Pop Song 137 'Melissa' The Allman Brothers 1972

Pop Song 137 'Melissa' The Allman Brothers'

The song's title is frequently referred to incorrectly as "Sweet Melissa" due to the lyric being sung at the end of each of the first two choruses.

The version on Eat a Peach was recorded in tribute to Duane Allman, who considered the song among his brother's best and a personal favorite. He died in a motorcycle accident six weeks before its most famous rendition was recorded.
Gregg Allman penned the song in late 1967. He had previously struggled to create any songs with substance, and "Melissa" was among the first that survived after nearly 300 attempts to write a song he deemed good enough. Staying at the Evergreen Motel in Pensacola, Florida, he picked up Duane's guitar which was tuned to open E and immediately felt inspired by the natural tuning. Words came naturally, but he stumbled on the name of the love interest. The song's namesake was almost settled as Delilah before Melissa came to Allman at a grocery store where he was buying milk late one night, as he told the story in his memoir, My Cross to Bear:

It was my turn to get the coffee and juice for everyone, and I went to this twenty-four-hour grocery store, one of the few in town. There were two people at the cash registers, but only one other customer besides myself. She was an older Spanish lady, wearing the colorful shawls, with her hair all stacked up on her head. And she had what seemed to be her granddaughter with her, who was at the age when kids discover they have legs that will run. She was jumping and dancing; she looked like a little puppet. I went around getting my stuff, and at one point she was the next aisle over, and I heard her little feet run all the way down the aisle. And the woman said, "No, wait, Melissa. Come back—don’t run away, Melissa!" I went, "Sweet Melissa." I could've gone over there and kissed that woman. As a matter of fact, we came down and met each other at the end of the aisle, and I looked at her and said, "Thank you so much." She probably went straight home and said, "I met a crazy man at the fucking grocery."

Allman rushed home and incorporated the name into the partially completed song, later introducing it to his brother: "[I] played it for my brother and he said, 'It's pretty good—for a love song. It ain't rock and roll that makes me move my ass.' He could be tough that way