Jorge Enrique Baldeon

Jebcg Short | Sharp Dressed Ham A Short Film by Jorge Enrique Baldeon In "Sharp Dressed Ham," a mysterious figure dressed in a sharp suit ventures into a dimly-lit tunnel, carrying a crate filled with golden coins. After reaching a massive bank vault door, he enters a luxurious office room adorned with scattered gold coins. As he counts and organizes the coins, his attention is captivated by a particular coin, triggering a series of strange sensations. The Pig-Man's desperate struggle to regain control unfolds, delving into the consequences of his actions and the dangerous allure of his insatiable desires. Blender 3D | Modeling | Animation | Rendering DaVinci Resolve | Edit | Color | FX Epidemic Sound | Effects | Music Mixamo | Motion Capture OpenAI | ChatGPT Script | Dall-E2 Portraits App.LOGO | Brand Design CGTrader | Free Assets cgtrader.com/3d-modelsartist cgtrader.com/artificial cgtrader.com/protuberanka cgtrader.com/dusan-lamos cgtrader.com/waleria-godowanets cgtrader.com/rzhuk cgtrader.com/annakhurbanova12 https://www.jebcg.com/

A Short Film by Jorge Enrique Baldeon Two alien creatures locked in separate cells in a secret military prison confront each other in a fierce battle when a mysterious UFO appears. You'll also get to see the results of learning the complete 3D production workflow in the first 2 months using Blender. Jorge Enrique Baldeon Triana. All rights reserved. https://www.jebcg.com/ https://www.instagram.com/jebcg/ https://www.facebook.com/jorgeenrique... https://www.tiktok.com/@jorgeenriqueb... https://twitter.com/jebcg3d

Jebcg Production ANV Short Film Making Of 0:00 : Intro/Title 0:20 : Script 0:44 : Concept Art 1:56 : 3d Modeling 2:50: Rig/Dynamics 3:29: Scenes 3:51: Texturing 4:09: Lighting/Shading 4:30: Look Dev 5:16: Animation 6:12: Editing Software used: 3ds Max, Mudbox, Redshift 3d, RealFlow, Embergen, Photoshop, Illustrator, After Effects, Premiere Pro. A Short Film by Jorge Enrique Baldeon ©2023 Jorge Enrique Baldeon Triana. All rights reserved. https://www.jebcg.com/ https://www.instagram.com/jebcg/ https://www.facebook.com/jorgeenriquebaldeon https://www.tiktok.com/@jorgeenriquebaldeoncg https://twitter.com/jebcg3d

Jebcg Movie | ANV A Short Movie by Jorge Enrique Baldeon Featured voice by Pamela Baldeon Awards: -BEST ANIMATION FILM & CINEMATOGRAPHY award for October 2022 at the New York Cinematography Awards @cineawards http://newyork.cawards.org/ -Official Selection award at Lift-Off Global Network First-Time Filmmaker Sessions 2023 ©2023 Jorge Enrique Baldeon Triana. All rights reserved. https://www.jebcg.com/ https://www.instagram.com/jebcg/ https://www.facebook.com/jorgeenrique... https://www.tiktok.com/@jorgeenriqueb... https://twitter.com/jebcg3d

Learning Blender 3D in 30 days was a challenging but rewarding experience for me. As someone who has been working in 3ds Max since 2000, I had to start from scratch with Blender and familiarize myself with its unique interface and features. To make the most of my time, I decided to create one small project each day and tackle as many of the basic steps in the 3D pipeline as possible. I began by working through Blender Guru's Donut tutorial, which provided a solid foundation in the basics of modeling, shading, and lighting. From there, I moved on to more advanced topics such as sculpting, texturing, rigging, and animation. Throughout the process, I made sure to use the Cycles render engine on all of my projects. This allowed me to experiment with different lighting and material setups and see how they affected the final renders. By the end of the 30 days, I was able to create a complete animated character that was able to interact with objects in a scene. Overall, the experience of learning Blender in 30 days was very rewarding. It was challenging at times, but the sense of accomplishment that came with completing each project was well worth it. I plan to continue using Blender as my main 3D application going forward, and I am excited to see what I will be able to create with it. https://www.jebcg.com/ https://www.instagram.com/jebcg/ https://www.facebook.com/jorgeenrique... https://www.tiktok.com/@jorgeenriqueb... https://twitter.com/jebcg3d

What happens when your data gets toasted. Music by @beatlab_audio

This is an animation i did during the lockdown just for fun, I literally took out all of my abandoned toys from the hard drive to made them do something. (Some are 10 or 20 years old) This is a combination of all my influences in a single video. Check it out if you enjoy Animation Openings.

I created my first Zbrush sculpt model ever so i decided to do a few little animations to test how i will implement zbrush into my Workflow using Zremesher to do my base mesh.

Here are a few quick random shots I do for quick practice every now and then. I´m always trying to practice new things like: materials, light setups, render settings, optimization, procedural methods, post production techniques, color grading, etc... The best way to improve is just doing very diverse things. I have more, so i will keep posting the ones that turn out nice. 3ds max, vray, after effects

Here is an experiment animation I did to test hair & fur and practice animation.

Here is a small video showing some behind the scenes stuff on the Gecko animation. I also added a project on Behance that features better quality photos than the compressed video. Watch it here: https://www.behance.net/gallery/27098839/Animation-Gecko I hope it makes clear how simple and straight forward the process was. Mostly all done with 3ds Max 2016 built in tools almost out of the box. Until now the new 2016 release works as expected. Thanks for supporting this small test project so much and all the great comments. If there are any more questions I will gladly answer them on the comments.

I had some free time one weekend to do some testing and started this lizard in mudbox. I poly edited the lizard mudbox base mesh to give it better face detail for animation. I started testing 3ds max 2016 to seek bugs or errors, so far it works as expected and the animation playback is really improved. Used C.A.T. rig, Mental Ray IBL for lighting, SSS Skin+ from Master Zap for skin. I rendered Beauty Pass and Z depth only, i wanted to keep is quick and simple. Post work and coloring in After Effects.