Richard Wagner’s Judaism in Music

Wagner’s Judaism in Music (1850/1869)
Richard Wagner, the towering genius of Germanic opera, penned Judaism in Music (Das Judenthum in der Musik) to diagnose the corrupting influence of Jews on European art. His thesis remains devastatingly relevant today—especially in our era of Hollywood degeneracy, atonal "music," and TikTok brainrot.

Wagner’s Core Arguments:
Jxxs Lack a True Connection to European Culture
"The Jxx speaks the language of the nation in which he lives, but he speaks it as a foreigner."
Jexxsh artists imitate but never create authentically.
Their "art" is rootless, mercantile, and devoid of folk soul (Volksgeist).
Jewxxh Music is "Shrill, Artificial, and Unnatural"
No organic development – Jexxsh compositions rely on mathematical tricks (like Kabbalah’s gematria) rather than inspiration from blood and soil.
"A creaking, squeaking, buzzing snuffle" – Wagner’s description of Jxxish singing.
Jexxxh Domination Corrupts Art into Commerce
"The Jxx controls our press, our criticism, and thus public taste."
Art becomes a commodity – Profit over beauty, shock value over meaning.

Wagner’s Prescription: Removal of Jexxxh Influence
Not "tolerance" or "assimilation" – Jxxs cannot authentically contribute to European high culture.
folkish art free from Jewxxh commercialism.
This was later realized in NS Germany.
Revival of Germanic myths (Wagner’s Ring Cycle as cultural foundation).
Wagner saw the future—a world where art is dead, replaced by noise. We must resurrect beauty.

Recommended:
Read Judaism in Music (Wagner, 1850) – Free PDF:
https://en.wikipedia.org/wiki/Das_Judenthum_in_der_Musik

"Degenerate Music" (NS exhibition, 1938) – How Jxxs corrupted classical.
-
Judaea Contra Rome, Rome Contra Judaea, Audiobook:
https://www.bitchute.com/video/kL8OnNrs4W3p(1850/1869)
Richard Wagner, the towering genius of Germanic opera, penned Judaism in Music (Das Judenthum in der Musik) to diagnose the corrupting influence of Jews on European art. His thesis remains devastatingly relevant today—especially in our era of Hollywood degeneracy, atonal "music," and TikTok brainrot.

Wagner’s Core Arguments:
Jxxs Lack a True Connection to European Culture
"The Jxx speaks the language of the nation in which he lives, but he speaks it as a foreigner."
Jexxsh artists imitate but never create authentically.
Their "art" is rootless, mercantile, and devoid of folk soul (Volksgeist).
Jewxxh Music is "Shrill, Artificial, and Unnatural"
No organic development – Jexxsh compositions rely on mathematical tricks (like Kabbalah’s gematria) rather than inspiration from blood and soil.
"A creaking, squeaking, buzzing snuffle" – Wagner’s description of Jxxish singing.
Jexxxh Domination Corrupts Art into Commerce
"The Jxx controls our press, our criticism, and thus public taste."
Art becomes a commodity – Profit over beauty, shock value over meaning.

Wagner’s Prescription: Removal of Jexxxh Influence
Not "tolerance" or "assimilation" – Jxxs cannot authentically contribute to European high culture.
folkish art free from Jewxxh commercialism.
This was later realized in NS Germany.
Revival of Germanic myths (Wagner’s Ring Cycle as cultural foundation).
Wagner saw the future—a world where art is dead, replaced by noise. We must resurrect beauty.

Recommended:
Read Judaism in Music (Wagner, 1850) – Free PDF:
https://en.wikipedia.org/wiki/Das_Judenthum_in_der_Musik

"Degenerate Music" (NS exhibition, 1938) – How Jxxs corrupted classical.
-
Judaea Contra Rome, Rome Contra Judaea, Audiobook:
https://www.bitchute.com/video/kL8OnNrs4W3p