos, e seu pai mudou-se com a família para Egford Farm, Frome, Somerset, onde ela foi ensinada em francês e italiano por Henry Thynne, filho do primeiro Visconde Weymouth de Longleat, Wiltshire.[9] As conexões que Rowe fez em Longleat beneficiaram sua carreira literária e iniciaram uma longa amizade com Frances Thynne, filha do visconde. A tia-avó de Thynne, Anne Finch, escreveu um poema de círculo que menciona Philomela (Rowe) por volta de 1713, e os Thynnes e Finch se tornaram seus patronos.[6] Embora cortejada por John Dunton, Matthew Prior e Isaac Watts, ela se casou com o poeta e biógrafo Thomas Rowe, 13 anos mais novo que ela, em 1710. O casamento deles foi feliz, mas curto: Thomas morreu de tuberculose em 1715. Após sua morte, Rowe deixou Londres e voltou para Frome e se juntou a seu pai em Rook Lane House,[10] onde uma placa em sua memória foi colocada.[11]
O pai de Rowe morreu em 1719, deixando-lhe uma herança considerável, metade da renda anual que ela doou para caridade. Rowe escreveu certa vez: "Minhas cartas deveriam ser chamadas de Epístolas dos Mortos aos Vivos", e ela cuidadosamente colocou seus papéis em ordem antes de sua morte, até mesmo escrevendo cartas de despedida para amigos no que parece "ter sido concebido como parte de um evento impresso póstumo de 'boa morte' encenado" pela própria Rowe.[12] Ela morreu em 20 de fevereiro de 1737 de apoplexia e foi enterrada com seu pai em seu túmulo na Igreja Congregacional Rook Lane.
Source (Fonte): https://en.wikipedia.org/wiki/Elizabeth_Singer_Rowe
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SHOVING TO A RICH DREAM by Leandro Monteiro (Taubaté, São Paulo, Brazil, 1983)
About the author:
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
Para ler e ver outros vídeos e poemas
(To read and watch other videos and poems):
Instagram
https://www.instagram.com/leandremonoli_1983/
Blog
https://leandropoemas.blogspot.com/
https://www.recantodasletras.com.br/autor.php?id=218618
Contato (Contacts):
https://www.facebook.com/leandro.monteiro.351/
8
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Recitation of EVERYTHING by Leandro Monteiro (Taubaté, São Paulo, Brasil, 1983)
About the author:
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
Para ler e ver outros vídeos e poemas
(To read and watch other videos and poems):
Instagram
https://www.instagram.com/leandremonoli_1983/
Blog
https://leandropoemas.blogspot.com/
https://www.recantodasletras.com.br/autor.php?id=218618
Contato (Contacts):
https://www.facebook.com/leandro.monteiro.351/
7
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Recitation of WHEN IT IS LOST by Leandro Monteiro (Taubaté, São Paulo, Brasil, 1983)
About the author:
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
Para ler e ver outros vídeos e poemas
(To read and watch other videos and poems):
Instagram
https://www.instagram.com/leandremonoli_1983/
Blog
https://leandropoemas.blogspot.com/
https://www.recantodasletras.com.br/autor.php?id=218618
Contato (Contacts):
https://www.facebook.com/leandro.monteiro.351/
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Recitation NEW (NOVO) by Gertrude Stein (Pittsburgh, USA,1874 - Paris, France, 1946)
A little about the author:
Biography
Gertrude was the youngest of five children of an upper-middle-class Jewish couple, Daniel and Amelia Stein. Her father was a wealthy businessman with real estate holdings. English and German were spoken at home.
At the age of three, she and her family moved to Vienna, and then Paris. Accompanied by rulers and tutors, the Steins strove to imbue their children with the cultured sensibilities of European history and life. After a year abroad, they returned to the United States in 1879, settling in Oakland, California, where his father became director of San Francisco's streetcar line, the Market Street Railway, at a time when the public transport was a private initiative.[3]
She had an appreciable circle of friends, including Pablo Picasso, Matisse, Georges Braque, Derain, Juan Gris, Apollinaire, Francis Picabia, Ezra Pound, Ernest Hemingway and James Joyce.
Mrs. Stein was really brilliant and wrote "Autobiography of Alice B. Toklas", a fundamental book of the avant-garde of the 1910s, 20s and 30s. Paris and detonate new paths for art. Picasso came from Catalonia, Joyce from Ireland, she herself came from America, Nijinski was Russian, there were several French people, like Cocteau, Apollinaire, and Matisse. It is good to remember that, despite the name, the book was written by Miss Stein, with Alice B. Toklas, her companion for twenty-five years, as its spokesperson. Composing an interesting panel of the first three decades of this century:
"Gertrude Stein and her brother often visited the Matisses who constantly returned the visits. From time to time Madame Matisse invited them to lunch, which happened mainly when she received a hare as a gift. Stewed hare made by Madame Matisse in the Perpignan style was something out of the ordinary. There was also top wine, a little heavy but excellent".
During that time Miss Stein and her companion Alice lived at 27 rue de Fleurus. This address would become legendary and an important meeting place for these "geniuses".
Gertrude Stein would be the first to hang paintings by Juan Gris, Matisse and Picasso on her wall. She would later break up with many of them, including Picasso, for whom she retained great affection. Before that, however, she would pose ninety-three times for the Malaga artist to consider her portrait finished: "But you don't look like me at all, Pablo", she said. "But it certainly will, Gertrude, certainly..." replied the painter. The split between the two would only take place in 1927, on the occasion of the death of Juan Gris. Gertrude accused Picasso of not having appreciated Gris enough, he retorted and the two had a beautiful and historic exchange.
Miss Stein loved to tease. The word genius even exercised considerable influence in her life. After all, she was a writer with a rather peculiar and ingenious style, the inventor of automatic writing. So the intellectuals of her time asked if she was really a genius or just an imposter. She gave the change:
"Being a genius takes a terrible amount of time, going from one place to another without doing anything", or else: "A genius is a genius, even when he does nothing".
With the First World War, Miss Stein and Alice lived their adventure enlisting in the F.A.F.F, a protection fund for Americans who then lived in Europe, giving respite to their artistic and literary clashes, the adventure is narrated in the Autobiography. After the war, life returned to normal, but everything was already transformed forever, including and especially Paris. Not so much the façade and architecture of the city, but the people and the rhythm of life.
She is buried in the Père Lachaise Cemetery in Paris, next to Alice B. Toklas
the aesthetic
According to the author herself, her main references are Cézanne and Flaubert, however, her texts are full of intentional repetitions, as in a kind of "mental stutter", generating a meaninglessness very close to Dadaist works. It is possible to extract some meaning from her poems, according to a gestalt, however, they seem much more like sound experiments. The effect is sometimes close to the effect of reading a Surrealist poem, although the compositional technique is completely different, recalling at times the best-known poetry of E. E. Cummings. Her poems are often extensive, although they never yield to logic, exploring, in addition to the repetition of words, the use of monosyllabic words, resembling prose poems.
(Source: https://pt.wikipedia.org/wiki/Gertrude_Stein)
......
Um pouco sobre a autora:
Biografia
Gertrude era a mais nova de cinco filhos de um casal judeu de classe média alta, Daniel e Amelia Stein. Seu pai era um empresário rico com propriedades imobiliárias. Inglês e alemão eram falados em casa.
Aos três anos de idade, ela e sua família mudaram-se para Viena, e depois Paris. Acompanhados por governantes e tutores, os Steins esforçaram-se para imbuir seus filhos com as sensibilidades cultas da história e da vida europeias. Após um ano de permanência no exterior, retornaram para os Estados Unidos em 1879, estabelecendo-se em Oakland, Califórnia, onde seu pai tornou-se diretor da linha de bondes de São Francisco, a Market Street Railway, em uma época em que o transporte público era uma iniciativa privada.[3]
Tinha um apreciável círculo de amigos, como Pablo Picasso, Matisse, Georges Braque, Derain, Juan Gris, Apollinaire, Francis Picabia, Ezra Pound, Ernest Hemingway e James Joyce.
Mrs. Stein era realmente genial e escreveu "Autobiografia de Alice B. Toklas", livro fundamental da vanguarda dos anos 1910, 20 e 30. Com estilo muito próprio, a narrativa conta como jovens artistas e escritores vindos das mais diversas partes do mundo se encontram em Paris e detonam novos caminhos para a arte. Picasso vinha da Catalunha, Joyce da Irlanda, ela própria vinha da América, Nijinski era russo, havia vários franceses, como Cocteau, Apollinaire, e Matisse. É bom lembrar que, apesar do nome, o livro foi escrito por Miss Stein, tendo como porta-voz Alice B. Toklas, sua companheira durante vinte e cinco anos. Compondo um interessante painel das três primeiras décadas deste século:
"Gertrude Stein e o irmão visitavam frequentemente os Matisse que constantemente retribuíam as visitas. De vez em quando Madame Matisse convidava-os para almoçar, o que acontecia principalmente quando recebia alguma lebre de presente. Lebre estufada feita por Madame Matisse à moda de Perpignan era algo fora do comum. Tinha também vinho de primeira, um pouco pesado, mas excelente".
Durante esse tempo, Miss Stein e sua companheira Alice viveram no número 27, rue de Fleurus. Este endereço se tornaria lendário e um importante ponto de encontro desses "gênios".
Gertrude Stein seria a primeira a pendurar em sua parede pinturas de Juan Gris, Matisse e Picasso. Mais tarde romperia com muitos deles, inclusive com Picasso, por quem manteve grande afeição. Antes porém, posaria noventa e três vezes para que o artista malaguenho desse por finalizado o seu retrato: "Mas em nada se parece comigo, Pablo", disse ela. "Mas certamente vai parecer, Gertrude, certamente...", respondeu o pintor. O rompimento dos dois se daria apenas em 1927, por ocasião da morte de Juan Gris. Gertrude acusou Picasso de não ter estimado Gris o bastante, ele retrucou e os dois tiveram um belo e histórico bate-boca.
Miss Stein adorava fazer provocações. A palavra génio exercia mesmo uma influência considerável em sua vida. Afinal, era uma escritora de estilo bastante peculiar e engenhoso, a inventora da escrita automática. Assim os intelectuais de seu tempo perguntavam se ela era mesmo gênio ou não passava de uma impostora. Ela dava o troco:
"Ser gênio exige um tempo medonho, indo de um lugar a outro sem nada fazer", ou então: "um gênio é um gênio, mesmo quando nada faz".
Com a Primeira Guerra Mundial, Miss Stein e Alice viveram sua aventura alistando-se no F.A.F.F, um Fundo de proteção aos americanos que então viviam na Europa, dando folga a seus embates artísticos e literários, a aventura é narrada na Autobiografia. Após a guerra, a vida voltou ao normal, mas tudo já estava transformado para sempre, inclusive e principalmente Paris. Não tanto a fachada e a arquitetura da cidade, mas as pessoas e o ritmo da vida.
Encontra-se enterrada no Cemitério Père Lachaise, em Paris, ao lado de Alice B. Toklas
A estética
Segundo a própria autora, suas principais referências são Cézanne e Flaubert, sendo, no entanto, seus textos cheios de repetições intencionais, como em uma espécie de "gagueira mental", geradores de um sem sentido muito próximo dos trabalhos dadaístas. É possível extrair algum sentido de seus poemas, de acordo com uma gestalt, porém, parecem eles muito mais a experimentos sonoros. O efeito, às vezes, é próximo do efeito da leitura de um poema surrealista, embora a técnica de composição seja completamente diferente, lembrando, por vezes, a poesia mais conhecida de E. E. Cummings. Seus poemas são, muitas vezes extensos, embora nunca cedam à lógica, explorando, além das repetições de vocábulos, o uso de palavras monossilábicas, assemelhando-se a poemas em prosa.
(Fonte:https://pt.wikipedia.org/wiki/Gertrude_Stein)
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Recitation by SERIOUS JOKE by Leandro Monteiro (Taubaté, São, Paulo, Brazil, 1983)
About the author:
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
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THE GONDOLIER OF LOVE by Castro Alves (Castro Alves, BA, Brazil, 1847-. Salavador, BA, Brazil1871
A bit from the author:
Antônio Frederico de Castro Alves (Fazenda Cabaceiras,[note 1] Parish of Curralinho, Vila de Nossa Senhora do Rosário do Porto da Cachoeira, March 14, 1847 — Salvador, July 6, 1871) was a Brazilian poet.[10] He wrote classics such as Espumas Flutuantes and Hinos do Ecuador that raised him to the position of greatest among his contemporaries, as well as verses from poems such as Os Escravos, A Cachoeira by Paulo Afonso and Gonzaga that earned him epithets such as "poet of slaves" and "republican poet " by Machado de Assis, or descriptions of being "a national poet, if not more, a nationalist, social, human and humanitarian poet", in the words of Joaquim Nabuco,[10] of being "the greatest Brazilian poet, lyric and epic", in the words of Afrânio Peixoto,[10] or even being the "walking apostle of condoreirismo" and "a volcanic talent, the most enraptured of all Brazilian poets", in the words of José Marques da Cruz.[11] He was part of the romantic movement, forming part of what scholars call the "third romantic generation" in the country.[12]
He began his major production at the age of sixteen, and his verses in Os Escravos began at seventeen (1865), with wide dissemination in the country where they were published in newspapers and recited, helping to form the generation that would conquer abolition; José de Alencar said of him, when he was still alive, that "throbs in his work the powerful feeling of nationality, that soul that makes great poets, like great citizens".[10] Alongside Luís Gama, Nabuco, Ruy Barbosa and José do Patrocínio, he stood out in the abolitionist campaign "in particular, the figure of the great Bahian poet Castro Alves".[13] His greatest influences were the romantic writers Victor Hugo, Lord Byron, Lamartine, Alfred de Musset and Heinrich Heine.[14]
Historian Armando Souto Maior says that the poet, "as Soares Amora points out, 'on the one hand, he marks the arrival point of romantic poetry, on the other hand, he announces, in some poetic processes, in certain images, in political and social ideas, Realism.' Nevertheless, he must be considered the greatest Brazilian romantic poet; his social poetry against slavery galvanized the sensibility of the time."[15] Manuel Bandeira says that "the only and authentic condor in these bombastic Andes of Brazilian poetry was Castro Alves, a truly sublime, whose glory is invigorated today by the social intention he put into his work".[16]
In the words of Archimimo Ornelas, "We have Castro Alves, the revolutionary; Castro Alves, the abolitionist; Castro Alves, the republican; Castro Alves, the artist; Castro Alves, the landscaper of American nature; Castro Alves, the poet of youth; Castro Alves, universal poet; Castro Alves the seer; Castro Alves, the national poet par excellence; finally, in all human manifestations we can find that revolutionary force that was Castro Alves" and, above all, "Castro Alves as the man who loved and was beloved".[17]
(Source: https://pt.wikipedia.org/wiki/Castro_Alves)
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Painéis laterais
..........
Um pouco do autor:
Antônio Frederico de Castro Alves (Fazenda Cabaceiras,[nota 1] Freguesia de Curralinho, Vila de Nossa Senhora do Rosário do Porto da Cachoeira, 14 de março de 1847 — Salvador, 6 de julho de 1871) foi um poeta brasileiro.[10] Escreveu clássicos como Espumas Flutuantes e Hinos do Equador que o alçaram à posição de maior entre seus contemporâneos, bem como versos de poemas como Os Escravos, A Cachoeira de Paulo Afonso e Gonzaga que lhe valeram epítetos como "poeta dos escravos" e "poeta republicano" por Machado de Assis, ou descrições de ser "poeta nacional, se não mais, nacionalista, poeta social, humano e humanitário", no dizer de Joaquim Nabuco,[10] de ser "o maior poeta brasileiro, lírico e épico", no dizer de Afrânio Peixoto,[10] ou ainda de ser o "apóstolo andante do condoreirismo" e "um talento vulcânico, o mais arrebatado de todos os poetas brasileiros", no dizer de José Marques da Cruz.[11] Integrou o movimento romântico, fazendo parte no país daquilo que os estudiosos chamam de "terceira geração romântica".[12]
Começou sua produção maior aos dezesseis anos de idade, e seus versos de Os Escravos foram iniciados aos dezessete (1865), com ampla divulgação no país onde eram publicados nos jornais e declamados, ajudando a formar a geração que viria a conquistar a abolição; José de Alencar disse dele, quando ainda em vida, que "palpita em sua obra o poderoso sentimento de nacionalidade, essa alma que faz os grandes poetas, como os grandes cidadãos".[10] Ao lado de Luís Gama, Nabuco, Ruy Barbosa e José do Patrocínio, destacou-se na campanha abolicionista "em especial, a figura do grande poeta baiano Castro Alves".[13] Teve por maiores influências os escritores românticos Victor Hugo, Lord Byron, Lamartine, Alfred de Musset e Heinrich Heine.[14]
O historiador Armando Souto Maior diz que o poeta, "como assinala Soares Amora 'por um lado marca o ponto de chegada da poesia romântica, por outro já anuncia, nalguns processos poéticos, em certas imagens, nas ideias políticas e sociais o Realismo.' Não obstante, deve ser considerado o maior poeta romântico brasileiro; sua poesia social contra a escravidão galvanizou a sensibilidade da época."[15] Diz Manuel Bandeira que "o único e autêntico condor nesses Andes bombásticos da poesia brasileira foi Castro Alves, criança verdadeiramente sublime, cuja glória se revigora nos dias de hoje pela intenção social que pôs na sua obra".[16]
No dizer de Archimimo Ornelas, "Temos Castro Alves, o revolucionário; Castro Alves, o abolicionista; Castro Alves, o republicano; Castro Alves, o artista; Castro Alves, o paisagista da natureza americana; Castro Alves, o poeta da mocidade; Castro Alves, poeta universal; Castro Alves o vidente; Castro Alves, o poeta nacional por excelência; enfim, em todas as manifestações humanas poderemos encontrar essa força revolucionária que foi Castro Alves" e, sobretudo, "Castro Alves como o homem que amou e foi amado".[17]
(Fonte: https://pt.wikipedia.org/wiki/Castro_Alves)
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FLOWERS OF MAY by Leandro Monteiro (Taubaté, São Paulo, Brazil, 1983)
About the author:
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
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Recitation of A PERMANENT PLACE by Leandro Monteiro (Taubaté, São Paulo, Brasil, 1983)
About the author:
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
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Recitation of BLOWS by Leandro Monteiro (Taubaté, São Paulo, Brasil, 1983)
About the author:
Leandro Monteiro
Born in Taubaté, on November 7, 1983, (and still resident in the city) he had contact with Literature since childhood. He had contact with works by poets from different times and places, with Fernando Pessoa, Carlos Drummond, Castro Alves, Tomás Antônio Gonzaga prevailing in reading as aesthetic and artistic foundations within the poetics created by the author. He has a degree in Literature (Portuguese / English) and a postgraduate degree in Literature. In 2017, he graduated in Psychology. The book “Ninho de Borboletas” was her first work translated (into English), followed by the translation (also into English) of “Versejando com Olga” and “Eu Fizio Porque Quizio” (in Spanish and English), 2020. In 2021, being a member of the Group of Writers of Taubaté, he edited, formatted and participated in the First Anthology of the Group of Writers (published by the Writers da Alma publishing house). In addition to these works, the author makes available, through his own page on the RECANTO DAS LETRAS website, booklets (in Portuguese, Spanish, English and Italian) and pdf books for free download.
Since 2020, he has participated in literary groups and online soirees with writers from all corners of Brazil: Sarau Corujão da Poesia (based in Rio de Janeiro), Sarau das Ratas di Versos (also based in Rio de Janeiro) and Sarau do Invencionática (Made from Rio Grande do Sul). In addition, since the second half of 2020, he has been producing and disseminating his own poems and other national and international poems through the MUNDO DA POESIA channel, in which the texts are shown in the form of video poems.
Finally, from 2017-2021, he was in the chair of Literature, Reading, Library and Books of the Taubaté Municipal Council of Culture, in which he has contributed to the evaluation and approval of public notices (together with the Taubaté secretariat) to help with expenses and assistance for artists from different areas of art in the city, as well as helping to structure increasingly democratic norms and rules within the council.
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