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  1. Guitar Theory - Using the Perfect 4th as a reference point for finding other notes

    Guitar Theory - Using the Perfect 4th as a reference point for finding other notes

    102
    34
    249
  4. Guitar Theory - Using 3 Fingers To Fret 3 Notes Per String

    Guitar Theory - Using 3 Fingers To Fret 3 Notes Per String

    12
    5
    144
  5. Guitar Theory - Minor Pentatonic Scale - House Of The Rising Sun

    Guitar Theory - Minor Pentatonic Scale - House Of The Rising Sun

    35
    12
    111
  6. Guitar Theory - Moveable Blue Note Shape - 6 Half Steps

    Guitar Theory - Moveable Blue Note Shape - 6 Half Steps

    25
    10
    114
  8. Guitar Theory - Anchoring 3 Root Notes In One Shape

    Guitar Theory - Anchoring 3 Root Notes In One Shape

    44
    21
    99
  9. Guitar Theory - Using 4 Fingers To Fret 4 Adjacent Notes On One String - 3 Half-Steps

    Guitar Theory - Using 4 Fingers To Fret 4 Adjacent Notes On One String - 3 Half-Steps

    27
    11
    114
  10. Guitar Theory - Using 4 Fingers To Play 1 Note

    Guitar Theory - Using 4 Fingers To Play 1 Note

    17
    7
    59
  12. Guitar Theory - The Octave Shape - 12 half steps

    Guitar Theory - The Octave Shape - 12 half steps

    12
    4
    55
    2
  13. Guitar Theory - House Of The Rising Sun Chords

    Guitar Theory - House Of The Rising Sun Chords

    15
    4
    122
    1
  14. UFO Wave Secrets REVEALED! How Orbs Bend Space & Time Using Frequency Wave Theory! 👽🔥

    UFO Wave Secrets REVEALED! How Orbs Bend Space & Time Using Frequency Wave Theory! 👽🔥

    55
  16. Guitar Theory - Minor Pentatonic - House Of The Rising Sun

    Guitar Theory - Minor Pentatonic - House Of The Rising Sun

    12
    2
    100
    1
  17. Guitar Theory - Moving Between G and C chords quickly and smoothly

    Guitar Theory - Moving Between G and C chords quickly and smoothly

    32
    8
    100
  21. Guitar Rote Exercises - Gliss - Slide - Minor Root 5th Octave Shape

    Guitar Rote Exercises - Gliss - Slide - Minor Root 5th Octave Shape

    12
    3
    39
    1
  23. Guitar Theory - combining two shapes into a bigger chord

    Guitar Theory - combining two shapes into a bigger chord

    32
    13
    63
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