Fretboard Geometry // Intervals b2 and 7

Here, I show how scale degrees b2 and 7 are related to interval 1 (the "tonic") in each key. These intervals are called the "minor-second" and "major-seventh," respectively, and they sound dissonant with the tonic. Why? Because they're closely-related to the key's tritone. Let me show you.

In this video, you'll see how color explains the theory of these intervals -- and how they're laid out on the fretboard -- so you can play these patterns in any key.

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INTERVALS 2 AND b7: https://rumble.com/vt7wfg-fretboard-geometry-6-intervals-2-and-b7.html

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Songwriting is fun when you can actually see what you're doing. I use the familiar patterns of color to explain music theory so you can write songs.