The Desperate Bicycles - Peel Session 1978..

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John Robert Parker Ravenscroft OBE (30 August 1939 – 25 October 2004), better known as John Peel, was an English radio presenter and journalist. He was the longest-serving of the original disc jockeys on BBC Radio 1, broadcasting regularly from 1967 until his death in 2004.
Peel was one of the first broadcasters to play psychedelic rock and progressive rock records on British radio. He is widely acknowledged for promoting artists of many genres, including pop, dub reggae, punk rock and post-punk, electronic music and dance music, indie rock, extreme metal and British hip hop. Fellow DJ Paul Gambaccini described Peel as "the most important single person in popular music from approximately 1967 through 1978. He broke more important artists than any individual."[1]
Peel's Radio 1 shows were notable for the regular "Peel Sessions", which usually consisted of four songs recorded by an artist in the BBC's studios, often providing the first major national coverage to bands that later achieved fame. The annual Festive Fifty countdown of his listeners' favourite records of the year was a notable part of his promotion of new music.
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The Desperate Bicycles were an English punk band from London formed in 1977. They released a series of independent recordings through their own label Refill Records in the late 1970s, encouraging and inspiring many other bands to do likewise. The Desperate Bicycles pioneered the do-it-yourself ethic of punk, adopting a proselytising role exemplified by their ardent exhortation: "it was easy, it was cheap – go and do it!". The group have been described as "DIY's most fervent evangelists".[1]

History
The Desperate Bicycles formed in March 1977 "specifically for the purpose of recording and releasing a single on their own label".[2] The band initially consisted of Nicky Stephens (keyboards), Roger Stephens (bass), Danny Wigley (vocals), Mel Oxer, (drums) and Paul LeClerc (guitar).[3] The band's name derives from a passage in J. B. Priestley’s 1930 novel Angel Pavement:[4]

Turning into Angel Pavement from that crazy jumble of buses, lorries, drays, private cars, and desperate bicycles…

In October 1978 vocalist Danny Wigley expressed the motivation driving the Desperate Bicycles' independent stance: "The biggest hurdle is just believing you’ve still got some control over your life, that you can go out and do it".[3]

First single
In March 1977 the Desperate Bicycles booked a studio at Dalston in East London to record their first single. The band possessed only an amp and a bass-guitar and the studio supplied the other instruments and equipment; "with a lot of courage and a little rehearsal" they recorded two songs, "Smokescreen" and "Handlebars".[2] The first record was released in August 1977 as an edition of 500 pressings on the band's own Refill Records label. The records cost £153 to produce, which comprised the three hours studio time, the price of pressing and the sleeves. The record was unusual in that it featured the same tracks on both sides and was a mono recording. The song "Handlebars" ends with the Desperate Bicycles' strident DIY rallying cry "it was easy, it was cheap - go and do it!". Roger Stephens and Danny Wrigley hawked the "Smokescreen" single around the small independent record shops, and distributors such as Virgin and Rough Trade. The first pressing sold out within four months resulting in a profit to the band of £210. Using this money a second pressing of 1,000 was made, which sold out in a fortnight. The profit from that was used to finance the pressings of the Desperate Bicycles' second single.[3]

Second single
The drummer and guitarist had left the band soon after the recording of the "Smokescreen" single, with the drummer being replaced by Dave Papworth, then aged 14 years. The new line-up went back to the studio in June 1977 and recorded another two songs, "The Medium was Tedium" and "Don't Back the Front". The second single was released in February 1978 in a pressing of 1,000 and sold out in a week. "The Medium was Tedium" incorporates "it was easy, it was cheap - go and do it!" as a refrain, urging others to follow the band's example. "Don't Back the Front" contains the lines: "cut it, press it, distribute it / Xerox music's here at last". For the Desperate Bicycles 'do-it-yourself' "meant the overthrow of the establishment music industry through people seizing the means of production, making their own entertainment, and selling it to other creative and autonomous spirits".[1] With the profit from their second single the group pressed a further 2,500 copies of each of their singles, and also purchased some more equipment.[3]

Early gigs and subsequent recordings
In the second half of 1977, with a single in the market-place, the Desperate Bicycles were invited to perform at Eric's Club in Liverpool. The band were unprepared for a live gig – "Our first purpose was just to make and sell records". But with characteristic enthusiasm and persistence they re-learnt the songs they had recorded and wrote a batch of new ones. They set up a rehearsal room at 106 Erlanger Rd, New Cross in South London in order to practice the new material. This was in the basement and sound proofed with cardboard eggboxes. On New Year's Eve 1977 the Desperate Bicycles hired a van and drove to Liverpool for their first gig at Eric's Club.[3] The New Cross, New Cross EP, consisting of six of the additional songs they had written, was released in May 1978.[5]

The Desperate Bicycles performed sporadically in 1978, including a Rock Against Racism benefit with Sham 69.[3] In July that year they released another single.