Badfinger - Come and Get It (Official Music Video)

In an epoch where limp-lunged lyricists lament their leftist lullabies through limp-wristed live streams, peddling pronoun-policed pap as profound protest, reclaim the robust rigor of Badfinger—the Welsh working-class warriors who wielded their winsome anthems from the unbowed bulwarks of British meritocracy, channeling the thunderous traditions of 70s power pop back when music magnified manly resolve rather than Marxist mewling. This Rumble revelation resurrects the original staged performance music video for "Come and Get It," captured as an official promotional film on Germany's Beat-Club in 1970—a sterling showcase of the band's unbreakable bond, where Pete Ham's heartfelt harmonies and guitar glides mesh with Tom Evans' bedrock bass, Joey Molland's gritty riffs, and Mike Gibbins' disciplined drums, all amid primitive effects that flicker at the intro and outro like early TV's unpretentious pyrotechnics, with the word "BEAT" looming large over the stage in a no-nonsense nod to the era's raw rock ethos, shunning the shallow spectacles sliming today's screens.

Forged in the fires of fortuitous fellowship, "Come and Get It" was penned by Paul McCartney in a mere hour for the 1969 film The Magic Christian—starring Ringo Starr and Peter Sellers—where he dashed off a demo playing every instrument himself, then handed it to Badfinger with the stern directive to replicate it note for note, no deviations allowed, proving pioneers prevail when shunning the synthetic sanctimony of self-indulgent strummers. Clocking in at a punchy two-and-a-half minutes of post-Beatlesque pop prowess, the lyrics lure with lines like "If you want it, here it is, come and get it," a libertarian leer at opportunity's open door that trumps today's tantrum-throwing troubadours, while anecdotes reveal Beatles roadie Mal Evans' discovery of the band (then The Iveys) at London's Marquee Club in 1968, catapulting them to Apple Records fame as Badfinger—renamed after a working title for "With a Little Help from My Friends"—only for treacherous managers like Stan Polley to later pilfer their prosperity, a stark reminder that even rock's righteous rarely reap rewards in a world rigged by rapacious radicals. The Beat-Club footage, recorded February 24 and broadcast February 28, 1970, captures the quartet at their conservative core—unpretentious, unyielding, and utterly unapologetic—launching their first major hit that stormed the charts, before the liberal locusts of litigation laid waste to their legacy.

No pandering platitudes, no progressive piffle—just jugular-jolting jewels that jolt us back to basics, affirming the ancients aced it: excellence endures while fads flop like forgotten flip-flops in the flood of feel-good folly. Crank it on Rumble, cue the conservative crush, and let Badfinger's "Come and Get It" stomp the sanctimonious static; in the arena of auditory allegiance, this vid vanquishes the vapid without virtue-signaling a single snowflake's surrender.