Praveen Mohan - Hindu Temples

Instagram :- https://instagram.com/praveenET Twitter :- https://twitter.com/IamPraveenMohan Email id :- phenomenaltravelvideos@gmail.com This is my PayPal account if you would like to support me :- https://paypal.me/hindutvawadi 0:00 - Out of place Artifact 1:11 - The Buried Lingam 1:38 - A Perfect Cylinder 2:31 - Machine Made Lingam 3:21 - Is This Possible Today? 5:49 - Conclusion Hey guys, this is an ancient site called Warangal Fort and you are looking at some of the most amazing carvings to your left and right, carved at least 800 years ago. But your eyes are naturally attracted to what's in the center, and you realize that this cylinder is completely out of place. Now, why do you feel this way, why do you think this lingam is an Out of place artifact? Because your brain instantly and intuitively knows that this lingam could not have been made without machines. This is why it looks so odd. All these brilliant carvings around this, can be made with simple tools like chisels and hammers, but this cylinder cannot be made with primitive tools, such a perfect cylinder can be made only with high tech machines. This is not where it was originally found. Archeologists unearthed this lingam which was buried for many centuries and placed it on this pedestal which is carved with simple tools. While digging up this lingam, these scratches were made on it, and examining this lingam using precision tools revealed something shocking. It is a perfect cylinder with no visible tool marks at all. How was such precision achieved in ancient times? Look at the level of finishing, I can use the top of the lingam as a mirror. I am not going to use this priceless piece for demonstration, but I will pick something less polished instead. How about this pillar on the same site, the finishing doesn't look as great as the lingam, but when I pour water, you should be able to see my reflection. Imagine how fantastic this would work on the lingam. And Lingams are almost always placed facing east, so imagine how it would look when the first sun rays fall on it. Now the real problem is in finding out how ancient builders made this lingam 800 years ago. Is it possible that they chiseled it into a crude cylinder, and then polished it manually with simple abrasives such as sand, to achieve this level of perfection? But experts who examined this lingam with precision instruments point out to something extraordinary. The roundness or concentricity of the cylinder, the lack of taper, and the straightness of the cylinder, were so perfect, that they concluded it cannot be achieved with hand tools at all. Such precision can be achieved only with machines. Now, let me ask you a question, can we make a perfect cylinder today, with simple tools? Forget that this lingam is made of black basalt, a very hard rock. Imagine this is as soft as clay. Can we make a perfect cylinder using clay, simply by shaping it with hand tools? Engineers confirm that making a perfect cylinder is impossible unless we use a rotating mechanism, at least as primitive as a potter's wheel. The only way, even to make a clay cylinder is to place it on a rotating wheel. So, we can be sure that this cylinder, was not made by chisels, but a rotating mechanism was definitely involved. Now, the natural question is, did ancient builders place this lingam on a potter's wheel and rotate it manually, and make it into a perfect cylinder? We are going to forget that this rock is very hard, and we are also going to forget that we would need a harder tool like steel or diamond to work on it. Let us simply assume that the ancient builders did have steel or diamond tipped tools. We are only going to focus, if we can recreate this cylinder today, by manually rotating it on a potter's wheel. Human beings cannot turn a wheel for more than a maximum speed of 150 rpm, if we place a rock of this size and make a wheel accordingly. But engineers confirm, that if such a slow speed was employed, the cylinder would be full of circular tool marks, and would look nothing like this lingam. To achieve this level of perfection, the cylinder would have to be rotated at a minimum speed of 2000 rpm, which is 13 times faster than what is humanly possible. So, it is impossible to create something like this without using advanced technology. This leaves us with only one question: what kind of machines did ancient builders use? Perhaps the mystery can solved by looking at this strange symbol, carved on the lingam itself. Please share this amazing ancient artifact with your friends, I am Praveen Mohan. Thanks a lot for watching. Don't forget to subscribe and also click on the bell button to get all the updates. Please give this video a thumbs up and I will talk to you soon. #Ancienttechnology #India #Disclosure

Instagram :- https://instagram.com/praveenET Twitter :- https://twitter.com/IamPraveenMohan Email id :- phenomenaltravelvideos@gmail.com This is my PayPal account if you would like to support me :- https://paypal.me/hindutvawadi 0:00 - Abandoned Underground Temple 0:57 - Main Chamber 1:28 - Crystal Skull 2:36 - Inside the Main Chamber 3:09 - Holes on the Walls 4:12 - Cymatic Pattern on the Ceiling 4:37 - Strange Radiations 5:09 - Temple of Skull God 6:14 - Crystal Skulls around the World 6:59 - Conclusion Hey guys, today we are going into the remote parts of a place called Warangal, to find the temple of the crystal skull. This is a small road , and there are no houses around, and suddenly in the middle of nowhere, a temple appears below the ground level. As you can see, this temple has been abandoned and has seen some serious damage, and the entire temple is actually built in the underground. I am gonna go inside and show you what the temple looks like. But as soon as I enter, I realized that there is no solid floor, you can see dirt that's piling up everywhere on the ground. There should be a flooring that's made of rocks underneath the ground, but there is something very interesting inside the main chamber. There is a white light shining inside, looks like someone is holding a small lamp, but there is no body inside and this is not a lamp. You will see why you see this light when we reach there, but let me go outside and enter the temple through the proper entrance, so you can see all the pillars and everything. This temple is not on Google maps and the archeology department gives no information about it. But locals tell a very strange story about this temple. They believe that this temple had a crystal skull inside the main chamber, which had supernatural abilities. Around the world, people have found many crystal skulls in ancient sites, these crystal skulls were even featured in a movie called Indiana Jones. There are a lot of people who believe in the power of crystal skulls and several scientists have also debunked these crystal skulls as hoaxes. But it is strange that these villagers in this remote area, who have never watched Hollywood movies or documentaries, most of them don't even have a TV, are telling a story similar to Crystal Skull believers. In fact, the story is better than what we have already heard. Okay, we are going inside the main chamber, but you can see a lot of wasp nests on the walls here - Indian bees and wasps can be deadly, so I am not gonna touch the walls, and enter carefully. Now we are inside the spot where the crystal skull would have once stood. And what is this bright light? Someone has placed a small piece of glass in the middle, in place of a large crystal skull. There are a series of holes in the ceiling, and light shines through these holes throughout the day, which makes this small piece of glass shine like a light bulb. We can only imagine how fantastic this would have been, when it housed a crystal skull, many centuries ago. #Ancientaliens #India #Crystalskull

Instagram :- https://instagram.com/praveenET Twitter :- https://twitter.com/IamPraveenMohan Email id :- phenomenaltravelvideos@gmail.com This is my PayPal account if you would like to support me :- https://paypal.me/hindutvawadi 0:00 - Artificial Rock 0:56 - AAC Blocks 1:38 - 800 Years Old Artificial Bricks 1:59 - WHY Did they make these? 4:07 - Survived An Earthquake 5:47 - Miniature Model 6:31 - Sandbox Technology 7:20 - Conclusion Hey guys, this is a rock taken from an 800 year old temple in India, and it has some strange properties. When dropped in water, it doesn't sink like normal rocks, it floats. There are some rocks which naturally float in water, like Pumice but this rock you see here, is not a natural formation. In fact this is not a rock, it is a brick, made by heating a mixture of mud and other materials to a 1000 degree Celsius, and was made into a lightweight block. During my recent exploration I met 2 guys, Dinesh who is an architect and Arvind who researches ancient sites. They explained that we use the same technology today, these blocks are called ACC or AAC blocks. AAC stands for Autoclaved Aerated Concrete - and is made by injecting foam into concrete which makes the block lightweight. These blocks when dropped in water, also float just like the ancient brick we saw. If we look at the Wikipedia page, it shows that AAC was invented in mid-1920s, just 100 years ago. However, we can see that this technology was in use 800 years ago in India. Now, we don't know what the ancient builders used to make the bricks float, and I could not get a sample of this brick to examine the ingredients. Since we don't know how it was created, let's move on to Why these bricks were created. I mean, what could possibly be the use of creating such lightweight bricks in Ancient India. This brick was taken from a temple called Ramappa temple, so I decided to go to the temple and find out why these light weight bricks were used. You can see that this is a fabulous temple, the bottom portion is made of sandstone, which stands to a height of more than 25 feet, but there is a huge tower on top which is completely made of these floating bricks. It has now been covered with plaster of Paris by the archeology department. Why did ancient builders decide to create and use lightweight bricks for the tower? Why do we use AAC blocks today? Modern Engineers recommend the use of lightweight blocks in buildings to make them earthquake proof. Structures built with heavy materials become rigid and are less flexible when earthquake occurs. When an earthquake happens, the building can sway horizontally or vertically and if the building is too rigid, it will start cracking and begin to collapse. On the other hand, light weight blocks like these floating Bricks, have these holes and are half the weight of regular bricks - these can make the structure more flexible to ground movement. If we make a building with these floating bricks, the building will swing and sway along with the ground, and will not collapse. This is exactly why, these floating bricks were used on the tower, to make it earthquake proof. #Ancienttechnology #Hinduism #India

Instagram :- https://instagram.com/praveenET Twitter :- https://twitter.com/IamPraveenMohan Email id :- phenomenaltravelvideos@gmail.com This is my PayPal account if you would like to support me :- https://paypal.me/hindutvawadi 0:00 - Illusion at the Entrance 1:12 - Illusion in the Columns 2:16 - Precious Stones 3:34 - Aerial View 4:22 - Peculiar Properties of White Marble 4:58 - Stone Inlays 5:47 - Missing Flowers 6:25 - White Marble Designs 7:18 - Conclusion Hey guys, today let's take a look at why Taj Mahal is loved so much by everyone. In this video, I am going to show you a series of tricks and illusions used by the architects to make you fall in love with this amazing structure. The very first time you look at Taj Mahal, it will simply blow your mind. This is because the builders use an optical illusion to trick your mind. When you first enter through the main entrance, you see the Taj Mahal through an arch and everything else is dark around it. This makes your eyes focus fully on Taj Mahal, and the beauty of Taj Mahal completely engulfs you. But the illusion gets even better, if you walk towards the Taj Mahal, it will become smaller and smaller. And if you step back and walk away from the Taj Mahal, it will appear to get bigger and bigger. This is a fascinating illusion, but this is just the beginning. Let's take a closer look at the Taj Mahal and you begin to see columns which are made of many sides. Let's examine this column - you can see that it has a total of 6 sides with zigzag lines painted all over it. But does it really consist of 6 sides? If you examine this closely you will figure out that these are not 2 sides, but one, this is a flat piece. The entire column consists of just 4 sides, but the lines are painted in such a way that it appears to have more sides. An actual optical illusion, to trick your brain into thinking that the structure is more complex that it actually is. Even if you zoom in completely, and look at it for several minutes, you don't understand this unless you feel the sides, this is not easy to understand. But look at these lines carefully and you can see something very interesting. These are not painted, they are stones embedded on top of white marble. In fact, there is not even a trace of paint on Taj Mahal, all these designs, these flowers and even the writings all over the walls are made of made of precious and semi-precious stones which are carefully glued on top of white marble. And these stones have a weird property. They gleam when light shines on it. If you take a flash light, and shine it on these stones, they will glow like light bulbs. I have shown you the secret view into the bathroom of Queen Mumtaj, which uses mirrors instead of stones and the visual effect is amazing. The Taj Mahal employs stones of various colors and this creates a gleaming effect on these designs, during sunlight and even moonlight. This makes visitors wonder why certain paintings are glowing on Taj Mahal which is made completely out of white marble. But is the Taj Mahal made completely out of white marble? Actually it is not, if you look at the aerial view, it shows that red sandstone has been used on the top. But this is not visible for anyone who is on the ground. The Taj Mahal doesn't look that impressive when you see it from the air, because of the red sandstone which is native to the land, but the architects knew that people who view the taj mahal from the ground level cannot see this. A clever architectural trick, which makes you think that the Taj Mahal is made completely out of white marble. The white marble structure has some peculiar properties. Like a Chameleon, it changes color according to the time of the day. It looks slightly pinkish in the morning, and takes on a weird transparent shade on foggy days, appears white throughout the day, and looks golden in moon light. This is one of the reasons why Taj Mahal is revisited by many tourists, it gets more than 7 million visitors every year. Now, let's take a look at the stone inlays here - Here you can see this yellow branch going under the dark green one and coming out on top. These are individual yellow stones placed around the dark green stone. Everything is set at the same level on white marble, nothing goes underneath or over anything. Not just the flowers, leaves and fruits, but even these curvy stems are semi-precious stones, cut and placed, with such precision that you don't see any joints at all. This is the Brilliance behind this artwork to makes it look realistic. #TajMahal #Mystery #India

Vishnu's Vimana - Megalithic Aircraft Model At Hampi? This is my PayPal account if you would like to support me - https://paypal.me/hindutvawadi 00:00 - Lord Vishnu's Aircraft 00:57 - A Perfect Balance 01:09 - Natural or Who made? 02:18 - A Weird Helicopter 02:47 - Unsolved Questions 04:04 - Secret Hidden Information 04:46 - Conclusion Hey guys, let's take a look at this megalithic structure called Vishnu's Vimana. This is located on top of a hill in Hampi and at first sight it looks strangely similar to a modern day helicopter. This is exactly how the locals named it a thousand years ago, it is called Vishnu's Vimana which means the aircraft of Lord Vishnu. You can see that it is massive, standing nearly 12 feet tall and about 14 feet wide, but is not made of one single rock. The huge centerpiece has been balanced using several smaller rocks underneath. There are two rocks placed on top of the center piece as well, and here is the weird part: if you remove any one rock from this structure, the entire structure will crumble down, because its center of gravity will change. Now the question is, is this a natural formation or was it created during ancient times? While locals argue that ancient builders created it as a model of a vimana or an aircraft, geologists say that this is a natural formation. But there are several clues which prove that this is not a natural formation. On the bottom, we can see the carving of a circle, with radiating lines all around the circumference, like the blades of a fan. This is clearly a carving, and not a natural occurrence. And there are drag marks nearby, indicating that these rocks were dragged uphill and put together. These drag marks are never seen near natural formations. But there is yet another massive clue which clearly proves that this structure is not a natural formation. Just a few hundred feet away, there is another megalithic structure which also looks like a helicopter. Is it possible that nature made 2 aircraft like structures next to each other on top of the same hill? That would be impossible! So, we know that these structures are not natural formations, and were in fact created by ancient builders. But how could such a structure be built without advanced technology? This is all made of granite and weighs about 100 tons. How was the massive rock in the center lifted and placed on smaller rocks at the bottom to achieve a perfect balance? Today, we use sophisticated technology like cranes, but how was this achieved thousands of years ago? And the most important question is WHY? Why did ancient builders decide to drag huge rocks weighing many tons to the top of this hill? Why were they balanced on slopes of a hilltop to look like an aircraft, ready for takeoff? Remember I showed you Krishna's butter ball, which is balanced on an extremely slippery slope in the ancient site of Mahabalipuram. Why are all these impossible stone structures named after Gods, and why do we always see ancient temples around them? The Vishnu's Vimana is also located right next to a temple. On top of the temple is an uneven rock, and an aerodynamic tower has then been placed on it. Here is yet another tower built on a boulder, the only difference is that it is painted white. These temple towers emerging out of these boulders are also called Vimanas. One thing is clear, there is some kind of advanced information hidden in all these megalithic structures, but we don't know how to decode them. Please let me know what you think about these structures in the comments section, I am Praveen Mohan, thanks a lot for watching. Don't forget to subscribe and also click on the bell button to get all the updates. Like and share this video with your friends and I will talk to you soon. Bye!

Secret UNDERGROUND Zone of Taj Mahal - What's inside? This is my PayPal account if you would like to support me - https://paypal.me/hindutvawadi 0:00 - Underground Passage 0:42 - Another Mysterious Passage 1:06 - Secret Basement 2:06 - The Hidden Truth 2:55 - Entrance to the Mysterious Zone 4:11 - Irrelevant Explanation 5:44 - A Modified Mahal 7:28 - Aerial View 8:01 - The Hidden Temple 9:04 - Underground Passage locked from Inside 10:47 - What is Happening? 11:13 - What's Inside? 11:44 - Intriguing Pillars 13:02 - Proof for an ancient Underground Structure 13:36 - Conclusion Hey guys, I am at the Taj Mahal, and here we can see a mysterious passage on the floor that goes directly underground. Now, if we take a closer look, it is not only locked with meshed metal doors, but if you look inside the doors, it has been covered with wooden boards. This not only means that you are not allowed to enter this passage, but you are also not even allowed to see what's inside. Where is this underground passage going? This is located just outside the main structure of Taj Mahal, but if we walk inside the Taj Mahal, you can see yet another massive passage that goes underground. This is also locked, but there is a sign that says don't stop here or take pictures of this closed passage. Why should a sealed passage, not be photographed? Does Taj Mahal really have a secret basement underneath? Authorities reluctantly accept that Taj Mahal does have an underground area and they say that there is a chamber which contains the tombs of King Shah Jahan and his wife Mumtaz. But at ground level, we can also see two more tombs which are also the tombs of the same King and Queen. Why would any dead person need two tombs, one at ground level and other in the underground? They say that the underground chamber and tombs are also made of white marble, just like the rest of the Taj Mahal, which is entirely made of white marble. But is the Taj Mahal, made completely out of white marble? To understand the truth, let's go to a side where visitors never go. We have to go into the nearby river, and then observe what's going on. You can see that it has a huge base which is not made of white marble, but is made of red sandstone. In fact all the structures surrounding the Taj Mahal are made of red sandstone. This is best visible from the river side. Remember the underground passage which was sealed off in plain sight? This is also located on the river side - The passage is clearly made of red sandstone, but look at the material on the floor, this is also red sandstone. On the river side, there is something very interesting hiding in plain sight - Did you notice this strange rectangle on the basement? This is one of the entrances that directly leads into the underground zone of Taj Mahal. How do we know this? Because an American Architect by the name of Marvin Mills took clear pictures of this in 1974, and it had wooden doors, but was locked, so he couldn't see what was inside. He took a small piece of wood from the door and sent it for radio carbon dating and the result showed that the wood pre-dates Taj Mahal by at least 250 years. Immediately after this information hit the newspapers, authorities removed the wooden door and sealed it off with bricks and plaster, which is why it appears in a different color now. Why is the government repeatedly sealing off all the entrances leading to the underground zone of Taj Mahal? Read the full story here: https://goo.gl/QM7dKH #India #TajMahal #Underground

World's Largest Ancient Statue at Shravanabelagola - Built with Machines? This is my PayPal account if you would like to support me - https://paypal.me/hindutvawadi 00:00 - Largest Monolithic Statue 00:55 - Completely different Material 02:09 - How did they MOVE? 02:59 - Perfect Symmetry 03:25 - Accurate Details 05:29 - Mysterious Carvings with Advanced Tools 07:14 - 0% Corrosion. HOW? 08:00 - Science behind Superstition 09:23 - Magnetic Levitation 11:00 - Conclusion Hey guys, today we are gonna explore the mystery of the largest monolithic statue in the world. This ancient structure, called Gommateshwara was built more than a thousand years ago and is made of one solid rock. How was it created at a time when historians claim there was no advanced technology? Is it possible to move such a huge structure to the top of a hill, with just primitive tools and techniques? This statue stands about 57 feet tall, nearly 40 feet wide at the base and weighs more than one thousand tons. This is a whopping 2 million pounds of solid rock. So, the question is: How was it transported to the top of this hill which is more than 400 feet from the ground? Experts are not able to answer this question, but some have speculated that the stone was available on the hill itself. Even better, if this rock was already in place, then sculptors would have to simply carve the statue, since there is no transportation involved. Is it possible that this rock was naturally in place, before this statue was carved? No, experts confirm that this statue is made of white granite, a material that is completely different from the rest of the rocks on the hill. In fact, there is no white granite anywhere on the hill or even in the surrounding area. You can see the sharp contrast in color between the statue and the rest of the rocks which make up the temple. So, the only possibility is that this statue or an entire slab was transported from ground level to the top of the hill. Let us assume that they moved the statue, and not an unfinished slab, because the unfinished rock would weigh nearly twice as much as the carved statue. Some historians have argued that elephants were used to move this statue to the top. Now, an elephant can lift a maximum weight of 660 pounds. This would require a total of 3000 elephants to move the statue, but how do you even put 3000 elephants in a row, and tether them to a 57 feet long object? Since this is not possible, how else was the statue moved to the top? Perhaps we can find some clue by examining the statue closer. The statue is famous for something very interesting, it has no human errors at all. If you draw a line in the middle, it is perfectly symmetric, throughout the entire height of 57 feet. Is such a symmetry possible without the help of machines? Granted, India is the land of sculptures, and we can find millions of amazing carvings, more than any other country in the world. But this statue is quite different. Because of its enormous size, it has to show even the minute details. For example, you can see this groove between his nose and lips. All human beings have this groove, however most sculptures do not show this feature. Even the statue of liberty does not have this feature. But it is carved on this 1000 year old statue. These features are not visible to the naked eye, they are only visible if you zoom in with your camera. And it shows something truly extraordinary - several, intentional cuts and scratches carved on his face. This is not a result of corrosion, I will show you corrosion in a minute. Why were these scratches made? Because this statue represents Bahubali, a prince who fought his own brother. Ancient texts mention that both brothers were badly bruised in a fight, just before Bahubali started his meditation in this standing posture. Why did ancient builders create even the smallest details, even though historians claim ancient people could not see these bruises with their naked eyes? Look at the little patches of flesh on the corners of the eyes, you will never see these anywhere, these are extremely minute details which have been carved to perfection. & If you visit this site, zoom in on these leaves, the veins on these leaves are unbelievable, just like real leaves. Can details like these be carved in perfect symmetry with human hands, or were ancient builders using machines for carving, just like modern human beings? Read more here: https://goo.gl/p6nRyB #India #Search4Truth #Jainism

Mysterious Handbag of SHIVA Spotted - What's INSIDE? This is my PayPal account if you would like to support me - https://paypal.me/hindutvawadi 00:00 - Mysterious Bag 01:04 - Lord Shiva 01:58 - Handbags around the World 02:15 - Historian's View 03:05 - The Indian Bags 04:24 - Are they Batteries? 04:59 - Conclusion Hey guys, here is a thousand year old carving in the ancient temple of Gangaikonda Cholapuram and here you can see something very strange - A handbag hanging on a tree. Carvings of handbags are found in many ancient sites around the world, but this is the first time it has ever been spotted in India. This temple is estimated to be built around 1025 A.D which is a thousand years ago. In this video, let us examine who this person is, why is the bag hanging from a tree branch and most importantly, what's inside this mysterious bag. But, this is the first question we must ask ourselves: Is it possible that this is just a simple handbag which was used to hold ordinary objects? Does the carving below, show an ancient man, using a handbag just like what we do today? The answer is no. Because the carving does not show a human being, but Lord Shiva who is considered the supreme God in Hinduism. This is clear when you see the characteristic features like the little demon below his feet and a snake in his arm. Many depictions of Shiva show the exact same features - the little demon and the snake, confirming that this is in fact, Lord Shiva. According to many religious experts, Shiva is the first God and all other gods arrived on earth, after him. Around the world, there are many deities carved with the same handbag. The Sumerian Gods have it, the site of Gobekli tepe has the same carving, and they have also been found in New Zealand and Central America. Experts don't know what was inside these handbags and they do not want to agree that handbags existed many thousand years ago. Why is this? Because historians and archeologists claim that all these Gods are fictional characters who did not use physical items like handbags. So, they come up with some abstract, philosophical explanation. They explain that the strap of the bag, which looks like a semi-circle, represents the hemisphere of the sky and the solid, flat base represents the earth. Therefore, they say that the Gods are shown holding the symbol of heavenly and earthly powers. But these "experts" would not have expected us to find a carving like this in India. It is not shown in the hands of Shiva, but hanging from a tree branch. This clearly proves that this was not a mere symbol, but an actual handbag which contained something very important. But there is another surprising clue in the same carving. You can pause the video if you want and try to find out what it is. The carving shows not one handbag, but two. On the other side of the tree, another handbag is shown hanging, but you can only see the strap. The rest of the bag is not seen because it is behind Lord Shiva's dreadlocks. This clearly proves that these bags were not just symbols, because symbols are always shown in full, in order to be understood. This was an actual handbag, a physical object, which is why it is shown partially. So, what would Lord Shiva, the God of unlimited power, carry with him at all times? And why were these bags hanged on a tree, why did he not just place them on the ground? Have you ever noticed why we never place batteries on the ground? Almost always, we use a non-conductor like wood or plastic before placing batteries on ground. It is common knowledge not to place batteries on ground because it tends to drain rather quickly, and if there is a leak, you will lose all power instantly because of its contact with earth. Did ancient Gods use portable power supplies? Is this handbag, a high powered battery which was used for machining technology and other scientific purposes. Is this why we can see many carvings of gods holding a battery in one hand, and a machining tool in the other? In my videos, I have not only shown you evidence of machining technology but also a 4000 year old battery used in India. Are all these evidences just coincidences, or is Shiva, the most powerful God, shown here using an actual power source? Please let me know your thoughts in the comments section. I am Praveen Mohan, Thanks a lot for watching, don't forget to subscribe and also click on the bell button to get all the updates. Like and share this video with your friends, and I will talk to you soon. Bye. Read here: https://goo.gl/hfS3eS #Hinduism #India #Ancientaliens

This is my PayPal account if you would like to support me - https://paypal.me/hindutvawadi 0:00 - Ancient Astronauts 1:24 - The Main Character 2:50 - Proof from Ancient Texts 3:44 - Devas are Astronauts 4:26 - Conclusion Hey guys, this is the Hoysaleswara Temple at Halebidu and here we can see a very strange carving: these figures look very similar to modern day astronauts. They are wearing helmets which cover their heads completely, and you can see that each person is wearing protective gloves in his hands, notice the cuffs of the gloves. If you observe closely, we can even see some of them have wires that go from one side of the helmet and hooked up to a spherical device at the back of the helmet. If you compare this carving with modern day astronauts, the similarity is uncanny. Yet, these carvings were created at least 900 years ago, some even say this temple was built many thousands of years ago. The question is, does this carving actually show astronauts, or does it depict something else? I have asked several Historians and Archeologists about this carving and they tell me that till date, nobody has been able to decode this carving. Why? The reason is, Foreign Invaders have destroyed the top part of this carving, specifically this particular figure who is the main character in this carving. If you observe carefully, this figure is seated on a throne, and the astronauts are on the floor begging him. The crouched positions and hand gestures of the astronauts confirm this, but until we identify the central figure, we cannot determine what's going on. So, let's observe this carving very carefully, and see if we can find out who he is, for the very first time. On his shoulder, we can see the outline of a circular weapon called Chakra, which belongs to Lord Vishnu. You can see a female figure sitting on his lap, and Vishnu is often portrayed with his wife Lakshmi on his lap. This is definitely Lord Vishnu, because his throne is shaped in the form of a lotus flower, and Vishnu is the God usually depicted on lotus flowers. I wonder why no one observed these clues to find the answer until now. So, now that we know that this is Vishnu, let's try to decode who these astronauts are. In the ancient Indian texts, this scene is clearly described. There are two groups of deities at war with each other: Devas and Asuras. The Devas are unable to defeat the Asuras, so they travel to a planet called Vishnulokha, and beg Lord Vishnu to help them. This carving perfectly fits the scenario of Devas begging Vishnu for help. Today historians tell us that all these stories are just mythology - Devas traveling to other planets thousands of years ago, that would be impossible because there was no technology for space travel at that time. But this carving shows that such a scenario actually happened: Because, it shows Devas as astronauts with helmets, wires and gloves, just like modern day astronauts. What's even more interesting, the Devas are carved without these astronaut suits when they are on earth. They are depicted with helmets, wires and gloves only when they traveled to the other planet called Vishnulokha. If space travel was not possible in ancient times, how can we explain sculptors carving the Devas with remarkable similarity to modern day astronauts? So, what do you think? Were Indian Gods real? Or were they merely fictional characters as Historians claim? Please let me know your thoughts in the comments section, I am Praveen Mohan. Thanks a lot for watching, don't forget to subscribe. Please give it a thumbs up and share this video with your friends, and I will talk to you soon. Bye! Read the full story here: https://goo.gl/ZxfxAY #Ancientaliens #India #Disclosure

This is my PayPal account if you would like to support me - https://paypal.me/hindutvawadi 0:00 - Ancient Egyptian 0:43 - Comparing with Indian Carvings 2:22 - Ancient Civilizations were Connected 3:07 - Ancient Communication Devices 3:23 - WHY An Egyptian in India? 4:02 - Advanced Medical Technology 5:12 - Proof in Ancient Texts 6:11 - Conclusion Hey guys, this is the Hoysaleswara temple and here we can see a very strange carving: an ancient Egyptian. You can see that the clothes he is wearing and the tools he is holding are completely different from all other carvings in this temple. In fact, many historians agree that this is an Egyptian figure but have no idea how it has been carved in India, which is in a totally different continent. Mainstream archeologists say this temple was built about 900 years ago, although locals say it has been in place for many thousand years. If we compare this carving, with carvings of other Indian humans and gods in this temple, it has many distinct features. All Indian figures are shown with no clothes on the upper body, but wearing plenty of ornaments. This figure is the complete opposite, it is shown wearing a long coat but almost no ornaments. Most Indian figures are shown wearing footwear, but this figure is barefoot, just like the ancient Egyptians shown in paintings and carvings. Now, if you look at this Egyptian figure, you can see that beneath the long coat, he is wearing a loincloth, and this is exactly what this carving also shows: A simple loincloth underneath the long coat. Now, if we take a closer look at this figure, we can see that he is wearing a headdress that reaches the shoulders. We know that this is a headdress because we can see his real hair underneath the headdress. And this headdress also looks remarkably similar to the ancient Egyptians, while all Indian figures in the same temple show completely different hairdos. All history books tell us that ancient India was not connected to ancient Egypt, yet we see this Egyptian figure in this temple. How is that possible? Remember, experts are telling us that ancient India was isolated, it was not connected to other countries. Yet, in another video, I have shown you a European carved in the ancient Brihadeeswara temple. All historians repeatedly tell us that India was not connected to Africa, yet I have shown you the carving of a Giraffe in Konark Sun Temple, and Giraffes are only found in Southern Africa. With all these evidences, is it possible that ancient civilizations around the world were connected, just like how we are all connected today? Were they using advanced technology like telescopes and even communication devices? How else can we explain this Egyptian, along with the other carvings found in ancient Indian temples? But the most important question is, why did Egyptians come to India? What was the purpose of their visit? So, I began scanning this temple to see if there were any more of this Egyptian carved amongst thousands of other sculptures. There are two smaller carvings which show the same person. Here he is shown watching Indian musicians and dancers, suggesting that he was a visitor from a royal family, and therefore, was being entertained. But there is another sculpture which shows something remarkable: On the left, there is an Indian man who has a child on his lap. What is strange is that he is using a dumbbell like device on this child, and the Egyptian who is standing nearby is observing this procedure. You can see that the dumbbell like device is placed on the left side of the child's chest, exactly on top of the heart. In modern medical technology, in the last few years, we have developed something called a cardiopump, to give CPR when someone has a cardiac arrest. It must be placed on top of the heart, and it will revive the patient. Are we looking at the exact same technology, carved in ancient times? Ancient Indian texts mention that other civilizations came to India to learn advanced technology, specifically the field of medicine. Massive Universities like Nalanda existed in ancient times and the ruins of these structures still exist today to confirm this. A text called Sushruta Samhita, written at least 2700 years ago talks about advanced surgical operations, and mentions a vast variety of surgical instruments. Carvings of identical surgical instruments are found in ancient Egypt. Carvings in Egypt clearly show this and archeologists have even found remains of these metal surgical tools, proving that surgery was done in ancient Egypt, just like India. #India #Ancientcivilizations #Disclosure

Recreating a 4000 Year Old Battery - Was Electricity Used in Ancient Times? This is my PayPal account if you would like to support me - https://paypal.me/hindutvawadi Hey guys, in this video I am gonna show you the recreation of an electric battery, which was used in Ancient India. This battery was described by a sage called Agastya who lived at least 4000 years ago, and what I am making is according to what's being described in the ancient text called Agastya Samhita. This text, talks about using an earthen pot as a container and using two types of metals: Copper and Zinc. So, this is how the setup looks. If I test this with a voltmeter, you can see there is no voltage so far. Now, the text mentions that sawdust must be put in the container. When we add sawdust in the container, the sawdust goes in between the two metals, and makes sure they don't touch each other, or create a short circuit. If we check the voltage now, we can see that it is already producing 0.4 volts. But the text mentions adding yet another strange material to complete the battery: The neck of a peacock. In the ancient Sanskrit text this material is mentioned as shikhigreeva, which means the neck of a peacock. Many secret cults exist even today, and these people still trying to recreate the battery using the actual neck of a peacock. For example, even this year, 10 peacocks were found dead by strangulation in India, and cops are trying to figure out as to why this is happening. This is because these cults are trying to use the peacocks neck to recreate the ancient Indian battery. But this is a mistake, because all ancient texts, especially those related to alchemy use code words, to confuse the public. Even Isaac Newton mentions using Green Lion, and experts are trying to figure out what he actually meant. In ancient Indian alchemy, the neck of the peacock actually refers to copper sulfate solution. You can see that both of them have the same color. So, I bought copper sulfate, and I have made it into a solution, and as soon as I add this liquid, you can see the voltage rising up dramatically. Here it is showing xx volts. So, you can see that what's mentioned in the ancient text is actually capable of making electricity. Remember, we read in history books that the electric battery was created by a man called Alessandro Volta just 200 years ago, but sage Agastya used this battery at least 4000 years ago. But what's really strange is that Alessandro Volta uses pretty much the same materials for creating the "very first battery". He used copper and zinc plates just like Agastya, and instead of using copper sulfate, he used sulfuric acid. Now, going back to the ancient text, Agastya says, use 100 containers and you can create a very effective force. Here, I have just used 3 of them in series and you can see that the voltage increases to 3 volts or xxx volts. Now, if I connect a small Led bulb, you can see that it glows. This is a very interesting point that the ancient text mentions using the batteries for increasing the voltage. The natural question is "WHY" was this used? Why did ancient people use multiple containers to produce high voltage electricity? Did they use it for lighting purposes, just like modern times? If so, is there any evidence that electric bulbs were used in ancient times? In the Dendera Temple of ancient Egypt, there are strange carvings which show the usage of electric bulbs. These carvings were also created 4000 years ago, and you can see huge electric bulbs with snake like filaments inside. What's even more interesting is that there are wires coming out of these bulbs and going into a box. Did this box, contain Agastya's battery of 100 cells, producing 100 volts to illuminate these bulbs? If this is true, this might explain how ancient structures like Giza Pyramid and Kailasa Temple were constructed in such a short period of time. If we visit the Kailasa temple for example, the chambers inside are so dark, that nothing is visible. Read the full story here: https://goo.gl/8CuFKf #India #Ancienttechnology #Search4Truth

Secret footage of Inverted Golden Temple - Dark Chamber Miracle at Virupaksha, India? This is my PayPal account if you would like to support me - https://paypal.me/hindutvawadi Hey guys, this is the Virupaksha Temple in Hampi built about 1400 years ago, and it has a very mysterious phenomenon happening inside the temple. In one of the dark chambers, we can see an inverted image of the temple tower. Here you can see the shiny golden image of the tower appearing upside down on the wall. If you look carefully, you can see the entire tower with all the details, including the metallic structure on the top of the tower. And what's even more interesting, this image only appears in the afternoons, you cannot see this inverted golden tower in the mornings- It only happens between 2 pm to 6 pm. Exactly on the other side of the chamber, we can see a hole, which is about one foot wide. If you look through this hole, you can see the actual tower of the temple, which is 160 feet tall. Now, How is it possible that we see an upside down image of the tower? Is this image real? Or is it some kind of magic or illusion? Even today, thousands of people visit this temple to view this miraculous sight. My very first suspicion was that the wall was painted with some sort of material that can glow-in-the-dark, like phosphors. This is because in bright light, the wall still shows a dark triangle which appears to have some kind of a paint or may be it is just dirt. So, I asked this gentleman to hold up a cloth, in front of the wall. Which means, if it is really the light coming from the tower through this hole, we should be able to see the image on the cloth as well. But if it is just a trick, the image will not appear on the cloth. But as you can see, the image also appears on the cloth, which means that this in fact the image of the tower using the light that is coming through this hole. Now, the final test is to cover the hole and see if this image will disappear. This will confirm if the light that produces the image actually comes through this particular hole. So, I asked my friend to cover the hole, and once he covers the hole with his hands, you can see that the image disappears on the wall. So the light does in fact come through this particular hole which has no lenses or anything attached. And if you go outside, you can see this hole from the outside, and it is directly pointing to the temple tower. Now there are many posts and videos on the web, claiming this is a supernatural event. No one has explained why we see an inverted image of the tower here. And if this is just a simple case of light shining through, why doesn't it happen in the mornings as well? Why does it only happen in the afternoons? The first point is that what we are observing is called a Camera obscura or a pin hole image. This is a natural optical phenomenon. For example, if you cover all the windows of your house, and make one small hole, the light rays will hit the wall, creating an upside down image of what's outside. This is because the light from the top will hit the bottom, and the light from the bottom will hit the top. This has been demonstrated many times in modern physics. However, this is the oldest known pin hole image in India, which was created 1400 years ago. This is exactly why you see an inverted image of the tower on the wall. Okay, so we see this golden image because of the pin hole effect, but why does it appear only in the afternoons? To understand this, we have to see the tower from the outside. This is the temple tower when we see it from standing outside the temple. I shot this about 4 o clock in the afternoon. You can see that the tower doesn't look golden or shining, but looks rather dim. But if we go inside the temple and see the other side of the same tower, it is shining and looks golden because of the sunlight. This is because the temple is built facing east, and the tower will look dim from the inside during morning hours, because the sun is not shining on the inside face of the tower. The inside tower starts shining only when the sun moves to west, and makes it look golden. If you go to the dark chamber in the morning, you can still see a very faint image of the tower, but it won't look golden. So, now you know why we see the mysterious golden tower upside down at Virupaksha temple. #Darkchamber #India #Mystery

Iron Pillar that never RUSTS - Ancient Secret Revealed? This is my PayPal account if you would like to support me - https://paypal.me/hindutvawadi Hey guys, this is the ancient iron pillar of India. It has many baffling features which have not been explained till date. One of the strangest features is that it has not rusted for more than a thousand years, although we can see some rusting in the recent years. Archeologists confirm that this was created at least 1600 years ago, but it could be much older than that. An iron pillar made such a long time ago should have rusted and completely disintegrated. How was such a pillar made, 1600 years ago, at a time when Historians claim there was no advanced technology? In 2002, scientists studied the iron pillar and realized that it has a strange way of reacting to the atmosphere. Normally, Iron reacts with moisture in the atmosphere or rain and produces Iron oxide, which is called Rust (Fe2O3). This rust is very powerful, it will deteriorate the iron, and eventually destroy the entire structure. For example, if you look at this Nandu bridge in China which is less than 80 years old, it has been completely taken over by rust, making the bridge unusable. But the iron pillar does something very strange. When it comes in contact with moisture or rain, it produces a strange material called Misawite = y-FeOOH) which has not been seen anywhere before. This material actually forms a protective coating over the iron pillar and shields it from damage, and also increases its magnetic property. Now, why does the iron pillar create Misawite instead of Rust or Iron Oxide? What makes this Iron pillar produce such a strange compound that is not seen anywhere else? The iron pillar is actually made of 98% Iron, 1% Phosphorous and the remaining 1% is made of an ancient concoction called Vajra-sanghata. This concoction is clearly explained in ancient Indian texts. The Vajra-sanghata is created by mixing 8 parts of lead, 2 parts of bell metal and 2 parts of calx of brass. So, if you look at the total composition of the iron pillar, it is made of a complex alloy, created in ancient times. Instead of rusting which is Iron Oxide, the phosphorous and Vajra-sanghata make water vapor which is H2O, to convert into Misawite, a compound of Iron, Oxygen and Hydrogen (y-FeOOH). This layer actually protects the pillar from rusting. So, the pillar would accumulate this protective coating over the course of many centuries, making it even more stronger. Now remember I showed you Surang Tila, the temple that withstood a massive earthquake. The stones of this temple were also bound by ancient binding materials, making it last forever. So, you can see that the ancient Indian technology was really advanced in creating structures that stand the test of time. The other intriguing question is this: Who created this pillar? Now, there is an ancient inscription in Sanskrit on this pillar, which only hints at who could have created this structure. The inscription refers to a King called Chandra and mentions that his empire basically extended beyond all the borders of today's India. It also explicitly mentions that his empire covered the southern ocean of India, which refers to the Indian Ocean. All experts think this refers to the King Chandragupta Maurya who lived around 300 B.C. The problem is, that even the most exaggerated versions agree that Chandragupta never reached the Indian ocean, his empire did not touch the southern tip of India. But experts don't know of any other King with the name of Chandra who ruled the entire Indian subcontinent. But there is another King described in ancient texts who is not being considered. He is none other than Rama, the hero of the Indian epic Ramayana. Rama was explicitly mentioned with the suffix Chandra in ancient texts and referred to as Rama'Chandra'. Rama did cross the Indian Ocean in the southernmost point to defeat the King of Srilanka. But there is another startling evidence in the inscription. All experts agree that what you see on the screen is the most accurate, literal translation of the Sanskrit inscription. " He, as if wearied, has abandoned this world, and resorted in actual form to the other world – a place won by the merit of his deeds – (and although) he has departed, he remains on earth through (the memory of his) fame (kīrti)." This inscription clearly mentions that the King who installed the iron pillar, left to another world in actual form, which means he left physically to another world. These words are completely ignored by modern day historians, because they argue that all ancient civilizations were primitive, and could not posses advanced technology like spacecraft. #Ancienttechnology #India #Search4Truth

A 1200 Year Old Vimana - Alien Flying Machine? This is my PayPal account if you like to support me - https://paypal.me/hindutvawadi We are in Ellora caves in India and I am going to show you a Vimana, which is an ancient flying device. You are in for a big surprise because it is completely different from what we think it is. By the end of this video, I hope you will come to a logical conclusion if such a flying device could have ever been used in the past. What is special about this 1200 year old carving? It shows a scene from the Hindu epic Ramayana where Ravana, who was the King of Sri Lanka, is shown as flying in the air. According to the scripture, he uses a flying object called "Pushpaka Vimana". During this flight, he was attacked by a bird called Jatayu, which is also shown in the carving. There is no guess work involved here, because it is all documented in the Hindu epic Ramayana. Now, let us take a closer look at how this flying device looks. Instead of an aircraft like machine, it is shown as a much smaller device which is attached to Ravana's back. Surprisingly, this device looks very similar to a modern day jet pack. How detailed is this carving? First, notice how firmly Ravana is fastened to the Vimana using plenty of straps. In his safety harness, there are 1, 2, 3, 4, 5 and 6 straps. Remarkably, you can even see the main strap going from his waist and being securely hooked on to the Vimana. This is the exact same technique that we use today in a jetpack. If you are flying, you wouldn't want to lose the jetpack in mid-air, would you? You know what would happen if you did. It's just incredible that the so called primitive people carved these 6 straps, over 1200 years ago. Now, there is also a circular object carved on this Vimana, that's very similar to a modern day propeller. You can even see the spinning blades of the propeller. Remember that this is a side view of a scene, which shows only one side of everything. This means that there could have been another propeller on the other side for balance. Again, notice the similarity with the modern day jetpack that uses two rotors on either side. Was this 1200 year old carving created based on an actual working Vimana? Why else would it be so similar to a working jetpack today? Look at this part at the top of a modern day jetpack. It is called a safety roll bar, which is a gear stick like device used for safe landing. Now, look at the top of the Vimana, a very similar device that looks like a gear stick too. Is this all just a coincidence? Were these carvings done based on pure imagination, or did people carve what they really saw? Speaking of creating what you see, let's take a look at how the Pushpaka Vimana is shown in modern day Indian movies and TV shows. You can see how our generation which is more used to commercial and private planes show it as a small aircraft with wings. This is because the directors create these scenes with machines that they are familiar with. Could this be true with this ancient carving as well? Did ancient people see human like figures flying with devices attached to their backs? Did they simply carve what they saw? I say human like figures because Ravana is defined as a "humanoid" with supernatural capabilities. Were these flying humanoids with complex machines, in fact extraterrestrials? This 1200 year old Vimana has almost all the features including a fuel tank, but something very important is missing. For jetpacks or rocket belts to take off from the ground, you need at least two pipes facing downwards that will blow out heat to create a steam powered thrust. This is a crucial piece for a jetpack, so just hold on to that thought that this Vimana does not have that tube or pipe-like extension. Now, you can see a carving of a horse as a part of the Vimana. There is no way it can be a real horse because it cannot be that much smaller than Ravana and Jatayu, and there is no reason why it would be attached to Ravana's back. Moreover, notice that this horse is carved facing the opposite direction of Ravana's flight. What's the secret behind this mysterious horse that makes no sense at all? I am going to read a few lines from a Hindu scripture about this horse or mare that's called Vadavamukha. "This was a lifeless mare with a needle like mouth. It hissed like a snake, breathed fire and spit out hot smoke which blistered human skin". End of passage from the scripture. This must be the answer to the missing piece. This horse after all, is the mechanical device that pumped out the heat and steam needed for the jet pack to take off. Notice its mouth facing downwards and when it breathes fire or steam, the Vimana would be pushed up in the air. #AncientAliens #India #Vimana #KailasaTemple

Kailasa Temple in Ellora Caves - Built with Alien Technology? This is my PayPal account if you like to support me - https://paypal.me/hindutvawadi This is the world famous Kailasa temple at Ellora and let's look objectively into who could have built this amazing structure. By the end of this video, I hope you will agree with me that our history is completely wrong, and that this temple was built by a very advanced civilization. What is so special about this temple? This temple was not constructed by adding stone blocks, but an entire mountain was carved to create this temple. This is the only example in the whole world where a mountain was cut out from the top, to create a structure. In all the other temples and caves, even in Ellora and the rest of the world, the rock was cut from the front and carved as they went along. The whole world has followed a rock cutting technique called "cut-in monolith" while Kailasa temple is the only one that has used the exact opposite technique called "cut-out monolith". To see why this rock cutting technique is so different, let's take a look at this pillar that is over 100 feet tall. See how small human beings look when compared to this pillar. Normally, to create such a huge pillar, it would take years of work, carving accurately on the huge rock. But this pillar was carved by scooping out all the pieces of mountain around it. You can imagine the amount of rock, which has been removed to create this pillar. Historians and archaeologists are confused because of the sheer amount of rock that was removed in this temple. Archaeologists confirm that over 400,000 tons of rock had to be scooped out, which would have taken not years, but centuries of human labor. Historians have no record of such a monstrous task and they think that it was built in less than 18 years. Let us do a simple math and see if historians could be right. I am going to assume that people worked every day for 18 years and for 12 hours straight with no breaks at all. I am going to ignore rainy days, festivals, war time and assume that people worked like robots ceaselessly. I am also going to ignore the time taken to create intricate carvings and complex engineering design and planning and just focus on the removal of rock. If 400,000 tons of rock were removed in 18 years, 22,222 tons of rock had to be removed every year. This means that 60 tons of rock was removed every day, which gives us 5 tons of rock removed every hour. I think we can all agree, that is not even possible today to remove 5 tons of rock from a mountain, every hour. Not even with all the so called advanced machines that we have. So, if it is not humanly possible, was it done by humans at all? Was this created with the help of extraterrestrial intelligence? Now, forget about creating such an extraordinary structure. Can human beings at least destroy this temple? In fact, Aurangzeb a Muslim king employed a thousand workers to completely demolish this temple. In 1682, he ordered that that the temple be destroyed, so that there would be no trace of it. Records show that a 1000 people worked for 3 years, and they could only do a very minimal damage. They could break and disfigure a few statues here and there, but they realized it is just not possible to completely destroy this temple. Aurangzeb finally gave up on this impossible task. Note that this attempted destruction is very similar to another mysterious structure called The Menkaure's pyramid in Egypt. Another Muslim ruler wanted all the pyramids to be destroyed, and started his work from the Menkaure's pyramid. After years of trying, he was only able to make a small dent on the pyramid. He gave up too. Were all these indestructible structures around the world created by extraterrestrials? Is that why human beings are not even able to destroy them? In fact, archaeologists agree that Kailasa temple was created before any other temple in the Ellora cave complex. Could this have been built centuries before human beings started carving other temples nearby? Is this why the architecture, the design, and the size is so much better and bigger than other temples? If it was built by humans, it is logical to expect that the rock cutting techniques and design would become better over time. People would gain more experience and knowledge and make better structures in the future. However, the Kailasa temple is the oldest and the biggest temple carved with engineering perfection. Unlike other temples, the Kailasa is the only temple that is visible from the air. Out of 34 temples, all carved side by side, Kailasa stands out and you can see it while flying over it. Is this just a coincidence? Or was it designed for people to see it from the air, like Nazca lines of Peru? #India #AncientAliens #KailasaTemple

This is my PayPal account if you like to support me - https://paypal.me/hindutvawadi We are at Mahabalipuram in India, and let's take a look at this mysterious giant rock called Krishna's butter ball. The specialty of this rock, is that it stands on an extremely small base, less than 2 square feet area on a slippery hill. It is a miracle that it is able to stand like that. Just imagine what would happen if you place a ball on a slope. It would roll down right away, but this rock has been in place for at least 1200 years. This granite rock is over 20 feet tall and weighs over 250 tons. With its width almost equal to its height, it looks like a sphere in some angles but is not a perfect sphere. You can see a lot of people sitting under it which gives you an idea of how big it is. Many people think of this rock as a natural formation. However, such a natural formation is impossible because There is no way it could have come to this shape by erosion, flowing water or blowing wind. You can see that the rest of the area is a smooth hill, and is devoid of any other large rocks. So if its not a natural formation who could have put this here? Even in modern days, moving a 250 ton rock uphill would be a very difficult task and require complex equipment like cranes. How was it done 1200 years ago? The base of the rock is somehow firmly "glued" to the hill below. In fact in 1908, Arthur Lawley who was the Governor of Madras, thought that this rock was too dangerous and would slide off the hill anytime. So, he ordered that the rock be pushed down. Seven elephants were used in tandem to push the rock down. But the rock didn't even move an inch! The Governor finally gave up on this impossible task! We know that an elephant can push or pull 6 tons. That is a pushing power of 42 tons for 7 elephants and the "butter ball" perched on 2 square feet base did not move! Is it clamped underneath? Is there something hidden underneath? Now, here is the more interesting question: If it was impossible to push this rock downhill, how was it pushed up the hill? If it is humanly impossible now, we are left to think about if it was done by humans at all. Could this technical superiority have come from extraterrestrials? Let us take a look at how the rock stands on the hill. The point of contact is less than 2 square feet. Even a layman knows that a wide base is important for a structure to last longer. How does a 250 ton rock stand on less than 2 square feet base? Just imagine if you would be able to construct a 3 story building with no foundation, on a slope, and with a base of 2 square feet. Even though it is popularly known as "Krishna's Butter Ball" in recent times, this was not the original name of the rock. This new name was invented by a tour guide in 1969 who was appointed to show the sculptures of Mahabalipuram to Indira Gandhi, the Prime Minister of India at that time. The original name of this rock is "Vaan Irai Kal". In Tamil language, the native language of the land, it means "Stone of The Sky God". Who is this Sky God who put this Giant rock? Notice how there are no carvings whatsoever on this rock. In fact, this is the only structure in Mahabalipuram which has no carvings at all. It is said that the Pallava King Narasimhavarman gave specific orders that the "rock of the sky god" should never be touched by sculptors. So, the rock must have been there even before the Pallava regime who ruled in 7th Century A.D. It is important to understand about the slippery hill on which the rock stands. This hill looks like it is 30 feet tall. This is not the original height of the hill, because the land level here keeps rising! The sand gets washed in from the nearby sea all the time. This is a ramp nearby, which is less than 5 feet now. Just 10 years ago, this ramp was over 15 feet high, and kids used it as a slide. This hill is slowly being buried at the rate of 1 foot every year. Now, imagine how tall this hill would have been 1200 years ago! It would have been a very tall mountain, over 1000 feet high! How was this monstrous rock placed on such a high altitude? If you compare this rock with other ancient structures, it is bigger and heavier than the monolithic stones of Ollantaytambo in Peru. It is also much bigger than the rocks found in Machu Picchu. Krishna's butter ball is just one of the few reminders of ancient technology in Mahabalipuram. This place has a lot of other mysterious structures. No matter who placed Krishna's Butter Ball here, it will be a reminder that our understanding of history is incomplete. #AncientAliens #India #Search4Truth

This is my PayPal account if you like to support me - https://paypal.me/hindutvawadi We are at Mahabalipuram in India, and I am gonna show you world's second largest bas-relief called "Arjuna's Penance" carved 1300 years ago. This relief is about 96 feet long and 43 feet tall. It's very intriguing because the carving seems to prove the ancient astronaut and shapeshifting reptilian theories of our times. According to the reptilian theory, Reptilians are shape shifting aliens who live underground and are capable of flying and transforming into humans. Sounds like some guy created this bizarre concept in 2001, and is the most ridiculous thing you've ever heard, right? How about everything I just said about the reptilian theory has been carved accurately, 1300 years ago? Let's take a good look at this. The center of attention is clearly on "Two Snake Gods" coming out of the ground, cracking the earth open. They are shown with half human and half snake bodies. Notice that there is a third "God" below the second one, who is not yet transformed and has a snake's body in full. This shows that these Gods transformed into humanoids as they approached the earth's surface. These reptilian "Snake Gods" or "Nagas" have been documented in many ancient Hindu and Buddhist texts. Archaeologists are baffled by this carving, because they cannot come to a conclusion as to what it shows. Some people claim that the primary focus of this is Arjuna doing a penance. Do you think this skinny man carved in an inconspicuous location is the focus of this carving? Even to a lay man, it seems like the rock has been split into two equal halves and the primary focus seems to be on these figures that are coming out of the ground, and taking off vertically into the sky. If it does in fact show that these reptilians are blasting off like modern day rockets, there are a lot of other features that support this theory. You can see a lot of Animals getting rattled because of the blast off. Different species of agitated animals like deer, lions and monkeys are shown. It's only normal that the animals would get uncomfortable when there is a huge lift off nearby. The only exception to this is a brave male elephant standing, only to protect the scared baby elephants between his legs. Now, look at the hand signal on almost every human being. Their hands are all pointing at a 45 degree angle upwards and directly towards the center figures that are taking off. To be honest, I have been to more than 2 dozen ancient sites in India and I have never seen this hand gesture anywhere else. It just doesn't make any sense. Notice that on the top, on either side, there are two men with large helmets giving the same hand signal. With all the commotion going on, there is an elderly man who is calmly observing the astronauts take off. Another interesting thing to be pointed out is that there are no mainstream gods whatsoever in this carving at all. Even Hindu theologists are baffled that there is no Shiva, Vishnu or any other notable God in this relief. And a scene like this is not described anywhere in the thousands of Hindu scriptures that we have. These Nagas of Hindu mythology are very similar to Nachash from Jewish mythology. A Naga is also called Sarpa by Hindus, and is called a seraph by Jews and Christians. Invariably, all scriptures refer to them as flying Gods or angels. There is also a tribe called Nagas who live in the jungles of India. They believe that their serpent Gods originally came from planet Jupiter. Another explanation that Hindu theologists give is that this relief shows the descent of river Ganga, but that does not add up at all. In all Hindu temples, Ganga is always carved as a goddess and never as a river. Also, Ganga is always carved with lord Shiva, her husband. He is nowhere to be seen! So, here are my questions to you: Do you think that these carvings show ancient reptilian Gods blasting off? If not, what else does could be the purpose of the world's second largest relief? Please do comment and let me know your opinion. Also, I am finding a lot more of mysterious stuff like this, so please do subscribe to my channel. Thanks for watching and talk to you soon. Please visit http://www.phenomenalplace.com for more intriguing and interesting places on earth. #Ancientaliens #India #Hinduism

An ancient statue at Kudumiyanmalai temple, raises the eyebrows of all visitors. Is it Shiva or Vishnu? What is that ball tied to his leg? A shocking ancient secret gets revealed. This is my PayPal account if you like to support me - https://paypal.me/hindutvawadi 0:00 - A Combo Carving 0:35 - Polar Opposites together 1:04 - Tricky Forehead 1:52 - Deliberately Destructed Noses 2:27 - Variations in a few Centimeters 2:57 - Beauty in Millimeters 3:32 - WHY A COMBO? 3:59 - Differences between Shiva & Vishnu 5:02 - Temples reflect the personalities 7:48 - The Mysterious Mystery 9:19 - The Controversial Bell 10:55 - Conclusion Hey guys, who is this deity carved in this ancient temple? Look carefully, is he Shiva or is he Vishnu? It is a combination of Shiva and Vishnu in one statue. And if you put a line exactly in the center of the carving, we can see the stunning depiction, because the sculptor has carved everything related to Shiva on the left side, and everything about Vishnu on the other side. And these two gods are polar opposites, right? Shiva is simple, he has bundled his hair at the top. Vishnu however is sophisticated, he is wearing a long, ornate crown or a helmet. Even for tying his hair, Shiva doesn’t buy a hairclip, he uses a snake to tie his hair, but Vishnu’s helmet is adorned with precious stones. The forehead is a very tricky situation, and the sculptor has handled it masterfully. This is Shiva’s third eye, sometimes even called the awakened pineal gland, but you can only see one half of the third eye. What is the other half showing? On the right side, you can see this strange mark. It is actually a half of Urdhva Pundra. What is Urdhva Pundra? It is a sign, people put on the forehead, worn by Vishnu and his followers. This is called Naamam in Tamil, and is still in practice by devotees of Vishnu. The nose, you can see someone has cut off his nose, this is a deliberate act of destruction, you can see many statues of this 1300-year-old temple, their noses were cut off to make them look bad. We don’t know what valuable detail would have been carved on the nose. And some of you may say, Praveen, this is ridiculous, what information can be carved in a nose, it is just a few centimeters long. In my defence, look at the lips. If you focus only one the left side, you will see that Shiva has a somewhat serious face, he is known for his solemn demeanor. But, if you hide the left, and look at the right side, you will realize that Vishnu is smiling joyfully, because he is a happy-go-lucky person. Again, the lips, just a few centimeters long, but it can give us valuable information. If you speak to a plastic surgeon or a cosmetic surgeon, he will tell you the difference between the face of a supermodel and an ugly face is just millimeters. And this is exactly what the sculptor has done here, the sculptor was the cosmetic surgeon here, right? Just by extending the lips a little bit longer, he has shown Vishnu’s cheerful attitude, while Shiva’s lips are shorter, showing a serious face. And why are Shiva and Vishnu shown this way? I have photoshopped this, by mirroring the images on one side, this is roughly how a full-size Vishnu would have looked. And this is how a full-size Shiva statue would have looked. There seems to be some very deep subliminal information hidden in ancient Indian carvings. #AncientTechnology #PraveenMohan #hinduism

In a 1300 year old temple, there are evidences of impossible advanced Technology. We have all heard of Monolithic structures and Megalithic Structures, But here we have 'Mono-Megalithic' Structure. This is my PayPal account if you like to support me - https://paypal.me/hindutvawadi 0:00 - A Rare Combo 2:15 - Strange Inscriptions 2:54 - Outside View 3:25 - Inside The Main Chamber 4:45 - Oldest Musical Inscriptions 5:37 - THE IMPOSSIBLE STONE WORK 7:20 - Micro Details in a Megalith work 8:47 - Monomegalithic Structure 10:59 - Conclusion Hey guys, I found a radical new stone technology in an ancient temple. Please observe carefully: Is this a megalithic structure, meaning is it made of many big stone blocks? Or is it a monolithic temple, meaning is it made of just one rock? Believe it or not, It is a combination, the ancient builders have managed to combine both these construction techniques in this 1300 year old temple. This is the line where the megalithic construction ends and the monolithic architecture begins. It is very rare to see such a sight. You see this line; this is the magical meeting point. On that side of this line, you can see giant rocks added to build a structure, the technique of adding, the temple is made of multiple stone blocks, that is megalithic. On this side of the line, you can see tons of rock scooped out, the technique of removing was used to create a structure, this side is monolithic. And both these construction techniques meet in this line. I have shown you giant monolithic structures like the Kailasa Temple, I have also shown you many megalithic temples. But to see both of them together used in the one single temple, this is extraordinary, I have never seen it before, and I don’t think anybody has found this detail, because ancient builders have combined them so smoothly. Only when you look at the beams and pillars, you start realizing the differences. This side, they are made of giant blocks of stone, you can see the joints. But look at this pillar, it has no joints, because it was made by removing the rock around it. When I look at the writings here, again I can see something very strange. There are 2 ancient languages, Sanskrit and Tamil, combined in these inscriptions. You can see 2 scripts, side by side. This is a very strange combination because these two ancient languages are said to have completely different origins and experts claim that they did not coexist in ancient times, but here, you can see them used together 1,300 years ago. Of course, you may wonder, how did they put such a giant single stone block here, obviously they cannot move such a giant stone block and put it here, I don’t think. This is part of a hill, I will show you how it looks from the outside, and you can see that this structure is built joining the face of the hill. Megalithic here, and monolithic in the hill face. So, this chamber was made by scooping out tons and tons of rock of the hill. And what is inside the main chamber? There is a very large lingam, again it is also a part of the hill. Even though we have flashlights, we cannot see the lingam clearly, only the outline is visible. By the way, this place is very dark, and this is the best we could capture, even though we used decent flash lights. Only when I used the flash from my DSLR, I could see the lingam clearly for a second. I will show you how this place looks with no light, it is almost pitch black, you cannot even see who is standing right next to you, so how did ancient builders manage to build such a structure? But it is not just the structure, it is about details. Look at this giant carving, may about 7 or 8 feet tall, look at the details carved on him, in this darkness. Look at his belt, the buckle and the straps hanging on both sides.

There are secret carvings hidden in the ancient temple of Kudumiyanmalai. This Hindu temple shows ancient Egyptian carvings, specifically related to snakes and pinecones. Is it the staff of Osiris? Are Hindu Nagas related to Egyptian Wadjet? This is my PayPal account if you like to support me - https://paypal.me/hindutvawadi 0:00 - Strange Snake 0:50 - Egyptian Cobras 1:41 - Egyptian Carvings in India 3:39 - Snakes with Pinecones 6:06 - Snake Whisperers 7:41 - Conclusion Hey guys, today, let’s go into this forbidden area of this 1300 year old temple, nobody has ever filmed this area, but it has some strange secrets hidden inside. Here you can see a snake, a cobra with its open hood. But the strange detail is on the top. It is shown with a crown or a headdress on top. This detail is never carved in Indian temples, because it is simply not a part of Hindu Iconography. But why is it carved in this temple, and why was it placed in a dark corner, hidden away from regular visitors? But here is a 2000-year-old artifact, looks almost identical to the carving, right? A cobra with an open hood, and it has the same crown or headdress. But this not from India, this is an ancient Egyptian artifact. Coincidence? What about this one? Again, from ancient Egypt, a cobra with a crown. Again and again, we can see that snakes are shown with crowns in Ancient egypt. So how is this typical Egyptian Carving Found in India? But we shouldn’t jump to a conclusion just because we found one similar carving, so let us see if we find anything else here. And just a few pillars away from this carving, we can see this carving. Intertwined snakes are common in Hindu temples, but there is a big difference, there is something carved in between them here. It is a little bit eroded, but there is definitely something carved between their hooded heads. I am using my phone’s flashlight, but this area is very dark, so I cannot decipher what it is. The only way to find out what it is, is to find a similar carving in a bright area in the same temple. Here, look at this carving . Two intertwined snakes, and a pinecone like object in between, but the pinecone is placed on a stem. Immediately I am reminded of an Egyptian artefact, now displayed in the museum of Turin, in Italy. This artifact was supposedly made around 1200 BC, that means it is 3200 years old. And It shows the same details, there are two intertwined snakes, and there is a pinecone like object with a stem in between them. Now, what’s more interesting to me is the tiny little detail, both these snakes are shown with crowns or headdresses. This is the detail that really seals the deal. It is found on the Egyptian artifact, as well as this Indian carving. How can this Hindu temple in India, have ancient Egyptian carvings? This temple is 3,000 miles away from Egypt. so how was such a connection possible during ancient times? And what is this object in between the snakes? Is it really a pinecone? Or is it something else? Well, nobody seems to know the real answer to this, some even claim that this is not a real thing, this whole thing is just a mystical symbol. Now, let us explore some other carvings in these dark areas, maybe we can find more carvings and understand this better. We can see a lot of very strange, unexplainable carvings. But here, we can see these intertwined snakes, and on top, we can find the pinecone. The pinecone is above the heads of the snakes, but it does not have a long stem. So, it cannot just be a symbol, because it differs from the previous carving. So, what is it? There, in a distance, we can see another carving. At first, it looks the same right, but as we go closer, we can see that, the pinecone has been inverted, and it has also moved below the head level of the snakes. What does this mean? Look at the second loop of the intertwined snakes, again you can see an inverted pinecone there too. What is this object? Why is it shown in different positions in different carvings? How is it connected to snakes? Are they really pinecones? Since India does not have any pinecones trees, how did ancient builders carve them here? Again, we can see the crowns on the snakes, clearly an Egyptian depiction. And what is more interesting is that we can see all these details separately in an ancient Egyptian site called catacombs of Kom El Shoqafa. This is about 2000 years old. You can see the giant snake with the crown in the middle. On the left, you can see intertwined snakes, and on the right, you can see the mysterious pinecone like thing with a stem. Like Ancient Indians, Egyptians also depicted Snakes everywhere. #AncientTechnology #PraveenMohan #hinduism

In this 1300 Year Old Temple, the large statues may have been built as a mere distraction. Were secret codes hidden in this temple, in the form of fish? Did ancient builders construct this temple for a scientific reason? Were they studying and documenting fish? Do these hidden carvings have a deeper meaning? This is my PayPal account if you like to support me - https://paypal.me/hindutvawadi 0:00 - Hidden Fish 3:18 - Fish in Tank 4:54 - Blind Fish 5:44 - Types of Fishes 7:07 - Behavior of Fish 8:42 - Optical Illusion 9:11 - Conclusion Hey guys, today I am going to show you some secret carvings that are hiding in plain sight. What do you see? Do you see a fish? Our eyes are naturally attracted to the pillars and the giant doorway, but if we look at this wall here.. we can see a fish carved on the wall. Why is it carved here? What could possibly be the reason for this? The fish is not carved with great details, or polished, it is specifically carved vaguely so it is not visible to casual visitors. However, when we inspect it closely, it appears to be a fancy, ornamental fish, look at how many fins are shown, including the tail fin. Why did ancient builders carve it here? Is it some kind of a symbol or signal, but why is it carved in a place where nobody will look? Here you can this beautiful monolithic pillar, and you can be easily be mesmerized by the details on the warriors, but 99% of the visitors will miss this pair of kissing fish. Why are they carved here? Look at the details on these fish, they are simply fantastic. But why would they be placed 20 feet above the ground, in a place where nobody is looking? What is the meaning of this? I am zooming in with my phone, look at the tail, this is a pair of exotic fish, this carving is too pretty to be placed at such a height . What is the need to carve fishes all over the temple in this way? And why did ancient builders place them in a way that people will not notice these fish? Look at this one, but you are probably not even seeing it now, because you are only human. The fish are actually right there in front of you, but 99% of people will take a good look at this, but will completely miss these fish. It seems as though the ancient builders were masters of hiding things in plain sight by exploiting basic human tendencies. Now, forget about documenting the symbolism or finding the meaning behind them, It is impossible even to find all the hidden fish carvings. How can anyone possibly expect a visitor to observe this fish. I have visited this temple so many times, that’s why you see me in so many different outfits in the same temple. I have even grown a beard now, But everytime I come here, I will find more and more fish carvings. A lot of them are hidden in dark corners. Why are there so many ? There must be some reason for this, right? #AncientTechnology #PraveenMohan #hinduism

Did Ancient Hindus Worship The Cross ? Was The Cross Carved in Indian Temples? Did Christianity Originate in India? Was Jesus Born in India? Evidences of Cross Worship in Ancient India prove most of our theories wrong. This is my PayPal account if you like to support me - https://paypal.me/hindutvawadi 0:00 - Cross in a Temple? 1:06 - Christianity in India 3:45 - Christian Cross in Ancient Temples 5:18 - History of the Indian Cross 7:05 - Cave Paintings of Cross in India 8:36 - Conclusion Hey guys, today I am going to show you some solid evidence of the Cross, like the Christian Cross in ancient Hindu Temples. In a corner of the main chamber, at the top of this pillar, we can see a strange figure. On its neck, it wears something strange. Yes, it is a cross. I am trying to show you as much as possible, but we can only see so much because of the darkness and height. Is it wearing a Cross on its neck, like modern day Christians? Is this evidence of Christianity in ancient times? I found this carving in the Sun Temple of Modhera, in the state of Gujarat. The carvings here clearly prove that this is a Hindu temple and Archeologists confirm that the Modhera temple was built 1000 years ago. But when did Christianity reach India? According to Wikipedia, Christianity reached India as early as 52 A.D, that means Christianity has been in India for nearly 2000 years. But this claim is also heavily disputed by many historians who say Christianity was brought into India by Europeans in 15th century, making it only 600 years old, and this temple is much older than 600 years. But I was still not satisfied that this is a cross. So I went to the Museum in the Modhera temple complex, trying to find more evidence. And luckily, I found exactly that. Now, you can clearly see that it looks very much like a Cross, like how Christians wear the cross in their necks today. This is a very rare find. See what it says, this figure is called Keechak, and this figure was carved in the 11th century, so it is a thousand years old. It was actually a part of the Modhera temple, the statue was placed on another pillar in the dark chamber and it got broken a little, so they moved it to the museum. Of course, some of you may have a gut reaction to dismiss this evidence as fake. Or some will claim that these crosses were carved much later by Christians, to foist their religion on Hinduism, as a means of propaganda. But if Christians did this just for propaganda, they would have placed these figures in a bright, prominent place where everybody would look. Why would they carve them in dark, remote corner, at a height where nobody would look? Understanding and decoding evidences like this is very hard, so most people will just jump to simple conclusions based on their bias. But what if, this Sun temple at Modhera was compromised somehow, and both these statues were only a few centuries old. Do we see the cross in any other Hindu temple? I found another carving in the ancient Shikanathar Temple, which is 1200 miles away from the Modhera Sun temple. Is this a cross? Obviously, there is this raised rectangle or square, but in the middle we can see that it is clearly a cross, very similar to the Christian cross. Why is it carved in this ancient Hindu temple ? This temple is at least 1300 years old, this is long before European conquerers came to India. Right now, you are going to be struggling with cognitive dissonance, on one hand, most historians tell us Christianity came through European conquerers and spread very slowly in India, and we know that Christian symbols are almost never found in Hindu temples. On the other hand, I am showing you actual evidences of the Christian cross in Ancient Indian temples. This is like going into a mall and finding a beach, inside the mall. It doesn’t belong there, right? So you have to decide if the mall is fake or the beach is fake, but in this case, both of them are real. Now, the history of the cross itself is very interesting. Believe it or not, the cross is everywhere, it is found on your keyboard as a plus sign. It is found on your chessboard on top of the king, etcetera. It is almost impossible not to see the cross on a daily basis, mostly because Christianity is the largest religion in the world. #AncientTechnology #PraveenMohan #hinduism

Suppressed History of India’s Ancient Weapons. It is generally believed that Indians did not know about guns and gunpowder. Many experts claim this is the reason why foreigners overpowered Indians, however, that is not true. A series of evidences clearly point out that Ancient Indians used Guns, Bombs, and other advanced weapons. Watch before it gets DELETED. This is my PayPal account if you like to support me - https://paypal.me/hindutvawadi 0:00 - World’s First Rifle 1:00 - An Ancient Gun 2:09 - Solid proof in ancient texts 3:33 - Alexander Escaped? – WHY? 4:58 - Oldest Bombs in India 5:39 - Master of Weapons 7:46 - A Weird Weapon 8:25 - Grenades in Jerusalem 9:30 - Making Gunpowder 10:13 - Ancient proof for Grenades 10:48 - Time Bombs are not new 12:16 - Conclusion Hey guys, today I am going to show you some solid evidence of advanced weapons from ancient India. Yes, what you are looking at is a carving of a gun, a rifle. If you look carefully, you can clearly see that he is loading a gun, this was the old-fashioned way of loading a gun, where you had to put gunpowder through the barrel and then stick a piper from the top. And you can see that he is doing exactly that in this carving in an ancient Indian temple. Of course, immediately your mind is filled with doubt, isn’t it? Is this ancient carving really showing a gun? Maybe it is something else, because ancient Indians could not have used guns, right? So perhaps it is just some other weapon like a spear, or even an iron rod or something. But here is another carving in a different temple. There is a bearded man on a horse, and he is ready to pull out his sword. But look below him, what is this guy holding? He is clearly holding a gun and is pointing at the horse rider. There should be absolutely no doubt in your mind that this is a gun, because look at his eyes. He has closed his left eye and has opened his right eye, and aiming for the enemy’s heart. If he fires the bullet, this man is dead instantly, right? Yet, he is not shown wearing modern clothes or even medieval clothes, he is shown with just a loin cloth in his waist, and his hairdo resembles the ancient Indian hairstyle. But, if guns were invented by Europeans just 600 years ago, why do we see ancient Indian carvings showing guns? Are these carvings really ancient? Look at this one, it is now in the archeology museum of Kakinada. There is no official plaque or signboard next to it, but it is said to be 1,000 years old. If guns did exist in India before 600 years, why were they not mentioned in ancient Indian texts, right? Let me read from a text called Manusmriti, historians say this text is about 2000 years old. In chapter 7, it says: “No one should use concealed weapons, barbed arrows, poisoned arrows, or projectiles kindled by fire. “Projectiles kindled by fire? That is a gun, right? I mean what else could it be? Why would something like this be written in a 2000-year-old text? Another Indian text called Naisadha Charita also talks about guns. Experts confirm that it was written in 12th century. The author compares a woman’s elevated nostrils to a pair of guns. In fact, many Ancient Indian texts clearly mention Guns, it was called Naalika in Sanskrit language. #AncientTechnology #PraveenMohan #hinduism

This is my PayPal account if you like to support me - https://paypal.me/hindutvawadi Let's take a look at ancient Indian sculptures that show the theory of Evolution with remarkable accuracy. By the end of this video, I hope you will agree with me that Evolution was understood and documented 2000 years before Darwin ever came up with the idea. To understand this, let’s take a look at this structure called Rayar Gopuram in Mahabalipuram. This was built around 7th century A.D, so it is over 1400 years old. The reason why this entire structure was left unfinished is because a sculptor made a simple mistake in carving this pillar. This pillar was carved based on the Hindu concept called Dashavatara and these 10 life forms were first documented in the scripture called Bhagavad Gita written around 500 B.C. At the top, you can see that he carved a figure with a farmer’s plough below a figure carved with a bow and arrow but it should have been the other way around. This mistake was so serious, that the sculptors stopped carving and abandoned the entire structure. Why was the order of these figures so important? I mean, these are all Gods so how does the order of their appearance matter so much that the ancient Hindus could abandon years of work put into this amazing structure? If we study this pillar carefully, we can understand why the order of these figures matter so much. It matters because it shows evolution with incredible accuracy. 1. The first figure shows a Fish, which dominated the planet 535 Million years ago. This is called Matsya in India, and in modern Evolution theory, fishes are regarded as the first large animals that swarmed all over the planet. In some Indian temples, this form is shown simply as a fish and some carvings even show fish evolving into other creatures. For example, in this sculpture in Bhitargaon Temple, you'll see that the fins are changing into legs and the mouth is evolving into a different shape. 2. The second figure shows a turtle called Kurma in Sanskrit, and signifies that aquatic animals evolved into amphibians. This is confirmed by Darwin, who shows that animals from the sea became amphibians and were capable of living in both land and water. Again, in many Hindu temples, you can see the turtle carved completely as a turtle. In this sculpture, you can see how a turtle emerges out of water while surrounded by other fishes. 3. The third figure is called Varaha, which shows the emergence of rodents and wild boars. Note that we have now entered the age of mammals, because all Rodents are mammals. Also, it is interesting to realize that we are looking at animals that completely live in land, and not water anymore. This is also confirmed by modern evolution theory. 4. The fourth figure called Narasimha, shows a very large lion which is the Smilodon or a similar species which is now extinct. Paleontologists agree that these big cats dominated the planet and hunted mammoths and other giant animals. Incredibly, this scene is accurately portrayed in this 12th century sculpture which shows a lion as big as the elephant itself. In other temples, Narasimha is shown as Half Lion and Half man, which shows a hybrid, hominid like creature. 5. The fifth figure shows Vamana, who is always portrayed as a dwarf. Now, we know that the Neanderthals were never more than 5 feet tall. Other early human like species like Homo floresiensis were only three and a half feet tall. Notice how Vamana is portrayed with tools, but not any weapons. This indicates how the Neanderthals and other human like species were starting to make use of objects like sticks and stones to survive. #Ancientaliens #India #Hinduism

Qutb Minar - Is India's First Muslim Monument, a Hindu Temple? This is my PayPal account if you would like to support me - https://paypal.me/hindutvawadi Hey guys, I am at this brilliant monument called Qutb Minar, historians say that this fantastic tower was built by a Muslim ruler called Qutb al-Din Aibak also known as Qutb-ud-din, about 800 years ago. This site is recognized as a UNESCO world heritage site because it full of Islamic structures like India's first mosque, the Qutb Minar and tombs of famous Mughal kings. However, were these structures really built by Muslim kings? Now let's take a good look at these structures, they are definitely Islamic structures. You can see the domes on top, verses of Quran in Arabic carved on the walls, and typical Mughal designs all over the structure. There should be absolutely no doubt in your mind that these were built by Muslim rulers. But let's take a look at this unfinished structure nearby. Here you can see how a dome has been constructed on top, but is not finished. Below this dome, you can see that the pillars look very similar to the pillars of a Hindu temple. You can see typical temple bells carved on these pillars. But let's go closer and see if we can find more evidence. Here we can see the defaced carving of Lord Ganesha, the Elephant God who belongs to Hinduism. What is he doing in the Qutb Minar complex built by Islamic rulers? On the top, you can even see the war scene from the Hindu epic Ramayana. Remember, carvings of God, saints and human beings are completely prohibited in Islam, so this absolutely not an Islamic structure. In fact, we can see many, many carvings of Indian Gods that have been disfigured in this site. Here you can even see the Hindu religious altar called Balipeetam. Now, let's go back and look at the big picture. On the left, is the Jama Masjid which is hailed as India's very first mosque built by Islamic rulers. On the right, is a Hindu temple, on top of which an Islamic dome has been built. Read the rest of the story here: https://goo.gl/sEbRwr #Hindu #India #Search4Truth