Encore, Encore: Giving Voice to People Living with Dementia
Encore, Encore: Giving Voice to People Living with Dementia
Saturday, September 21, 3:30 PM
Presented by Michael Alan Anderson PhD
Performing Arts Center, Brewster, MA
About the Lecture
Nearly 7 million Americans have Alzheimer’s Disease or another form of dementia. About one in nine people age 65 and older currently live with the disease; after age 85, one in three will have Alzheimer’s. And there are no FDA- approved treatments to prevent or cure it. Numerous studies have shown that interventions through music are effective as a potential non-pharmacological therapy for people with dementia. Choral singing is the most popular artistic activity among Americans, with one in six adults singing in one or more choruses. Michael Alan Anderson is the founder and program director of the ENCORE Chorus, an intergenerational chorus from Rochester, New York serving people living with early- to middle-stage Alzheimer’s disease and their care partners. The chorus is modeled on the Giving Voice Initiative, which fosters the creation and operation of independent choruses that bring joy, well-being, purpose, and community understanding to people with Alzheimer’s Disease and their care partners. This talk reviews the power of the musical arts for this vulnerable population, unveils the Giving Voice template for organizing choruses of this type, and describes enhancements to the choral experience taken in ENCORE.
About Michael Alan Anderson
Michael Alan Anderson, Professor of Musicology at Eastman School of Music, specializes in a wide range of issues related to sacred music from the fourteenth through the sixteenth century, with emphasis on lay devotion and saints. He is the author of Music and Performance in the Book of Hours (Routledge Press, 2022) and St. Anne in Renaissance Music: Devotion and Politics (Cambridge University Press, 2014). Anderson’s articles have appeared in various peer-reviewed journals, and he is a two-time winner of ASCAP’s Deems Taylor Award for outstanding writing about music, for articles published in Early Music History (2011) and in the Journal of the American Musicological Society (2013).
Since 2008, Anderson has served as artistic director of Schola Antiqua, a Chicago-based professional early music ensemble. Specializing in the performance of medieval plainchant and Renaissance polyphony, the group currently serves as artists in residence at the Lumen Christi Institute in Chicago. Anderson’s work with Schola Antiqua has been defined by invitations to collaborate with art exhibitions at the Metropolitan Museum of Art in New York and other museums including the Morgan Library & Museum, The Newberry Library, the Art Institute of Chicago, and locally in Rochester at the Memorial Art Gallery.
As managing editor of the Eastman Case Studies series, Anderson wrote more than 20 case studies and supervised the publication of 10 volumes of essays examining contemporary issues in the musical arts landscape around the world. The University of Rochester awarded him a Bridging Fellowship in 2019 for study in the Simon School of Business to enhance his work with the case studies series. A case study Anderson published involving The Phoenix Symphony’s participation in clinical research with Alzheimer’s patients has led to his involvement with Eastman Performing Arts Medicine and the Sound Health Working Group at the University of Rochester, two efforts exploring the collaborative potential of music within and outside health care environments. Through the Eastman Community Music School, Anderson helped to establish the ENCORE Chorus for persons living with dementia, their care partners, and an intergenerational team of volunteers. He now serves on the National Advisory Council of the Giving Voice Initiative and has become a member of the University of Rochester Aging Institute.
About the Performing Arts Center: performingartscentercapecod.org
Facebook: facebook.com/artsempoweringlife
© 2024 Arts Empowering Life, Inc. All rights reserved.
11
views
The Music of Armenia with the Boston NOR Trio
The Music of Armenia with the Boston NOR Trio
Saturday, June 15, 2024, 7:30 PM
Sargis Karapetyan, Violin; Nune Hakobyan, Piano; Andrei Sobchenko, Saxophone
Performing Arts Center, Brewster, MA
Program
Trio Pathétique in D minor, Mikhail Glinka
Preghiera (Prayer) from Piano Concerto No.2, Sergei Rachmaninov / arr. bay Fritz Kreisler
Passacaglia, George Frideric Handel / arr. by Sarkis Aslamazian
Gavotte from Symphony No.1 (Classical), Sergei Prokofiev / arr. by Sarkis Aslamazian
Suite for Trio, Alexander Arutunian
Adagio from Spartacus Ballet, Aram Khachaturian
The Red Shawl, Komitas Vartabed / arr. by Sarkis Aslamazian
Festive Song
Nocturne, Arno Babajanian / arr. by Nunè Hakobyan
About the NOR Trio
NOR Trio was formed by a fortuitous coming together of three instrumentalists. Nor Trio, which is New Trio in Armenian, is based on a traditional piano trio with a violin, a cello and a piano. In this unique trio, the cello is replaced by a saxophone. After originally playing a French composition written for violin, piano, and saxophone, the three musicians noticed that the tone quality of an alto saxophone brought a new perspective to the traditional ensemble. From then on, Nor Trio continued to adapt compositions written for traditional piano trios. An alto saxophone’s range is far shorter than a cello’s, therefore some string techniques cannot be transposed to a wind instrument. NOR Trio produces music that is distinctive, while still retaining the traditional aspects of a piano trio. The Trio is composed of Andrei Sobchenko, alto saxophone, Sargis Karapetyan, violin and Nunè Hakobyan, piano. Their particular focus is on Armenian and Russian music.
About the Foundation: artsempoweringlife.org
About the Performing Arts Center: performingartscentercapecod.org
Facebook: facebook.com/artsempoweringlife
© 2024 Arts Empowering Life, Inc. All rights reserved.
13
views
Architecture Moriendi: Designs for the Art of Dying Well
Architecture Moriendi: Designs for the Art of Dying Well
Presented by Christy Haig, B. Arch., M. Arch.
June 1, 2024
Performing Arts Center, Brewster, MA
About the Lecture
Recent graduate Christy Haig, (Bachelor of Science in Architecture 2023, magna cum laude, Master’s in Architecture 2024, with distinction) will share her research and project showing that architecture holds the power to transform the end-of-life journey. Hospital care often translates to a solitary and sterile experience, both for the terminally ill and for their loved ones, while domestic environments can fall short of the increasing and intricate needs of palliative care. Drawing inspiration for design from phenomenology, spirituality, and nature, this lecture proposes a small-scale hospice in Cape Cod as a “third place” to die; an intimate residential facility that allows a person to prepare for death within a supportive community presence. The design departs from the perspective of the terminally ill, to consider ways in which architecture can address the gradual diminishing of the dying person’s world, prioritizing their emotional, spiritual, and social welfare through sensorial and community- conscious gestures.
A method of iterative physical models and photography of miniatures produces a sequence of cinematic moments. These images tell a story from the experience of a dying person, with particular attention to sensory perception and human scale. Design ideas focused on light, shadow, movement, and perspective can be tested in real space, time, and material.
Part of Christy’s research was a study of dying in the Western world which included the medieval text Ars Moriendi, written by a Dominican friar in the 14th century.
About Christy Haig
Christy Haig, B.Arch, M.Arch, is a recent graduate from Wentworth Institute of Technology, Boston, who has been a part of Arts Empowering Life since it began in 1988, singing with the choir Gloriæ Dei Cantores for over 25 years. She also has experience in the healthcare industry, caring for seniors as a Certified Nursing Assistant. Returning to the academic world in her sixties, Christy pursued a new interest in architecture, specifically in the area of phenomenology and sensory experiences. Graduating this spring with a Master’s degree (with distinction) she was given the Design Excellence award for her studio.
25
views
The 7th Symphony of Shostakovich: A Powerful Story of Hope In Tempestuous Times
The Seventh Symphony of Dmitri Shostakovich:
A Powerful Story of Hope In Tempestuous Times
Presented by M.T. Anderson
Arts & Entertainment Lecture Series
Saturday, May 18, 3:30 PM
About the Lecture
National Book Award-winning author M. T. Anderson will tell the story of how Soviet composer Dmitri Shostakovich, trapped inside the city of Leningrad during the brutal siege by the Germans in World War II, wrote his Seventh Symphony (“Leningrad”) as an act of defiance while he was serving as a roof-top fireman watching for incendiary bombs. Incredibly, it was performed by a starving orchestra within the city — and then was smuggled out via the Middle East to be performed in the United States to promote the war effort. Shostakovich’s story is not only an inspiring tale of the power of music — it’s also an important example of how hope can transform spirits and almost miraculously save lives in tempestuous times.
About M. T. Anderson
M. T. Anderson writes books for young people and adults. His Gothic novel of the American Revolution, The Astonishing Life of Octavian Nothing, won the National Book Award in 2006. He has been a Finalist for the same award for The Assassination of Brangwain Spurge (written with artist Eugene Yelchin) and for the satirical science-fiction novel Feed. His nonfiction book Symphony for the City of the Dead: Dmitri Shostakovich and the Siege of Leningrad, revealed new facts about the fate of Shostakovich’s 7th Symphony (“Leningrad”) in the USA. He has published short nonfiction pieces in The New York Times, The Washington Post, The Boston Globe, Slate, and Salon. He lives in Vermont.
About the Foundation: artsempoweringlife.org
About the Performing Arts Center: performingartscentercapecod.org
Facebook: facebook.com/artsempoweringlife
© 2024 Arts Empowering Life, Inc. All rights reserved.
36
views
95 Years of Music to Speak to Our Time, Part III
95 Years of Music to Speak to Our Time, Part III
Building Bridges through Music:
The Eastman and Juilliard Years
Presented by Dr. Samuel Adler
Arts & Entertainment Lecture Series
Saturday, April 27, 2024
Part III of a 4 Part Lecture
At age ten Samuel Adler narrowly escaped Nazi Germany during Kristallnacht, the “night of broken glass.” As he and his father collected sheet music in the loft of the synagogue, saving all that they could on that terrifying night, soldiers heard them from down below. It was the sudden collapse of the pipe organ that allowed Adler and his father to run and escape through an underground tunnel. His family took the last train out of Germany with their bags full of sheet music, paving the way for Adler to study and nurture his musical gifts in America. At age ninety-five, he continues to compose, sharing his prolific musical gifts. Known for building bridges through the international language of music, as well as his optimism and “life-affirming spirit,” he is uniquely positioned TO SPEAK TO OUR TIME.
The risk-taking composer of 400 published works taught for sixty-three years at Juilliard, and Eastman, and has given masterclasses and workshops at over 300 universities world-wide. Having studied with Aaron Copland, Paul Hindemith, Randall Thompson, and more, he knows just about everyone on the twentieth-century American music scene and has received numerous awards including ASCAP’s “Aaron Copland Lifetime Achievement Award.” He believes that one should compose in the “energy of his time” and he is without doubt one of the greatest living composers and conductors.
Gloriae Dei Cantores, the world-renowned choir from Orleans, MA and foundational group of Arts Empowering Life, are the winners of THE AMERICAN PRIZE for their recent recorded album of Dr. Samuel Adler’s music entitled, To Speak to Our Time, conducted by Richard K. Pugsley. The album won extensive critical acclaim for its bold programming, the championing of Dr. Adler’s music, and the stunning and brilliant musicianship and nuanced singing.
“Music of mesmerizing beauty…powerful.” —Apple Music
“The singing is powerful, passionately sculpted…beautiful.” —Gramophone
About the Foundation: artsempoweringlife.org
About the Performing Arts Center: performingartscentercapecod.org
Facebook: facebook.com/artsempoweringlife
© 2024 Arts Empowering Life, Inc. All rights reserved.
9
views
Improvisation for Young and Old
Improvisation for Young and Old
Presented by Christopher Azzara, PhD
Arts & Entertainment Lecture Series
Saturday, April 13, 3:30 PM
About the Lecture
This interactive session will explore the fundamental nature of music in our lives, and include the relationships among music listening, improvising, music reading, and composing. With an understanding of how these skills are related, participants gain a deeper understanding of music and have inspiration for creative music making.
About Christopher Azzara
Pianist, arranger, author, and educator, Christopher Azzara has made important contributions to advancing the understanding of creativity and improvisation in the music learning process. An innovator in music teaching and learning, Dr. Azzara is Eisenhart Professor of Music Teaching & Learning and Affiliate Faculty, Jazz Studies & Contemporary Media, and Woodwinds, Brass, & Percussion at the Eastman School of Music. Teaching and performing internationally, he is the author of numerous articles, arrangements, and books, including Developing Musicianship Through Improvisation and Jump Right In: The Instrumental Series (GIA). His arrangements for instrumental and vocal ensembles include A la nanita nana for choir and chamber orchestra or piano (Oxford), and Concert Selections for Winds and Percussion (GIA). His research and publications are concerned with meaningful relationships among listening, creating, improvising, reading, composing, and analyzing music in vocal and instrumental settings. Dr. Azzara’s work appears in journals such as the Journal of Research in Music Education, the Bulletin of the Council for Research in Music Education, the Music Educators Journal, Early Childhood Connections, and in The New Handbook of Research on Music Teaching and Learning (MENC/Oxford), and Oxford Handbooks Online.
Azzara performs as a soloist and in various ensembles, including the Chris Azzara Trio, and has played on and produced many studio and educational recordings. In Rochester, he performs with freelance musicians, members of the Eastman School of Music Faculty, and members of the Rochester Philharmonic Orchestra.
An active teacher and clinician, he has presented and performed extensively throughout the United States, and in Canada, the Caribbean, France, Germany, Italy, Lithuania, Poland, Portugal, China, Japan, and Australia. He has presented clinics and workshops in a variety of settings, including TEDxRochester, the Pittsburgh Symphony Orchestra, Carnegie Hall, and leading music schools in this country and abroad.
Christopher Azzara is a native of Virginia and attended public schools in Fairfax County. After receiving the Bachelor of Music degree from George Mason University (1981), he taught instrumental music in the Fairfax County Public Schools and performed as a pianist in the Washington D.C. area. He later received a Master of Music (1988) and a Ph.D. in Music Education (1992) from the Eastman School of Music. Prior to joining the Eastman faculty, Azzara was a professor at The Hartt School of Music, Dance, and Theatre of the University of Hartford, CT (1991-2002). Dr. Azzara joined the Eastman faculty in 2002 and was chair of the Music Teaching & Learning Department (then called the Music Education Department) from 2010-2018. In 2022, as an Eastman professor, Azzara received the University of Rochester’s Edward Peck Curtis Award for Excellence in Undergraduate Teaching, which recognizes a record of distinguished undergraduate teaching and a commitment to helping less experienced faculty colleagues and teaching assistants master their craft. In 2023 Christopher Azzara was named Eisenhart Professor of Music Teaching & Learning, the oldest endowed professorship at The Eastman School of Music.
About the Foundation: artsempoweringlife.org
About the Performing Arts Center: performingartscentercapecod.org
Facebook: facebook.com/artsempoweringlife
© 2024 Arts Empowering Life, Inc. All rights reserved.
35
views
Trombone Lecture/Recital: Where Words Leave Off, Music Begins
Trombone Lecture/Recital: Where Words Leave Off, Music Begins
Presented by Mark Kellogg
Arts & Entertainment Lecture Series
Saturday, March 16, 3:30 PM
About the Lecture/Recital
This session will begin with a performance by Mark Kellogg of a six-movement piece he composed for unaccompanied trombone entitled Where Words Leave Off, Music Begins. In this work, the music will be supported by poetry by Robert Frost, Mary Oliver, Maya Angelou, Walt Whitman, and the composer. Following the performance, Mark will lead a discussion on ways for musicians to develop deeper listening skills. Marks diverse performance background informs his role as an educator, offering a unique perspective that combines professional expertise with a passion for nurturing musicians’ growth through his insightful teaching methods.
About Mark Kellogg
Mark Kellogg has embraced a wide range of musical roles throughout his career as a performer, teacher, conductor and administrator. Whether it’s taken the form of appearing as a concerto soloist, playing in a wide variety of chamber ensembles, performing as an orchestral musician or as a jazz player, teaching students of all ages or overseeing artistic programs or festivals, he has been most fortunate to explore a rich array of musical opportunities. In addition to holding the position of Professor of Trombone at the Eastman School of Music, Mr. Kellogg is chair of the Winds, Brass and Percussion Department and an affiliate faculty member in the school’s departments of Jazz and Contemporary Media and Music Teaching and Learning. Co-Director of the Eastman Trombone Choir and Director of the Eastman Brass Guild, he also leads the school’s faculty mentoring program in his position as Director of Faculty Development.
About the Foundation: artsempoweringlife.org
About the Performing Arts Center: performingartscentercapecod.org
Facebook: facebook.com/artsempoweringlife
© 2024 Arts Empowering Life, Inc. All rights reserved.
13
views
95 Years of Music to Speak to Our Time, Part II
95 Years of Music to Speak to Our Time, Part II
Building Bridges through Music:
The Seventh Army Symphony Orchestra to the Texas Years
Presented by Dr. Samuel Adler
Arts & Entertainment Lecture Series
Saturday, March 2, 2024
Part II of a 4 Part Lecture
At age ten Samuel Adler narrowly escaped Nazi Germany during Kristallnacht, the “night of broken glass.” As he and his father collected sheet music in the loft of the synagogue, saving all that they could on that terrifying night, soldiers heard them from down below. It was the sudden collapse of the pipe organ that allowed Adler and his father to run and escape through an underground tunnel. His family took the last train out of Germany with their bags full of sheet music, paving the way for Adler to study and nurture his musical gifts in America. At age ninety-five, he continues to compose, sharing his prolific musical gifts. Known for building bridges through the international language of music, as well as his optimism and “life-affirming spirit,” he is uniquely positioned TO SPEAK TO OUR TIME.
The risk-taking composer of 400 published works taught for sixty-three years at Juilliard, and Eastman, and has given masterclasses and workshops at over 300 universities world-wide. Having studied with Aaron Copland, Paul Hindemith, Randall Thompson, and more, he knows just about everyone on the twentieth-century American music scene and has received numerous awards including ASCAP’s “Aaron Copland Lifetime Achievement Award.” He believes that one should compose in the “energy of his time” and he is without doubt one of the greatest living composers and conductors.
Gloriae Dei Cantores, the world-renowned choir from Orleans, MA and foundational group of Arts Empowering Life, are the winners of THE AMERICAN PRIZE for their recent recorded album of Dr. Samuel Adler’s music entitled, To Speak to Our Time, conducted by Richard K. Pugsley. The album won extensive critical acclaim for its bold programming, the championing of Dr. Adler’s music, and the stunning and brilliant musicianship and nuanced singing.
“Music of mesmerizing beauty…powerful.” —Apple Music
“The singing is powerful, passionately sculpted…beautiful.” —Gramophone
About the Foundation: artsempoweringlife.org
About the Performing Arts Center: performingartscentercapecod.org
Facebook: facebook.com/artsempoweringlife
© 2024 Arts Empowering Life, Inc. All rights reserved.
21
views
What the Music You LOVE Says about YOU by Susan Rogers, PhD
Listening to Music:
What the Music You LOVE Says about YOU
Presented by Susan Rogers, Multi-platinum earning Sound Engineer for Prince and the hit album: Purple Rain, author, doctor in experimental psychology from McGill University, and recent professor of psychoacoustics and record production at Berkelee College of Music
Arts & Entertainment Lecture Series
Saturday, February 10, 2024, 3:30 PM
About the Lecture
Professor of cognitive neuroscience and former record producer (Prince, David Byrne, Barenaked Ladies) Susan Rogers presents a new model of music cognition describing the listener profile—a set of mental “sweet spots” where music’s features lead to the individual’s strongest response. Just as we do with food and clothing, our musical taste forms over a lifetime of positive and negative experiences to create a unique profile for each music lover. New research into spontaneous thought processes such as daydreaming reveals that the neural network forming our self-image increases its activity when our minds wander. This same network is also activated when we enjoy our favorite music. Thus, the music we love the most reveals our sense of self and provides a way for us to share ourselves with others. How music preferences form and how they differ will be discussed.
About Susan Rogers
Susan Rogers holds a doctoral degree in experimental psychology from McGill University (2010). Prior to her science career, Susan was a multiplatinum-earning record producer, engineer, mixer and audio technician. She is best known for her work with Prince (1983-1987) but production/engineering credits also include David Byrne, Barenaked Ladies, Geggy Tah, Nil Lara, Robben Ford, Tricky, Michael Penn, and Jeff Black. In 2021 she became the first female recipient of the Music Producer’s Guild Award for Outstanding Contributions to U.K. Music. She recently retired from Berklee College of Music, Boston, where she taught psychoacoustics and record production in the department of Music Production & Engineering. Her book on music listening for W. W. Norton is titled This Is What It Sounds Like: What the Music You Love Says About You.
About the Foundation: artsempoweringlife.org
About the Performing Arts Center: performingartscentercapecod.org
Facebook: facebook.com/artsempoweringlife
© 2024 Arts Empowering Life, Inc. All rights reserved.
40
views
95 Years of Music to Speak to Our Time
95 Years of Music to Speak to Our Time
Building Bridges through Music
Presented by Dr. Samuel Adler
Arts & Entertainment Lecture Series
Saturday, January 13, 2024, 3:30 PM
At age ten Samuel Adler narrowly escaped Nazi Germany during Kristallnacht, the “night of broken glass.” As he and his father collected sheet music in the loft of the synagogue, saving all that they could on that terrifying night, soldiers heard them from down below. It was the sudden collapse of the pipe organ that allowed Adler and his father to run and escape through an underground tunnel. His family took the last train out of Germany with their bags full of sheet music, paving the way for Adler to study and nurture his musical gifts in America. At age ninety-five, he continues to compose, sharing his prolific musical gifts. Known for building bridges through the international language of music, as well as his optimism and “life-affirming spirit,” he is uniquely positioned TO SPEAK TO OUR TIME.
The risk-taking composer of 400 published works taught for sixty-three years at Juilliard, and Eastman, and has given masterclasses and workshops at over 300 universities world-wide. Having studied with Aaron Copland, Paul Hindemith, Randall Thompson, and more, he knows just about everyone on the twentieth-century American music scene and has received numerous awards including ASCAP’s “Aaron Copland Lifetime Achievement Award.” He believes that one should compose in the “energy of his time” and he is without doubt one of the greatest living composers and conductors.
Gloriae Dei Cantores, the world-renowned choir from Orleans, MA and foundational group of Arts Empowering Life, are the winners of THE AMERICAN PRIZE for their recent recorded album of Dr. Samuel Adler’s music entitled, To Speak to Our Time, conducted by Richard K. Pugsley. The album won extensive critical acclaim for its bold programming, the championing of Dr. Adler’s music, and the stunning and brilliant musicianship and nuanced singing.
“Music of mesmerizing beauty…powerful.” —Apple Music
“The singing is powerful, passionately sculpted…beautiful.” —Gramophone
About the Foundation: artsempoweringlife.org
About the Performing Arts Center: performingartscentercapecod.org
Facebook: facebook.com/artsempoweringlife
© 2024 Arts Empowering Life, Inc. All rights reserved.
59
views
Romanian Folk Dances by Béla Bartók
Romanian Folk Dances II. Brâul & III. Topogó / Pe loc by Béla Bartók, arr. Chara Percussion
Performed by Chara Percussion Ensemble
Official Website: charapercussion.org
6
views
The Rose by Ola Gjeilo, arr. Chara Percussion
“The Rose” by Ola Gjeilo, arr. Chara Percussion Ensemble
Copyright © 2018 and this arrangement © 2022 Walton Music Corp.
All rights reserved. Used by permission.
4
views
Cello Concerto in D Minor, Vivaldi
By Antonio Vivaldi, arr. Hale
Performed by Chara Percussion Ensemble
Official Website: charapercussion.org
Recorded at St. Stanislaus Basilica, Chicopee, MA
All artwork within St. Stanislaus Basilica © 2022 St. Stanislaus Basilica. Used by permission. All rights reserved.
11
views
L’estra armonico by Antonio Vivaldi
L’estra armonico by Antonio Vivaldi
Performed by Chara Percussion Ensemble
Official Website: charapercussion.org
About the Church: churchofthetransfiguration.org
All artwork in The Church of the Transfiguration © The Community of Jesus, Inc. 2022
Used by Permission. All Rights Reserved.
Processional Cross 2000
Transfiguration Window 2000
Bronze Sculpture 2000
Atrium and Church Interior Stone Sculpture 2000-2010
Floor and Apse Mosaics created 2000-2007
Frescoes 2002-2010
Glass Wall sculpture 2008
Angel of the Church of the Transfiguration 2010
Emmanuel Chapel Glass Doors 2019
© 2022 Arts Empowering Life, Inc. All rights reserved.
6
views
Slavonic Dances
By Antonín Dvořák, arr. Hale
Performed by Chara Percussion Ensemble
Official Website: charapercussion.org
About the Performing Arts Building: aelbuildingproject.org
8
views
Italian Polka
By Sergei Rachmaninoff, arr. Hale
Performed by Chara Percussion Ensemble
Hear this piece in concert June 11 & 12, 2022 at the new Arts Empowering Life Performing Arts Building. Learn more: charapercussion.org/events/
Official Website: charapercussion.org
About the Performing Arts Building: aelbuildingproject.org
4
views
For Unto Us a Child is Born
For Unto Us a Child is Born, from Handel's “Messiah”, arr. Hale
Performed by Chara Percussion Ensemble
Official Website: charapercussion.org
All artwork in The Church of the Transfiguration © The Community of Jesus, Inc. 2021
Processional Cross 2000
Transfiguration Window 2000
Bronze Sculpture 2000
Atrium and Church Interior Stone Sculpture 2000-2010
Floor and Apse Mosaics created 2000-2007
Frescoes 2002-2010
Glass Wall sculpture 2008
Angel of the Church of the Transfiguration 2010
Emmanuel Chapel Glass Doors 2019
3
views
Girl with the Flaxen Hair
Girl with the Flaxen Hair, by Claude Debussy, arr. Boo
Performed by Chara Percussion Ensemble
Official Website: charapercussion.org
4
views
Mundus in periculo by Petr Eben
Mundus in periculo, No. 2 Paenitentia by Petr Eben
Performed by Chara Percussion Ensemble
Official Website: charapercussion.org
About the Church: churchofthetransfiguration.org
All artwork in The Church of the Transfiguration © The Community of Jesus, Inc. 2022
Used by Permission. All Rights Reserved.
Processional Cross 2000
Transfiguration Window 2000
Bronze Sculpture 2000
Atrium and Church Interior Stone Sculpture 2000-2010
Floor and Apse Mosaics created 2000-2007
Frescoes 2002-2010
Glass Wall sculpture 2008
Angel of the Church of the Transfiguration 2010
Emmanuel Chapel Glass Doors 2019
© 2022 Arts Empowering Life, Inc. All rights reserved.
5
views
Lacrimosa from Requiem by Mozart
Lacrimosa from Requiem by Wolfgang Amadeus Mozart
Performed by Chara Percussion Ensemble
Official Website: charapercussion.org
About the Church: churchofthetransfiguration.org
All artwork in The Church of the Transfiguration © The Community of Jesus, Inc. 2022
Used by Permission. All Rights Reserved.
Processional Cross 2000
Transfiguration Window 2000
Bronze Sculpture 2000
Atrium and Church Interior Stone Sculpture 2000-2010
Floor and Apse Mosaics created 2000-2007
Frescoes 2002-2010
Glass Wall sculpture 2008
Angel of the Church of the Transfiguration 2010
Emmanuel Chapel Glass Doors 2019
© 2022 Arts Empowering Life, Inc. All rights reserved.
5
views