Clifton Hicks - Bonnie James Campbell
Banjo Heritage 👉 https://Patreon.com/CliftonHicks
gDGBD - I learned "Bonnie George Campbell" (Child 210) from a recording of Bascom Lamar Lunsford. It was also recorded by Frank Proffitt as "Bonnie James Campbell." Lunsford thought this song was an ancestor of "Cumberland Gap."
High upon highland low upon Tay *
Bonnie George Campbell rode out on one day,
All saddled all bridled and booted rode he
Home came the saddle but never came he
A plume in his bonnet a sword at his knee
Home came the saddle but never came he,
Home came the saddle all bloody to see
Home came the good horse but never came he
His wife came inside to escape the night air
She sat at the table and wept in despair,
My barn is unbuilt and my child is unborn
But bonnie George Campbell will never return
* the River Tay is the longest river in Scotland.
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Clifton Hicks - I've Always Been a Rambler
Banjo Heritage 👉 https://Patreon.com/CliftonHicks
f♯DF♯AD I learned this song from Josh Hayes of Watauga County, North Carolina, who probably learned it from the 1920s recording of Grayson & Whitter. The song was also recorded by Ralph Stanley and Ola Belle Reed, and Kelly Harrell under the title "My Name is John Johanna."
My instrument is a circa 1919 Vega Fairbanks "Regent" banjo with calfskin head, La Bella No. 17 nylon strings, and bridge by Joel Hooks.
I've always been a rambler my fortune's been quite hard
Always loved the women drank whisky and played cards,
My parents treated me kindly they had no boy but me
But I shook hands and parted at the age of twenty-three.
There was a wealthy farmer who lived a neighbor by
He had one only daughter on whom I cast my eye,
She was most tall and handsome so gentle and so fair
There ain't one gal in the wide world with her I could compare.
I asked her if she'd be true to me while I crossed o'er the plain
She said, "It makes no difference if you ever return again,"
She said she would be true 'til the sea burned with fire
So I shook hands and parted with the gal I left behind.
I left old North Carolina up to Marion I did roam
On up to Johnson City, boys, all in the sleet and snow,
Work and money was plentiful and the women treated me kind
But the only object of my heart was the gal I left behind.
I was walking up on George Street all in the public square
The mail was just returning and the post boy met me there,
He handed me a letter that I might understand
The gal I'd left behind me had married some other man.
I read on a few lines further 'til I saw that it was true
My heart was filled with trouble I didn't know what to do,
My heart was filled with trouble trouble on my mind
I'm going to drink and gamble for that gal I left behind.
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Clifton Hicks - "Trifling Woman" by Frank Proffitt
Banjo Heritage 👉 https://Patreon.com/CliftonHicks
I learned "Trifling Woman" from Josh Hayes of Watauga County, North Carolina. Josh learned it from the original recording by Frank Proffitt. My instrument is a 5-string gourd banjo, handmade by myself, tuned approximately eBEG♯B.
Lord I've been a working
Working like a dog all day,
Trying to make another dollar
For you to throw away
You spend all my money
You go dressed so fine,
While I wear old rags
And I don't have a dime
You won't bake my bread
You won't cook my beans,
You want to stand on that log road
Where you can be seen
I'd rather be a hanging
Hanging by an old grape vine,
Than to have to spend my days
With you all the time
Lord I've been a working
Working ten hour long days,
Trying to make another dollar
For you to throw away
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Clifton Hicks - Trouble On My Mind
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The subject matter of this early banjo song involves repeated trips to "the whipping post," something we today rightly associate with the African American experience in this country. I think it's equally important to remember that working-class whites in the Antebellum South were also brutally oppressed, whipped, and even lynched by the slaveholding class.
I learned this piece from George Gibson as "Trouble On My Mind." Rufus Crisp also recorded it on a track titled "Story of Banjo Contest." See Doc Watson's "I'm Troubled" and Blue Sky Boys' "I'm Troubled, I'm Troubled" for variants. gDGBD relative (~fCFAC actual).
Once I had an old banjo
Head was strung with twine,
Only song that it could pick
Was Trouble On My Mind!
CHORUS
Trouble on my mind, boys
Trouble on my mind,
If trouble don't kill me
I'll live a long time!
I went down to Lynchburg
To get a jug of wine,
They hitched me to the whipping post
Gave me ninety-nine...
I went back to Lynchburg
To get a pint of gin.
They hitched me to the whipping post
Gave me Hell again...
I went back to Lynchburg
I didn't go to stay,
But I fell in love with a woman
And I couldn't get away...
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Clifton Hicks - Cackling Hen
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I learned this tune from George Gibson of Knott County, Kentucky. When George was learning to play banjo in early 1950s, one old timer told him, "There's more music in the first string than in any other string on the banjo." That's certainly true of this archaic version of "Cackling Hen" and many other early dance pieces (i.e. hoedowns, breakdowns) like it.
My instrument is an 1888 Luscomb banjo made in Boston. I'm using a two-legged, solid maple bridge that I carved myself, Aquila nylgut strings and a medium goat skin head.
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Old Leatherstocking - Unquiet Grave
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Cold blows the wind my true love
Cold blows the driving rain,
I never had but one true love
In the greenwood he was slain
I'll do as much for my true love
As any woman may,
I'll sit and mourn all on his grave
For twelve months and a day
When twelve months and a day had passed
The dead began to speak,
Saying who is this who mourns for me
And will not let me sleep?
One kiss more my own true love
One kiss more I crave,
Give me a kiss of your sweet lips
And I'll go from your grave
My lips are cold as clay true love
My breath is sulfur strong,
If you kiss my rotting lips
Your days will not be long
Mourn not for me my own true love
Mourn not for me I pray,
For I must leave you all alone
'Til Death calls you away
I learned "Unquiet Grave" (Cold Blows the Wind, Child 78, Roud 51) from a 1960s recording of Hedy West (Cartersville, Georgia) and Doc Watson.
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Clifton Hicks - Cackling Hen (Early Gourd Banjo)
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4-string early gourd banjo handmade by Clifton Hicks. Tuned gGCE, relative. I learned "Cackling Hen" (Hen Cackle) from George Gibson of Knott County, Kentucky. The 5-string banjo tuning is gCGCE.
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Clifton Hicks - Don't Go Riding Down that Old Texas Trail (432 Hz)
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I learned this song from a 1980s recording of Lawrence Eller & Ross Brown in Towns County, Georgia. They were recorded by Art Rosenbaum.
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Clifton Hicks - Going to Georgia (I'm Troubled)
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I learned "Going to Georgia" (I'm Troubled) from recordings of Lawrence Eller from Towns County, Georgia. At the end of one recording Eller says, "That's a good old tune. I learned that from my mother."
I'm going to Georgia
I'm going to Rome,
I'm going to Georgia
Gonna make it my home
I left my dear old father
My country and land,
I left my poor old mother
Wringing her hands
Gonna build me a little cabin
On top of some rise,
Where the snowbirds and the wild geese
Can hear my sad cry
I'm troubled I'm troubled
I'm troubled in mind,
If trouble don't kill me
I'll live a long time
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Clifton Hicks - Old Coon Dog (Turkey Buzzard)
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Clifton Hicks - Across the Rocky Mountain (Roscoe Holcomb)
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Clifton Hicks - Coke Oven March (Dock Boggs)
Banjo Heritage 👉 https://Patreon.com/CliftonHicks
f♯DF♯AD - I learned "Old Reuben" (aka Reuben's Train, Train 45, 500 Miles, 800 Miles, or just Reuben) from George Gibson of Knott County, Kentucky.
Old Reuben had a train ran from Hell to Betsy Layne
And I'd like to have been a driver on that line
The longest train I ever saw ran down that Brown Cove Line
The fastest train I ever saw carried away that woman of mine
Me and my woman had a little falling out she bundled up her clothes to leave
She stepped on that 2 o'clock train and I stepped on the 3
If you say yes we'll get married I guess I'll sidetrack my train and roll home
If you say no I'll railroad no more I'll pack up my grip and be gone.
That freight train wrecked last Saturday night it killed that woman of mine
They found one lock of her coal black hair her body has never been found
Pretty girls don't you weep pretty girls don't you moan
Pretty girls don't you leave your home
You caused me to weep you caused me to moan
You caused me to leave my home
Them long steel rails them short crossties
I'm walking my way to my home
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Clifton Hicks - Bonnie George Campbell
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gDGBD relative (d♯Bâ™D♯GBâ™ actual). I learned "Bonnie George Campbell" from a recording of Bascom Lamar Lunsford. Frank Proffitt recorded it as "Bonnie James Campbell." Lunsford thought this song was an older variant of "Cumberland Gap."
It's high upon highland low upon tay
Bonnie George Campbell rode out on one day,
All saddled all bridled and booted rode he
Home came the saddle but never came he.
A plume in his bonnet a sword at his knee
Home came the saddle but never came he,
Home came the saddle all bloody to see
Home came the good horse but never came he.
His wife came inside to escape the night air
She sat at the table and wept in despair,
My barn is unbuilt my child is unborn
But Bonnie George Campbell will never return.
My fence is to mend and wheat is unshorn
Bonnie George Campbell will never return,
Home came the saddle all bloody to see
Home came the good horse but never came he.
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1919 Vega Fairbank "Regent" Banjo
Banjo Heritage 👉 https://Patreon.com/CliftonHicks
In 1904 the A.C. Fairbanks banjo factory in Boston was destroyed by fire. Shortly thereafter Fairbanks was bought out by The Vega Company, then manufacturing guitars in New York.
This example of a Vega Fairbanks "Regent" banjo was produced in Boston sometime between 1910 and 1919. Calfskin head, La Bella No. 17 nylon strings, Joel Hooks bridge.
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Clifton Hicks - Big Eyed Rabbit (Rock In a Weary Land)
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Played on fretless mountain banjo, handmade by Clifton Hicks. fCFAC La Bella No. 17 nylon strings. AKA Rocking in a Weary Land, Pig in a Pe.
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THE LUSCOMB BANJO by Thompson & Odell of Boston
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"... the Luscomb banjo, named after John F. Luscomb, a highly regarded banjo soloist and composer who over the next decade designed several models. His first, patented in the late summer of 1888 but advertised by Thompson and Odell half a year earlier, offered a rim composed of two metal bands (inside and outside) with a third, of wood, sandwiched between them with its lip extending upward so that the skin head was stretched over it."
- Philip F. Gura & James F. Bollman
America's Instrument: The Banjo in the Nineteenth Century
(University of North Carolina Press, 1999)
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"The Luscomb Banjo Patented Aug. 29, 1888." Thompson & Odell published sheet music and sold musical instruments in Boston, Massachusetts. Charles W. Thompson and Ira H. Odell formed the business in 1874, and they operated a shop on Tremont Street; later moved to 523 Washington Street. The company was bought by Vega in 1905.
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Dust-to-Digital CENSORS Harry Smith B-Sides
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Dust-to-Digital censors and smears deceased recording artists.
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Clifton Hicks - Love Somebody (Soldier's Joy)
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The Truth About Early Banjo History
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Clifton Hicks on the banjo's surprising popularity during the 18th century, plus Old Leatherstocking, Joe Sweeney, and the rise of blackface minstrelsy.
The earliest accounts of what can be positively identified as a "banjo" date to the 1600s in Jamaica. Recent organological studies of early gourd banjos (Banjo Roots And Branches, 2018) indicate that they are a hybrid instrument, borrowing heavily from both African and European lutes. By 1740 the gourd banjo has spread all up and down the east coast of what will become the United States, and by 1780 it plays a significant role in both black and white folk culture--especially in the South. However, it is not until the 1830s that blackface minstrels begin utilizing it on the commercial stage, and this happens mostly in northern urban centers. In the South it remains relatively uncommercialized until after the American Civil War.
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Clifton Hicks - Hills of Mexico
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They caught us in an ambush way back in the hills
They was quite a few in number and the cowboy they did kill,
I made a run to save him but alas I was too slow
So I left him with the outlaws in the Hills of Mexico
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The Truth About Old-Time Banjo Music
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Clifton Hicks on the sad state of contemporary old-time music, and the heresy of clawhammer banjo tablature.
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The Truth About "Racist" Banjo Songs
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Clifton Hicks on alleged racism in folk songs, and the cultural illiteracy of urban intellectuals in old-time music.
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Flintlock Rifle vs Cast Iron Skillets
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Fifty grains of black powder and a piece of wasper nest will put a .44 ball right through an iron skillet.
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The Truth About Hillbilly Banjo Stereotypes
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Clifton Hicks on hillbilly stereotypes, the origin of the term "redneck," and the appropriation of Southern folk music.
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Clifton Hicks - Old Reuben
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(f♯DF♯AD) "Old Reuben," "Reuben's Train," "Train 45," "500 Miles," etc. I learned this song from George Gibson of Knott County, Kentucky, who called it simply "Reuben." My version borrows heavily from Gibson and a 1950s tape recording of William "Banjo Bill" Cornett.
Old Reuben old Reuben
Old Reuben you must have drunk,
You must have been drunk when you pawned off that trunk
Just to get your woman out of jail
Old Reuben had a train ran from Hell to Betsy Layne
And I'd like to be a driver on that line,
The longest train I ever saw ran down that Brown Cove Line,
The fastest train I ever saw carried away that woman of mine
Me and my woman had a little falling out
She bundled up her clothes to leave,
Then she stepped on that 2 o'clock train
Honey I stepped right onto the 3
If you say yes we'll get married I guess
I'll sidetrack my train and roll home,
But if you say no I will railroad no more
I'll pack up my grip and be gone
That freight train derailed on a Saturday night
And it killed that good woman of mine,
They found her head in a driving wheel
Her body has never been found - poor girl!
The day I left my mother's house
Was the day that I left my home,
And the day you turned your back on me
Was the day that you lost your best friend
If I had wings like Noah's dove
I would fly to my true love's home,
I'd walk the porch from post to post
I'd hang down my little head and moan
He turned to his black greasy fireman and said
Boy just shovel on a little bit more coal,
They shoveled on the coal that engine did roll
They was 500 miles from their home
Them long steel rails them short crossties
I'm walking my way to my home.
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