michaelkaielvideos

i was standing with some fellow from work eating breakfast and we decided to try the fast record in phone and it was amazing to use it

do u know that u can use your phone daily to record moments in the street

amazing show in street by female ones in musical show

i tried one day to record my street so i used my little camera and chooses great place to hide it and no body saw it

Walking On Streets On Rainy Weather , I really love the combination of street photography and rain, since rain changes the mood and the city completely. As a result, the most mundane things turn into drama, mystery, and poetry. Here are 3 lessons I’ve learned about shooting in the rain. It really seems so obvious. An umbrella offers basic protection for yourself and more importantly your gear. So I made an umbrella part of my essential photography gear, just like spare batteries or a spare memory card. And I can attest: It is not only much more pleasant to shoot in the rain when you are under an umbrella, you get better images as well. Being protected allows for more calmness and time when framing a photograph. Finding interesting light is especially relevant when it comes to street photography and rain. At the same time it is also the most challenging task as rain usually comes with dull light. If you’re really lucky, there are both rain and sunshine, but city lights, car lights, and neon lights can all provide great light sources. When it starts to rain, you will most likely find French photographer Yodamanu outside, documenting the reflections that bounce off of wet sidewalks and glisten on window panes. Based in Strasbourg, Yodamanu concentrates his attention on the shadowy figures of people walking in the rain and their casual interactions with many urban elements of the city. By turning his images upside-down, the actual person becomes just a touch of solid reality within an otherwise abstract sea of shapes, forms, and colors that are reminiscent of Impressionist paintings. His series, Reflections, is a fascinating collection of visually exciting textures and vibrant colors. The painterly compositions are a blur of shadowy human figures surrounded by suggestive, but not completely concrete, layers of reality. At first glance, the image appears quite evident to comprehend, however, upon further inspection, viewers discover that there is much more than first meets the eye. It takes a few playful moments to understand the details within the beautifully organized chaos.

Car Under Bridge In Rainy Night Road trip , I really love the combination of street photography and rain, since rain changes the mood and the city completely. As a result, the most mundane things turn into drama, mystery, and poetry. Here are 3 lessons I’ve learned about shooting in the rain. It really seems so obvious. An umbrella offers basic protection for yourself and more importantly your gear. So I made an umbrella part of my essential photography gear, just like spare batteries or a spare memory card. And I can attest: It is not only much more pleasant to shoot in the rain when you are under an umbrella, you get better images as well. Being protected allows for more calmness and time when framing a photograph. Finding interesting light is especially relevant when it comes to street photography and rain. At the same time it is also the most challenging task as rain usually comes with dull light. If you’re really lucky, there are both rain and sunshine, but city lights, car lights, and neon lights can all provide great light sources. When it starts to rain, you will most likely find French photographer Yodamanu outside, documenting the reflections that bounce off of wet sidewalks and glisten on window panes. Based in Strasbourg, Yodamanu concentrates his attention on the shadowy figures of people walking in the rain and their casual interactions with many urban elements of the city. By turning his images upside-down, the actual person becomes just a touch of solid reality within an otherwise abstract sea of shapes, forms, and colors that are reminiscent of Impressionist paintings. His series, Reflections, is a fascinating collection of visually exciting textures and vibrant colors. The painterly compositions are a blur of shadowy human figures surrounded by suggestive, but not completely concrete, layers of reality. At first glance, the image appears quite evident to comprehend, however, upon further inspection, viewers discover that there is much more than first meets the eye. It takes a few playful moments to understand the details within the beautifully organized chaos.

Nothing brings out the camcorders like the holidays, which is why this is the perfect time to admit an ugly truth: You suck at making home movies. No, really. I'm sure you're a nice person and all, but there's more to videography than just taking the camcorder out of the box and pressing Record. As with photography, good videography requires a bit of know-how. Luckily, I know how, so here's my list of ways you can improve your home movies. You won't come out Soderbergh on the other side, nor even Singer, but your Uncle-Henry-dropped-the-turkey-on-Aunt-Edna's-head submission to America's Funniest Home Videos will look a lot better. It's a lot harder than it looks to pull off that cool shaky-camera look. Most home video just ends up looking shaky, which is absolutely no fun to watch. By mounting your camcorder on a $20 tripod, you'll get rock-steady footage. At the same time, you'll free yourself to perform pans and zooms, or even to get in front of the lens. If you're planning to rely on your camera's digital image-stabilization feature, don't. All that does is lower the video resolution by cropping to the center of the frame. Optical image stabilization is better, but it still can't beat a tripod. No tripod? Lean against a wall. That'll help keep the shakiness to a minimum. No wall? Put your butt on the ground, bend your knees, and prop your elbows on them. Presto: instant tripod.

Whether you aspire to become a media videographer or just want to know how to shoot professional-looking videos, you need more than good equipment. Mastering several basic video tips will ease the frustration many videographers' experience. Before long, the standard tricks will become so routine that you'll be able to concentrate on creativity and not just the basics. A tripod is an easy answer to producing steady video, but avoid becoming dependent on it. You can shoot steady video without lugging around a lot of gear. Get your body in position so that every breath you take doesn't lead to unwanted camera motion. Use the ground, a wall, or another object to brace the camera and get interesting visual perspectives. By ditching the tripod, you can move around a scene without being anchored in one spot. Producing interesting videos involves learning creative shooting techniques. You don't want your videos to look as though they came from a surveillance camera. A beginner tends to shoot everything from the corner of a room or away from the action. By putting yourself in the middle of what's happening, you will get images that aren't possible from a distance. Experiment with different angles by shooting above and below your subjects.

Driving in heavy traffic requires the correct mindset and some safe driving techniques. On the Arrive Alive website, we discuss Defensive Driving extensively. In this section, we would like to reflect on some of the aspects of special importance when driving on heavily congested roads. When you encounter heavy traffic you need to drive with a very calm and relaxed attitude - do not get agitated with the congested traffic - keep in mind that you and your vehicle contributes to the congestion experienced by all! It is best not to drive while tired or emotionally agitated. Calm is the name of the game in heavy traffic - Patience or becoming a patient are the options..... Breathe in, breathe out, breathe in, breathe out … Remember that everyone is going through the same stress. If you find rush hour stress becomes too overwhelming, try to avoid it. See if you can change your hours at work or even take a different route. Maybe driving through neighbourhoods or taking back roads will add time to your commute but if it reduces your stress, those extra few minutes are worth it in the long run. Long distance driving during the holiday season [with your impatient children] leads to heightened levels of driving anxiety. Driver fatigue coupled with the increased volume of vehicles on the road can create high tensions that can often lead to road rage. These factors can increase your tension and lead to accidents. Try to remain calm when other motorists tailgate or cut in front of you in the "idiot space". If the stress becomes overwhelming, get off the road. Try to take another route or pull over until the traffic calms down. Nothing is worth you putting your life or the lives of others at risk. A rest stop every 2 hours remains is the best way to calm the nerves - Have a cup of coffee, go for a walk, or just nap in your car for a few minutes. Once you’ve calmed down the nerves, you can rejoin the holiday traffic with a more positive and safer attitude.