The Paranoid Style in Adam Curtis (5-14-21)

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New York Review of Books: https://www.nybooks.com/daily/2021/05/08/the-paranoid-style-in-adam-curtis/

His films choreograph archive footage, charismatic pop, and portentous commentary in pursuit of a dark, totalizing narrative—all the seduction of conspiracy theory without the substance...

Notice, in fact, how many times Curtis uses the words “nothing” and “everything” in all of his work. Very little reporting can stand up to those kindergarten words, and by choosing a category that essentially doesn’t exist—can you name an actual everything, an event that does not admit to exception?—Curtis is making clear that reporting means little to him.

The appeal of conspiracizing for Curtis and his followers is exactly this unverifiable fog, this woolen hug of futility. If nothing can be done, inactivity looks normative. Conspiracism is the enemy of collective action. The group takes action and counts its wins and losses after the day. The conspiracist, answers scrawled on his hand, hangs back and cynically tells a story about why it never would have worked anyway. Curtis and his cohort love the idea of a grand story that never needs to be revised or reported out.

The darkest and largest force always wins, has always already won. Curtis simply confirms the bad news.

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