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Night of the Demon (1957) | Directed by Jacques Tourneur

The Lost Missile (1956) | Directed by William Berke

Liane Jungle Goddess (1956) | Directed by Eduard von Borsody

Guns Girls and Gangsters (1959) | Directed by Edward L. Cahn

The Phantom from 10,000 Leagues (1955) | Directed by Dan Milner

Tight Spot (1955) | Directed by Phil Karlson

Summertime (1955) | Directed by David Lean

I Died a Thousand Times (1955) | Directed by Stuart Heisler

The Court-Martial of Billy Mitchell (1955) | Directed by Otto Preminger

Violent Saturday (1955) | Directed by Richard Fleischer

Hondo (1953) | Directed by John Farrow

High Noon (1952) | Directed by Fred Zinnemann

Powder River (1953) | Directed by Louis King

Cell Block 11 (1954) | Directed by Don Siegel

Bright Victory (1951) | Directed by Mark Robson

Court Martial / Carrington V.C. (1954) | Directed by Anthony Asquith

All About Eve (1950) | Directed by Joseph L. Mankiewicz

The Maze (1953) | Directed by William Cameron Menzies

Sangaree (1953) | Directed by Edward Ludwig

The City That Never Sleeps (1953) | Directed by John H. Auer

Top of the Form (1953) | Directed by John Paddy Carstairs

A Day to Remember (1953) | Directed by Ralph Thomas

The Tall Texan (1953) | Directed by Elmo Williams

The Neanderthal Man (1953) | Directed by Ewald André Dupont

Terror on a Train (1953) | Directed by Ted Tetzlaff

Beat the Devil (1953) | Directed by John Huston

Turn the Key Softly (1953) | Directed by Jack Lee

Bright Road (1953) | Directed by Gerald Mayer

Split Second (1953) | Directed by Dick Powell

The Kidnappers (1953) | Directed by Philip Leacock

The Great Jesse James Raid (1953) | Directed by Reginald Le Borg

Law and Order (1953) | Directed by Nathan Juran

Terminal Station (1953) | Directed by Vittorio De Sica

The Naked Spur (1953) | Directed by Anthony Mann

Knights of the Round Table (1953) | Directed by Richard Thorpe

The Sea Shall Not Have Them (1954) | Directed by Lewis Gilbert

They Who Dare (1954) | Directed by Lewis Milestone

Ulysses (1954) | Directed by Mario Camerini

King Richard and the Crusaders (1954) | Directed by David Butler

Carnival Story (1954) | Directed by Kurt Neumann

River of No Return (1954) | Directed by Otto Preminger

Final Appointment (1954) | Directed by Terence Fisher

The Angel Who Pawned Her Harp (1954) | Directed by Alan Bromly

Operation Manhunt (1954) | Directed by Jack Alexander

Doctor in the House (1954) | Directed by Ralph Thomas

Siege at Red River (1954) | Directed by Rudolph Maté

High Lonesome (1950) | Directed by Alan Le May

Target Earth (1954) | Directed by Sherman A. Rose

The Black Rider (1954) | Directed by Wolf Rilla

The Outcast (1954) | Directed by William Witney

Sitting Bull (1954) | Directed by Sidney Salkow

A Woman's World (1954) | Directed by Jean Negulesco

Gorilla at Large (1954) | Directed by Harmon Jones

A Bullet Is Waiting (1954) | Directed by John Farrow

A Life at Stake (1954) | Directed by Paul Guilfoyle

The Mad Magician (1954) | Directed by John Brahm

Ma and Pa Kettle at Home (1954) | Directed by Charles Lamont

Hiawatha (1952) | Directed by Kurt Neumann

Ace in the Hole (1951) | Directed by Billy Wilder

Naked Alibi (1954) | Directed by Jerry Hopper

The Blue Gardenia (1953) | Directed by Fritz Lang

Private Hell 36 (1954) | Directed by Don Siegel

Tower of London (1951) | Directed by Lew Landers

The Enforcer (1951) | Directed by Bretaigne Windust

The Texas Rangers (1951) | Directed by Phil Karlson

Cattle Drive (1951) | Directed by Kurt Neumann

Leave It to the Marines (1951) | Directed by Sam Newfield

Assignment – Paris (1952) | Directed by Robert Parrish

The Silver Chalice (1954) | Directed by Victor Saville

Demetrius and the Gladiators (1954) | Directed by Delmer Daves

The Robe (1953) | Directed by Henry Koster

Désirée (1954) | Directed by Henry Koster

Beau Brummell (1954) | Directed by Curtis Bernhardt

The Caine Mutiny (1954) | Directed by Edward Dmytryk

The Savage Horde (1950) | Directed by Joseph Kane

Woman on the Run (1950) | Directed by Norman Foster

The Black Rose (1950) | Directed by Henry Hathaway

The Furies (1950) | Directed by Anthony Mann

At War with the Army (1950) | Directed by Hal Walker

Home Town Story (1951) | Directed by Arthur Pierson

I'll Never Forget You (1951) | Directed by Roy Ward Baker

Bullfighter and the Lady (1951) | Directed by Budd Boetticher

Angels in the Outfield (1951) | Directed by Clarence Brown

D.O.A. (1950) | Directed by Rudolph Maté

Robinson Crusoe (1954) | Directed by Luis Buñuel

Long John Silver (1954) | Directed by Byron Haskin

Boots Malone (1952) | Directed by William Dieterle

The Paradine Case (1947) | Directed by Alfred Hitchcock

Man in the Dark (1953) | Directed by Lew Landers

711 Ocean Drive (1950) | Directed by Joseph M. Newman

Drive a Crooked Road (1954) | Directed by Richard Quine

Sabrina (1954) | Directed by Billy Wilder

Stranger on Horseback (1954) | Directed by Jacques Tourneur

The Far Country (1954) | Directed by Anthony Mann

Francis Joins the WACS (1954) | Directed by Arthur Lubin

On the Waterfront (1954) | Directed by Elia Kazan

Night People (1954) | Directed by Nunnally Johnson

Them! (1954) | Directed by Gordon Douglas

Rear Window (1954) | Directed by Alfred Hitchcock

Hell's Half Acre (1954) | Directed by John H. Auer

Dial M for Murder (1954) | Directed by Alfred Hitchcock

Creature from the Black Lagoon (1954) | Directed by Jack Arnold

The Shanghai Story (1954) | Directed by Frank Lloyd

Cry Vengeance (1954) | Directed by Mark Stevens

Rawhide (1951) | Western film directed by Henry Hathaway

Ambush at Tomahawk Gap (1953) | A Western film set in the post-Civil War era

Fear and Desire (1953) | American war film directed by Stanley Kubrick

The Clouded Yellow (1950) | British film noir thriller directed by Ralph Thomas

I'll Get You (1952) | A gripping espionage thriller directed by Seymour Friedman

The Gunfighter (1950) | A classic Western film directed by Henry King

Convicted (1950) | A crime drama film directed by Henry Levin

Spy Hunt (1950) | American adventure film directed by George Sherman

The House by the River (1950) | Film Noir directed by Fritz Lang

The Snows of Kilimanjaro (1952) | American adventure film directed by Henry King

Outside the Wall (1950) | directed by Crane Wilbur

David and Bathsheba (1951) | Biblical epic film directed by Henry King

When Willie Comes Marching Home (1950) | Directed by the legendary John Ford

Ruby Gentry (1952) | Southern Gothic melodrama directed by King Vidor

Diplomatic Courier (1952) | American film noir directed by Henry Hathaway

One Way Street (1950) | Film noir crime drama directed by Hugo Fregonese

The Capture (1950) | Western film directed by John Sturges

Sea Devils (1953) | British-American adventure film directed by Raoul Walsh

Pickup (1951) | Film noir directed by Hugo Haas

Quicksand (1950) | Film noir directed by Irving Pichel

Bad for Each Other (1953 ) | American drama film directed by Irving Rapper

The King of the Khyber Rifles (1953) | An adventure film directed by Henry King

Those Redheads from Seattle (1953) | American musical film directed by Lewis R. Foster

Train to Tombstone (1950) | Western film directed by William Berke

The Admiral Was a Lady (1950) | Directed by Albert S. Rogell

Stalag 17 (1953) | Directed by Billy Wilder

Mister 880 (1950) | A charming comedy-drama directed by Edmund Goulding

Western Pacific Agent (1950) | A crime drama directed by Sam Newfield

Outlaw Women (1952) | Directed by Sam Newfield & Ron Ormond

5 Fingers (1952) | American spy film directed by Joseph L. Mankiewicz

Gone to Earth (1950) | British romantic drama film directed by Michael Powell & Emeric Pressburger

For Men Only (1952) | American comedy film directed by Paul Henreid

Green Grow the Rushes (1951) | British comedy film directed by Derek N. Twist

The Turning Point (1952) | British drama film directed by Michael Relph

Whirlpool (1950) | Film noir directed by Otto Preminger

There's No Business Like Show Business (1954) | Directed by Walter Lang

Man Bait (1952) | Directed by Terence Fisher

The Woman in Question (1950) | Directed by Anthony Asquith

Fingerprints Don't Lie (1951) | American crime drama film directed by Sam Newfield

Actors and Sin (1952) | American comedy-drama film directed by Ben Hecht and Lee Garmes

The Bigamist (1953) | American drama film directed by and starring Ida Lupino

Three Guys Named Mike (1951) | A romantic comedy film directed by Charles Walters

Rocketship X-M (1950) | American science fiction film directed by Kurt Neumann

Lost Continent (1951) | American science fiction film directed by Sam Newfield

Between Midnight and Dawn (1950) | American crime drama film noir directed by Gordon Douglas

The House on Telegraph Hill (1951) | American film noir directed by Robert Wise

The Mob (1951) | A film noir directed by Robert Parrish

The Ring (1952) | American film noir directed by Kurt Neumann

Vicki (1953) | American film noir directed by Harry Horner

Red Planet Mars (1952) | American science fiction film directed by Harry Horner

Invasion, U.S.A. (1952) | American Cold War-era film directed by Alfred E. Green

Sherlock Holmes : The Case of the Red-Headed League (1953)

Planet Outlaws (1953) | American science fiction film directed by Fred C. Brannon

Phantom from Space (1953) | American science fiction film directed by W. Lee Wilder

Francis Covers the Big Town (1953) | American black-and-white comedy film directed by Arthur Lubin

Francis Goes to the Races (1951) | American black-and-white comedy film, directed by Arthur Lubin

Air Cadet (1951) | American war film directed by Joseph Pevney & starring Rock Hudson

The Lemon Drop Kid (1951) | American comedy film directed by Sidney Lanfield

Hoodlum Empire (1952) | Directed by Joseph Kane

Captain Pirate (1952) | Directed by Ralph Murphy

Kentucky Jubilee (1951) | Directed by Ron Ormond

Storm Warning (1950) | Directed by Stuart Heisler

Masterson of Texas (1954) | Directed by William Castle

Silver Lode (1954) | Directed by Allan Dwan

Garden of Evil (1954) | Directed by Henry Hathaway

Fangs of the Wild (1954) | Directed by William F. Claxton

Beneath the 12-Mile Reef (1953) | Directed by Robert D. Webb

Bait (1954) Directed by Hugo Haas

Alaska Seas (1954) | Directed by Jerry Hopper

Oklahoma Annie (1952) | Directed by R.G. Springsteen

Black Tuesday (1954) | Directed by Hugo Fregonese

Tobor the Great (1954) | Directed by Lee Sholem

They Rode West (1954) | Directed by Phil Karlson

The Pickwick Papers (1952) | Directed by Noel Langley

Shield for Murder (1954) | Directed by Edmond O'Brien and Howard W. Koch

Southwest Passage (1954) | Directed by Ray Nazarro

Make Me an Offer! (1954) | Directed by Cyril Frankel

The Girl Next Door (1953) | American musical comedy film directed by Richard Sale

The Desert Fox: The Story of Rommel (1951) | Biographical war film directed by Henry Hathaway

Blowing Wild (1953) | American adventure drama film directed by Hugo Fregonese

Road Show (1941) | Directed by Hal Roach

The Last of the Comanches (1953) | Western film directed by Andre DeToth

The Jackpot (1950) | Directed by Walter Lang

The Raging Tide (1951) | A film noir crime drama directed by George Sherman.

Four in a Jeep (1951) | A drama film directed by Leopold Lindtberg

Two Flags West (1950) | A Western war film directed by Robert Wise

Indian Uprising (1952) | A Western film directed by Ray Nazarro

Bugles in the Afternoon (1952) | A Western film directed by Roy Rowland

The Red Beret / Paratrooper (1953) | British war film directed by Terence Young

The Hitch-Hiker (1953) | Directed by Ida Lupino

All American (1953) | A sports comedy-drama that follows the journey of Nick Bonelli

The Broken Horseshoe (1953) | British crime drama film directed by Martyn C. Webster

Mantrap (1953) | British crime film directed by Terence Fisher

Pickup on South Street (1953) | Directed by Samuel Fuller

Deadline USA (1952) | Directed by Richard Brooks

Assignment – Paris (1952) | Directed by Robert Parrish
Assignment – Paris is a Cold War-era spy thriller that follows American journalist Jimmy Race, who is sent to Budapest on a routine assignment by his Paris-based newspaper. Once there, he becomes entangled in a dangerous plot involving espionage, political manipulation, and a scheme to frame him for subversive activity. As tensions mount, Race must navigate a web of deceit and international intrigue in order to clear his name and uncover the truth.
Genre: Spy Thriller, Drama
Director: Robert Parrish
Robert Parrish was an American film director, editor, writer, and former child actor. Born in 1916, he began his Hollywood career early, appearing in silent films and later transitioning to film editing. He won an Academy Award for Best Film Editing for Body and Soul (1947) before moving into directing in the 1950s. Parrish was known for his crisp storytelling and ability to bring a hard-edged realism to dramas and thrillers. His directing career spanned several decades and included a mix of action films and character-driven stories.
Star Cast:
- Dana Andrews as Jimmy Race
- Märta Torén as Jeanne Moray
- George Sanders as Nicholas Strang
- Audrey Totter as Sandy Tate
- Sandro Giglio as Gabor Czeki
- Herbert Berghof as Andre
- Donald Randolph as Anton Borvich
- Ben Astar as Colonel Szabo
Assignment – Paris received a modest reception upon its release. Audiences appreciated its timely Cold War theme and European settings, particularly the atmosphere created by location shooting in Paris. Critics considered it a solid but formulaic spy drama, with particular praise for Dana Andrews’ performance as the dogged reporter. The film found a niche audience among fans of postwar political thrillers.
Fun Facts:
- The film was originally slated to be directed by Phil Karlson, but he was replaced by Robert Parrish during production.
- Some exterior scenes were filmed on location in Paris, which helped lend authenticity to the setting.
- Märta Torén, a Swedish actress often compared to Ingrid Bergman, plays the female lead; she died tragically young, just a few years after the film's release.
- George Sanders, known for his suave and sardonic screen presence, added gravitas to the role of the newspaper editor entangled in political affairs.
- The film is a good example of early 1950s Hollywood engagement with the Cold War, portraying Eastern Europe as a tense and oppressive environment.
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