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Mickey 17: Is it Actually a Critique of Modern Society?
A Lost PLot
Captain America: Civil War: An Argument About Themes, Meaning, and Motive
A Lost PLot
ASH: John Carpenter’s “The Thing” had an Ugly Baby
A Lost PLot
Thor 2: First Stock Film of Many Marvels
A Lost PLot
Captain America: Can Story Heroes Be Perfect?
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Movies Worth Watching: Backstories and Compelling Characters
A Lost PLot
The Electric State: Netflix’s $320 Million Blunder
A Lost PLot
Captain America: Brave New World: I Wasted 2 Hours of My Life
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Mufasa: The Lion King Film I Wish Never Existed
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Tinker Tailor Soldier Spy: Reframing My View of Spy Games
A Lost PLot
The Dark Knight Rises Review: Epic Villains, Strong Protagonists, and White-Girl-Basic Allies
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Whiplash: The Climax Made Us Lose Our Minds
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Captain America: The Winter Soldier: Now I Believe Bucky Did It Better
A Lost PLot
Wonka Review: Emotional Stakes, Character Growth, and Uncompelling Characters
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Kingdom of Heaven Review: Themes, Righteousness, and Theocracies With Chad Garrett
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Venom The Last Dance Review: How To Ruin An Antihero
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Flight Risk: Bald Wahlburg Was The Best Part
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Star Wars VIII: The Last Jedi Review: Two Opposing Viewpoints
A Lost PLot
Jurassic Park: My First Monster Movie Masterclass
A Lost PLot
Interstellar Review: Survival, Sacrifice, and the Spirit of Humanity
A Lost PLot
Star Wars VII: The Force Awakens: A Solid Restart, A Controversial Series, and Fan Service (Review)
A Lost PLot
Gladiator Review: A Thematic Masterpiece
A Lost PLot
The Thing Review: Aliens, Horror, and John Carpenter
A Lost PLot
The Marvels Review: TikTok Emotions and Plot Hole Powers
A Lost PLot