Cis White Male with Extra Privilege

Music 0:00 - 814 - Written by a monk from Bobbio (in Italy) Planctus de Obitu Karoli, or "Lament on the Death of Charlemagne" Charlemagne or Charles the Great, a member of the Carolingian dynasty, was King of the Franks from 768, King of the Lombards from 774, and the first Holy Roman Emperor from 800. On January 28, 814, he died of pleurisy, a lung disease. This song was written shortly after. 9:30 - Early to mid 800s - Rabanus Maurus (German) - Veni Creator Spiritus (Come, Creator Spirit) Translated and paraphrased into several languages, and adapted into many musical forms, often as a hymn for Pentecost or for other occasions that focus on the Holy Spirit. 12:33 - Circa 800s - Unknown - Audi Tellus, Audi Magni Maris Limbus The first verse translated reads - "Hear, earth; hear the edge of the great sea; Listen man; hear all that liveth under the sun: It will come, it is near day of supreme wrath unseen day bitter day which alone will flee the sun will blush the moon will change the day will turn black the stars will fall upon the earth." 19:49 - Circa early 900s - Unknown (French) - Incipit Planctus Karoli (Karoli's Lament Begins) The first line (A solis ortu...) is drawn from a fifth-century hymn of Caelius Sedulius. As the Sedulian hymn was sung at Christmas time, the sorrowful Planctus presents a contrast with the joy typically associated with its opening. The poet expands upon his personal grief at the death of his emperor—and benefactor of Bobbio—by asking all the regions of Earth to mourn with him, and using the tears of Saint Columbanus, founder of Bobbio, as a symbol of the monastery's grief. 25:23 - 900s - Otfrid von Weißenburg (German) Thes abet er ubar woroltring A song about the last day of judgement before God. A translation of the first verse reads as follows. "For the entire world a judgement day has been set, before a powerful court, and we must fear it. I say this loudly: there will be no one who can avoid appearing before this court!" 32:55 - Circa 900s - Unknown (German) - Muspilli (a fragment from text) Muspilli is an Old High German poem known in incomplete form (103 lines) from a ninth-century Bavarian manuscript. Its subject is the fate of the soul immediately after death and at the Last Judgment. 40:52 - Circa prior 884 - Notker Balbulus (Swiss) Quid tu, virgo (Why thou, virgin) The first verse roughly translated reads - "Why do you, virgin, Mother, weep, beautiful Rachel, Jacob pleases? Let the wisdom of his old sister help him Wipe, mother, How do the wrinkles of your cheeks suit you? Alas, alas, alas; When I was bereaved, who alone would take care, Who would not surrender to the enemies the narrow borders which Jacob had acquired for me, and who would benefit from the stupid brothers, many of whom I,unfortunately, brought out. Is he to be wept, who possessed the heavenly kingdom? and who helps the poor brothers with frequent prayers to God?"

Music 0:00 - Early 900s - Unknown artist and title - Probably of German origin. Earliest known practical piece of polyphonic music, recently discovered in 2014 within a British Library manuscript in London. Origin of north-west Germany, somewhere around Paderborn or Düsseldorf 1:12 - 900s - Unknown (Greek) - O Aggelos Eboa, The Angel Cried 2:30 - 900s - Unknown, possibly Odo of Cluny (French) From the Musica Enchiriadis, an anonymous musical treatise of the 9th century. It is the first surviving attempt to set up a system of rules for polyphony in western art music. 6:17 - 900s - Unknown (Spanish) - Attende Domine (Hear Us, O Lord) A Christian liturgical chant for the season of Lent, referred to in English as the Lent Prose. The themes of this hymn are the sinfulness of man and the mercy of God, a theological concept emphasized during Lent. 9:43 - 900s - Unknown (Greek origin) - Kyrie eleison (Lord, have mercy) The prayer, "Kyrie, eleison," "Lord, have mercy" derives from a Biblical phrase. Greek ἐλέησόν με κύριε "have mercy on me, Lord" is the Septuagint (the Greek version of the Hebrew bible) translation of the phrase חָנֵּנִי יְהוָה found often in Psalms ( 6:2, 9:13, 31:9, 86:3, 123:3). The way it is performed has changed repeatedly throughout history. 12:26 - 900s - Unknown (Spanish) - Song of the Sibyl A liturgical drama and a Gregorian chant, the lyrics of which comprise a prophecy describing the Apocalypse, which has been performed in churches on Majorca (Balearic Islands, Spain) and Alghero (Sardinia, Italy), and some Catalan churches, in the Catalan language on Christmas Eve nearly uninterruptedly since medieval times.

Music 0:00 - Early 1000s - Guido d'Arezzo (Italian) - Ut queant laxis - Hymn to Saint John the Baptist 3:48 - Early 1000s - Guido d'Arezzo (Italian) - Miserere mei Deus 6:12 - Circa 1023-1054 - Hermann of Reichenau (German) - Alma Redemptoris Mater (Simple Tone) 7:16 - Circa 1023-1054 - Hermann of Reichenau (German) - Salve Regina 10:03 - Circa 1023-1054 - Hermann of Reichenau (German) - Veni Sancte Spiritus 16:37 - 1000s - Unknown (French) - Alleluia - Vidimus stellam. II mode 18:57 - 1040 - Turoldus (French) - The Song of Roland Based on the Frankish military leader Roland at the Battle of Roncevaux Pass in 778, during the reign of Charlemagne. It is the oldest surviving major work of French literature 22:04 - 11-13th Century - Unknown, but thought to be mostly from young student clergy who satirized the Catholic Church (German) - Codex Buranus - Tempus Est Iocundum (The Time Is Pleasing) A manuscript of 254 poems and dramatic texts mostly from the 11th or 12th century, although some are from the 13th century. The pieces are mostly bawdy, irreverent, and satirical. This song is about burning virgin love. 25:55 - 1000s - Unknown (Swedish) - Sackpipslät 28:34 - 11th or 12th Century) - William IX, Duke of Aquitaine (French) - Pos de chantar, Cançon

Music 0:00 - Early 1100s - Saint Godric of Finchale (English) - Sainte Nicholas, Godes Druth 0:57 - Early 1100s - Saint Godric of Finchale (English) Sainte Marië viërgenë 2:20 - Early 1100s - Saint Godric of Finchale (English) - Crist and Sainte Marie 3:47 - 1100s - Nikolaos Moraitis (Greek) - O Aggelos Eboa 6:41 - 1100s - William IX (French) - Pos Des Chantar M'es Pres Talenz 10:08 - 1100s - Unknown (French) - L'autrier m'iere levaz The song itself is about a knight who professes love to a shepherdess named Ermenjon 13:01 - 1100-1300 - Gregorian Chant (Italian) - Adorate Deum 15:12 - 1100-1300 - Gregorian Chant (Italian) - Dominus illuminatio mea 17:11 - 1100-1300 - Gregorian Chant (Italian) - Introitus Da pacem 19:05 - 1130-1150 - Marcabru (French) - Bel m'es quan li fruch madur 21:30 - 1150-1160 - Der von Kürenberg (German) - Ich zoch mir einen valken (Falkenlied or The Falcon Song) A song about a woman who raises a falcon 26:27 - Mid 1100s - Hildegard von Bingen (German) - Canticles of Ecstasy - Ensemble Sequentia 31:17 - 1170 - Leonin (French) - Magnus Liber - Canto gregoriano Organi, siglo XII 35:51 - 1170 - Leonin (French) - Organum Duplum 36:19 - Late 1100s - Raimbaut de Vaqueiras (French) - Kalenda maya 39:09 - Late 1100s - Countess of Die (French) - A chantar m'er de so qu'eu non volria 41:45 - 1188 - Raimbaut de Vaqueiras (French) - El son que pus m'agensa 45:06 - 1198 - Perotin (French) - Viderunt Omnes 48:30 - 1199 - Pérotin (French) - Sederunt principes

Music 0:00 - 1201 – Raimbaut de Vaqueiras (French) - Ara pot hom conoisser e proar 3:29 - 1204–05 – Raimbaut de Vaqueiras (French) - No·m agrad' iverns ni pascors 8:04 - 1220 - Pérotin (French) - Beata Viscera 14:05 - 1235 - Moniot d'Arras (French) - Ce fut en mai 16:38 - 1235–39 – Theobald I of Navarre (French) - Seignor, sachiés, qui or ne s’en ira (chanson de croisade) 21:06 - 1239 – Theobald I of Navarre (French) - Au tens plain de felonie (chanson de croisade) 23:22 - 1250 - 1280 - Anonymous (French origin) - Diex! je n'i os aler - From the Montpelliar Codex 24:19 - 1250 - 1280 - Anonymous (French origin) - Pucelete bele et avenant - From the Montpellier Codex 25:00 - 1250 -1280 - Anonymous (French origin) - Plus bele que flor est - From the Montpellier Codex 28:45 - 1250-1280 - Anonymous (French origin) - S'on e regarde - The Montpellier Codex was assembled in the years 1280-1300, is the largest single collection of polyphonic music prior to the Renaissance

Music 0:00 - 1314 - Philippe de Vitry (French) - Garrit gallus 2:04 - 1324 - Guillaume de Machaut (French) - Bone pastor, Guillerme Bone pastor, qui pastores 4:08 - 1340 - Philippe de Vitry (French) - Cum statua Nabucodonasor - (Medieval) 5:19 - 1340 - Philippe de Vitry (French) - Sequentia - (Medieval) 6:27 - 1340 - Philippe de Vitry (French) - Garison selon nature - (Medieval) 7:50 - 1340 - Philippe de Vitry (French) - Floret - (Medieval) 9:09 - 1342 – Philippe de Vitry (French) - Petre Clemens Lugentium siccenturNon est inventus (motet for three voices), written at Christmas for Pope Clement VI 10:13 - 1346 - Jacopo da Bologna (Italian) - O in Italia felice Liguria - Madrigal with a text celebrating the birth on 4 August of twin sons to the Milanese ruler Luchino Visconti 11:02 - 1350 - Guillaume de Machaut (French) - Messe de Nostre Dame - KYRIE - (Medieval) 12:17 - 1350 - Guillaume de Machaut (French) - Messe de Nostre Dame - GLORIA - (Medieval) 13:39 - 1350 - Guillaume de Machaut (French) - Messe de Nostre Dame - CREDO - (Medieval) 14:57 - 1350 - Guillaume de Machaut (French) - Messe de Nostre Dame - SANCTUS - (Medieval) 16:02 - 1350 - Guillaume de Machaut (French) - Messe de Nostre Dame - Agnus Dei - (Medieval) 17:07 - 1350 - Guillaume de Machaut (French) - Messe de Nostre Dame - Ite Misa Est - (Medieval) 18:17 - 1356 - Guillaume de Machaut (French) - En demantant et lamentant - Lamenting the capture by Edward, the Black Prince of King Jean II and his son Philippe 19:33 - 1360 - Francesco Landini (Italian) - Che pena e quest al cor - (Medieval) 20:38 - 1360 - Francesco Landini (Italian) - De! dimmi tu, che se' cosi fregiato - (Medieval) 21:37 - 1360 - Francesco Landini (Italian) - I' priego Amor e la vostra biltate - (Medieval) 22:34 - 1360 - Francesco Landini (Italian) - Ecco la primavera - (Medieval) 24:27 - 1378 - Matheus de Sancto Johanne (French) - Inclite flos orti Gebenensis - Ballade for three voices, dedicated to Pope Clement VII, who bestowed a canonicate in Laon upon the composer in this year 26:52 - 1382 - Jacob de Senleches (Franco-Flemish) - Fuions de ci (Ballade) - with text referring to the recent death of Eleanor of Aragon, Queen of Castile 27:47 - 1390-1395 - Jacob Senleches (Franco-Flemish) - La harpe de melodie 28:38 - 1399 - Johannes Ciconia (Flemish) - Una panthera in compagnia de Marte - madrigal for three voices, written for the diplomatic visit by Lazzaro Guinigi of Lucca to Gian Galeazzo Visconti in Pavia

Music 0:00 - 1400 - Busnoys (French) - In Hydraulis - (Renaissance) 7:00 - 1440 - Leonel Power - Beata Progenies (from The Old Hall Manuscript largest, most complete, and most significant source of English sacred music of the late 14th and early 15th centuries) 9:15 - 1450 - Antoine Busnois (French) - Missa O crux lignum triumphale - (Renaissance) 11:58 - 1450 - Jehan Brassart (French) - Gratulemur Christicole - (Renaissance) 17:00 - 1480 - Johannes Ockeghem (Netherlands) - Réquiem 25:58 - 1480 - Josquin Des Prez (French) - Missa l'Homme Armé Super Voces Musicales (Kyrie) 29:18 - 1490 - Josquin Des Prez (French) -Nymphes des bois - Graindelavoix

Music 0:00 - 1500 - Giovanni Palestrina (Italian) - Missa Marcelli III Credo - (Renaissance) 2:43 - 1500 - Josquin Des Prez (French) - Domine ne in furore - Weser - (Renaissance) 7:29 - 1501 - Petrucci - Harmonice Musices Odhecaton - (the first printed collection of polyphonic music) 16:10 - 1510 - Josquin des Prez - Missa de Beata Virgine 21:51 - 1520 - 1526 - Francesco Patavino (Italian) - Dilla da l'acqua 24:00 - 1539 - Jacques Arcadelt (Franco-Flemish) - Il primo libro di madrigali, Il bianco e dolce cigno 26:56 - 1550 - John Dowland (English) - The Frogg Galliard - (Renaissance) 29:02 - 1565 - Giovanni Palestrina (Italian) - Missa Papae Marcelli 32:25 - 1580 - Henry VIII (not certain) (English) - Greensleeves - (Renaissance) 35:39 - 1581 - Beaujoyeulx (French) - Ballet comique de la reine, La petite entrée 37:08 - 1593 - William Byrd (English) - Mass for Five Voices - (Renaissance) 43:28 - 1593 - William Byrd (English) - Mass for Four Voices - (Renaissance) 47:40 - 1596 - John Dowland (English) - Flow, my tears - (Renaissance)

Music 0:00 - 1600 - Orlando Gibbons (English) - This Is the Record of John - (Renaissance) 5:42 - 1602 - Giulio Caccini (Italian) - Amarilli mia bella 8:02 - 1604 - John Dowland (English) - Lachrimae - (Renaissance) 12:56 - 1605 - William Byrd (English) - Ave verum corpus 17:17 - 1610 - John Dowland (English) - In Darkness Let Me Dwell - (Renaissance) 20:52 - 1610 - Claudio Monteverdi (Italian) - Vespro della Beata Vergine, SV 206 - Magnificat I a 7 (Live) 25:33 - 1620 - Claudio Monteverdi (Italian) - Lamento d'Arianna, SV 22 26:58 - 1630-1639 - Gregorio Allegri (Italian) - Miserere 28:34 - 1644 - Giovanni Faustini (Italian) - L'Ormindo - First performed in 1644 at the Teatro San Cassiano, Venice, the world's first public opera house 31:11 - 1650 - Louis Couperin (French) - Duretez Fantaisie 33:20 - 1660 - Heinrich Schütz (German) - Weihnachtshistorie 35:22 - 1676 - Heinrich Biber (Austrian) - Mystery Sonatas (Rosary Sonatas), n. 1 37:37 - 1680 - Alessandro Scarlatti (Italian) - Gia il sole dal Gange (with translation) 39:47 - 1688 - Henry Purcell (English) - When I am laid in earth (Dido's lament) Elin Manahan Thomas 44:26 - Probably after the 1690s, exact date not known - Dietrich Buxtehude (Danish) - Passacaglia in D minor 50:03 - 1690 - Pachelbel (German) - Canon in D minor - (Baroque)

Music 0:00 - 1705 - Vivaldi (Italian) - La Folia - Baroque 0:50 - 1710 - Bach (German) - Passacaglia and Fugue in C Minor BWV 582 2:14 - 1711 - Vivaldi (Italian) - Cantate Cessate, omai cessate 3:25 - 1711 - Vivaldi (Italian) - Concerto for Two Violins in A Minor RV522 4:40 - 1711 - Vivaldi (Italian) - Concerto for 4 Violins in B minor RV 580 5:23 - 1711 - Vivaldi (Italian) - Concerto in E Minor RV 273 6:15 - 1711 - Vivaldi (Italian) - Concerto for Violin and Organ in D minor RV 541 7:16 - 1712 - Vivaldi (Italian) - La Stravaganza 8:23 - 1714 - Telemann (German) - Trumpet Concerto in D major - (Baroque) 9:28 - 1717 - Couperin (French) - Les Barricades Mystérieuses - (Baroque) 10:32 - 1717 - Handel (German) - Water Music - (Baroque) 11:14 - 1720 - Telemann (German) - Concerto for 4 Violins in D Major - (Baroque) 11:43 - 1720 - Telemann (German) - Concerto in E major for flute - (Baroque) 12:22 - 1722 - Couperin (French) - Forlane - Rondeau - (Baroque) 13:00 - 1723 - Vivaldi (Italian) - Spring - (Baroque) 13:38 - 1723 - Vivaldi (Italian) - Summer - (Baroque) 14:35 - 1723 - Vivaldi (Italian) - Autumn - (Baroque) 15:19 - 1723 - Vivaldi (Italian) - Winter - (Baroque) 16:06 - 1724 - Couperin (French) - Les Lis naissans - (Baroque) 16:41 - 1724 - Rameau (French) - Les Cyclopes - (Baroque) 17:28 - 1730 - Berlioz (French)- Rakoczy March - (Baroque) 18:22 - 1731 - Bach (German) - Air on G string (Baroque) 19:36 - 1733 - Handel (German) - Sarabande - (Baroque) 20:31 - 1741 - Handel (German) - Hallelujah Chorus - (Baroque) 21:14 - 1741 - Vivaldi (Italian) - Violin Concerto in A Minor RV 356 - (Baroque) 21:41 - 1745 - Scarlatti (Italian) - Fandango - (Baroque) 22:14 - 1745 - Thomas Arne (English) - God Save The Queen - British National Anthem 23:22 - 1748 - Rameau (French) - Zais - Overture - (Baroque) 24:02 - 1752 - Scarlatti (Italian) - Sonata in A minor K149 - (Baroque) 24:36 - 1757 - Scarlatti (Italian) - Scarlatti Sonata in A minor K175 composition - (Classical) 25:13 - 1761 - Haydn (Austrian) - Morning - Symphony No, 6 in D - (Classical) 26:03 - 1772 - Haydn (Austrian) - Symphony No, 45 - (Classical) 26:37 - 1777 - Haydn (Austrian) - Serenade - (Classical) 27:08 - 1786 - Mozart (Austrian) - The Marriage of Figaro Overture - (Classical) 27:08 - 1787 - Mozart (Austrian) - Eine Kleine Nachtmusik - (Classical) 28:48 - 1788 - Mozart (Austrian) - Symphony No. 40 in G minor - (Classical) 29:38 - 1791 - Mozart (Austrian) - Requiem in D Minor - (Classical) 31:28 - 1791 - Mozart (Austrian) - Queen of the Night aria - (Classical) 34:30 - 1791 - Mozart (Austrian) - The Magic Flute Overture - (Classical)

Music 0:00 - 1808 - Beethoven (German) - Symphony No 5 in C minor - (Classical) 4:40 - 1814 (Adopted 1931) - Francis Scott Key (American) - United States of America's National Anthem 8:27 - 1826 - Mendelssohn (German) - A Midsummer Night's Dream - Overture - (Classical) 12:21 - 1826 - Schubert (Austrian) - Ave Maria - (Classical) 18:38 - 1828 - Schubert (Austrian) - Serenade - (Classical) 24:16 - 1829 - Rossini (Italian) - William Tell Overture Final - (Classical) 26:12 - 1830 - Mendelssohn (German) - Hebrides Overture - (Early Romantic) 30:10 - 1831 - Chopin (Polish) - Nocturne op.9 No.1 date - (Early Romantic) 36:48 - 1831 - Chopin (Polish) - Nocturne op.9 No.2 date - (Early Romantic) 41:17 - 1833 - Bach (German) - Toccata and Fugue in D Minor - (Classical) 50:36 - 1836 - Chopin (Polish) - Nocture op.27 No.2 date - (Early Romantic) 54:08 - 1838 - Schumann (German) - Traumerei - (Early Romantic) 57:12 - 1840 - Schumann (German) - Zigeunerleben Op.29 - (Early Romantic) 1:00:33 - 1840 - Wagner (German) - Faust - (Early Romantic) 1:04:40 - 1844 - Mendelssohn (German) - Spring Song - (Early Romantic) 1:07:27 - 1845 - Bizet (French) - Carmen - Habanera - (Early Romantic) 1:09:38 - 1845 - Bizet (French) - Carmen - Toreadors - (Early Romantic) 1:11:55 - 1845 - Bizet (French) - Carmen - Overture - (Early Romantic) 1:14:03 - 1846 - Berlioz (French) - The Damnation of Faust - (Early Romantic) 1:18:47 - 1849 - Liszt (German) - Un Sospiro - (Early Romantic) 1:24:43 - 1850 - Liszt (German) - Love Dream - (Early Romantic) 1:28:51 - 1851 - Schumann (German) - Violin Sonata No.1 - (Early Romantic) 1:34:27 - 1853 - Verdi (Italian) - Il Trovatore - (Early Romantic) 1:37:31 - 1854 - Karl Wilhelm (German) - Die Wacht am Rhein 1:42:07 - 1856 - Wagner (German) - Ride of the Valkyries - (Late Romantic) 1:45:31 - 1867 - Beethoven (German) - Fur Elise - (Classical - discovered after death) 1:48:28 - 1867 - Johann Strauss II (Austrian) - The Blue Danube Waltz - (Late Romantic) 1:55:13 - 1867 - Mussorgsky (Russian) - Night On Bald Mountain - (Late Romantic) 1:58:44 - 1869 - Wagner (German) - Das Rheingold - Entry of the Gods Into Valhalla - (Late Romantic) 2:02:20 - 1871 - Verdi (Italian) - Aida - Grand March - (Late Romantic) 2:04:52 - 1874 - Camille Saint-Saëns (French) - Danse Macabre - (Late Romantic) 2:09:48 - 1875 - Grieg (Norwegian) - In the Hall of the Mountain King - (Late Romantic) 2:12:30 - 1876 - Wagner (German) - Der Ring des Nibelungen - (Late Romantic) 2:16:34 - 1880 - Tchaikovsky (Russian) - 1812 Overture (Full with Cannons) - (Romantic) 2:22:49 - 1883 - Delibes (French) - The Flower Duet - (Late Romantic) 2:27:40 - 1892 - Tchaikovsky (Russian) - Waltz of the Flowers - (Romantic) 2:35:10 - 1893 - Dvorak (Czech) - Symphony No. 9 - (Late Romantic)

Music 0:00 - 1900 - Nikolai Rimsky-Korsakov (Russian) - Flight of the Bumblebee 3:25 - 1900 - Arthur Collins (probably Irish) - The Peerless Orchestra - Ma Tiger Lily 5:46 - 1904 - Haydn Quartet (Irish, Norman, English, German) - Sweet Adeline 8:37 - 1904 - Julius Fucik (Czech) - Entry of the Gladiators 11:42 - 1910 - Billy Murray (Irish) and the Haydn Quartet (Irish, French, English, German) - By the Light of the Silvery Moon 14:32 - 1910 - Billy Murray (Irish) & American Quartet - Casey Jones 17:22 - 1911 - Harry Macdonough (Irish-Scottish) and Chorus - Down By the Old Mill Stream 20:13 - 1911 - Haydn Quartet (Irish, Norman, English, German) - Let Me Call You Sweetheart 22:47 - 1911 - Irving Berlin (Jewish) - Alexander's Ragtime Band 27:20 - 1912 - Chauncey Olcott (Irish) - When Irish Eyes Are Smiling 31:00 - 1912 - American Quartet - Moonlight Bay - Singers composed of Billy Murray (Irish), Steve Porter (French), William F. Hooley (Irish), John Bieling (German) 34:00 - 1912 - Heidelberg Quintette - Waiting For The Robert E. Lee 36:31 - 1913 - Al Jolson (Jewish) - You Made Me Love You (I Didn't Want to Do It) 39:39 - 1913 - Chauncey Olcott (Irish) - Too-Ra-Loo-Ra-Loo-Ra! (That's an Irish Lullaby) 42:36 - 1914 - John McCormack (Irish) - It's a Long Way to Tipperary (written by Jack Judge (British) in 1912, but McCormack became much more well known for his performance) 45:52 - 1914 - John McCormack (Irish) - Somewhere a Voice is Calling 46:48 - 1915 - Peerless Quartet - I Didn’t Raise My Boy To Be A Soldier - Lead by Henry Burr (Irish) 49:48 - 1915 - George MacFarlane (Irish) - A Little Bit of Heaven (Shure, They Call it Ireland) 53:00 - 1917 - Nora Bayes (Jewish) - Over There 56:00 - 1918 - Charles Harrison (Irish) and The Columbia Stellar Quartet - The Battle Hymn of the Republic 59:13 - 1918 - Al Jolson - Rock-A-Bye Your Baby With A Dixie Melody (First recording) 1:02:41 - 1918 - Puccini (Italian) - O mio babbino caro - (Late Romantic) 1:05:34 - 1918 - Charles Harrison (Irish) - I'm Always Chasing Rainbows 1:09:17 - 1918 - Henry Burr (Irish) and Albert Campbell (Scottish) - Till We Meet Again 1:12:38 - 1918 - Marion Harris (English) - After You’ve Gone - She was the first widely known white singer to sing jazz and blues songs. 1:16:08 - 1918 - The Original Dixieland Jazz Band - Tiger Rag 1:19:16 - 1926 - Puccini (Italian) - Turandot Nessun Dorma - (Modern) 1:22:17 - 1927 - Gene Austin (probably English) - My Blue Heaven 1:26:03 - 1929 (Adopted 1933) - Horst Wessel Song (National Socialist Anthem) - Sturmfuher Horst Wessel (German) - (Banned in Germany and Austria) 1:28:14 - 1930 - Ravel (French) - Bolero - (Modern) 1:32:56 - 1932 - Fred Astaire (German-Jewish) - Night And Day 1:36:30 - 1935 - Fred Astaire (German-Jewish) - Cheek To Cheek 1:38:19 - 1938 - Prokofiev (Russian) - Dance of the Knights - (Modern) 1:43:44 - 1939 - Lale Anderson (German) - Lili Marlene (original German version) 1:46:58 - 1939 - Judy Garland (Irish, English, Scottish, and French Huguenot) - Somewhere Over The Rainbow 1:48:58 - 1943 - Giuseppe Blanc (Italian) - Fascist Italy Anthem - Giovinezza 1:52:18 - 1944 - Sergei Mikhalkov (Russian) - USSR National Anthem 1:56:02 - 1949 - Anton Karas (Austrian) - The Third Man 2:00:02 - 1954 - Jimmie Rodgers (probably English and German) - In the Jailhouse Now 2:03:21 - 1957 - Elvis Presley (German-Scottish) - All Shook Up 2:05:21 - 1958 - Bobby Darin (Italian) - Mack the Knife 2:08:30 - 1958 - Glenn Miller (possibly English-French) - In The Mood 2:12:06 - 1960 - Elvis Presley (German-Scottish) - It's Now or Never 2:15:22 - 1964 - Roy Orbison (possibly German-English) - Pretty Woman 2:18:19 - 1965 - Frank Sinatra (Italian) - Fly Me To The Moon - (Live at The Kiel Opera House, St Louis) 2:20:57 - 1966 - The Beach Boys - Good Vibrations 2:25:20 - 1969 - The Beatles (Irish and English) - Here Comes the Sun 2:28:07 - 1969 - Mariska Veres (Romani-French-Russian) - Shocking Blue (Dutch band) - Venus 2:31:06 - 1975 - Frank Sinatra (Italian) - My Way 2:33:37 - 1977 - Robin Gibb (English) - Bee-Gees - Night Fever 2:37:07 - 1981 - Stephen Perry (Portuguese) - Journey - Don't Stop Believin' 2:39:10 - 1981 - Joan Jett (Scottish-English) - I Love Rock 'N Roll 2:40:54 - 1983 - Cyndi Lauper (German-Swiss-Italian) - Girls Just Want to Have Fun 2:42:23 - 1985 - Morten Harket (Norwegian) - A-ha - Take on Me 2:43:37 - 1987 - Axl Roses (Scottish-Irish-German) - Guns and Roses - Sweet Child of Mine (Live in Paris) 2:45:21 - 1988 - NWA (African American) - Fuck tha Police 2:48:58 - 1991 - Kurt Cobain (Irish) - Nirvana - Smells Like Teen Spirit 2:51:58 - 1997 - Richard Ashcroft (English) - Bitter Sweet Symphony 2:54:23 - 1999 - Faith Hill (English- French- German- Scottish- Irish- Dutch- Cornish) - Breathe 2:56:33 - 2000 - Jason Wade (probably English) - Lifehouse - Hanging By A Moment 2:58:32 - Adele (English-Welsh) - Rolling in the Deep