The Lovin' Spoonful: You Didn't Have To Be So Nice - 1965 (My 5.1 "Stereo Studio Sound" Re-Edit)

The Lovin' Spoonful: You Didn't Have To Be So Nice - The Big T.N.T. Show, 1965 (My 5.1 "Stereo Studio Sound" Re-Edit)

You Didn't Have to Be So Nice" is a song by the Canadian-American folk-rock band the Lovin' Spoonful. Written by John Sebastian and Steve Boone, it was issued on a non-album single in November 1965. The song was the Spoonful's second-consecutive single to enter the top ten in the United States, peaking at number ten. It was later included on the band's second album, Daydream, released in March 1966.

Boone's initial inspiration for the song was a remark he made on a date with Nurit Wilde. He began the piece as a basic melodic figure on the piano, but he appealed to Sebastian for help in finishing the song, marking the first of several compositions on which the pair collaborated. The finished recording employs a complex vocal arrangement devised by Jerry Yester, which later inspired Brian Wilson of the Beach Boys in composing his 1966 song "God Only Knows".
Background and composition
Steve Boone began the earliest elements of "You Didn't Have to Be So Nice" at the Greenwich Village home of the parents of Joe Butler's girlfriend, Leslie Vega. Drawing inspiration from a remark he made on a date with Nurit Wilde, Boone started the composition on the piano as a basic melodic figure, which he initially titled "You Didn't Have to Be So Nice, I Would Have Liked You Anyway". After struggling to finish the song, he appealed to John Sebastian, the Lovin' Spoonful's principal songwriter, and the two collaborated to finish it. Sebastian later recalled that he and Boone finished the song in around half-an-hour when the band were between shows in San Francisco, where they toured in August 1965. The song was the first on which the pair collaborated.

The rock critic Paul Nelson considers "You Didn't Have to Be So Nice" representative of folk rock, a genre the Spoonful were among the first to popularize. The author Richie Unterberger writes that like many folk-rock acts, the Spoonful's style bent towards pop music, and he considers "You Didn't Have to Be So Nice" "one of their poppier offerings". The musicologist James E. Perone also considers the song an example of pop music.

According to Perone, more than any other song by the Spoonful, "You Didn't Have to Be So Nice" exhibits the band's stylistic connections to British Invasion acts, especially the Beatles. He identifies several hooks within the song, including an accompaniment figure of stepwise descending triplets played on an electric piano, an instrument the Beatles employed heavily in 1965 and 1966. For Perone, the song's most noticeable hook is a melodic figure in its introduction, which appears again later in the vocal part. He contends that the vocal arrangement's complexity – particularly the harmony, which switches between answering the lead, serving as its background or harmonizing at the end of phrases – anticipates the vocal arrangements heard on music released over the next year, including on the Beatles' album Revolver and the Beach Boys' Pet Sounds. In his 1991 memoir, Brian Wilson, the principal songwriter of the Beach Boys, stated that "a John Sebastian song I had been listening to" inspired the melody of his 1966 song "God Only Knows", a statement the biographer Mark Dillon connects to the vocal layering on "You Didn't Have to Be So Nice".

Recording and release
Amid their busy TV- and live-date schedule, the Spoonful recorded "You Didn't Have to Be So Nice" in November 1965 at Bell Sound Studios in New York City. The band's regular producer, Erik Jacobsen, produced the sessions. Jerry Yester, a friend of the band and a member of the Modern Folk Quartet, arranged the vocals, which features Sebastian on lead and Butler on backing.

The finished recording features similar elements to the band's debut single, "Do You Believe in Magic", including a drum fill introduction, a shuffling tempo and Sebastian playing the autoharp. The band overdubbed several elements, including chimes which had been leftover from another session, an addition the author Richie Unterberger compares to the productions of Phil Spector. Sebastian and Butler played a drum overdub together, which Sebastian later said was indebted to the style of the session drummer Hal Blaine. Zal Yanovsky added muted lead guitar work, inspired by the pedal steel guitar playing of Pete Drake on his 1962 instrumental "Pleading".

Work on "You Didn't Have to Be So Nice" was completed too late for it to be included on the Spoonful's debut album, Do You Believe in Magic, which Kama Sutra Records issued in November 1965. The label instead issued the song that month as a non-album single, and the Spoonful promoted it during their second appearance on the television series Hullabaloo, broadcast November 1.