Filmmaking for the Silver Screen

I see that film director John Woo will finally produce the English-speaking version of "The Killer." I am a big fan of director Sam Peckinpah and his protégé Walter Hill. I had A.I. build a living tapestry around a postmodern Western folklore using the invasion of the Philippines as the historical backdrop. I wanted the experience to be organic as well as immersive, to add gravitas to make the characters and scenarios come alive. Ich sehe, dass Filmregisseur John Woo endlich die englischsprachige Version von „The Killer“ produzieren wird. Ich bin ein großer Fan von Regisseur Sam Peckinpah und seinem Schützling Walter Hill. Ich hatte K.I. Bauen Sie einen lebendigen Wandteppich rund um eine postmoderne westliche Folklore und nutzen Sie dabei die Invasion der Philippinen als historischen Hintergrund. Ich wollte, dass das Erlebnis sowohl organisch als auch immersiv ist, um den Charakteren und Szenarien mehr Gewicht zu verleihen und sie zum Leben zu erwecken. 映画監督のジョン・ウーがついに英語版『ザ・キラー』を製作するそうですね。 私はサム・ペキンパー監督と彼の弟子ウォルター・ヒルの大ファンです。 私にはA.Iがありました。 フィリピン侵略を歴史的背景として使用し、ポストモダンな西洋の民間伝承を中心に生きたタペストリーを構築します。 私は、没入型であるだけでなく有機的な体験を求め、キャラクターやシナリオに生き生きとした重力を加えたいと考えていました。 #HeroicBloodshed #BalletOfBullets #GunFu

Upon purchasing a new (third) Lumix unit, I put the cinema camera through a battery of tests to burn in the sensor and circuitry before renting the camera out or using it on assignment. I shot in night time conditions using low light and high contrast. Then there was sunlight flaring in the lens followed by high contrast shot with -2 stops shadows and +2 stops highlight. I ran the unit hard with four to five hours of nonstop recording onto Sony Tough SD cards. Color grading may not be ideal but there were many majestic imagery. The source footage is 4K UHD in 10-bit vLOG-L at 23.976 fps. Cinema gear used is listed as follows: Panasonic Lumix 4K BGH1 cinema camera, Fujinon AT series parfocal zoom lens, Canon FD 17mm fish eye lens, Core SWX Nano-VBR98 7.4v Lithium Battery with D-tap. Content is unscripted with little production design. I needed to burn in cameras before taking to the field, and so I would record mundane tasks such as this. #EngineeringSolutions #AerospaceInnovation #ManufacturingPlant

What if "bullet time" existed in reality? === Support my channel? Like my video for more and subscribe to this channel. Buy my merch for me to generate quality content more frequently! https://kittyfoofo0s-magical-emporium.creator-spring.com

Behind-the-scenes for a commercial client in Downtown Los Angeles.

BTS shots for an industrial for client Lavi Industries. https://www.lavi.com/en/about-us

10-page treatment and Look Book was submitted and topped off with this sizzle reel for a feature length live-action love story. More details to come! The soundtrack was remastered using a Zoom F8n field recorder, iZotope RX Post Suite 7, and the Fairlight module of Da Vinci Resolve Studio 18. The lead vocals were split and mastered dry and EQ'ed; the final results were remixed into the instrumentals track. My intention was to put the analog back into digital art, achieve an organic aesthetic.

This visual tone poem was filmed on the Panasonic Lumix BS1H full frame cinema camera. The vintage Canon FD 50mm photography lens was mounted on the Leica T mount via a Novoflex adapter. #PanasonicBS1H #CanonFD50mm #SonyTough Dieses visuelle Tongedicht wurde mit der Vollformat-Kinokamera Panasonic Lumix BS1H gefilmt. Das Vintage-Fotoobjektiv Canon FD 50 mm wurde über einen Novoflex-Adapter an der Leica T-Fassung montiert. この視覚的な音詩は、Panasonic Lumix BS1H フルフレーム シネマ カメラで撮影されました。 ビンテージの Canon FD 50mm 写真レンズは、Novoflex アダプターを介して Leica T マウントに取り付けられました。 The camera rig was mounted on a 100mm bowl #HiHat. Location audio was recorded with #BuiltInMic. All footage was recorded in high-speed slow-motion in #vLogL.

This visual tone poem was filmed on a Canon 5D Mark 2 that I purchased back in 2012. I am using a Carl Zeiss CP.2 85mm cinema prime lens. The open source software is the Magic Lantern created by Trammel Hudson. #EmpoweredBySFLC #ReverseEngineering by EFF #MagicLantern Dieses visuelle Tongedicht wurde mit einer Canon 5D Mark 2 gefilmt, die ich 2012 gekauft habe. Ich verwende ein Carl Zeiss CP.2 85-mm-Cinema-Prime-Objektiv. Die Open-Source-Software ist Magic Lantern von Trammel Hudson. この視覚的な音の詩は、2012 年に購入した Canon 5D Mark 2 で撮影されました。私は Carl Zeiss CP.2 85mm シネマ プライム レンズを使用しています。 オープンソース ソフトウェアは、Trammel Hudson によって作成された Magic Lantern です。 Color and Film Grain by #DaVinciResolve. CP.2 lens by #CarlZeiss. Location audio recorded with #BuiltInMic. The DSLR was mounted on a #ManfrottoMonopod at all times.

This is what it takes to film a hot race track. The crashes were not staged by professional stunt persons. There is no additional protection for the camera operator except a tire barrier and cement wall.

This is the Hollyland Mars M1 transmitting a 4K signal over the air from a gimbal camera to a large screen monitor.

This is a Redrock MicroRemote installed on the Panasonic BS1H full frame camera mounted on the Zhiyun Tech gimbal.

My buddy DJ Jay Goodwill sends me a surprise gift ... a K-3!!

This is a series of POV shots with Man's Best Friend running along an ICEtrike recumbent bike.