GEORGES HOBEIKA Couture Fall-Winter 2022/23 Collection
Maison #GeorgesHobeika debuts its first official collection by Co-Creative Directors Georges and Jad Hobeika, marking a new chapter with the Fall-Winter 2022-2023 Couture collection. Its creations graciously tread into the futuristic realm, with metallic feathers and optical fireworks making their way through the collection. With designs that signify a new world taking shape while simultaneously paying tribute to Mother
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GEORGES HOBEIKA Ready To Wear Spring Summer
For the Spring-Summer Ready To Wear 2023 season, Co-Creative Directors Georges and Jad Hobeika look to the beauty, grace and gregarious nature of the flamingo in a collection fit for emancipated young women flocking together to cultivate their own exotic dream world.
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GEORGES HOBEIKA Ready-to-Wear Spring-Summer
Spring-Summer 2022 Ready-To-Wear collection into the awaiting fashion world. Fusing freshness and elegance with the fantasy of the dazzling foliage, the Orchidée Précieuse collection is a rapture of invigorating patterns, ruffles, and pleats.
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GEORGES HOBEIKA Couture Spring-Summer 2022 Collection
The enchanting euphoria, coupled with the sense of invincibility, reverberates within the Georges Hobeika Spring-Summer 2022 Couture collection, First Kiss. A blooming passion overflowing with electrifying tenderness and infinite possibilities is the muse for the Maison's romantic creations and its anthology of radiant silhouettes and precious fabrics, with a dazzling color palette that summon notions of idyll and self-renewal.
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GEORGES HOBEIKA Couture Spring-Summer 2022 Collection
The enchanting euphoria, coupled with the sense of invincibility, reverberates within the Georges Hobeika Spring-Summer 2022 Couture collection, First Kiss. A blooming passion overflowing with electrifying tenderness and infinite possibilities is the muse for the Maison's romantic creations and its anthology of radiant silhouettes and precious fabrics, with a dazzling color palette that summon notions of idyll and self-renewal.
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