MUSIC
Pantaliamon
- 137 / 195
1
The Audio Files Ep. 20: Cocoa Beach: Space Age Beach Songs
1:44:26
2
EIGHTIES ODDITIES: When Weird Was Cool
2:04:41
3
1964 Chilling, Thrilling Sounds of the Haunted House
26:12
4
The Lion, the Witch and the Wardrobe | Full Audiobook 🎧 | C.S. Lewis | Grimoire Audiobooks
4:10:39
5
Culture Club - Karma Chameleon
3:58
6
Bonnie Tyler - Total Eclipse of the Heart
5:33
7
Alta Falls - Sun In My Eyes
3:16
8
Runnin Down A Dream American Girl Tom Petty
8:36
9
The Mysterious Mr Tesla
30:36
10
Jamiroquai - Virtual Insanity
10:04
11
Blue Foundation - Eyes On Fire
4:59
12
LIVE REPLAY: President Trump Participates in Middle East Peace Agreement Ceremony - 10/13/25
5:46:51
13
HEYDONMUSICPAGE "Latest Videos & Breaking News" 10.11.25
1:00:49
14
Animotion - Obsession
8:30
15
GOO GOO DOLLS - IRIS
6:27
16
Biden meets Meloni: "Everyone in?.. when she walked in the door, I played Ray Charles Georgia, now most of you don't know Ray Charles Georgia, but anyway..." everyone out!
1:27
18
Points Of Authority [Official HD Music Video] - Linkin Park
3:31
19
Given Up [Official Music Video] - Linkin Park
3:11
20
Bad Boy
3:07
21
Combichrist - Sent To Destroy
6:00
23
WE'RE TAKING OVER CHICAGO!!!😎🇺🇸⚡️⚡️⚡️
0:30
25
⛔️“Alzheimer’s is a physician CAUSED disease!!!
1:11
27
MARILYN MANSON IN «POLLITICALLY INCORRECT» (1997) (SUBS ESPANOL)
17:28
28
The Beach Boys - Wouldn't It Be Nice
5:12
29
PLANDEMIC
6:36:09
30
Who Controls Our Government?
0:53
31
Matt Walsh takes down Utah Gov Spencer Cox for Cancelling Women
7:56
32
10 Days in a Madhouse (2015)
1:50:26
33
Tore Says Show |Sparking your memory!
2:39:33
34
Robert Downey Jr. remained in character. 🎭🎬
0:40
35
The Audio Files Ep. 13: The British Invasion
1:33:31
36
Simple Sabotage Field Manual by the United States Office of Strategic Services OSS (CIA infiltration
58:51
37
ENG-Anon: "If" by Rudyard Kipling
3:52
38
CHAOS-The Manson Murders (2025), MK-ULTRA and Hollywood
31:40
39
Lefties Freakout as Rainbow Crosswalks Get Removed
7:29
40
Charlie Daniels - The Legend of Wooley Swamp
5:36
41
Johnny Cash - Ragged Old Flag
4:05
42
Anthrax - Sound of White Noise [Full Album] (1993) HD
57:14
43
Courtney Love singing "Creep" by Radiohead
3:38
44
Dolores O'Riordan - She had such A unique & beautiful voice
1:06
45
I Know What Boys Like (1982) | The Waitresses
3:14
46
Pretty Face (1983) | Stylóo
6:14
47
🎶 Video Killed the Radio Star (1997) | Ken Laszlo, Featuring Jenny | Dance Classics 🇮🇹 🪩
5:08
48
🎶 Danny Elfman Crushes Coachella (2022) | Weekend 2 Live 🤘🏻
1:07:22
49
🎶 First Two Hours of MTV 📺
2:19:28
50
🎶 Relax (1983) | The Last Seven Inches | Frankie Goes to Hollywood | 80s Dance Classics 🔥 🪩
3:33
51
🎶 Run Stop (1987) | Kissing the Kiss | Classic Italo Disco 🇮🇹 💃 🕺🏻 🪩
6:55
52
🎶 Bitter Sweet Symphony (Extended Version) (1997) | The Verve ⧞
7:49
53
📽️ Popcorn (1969) | The Ultimate Musical Experience 🎶 🍿
1:24:39
54
Working class hero 🤡Aa351
3:35
56
DE LA SOUL - VIDEO LP OCT '93
30:22
57
De La Soul - Me, Myself, & I
4:01
58
59
Before The Dawn ~ April Wine
4:29
60
Red Rider - Lunatic Fringe #MUSIC #NIGHTSHIFT
4:16
61
Emiliana Torrini & Pink ~ White Rabbit "Mash Up".....(Sucker Punch)
13:56
63
Eagles ~ Learn To Be Still.....(A Full Cover By "Done Again")
4:30
64
Tore Says Show |Sparking your memory!
7:08:57
65
No Quarter - Led Zeppelin (live)
10:29
66
HEADBANGERS BALL-EP 115: “The Tompkins Chronicles: The Legend of Edgar…”
1:53:32
67
Aja by Steely Dan ~ The Inner Spiritual Journey of the Kundalini to AJNA, the Third Eye
10:40
68
Tesla - Five Man Acoustical Jam (Live)
1:07:30
69
Farther Away - Evanescence (live)
4:43
70
Frank Zappa: School
1:39
71
Tortoise Beats Hare
7:56
72
Just Say Ozzy
30:10
73
Linkin Park - Hybrid Theory
45:58
75
Seether - The Surface Seems So Far
47:11
80
Clutch - Fortunate Son
5:18
81
Evanescence - “My Immortal” (Official Music Video) Amy Lee
4:32
82
Whisper - Evanescence (live)
5:32
83
ICEHOUSE - NO PROMISES
5:49
84
Shinedown - By The Dozen
47:02
85
Shinedown - The Sound Of Madness
59:41
86
Pastor Clarence Sexton- The Story of Donald Trump's Bible
4:45
87
It's Showtime! With BayTheaterDave! Ep. #4 - Movie Music!
2:15:00
88
Marilyn Manson nothing going to change the world
0:47
89
Some eerie scenes from the 1959 Disney film called,
1:55
90
WE'RE JUST GETTING STARTED!!!😎🇺🇸🥳🥳🥳
1:48
91
Talking Heads - Stop Making Sense = 1984
1:28:40
92
Garbage - Cologne 2002
52:27
94
Jefferson Airplane - Martha
4:12
95
Blow My Mind Light Is Faster Than Sound - Big Brother & the Holding Co.
8:56
96
Rudy - Supertramp
6:55
97
Inner Self - Sepultura
5:21
98
I'm In Touch With Your World - The Cars
3:38
99
Josie - Steely Dan
4:31
100
Mellow Yellow - Donovan
2:26
101
Horse Latitudes / Moonlight Drive - The Doors
4:35
102
Defining The Hoax & Debunking The Slop on Red Pill News Live
2:24:22
103
WHEN THE CHILDREN CRY - PUREBLOOD FILMS
5:15
104
Paul Young - Everytime You Go Away
4:20
105
L.A. Guns - The Ballad Of Jayne (Official Video)
4:19
106
Cinderella - Don't Know What You Got (Till It's Gone)
5:50
107
The Audio Files Ep. 9: America F#ck Yeah!
2:08:20
108
109
Hooking Up The Oberheim Strummer To Studio one Pro - HST Hook-Ups
12:41
110
The Story of The ARP Synth
1:51:16
112
The Jets - Crush On You
3:42
113
Are you lost in the world like me
2:29
114
ZAYN_-_Let_Me__Official_Video
4:09
115
Michael Jackson - Liberean Girl
3:49
116
“Liberian Girl” | 4K Resolution | Clear By: Michael Jackson
0:09
117
'Google Is Illuminati': David Bowie's Final Internet Post Eerily Prophesied 2023
8:34
118
David Bowie - Space Oddity = 1969
3:51
119
THE MOODY BLUES - QUESTION
6:14
120
Ultravox - Vienna
4:36
121
Cry For Me ~ Castle Rat
6:31
122
Aquarius ~ Mort Garson
2:17
123
Moebius (1979)
1:12:07
124
President Trump Participates in the 250th Anniversary of the U.S. Army Grand Military Parade
3:11:13
125
MIRACLE: CNN Talks Favorably About Trump For 6 Minutes Straight - SEGMENT 103
18:12:15
126
Telephone Line ~ Electric Light Orchestra
4:32
127
Little Fishes - The Claypool Lennon Delirium
6:07
128
Ask The Q
9:58
129
Mindrocker ~ Fenwyck
2:55
131
Pink Floyd - Live At Pompeii
1:20:20
132
LIVE REPLAY: President Trump Honors U.S. Army's 250th Anniversary With a Grand Military Parade - 6/14/25
5:52:04
133
Nine Inch Nails - The Hand That Feeds
5:43
134
Michael Moore 🥔🪠🧠...👉Bowling for Columbine - 2002
1:53:42
135
Sublime - Boss D.J.
4:44
136
Moving In Stereo The Cars
4:46
No Quarter Led Zeppelin
7:02
138
Lucky Man C'est La Vie Emerson Lake & Palmer
8:54
139
Foreigner - Break It Up = Bananas TV Show 1982
3:19
140
Eagles (Pan's People) - One Of These Nights = TOTP
2:52
141
How to make natural Hydroxychloroquine...
0:58
142
Dolla - Who The F*** Is That?
5:59
143
BOBAFLEX - BURY ME WITH MY GUNS ON
3:56
144
Dawn --- Knock Three Times
3:09
145
Emerson, Lake & Palmer --- Peter Gunn
4:37
146
The Beatles --- The Ballad Of John And Yoko
3:05
147
The Babys --- Every Time I Think Of You
3:53
148
Fleetwood Mac --- Tusk
3:41
149
The USA Billboard number ones of 1987 - part 1
1:00:22
150
Sailor --- Girls, Girls, Girls
3:10
151
Rare Earth --- Get Ready
2:58
152
Front 242 --- No Shuffle
3:58
153
The Animals --- The House Of The Rising Sun
4:40
154
Plastic Bertrand --- ça Plane Pour Moi
3:11
155
Lunatic Fringe Red Rider
4:36
156
Major Tom Slave To The Beat Ca Plane Pour Moi Plastic Bertrand
9:04
157
Jackson Browne, Eagles, David Lindley - Bright Baby Blues, Take It Easy = From Greeney
5:58
158
Michael Jackson-They Don't Care About Us
9:27
159
Let's Go ~ The Cars
3:32
160
Legends in our Time- President TRUMP Day One GOD WINS!- American Prophet 2022
7:41
161
Righteous Brothers - Unchained Melody.
3:28
162
Television - Foxhole = Live Music Video OGWT 1978 (78014)
4:05
163
Blondie - Denis = Early Live Music Video Performance Musikladen 1978 (78002)
2:12
164
Decoding State Capitol Buildings w/ Chris From Old World Exploration, 7pm EDT
2:51:44
165
IRON MAIDEN - RUN TO THE HILLS
8:18
166
Men At Work - It's A Mistake = Bananas 1983
2:59
167
Cream - Sunshine Of Your Love = Music Video Live Revolution Club 1967 (67002)
4:58
168
Uriah Heep - The Wizard = Music Video Live Performance 1972 (72019)
2:58
169
Roxy Music - Ladytron = Live Music Video OGWT 1972 (76015)
4:44
170
Mott The Hoople - Roll Away The Stone = Live Music Video TOTP 1972 (72013)
2:27
171
Electric Light Orchestra (with Roy Wood) - Whisper In The Night = Live Music Video Manchester Set Of Six 1972 (72005)
4:55
172
Patsy Cline - I Fall To Pieces = Live Music Video 1960 (60008)
2:45
173
January Jones - That Old Gang Of Mine = Scopitone Beach Music Video 1960 (60005)
2:48
174
Dalida - Cha Cha Cha = Rare Music Video 1960 (60002)
2:46
175
Boz Scaggs - Lowdown = Live Music Video Paramount Theater Oakland 1976 (76012)
3:57
176
Smokie - Living Next Door To Alice - Classic Music Video Dutch Television 1976 (76006)
3:12
177
Wham! - Wogan Interview = 1984
5:36
178
Village People - YMCA = Live Music Video American Bandstand 1978 (78018)
3:33
179
Vanilla Fudge - Eleanor Rigby (RO#) = Never Before Seen Music Video 1969 (69021)
3:08
180
Lucifer's Friend - Ride the Sky = Beat Club 1971 (71007)
2:47
181
The Doors - The Changeling = Iconic Soft Parade Footage 1971 (71005)
4:21
182
Feathers feat. David Bowie - Ching A Ling = Music Video 1969 (69023)
2:03
183
Slade - Look What You Dun = Glam Rock Music Video 1971 (71017)
2:54
184
The Nice - Hang On To A Dream = Beat Club Performance 1969 (69014)
7:17
185
Soft Machine - Moon In June = Live On Stage Bilzen 1969 (69012)
9:12
186
Omega - Gyongyhaju Lany = Music Video 1969 Great Song (69010)
3:57
187
Spooky Tooth - That Was Only Yesterday = Beat Club Performance 1969 (69001)
3:42
188
The Yardbirds - For Your Love = Rare Oldies Music Video 1965 (UK) (69007)
2:38
189
D.A.D. - Disneyland After Dark
5:03
190
Ce Soir - Femme Fatale = WDR 1984
3:44
191
Sarah Brightman - How Can Heaven Love Me
3:46
192
Dirty Laundry ~ Don Henley
8:04
193
Whatcha Gonna Do ~ Chilliwack
4:18
194
Mildred Pierce ~ Sonic Youth
2:07
195
Madrigal ~ Yes
2:52

No Quarter Led Zeppelin

4 months ago
76

No Quarter Album: Houses of the Holy (1973)
by Led Zeppelin

"No Quarter" is a song by English rock band Led Zeppelin that appears on their 1973 album Houses of the Holy. It was written by John Paul Jones, Jimmy Page, and Robert Plant. The song became a centerpiece at all Led Zeppelin concerts thereafter, until their final tour. It appears in both the film versions and both live album versions of The Song Remains the Same, released in 1976 and expanded in 2007. It appeared once more in 1994 on Page and Plant's reunion album as the title track. It also appears on Led Zeppelin's 2012 live album Celebration Day, which documented their 2007 reunion performance at the O2 Arena in London. It was re-released on the deluxe edition of Houses of the Holy.

Stålenhag spoke about his motivation behind The Labyrinth, his artistic process, and what it’s like seeing his work adapted into new mediums...

"The Labyrinth is the result of the last few years of me exploring a true post-apocalyptic setting for the first time. I did a dystopian setting with The Electric State [in 2018], and I think Tales from the Loop is almost... not utopian, but it’s definitely not dystopian. So with The Labyrinth, I really wanted to do something that was post-apocalyptic because nothing else felt relevant. Going back to the styles I’ve done in the past, it didn’t feel like I could indulge that kind of fantasy. It’s a feel-good thing, and I didn’t feel very good about the world. So doing those ash-covered landscapes was the only thing that felt relevant.

I start with the visual. It comes to me like dreams almost — that sounds pretentious — but like a vision. You get a visual idea that’s worth exploring, and then I start thinking about possible stories. I’ve seen people write stories about my pictures, and that’s pretty much what I do myself. I see the picture and then try to figure out what happens here or what could happen.

While doing that, I take a lot of notes. I usually write on the iPhones Notes app. My phone is filled with them. I write an idea for a character, then I go out for a walk and realize everything I wrote is wrong. But instead of changing that note, I make a new one so I constantly keep redoing it and trying to tell the story as a little synopsis over and over. It changes each time while I’m working on the visuals, so it’s two separate processes.

There’s a sketch phase where I do quicker sketches. I spend maybe two to three hours on a sketch so I get the colors, the composition, the tone. And then I do a series of maybe 10, 20, 30 of those with the same setting, same concept, but a progression, before I select one and spend maybe three to four days on it to make a final rendering.

In The Labyrinth, there’s all these ash landscapes. I did sketches and took photos of Stockholm and did paint-overs in Photoshop of those photos. I probably had 60 or so. It was variations on the same theme, so that became one section of the book.

Then I did all the interiors, that was a totally different process. For the interior research facility, I created very accurate 3D models of all these things, like the chairs and kitchen sink and the power sockets. I wanted it to be super real, existing stuff, super familiar. I couldn’t really do sketches because so much was depending on getting measurements.

All the painting is in Photoshop these days. I use a Wacom pen with the MobileStudio Pro. For the 3D modeling, I use an architectural program called SketchUp. For my next book, I’m using a terrain simulation tool to create sand dunes and natural patterns that are mathematically calculated. That’s something I’ve been wanting to do for a long time. Those 3D environments become a basis for a painting in Photoshop. It’s part of the job to explore new technologies to find new imagery.

I never read comic books. I wasn’t a comic book fan. When I started drawing as a kid, I was captured by paintings and naturalist painters who did very accurate renderings of birds and stuff like that. I always felt the comics I read here in Sweden were a bit sloppy. I’m just gonna shit on a whole line of work… Not that the artists were bad, but you can see they had to work fast.

I always felt like doing a graphic novel that way, where you have a lot of different panels, I couldn’t do it with the kind of accuracy I wanted in terms of getting the whole environment, the whole atmosphere, and every little detail.

To me, the environment and the mood was much more important than sequences. I also really liked poetry and stuff that has a more fragmentary dream-like quality to it. That was something that inspired me in terms of the prose. So I felt that you could probably do something with that — having these keyhole moments rendered, and having a text that is also a keyhole moment into a bigger world that you don’t get to see.

It’s almost like a short film where you get a glimpse of something bigger but you don’t spoil it by giving away too much.

Sometimes I feel like I hate my own aesthetic. I’ve seen it so much. But also, it’s so flattering to be part of an aesthetic movement and when people are influenced by my work.

It’s really a complex situation where… I always have been very personal. I can’t change that much. I try to do different things, but to do something completely different I’d have to change into a different person, and I can’t.

So I’m kind of scared that if I’m part of a trend, that trend will pass, but I won’t pass. I’m still gonna be me, and I’m getting older. I’m already thinking of those things, like I have to prepare for being irrelevant, basically, and not try to outsmart myself.

It is hard to not be affected by it, but you don’t have much of a choice when it comes to things that appeal to you.

I think most of it’s the ’80s references. I wish it was more about the personal stuff, but I think that was just good timing.

When I studied game design, one of the projects we did was create concepts for a game, and my concept was to make a game set in mid-’80s small-town America with kids on BMX bikes and the government and some alien creatures. It was very much like Stranger Things, and this was in 2008. So that was obviously something that a lot of people were thinking about. We grew up watching E.T., and everybody was nostalgic about those films and music.

There’s a weird coincidence in that it features police brutality and face masks — it has nothing to do with COVID or the protests in the US. I did it before they broke out. And that made me feel like I was afraid people might see this as a cheap exploitation of real-world events.

There are a lot of faceless enforcers of state violence. That’s a theme in The Labyrinth. While doing this, those images started pouring in from the protests in the US. When I started thinking about it, it was from protests in Spain in 2016 or 2017, I remember thinking it’s so weird that a democracy can have these thugs on the payroll to do these things.

For me, visually, that’s a crack in the facade. So I started exploring the visuals of that to design the uniforms and equipment used in the book, the scenes that featured those elements and violence. It felt really weird when I really saw stuff in the news... reality is worse than your imagination.

Ah, it’s such a broad name. There’s many Labyrinths. But it is a reason to call it Simon Stålenhag’s The Labyrinth. I always wanted that. Like John Carpenter’s The Thing. I can have my own, this is my Labyrinth. There’s a lot of labyrinths visually in this — a game this kid is playing is a labyrinth. I was aware of that legendary film, so I tried to come up with a different name. But I just felt like this is a labyrinth. It has to be The Labyrinth."

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