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			Gilda (1946) | Directed by Charles Vidor
Gilda is a film noir set in Buenos Aires, revolving around a love triangle filled with passion, jealousy, and betrayal. The story follows Johnny Farrell, a gambler who becomes the right-hand man to casino owner Ballin Mundson. Complications arise when Mundson introduces Johnny to his new wife, Gilda, who happens to be Johnny’s former lover. Their turbulent relationship unfolds against a backdrop of intrigue, suspicion, and political undercurrents.
Genre: Film noir / Drama
Director: Charles Vidor
Charles Vidor (1900–1959) was a Hungarian-American film director who made his mark in Hollywood with stylish dramas and musicals. His career included a variety of films across genres, but he is best remembered for Gilda (1946) and later for Love Me or Leave Me (1955). Vidor had a flair for visual elegance and often drew out powerful performances from his stars.
Star cast
* Rita Hayworth as Gilda Mundson Farrell
* Glenn Ford as Johnny Farrell
* George Macready as Ballin Mundson
* Joseph Calleia as Detective Maurice Obregon
* Steven Geray as Uncle Pio
* Joe Sawyer as Casey
The film was a major success at the box office and solidified Rita Hayworth’s status as one of Hollywood’s greatest screen sirens. Her performance, particularly in the iconic "Put the Blame on Mame" number, became legendary. Critics praised the film’s charged atmosphere and the chemistry between Hayworth and Glenn Ford, though some found the plot convoluted. Over time, Gilda has come to be regarded as a quintessential example of classic film noir.
Fun Facts
* Rita Hayworth’s performance in "Put the Blame on Mame" became one of the most famous moments in Hollywood history, though her singing voice was dubbed by Anita Ellis.
* The film’s tagline, “There never was a woman like Gilda!” became an enduring phrase associated with Hayworth.
* This film marked the first of several on-screen pairings between Rita Hayworth and Glenn Ford, whose chemistry proved highly popular.
* Gilda has often been referenced in pop culture, including being shown in The Shawshank Redemption (1994) during a scene where inmates cheer Hayworth’s entrance.
* The movie contributed to Hayworth being dubbed “the Love Goddess” by the press.
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