Premium Only Content
Ep 035 Sacred Markings: Cody Tolmie on Indigenous Tattoo Art, Healing, and Visual Sovereignty
Can tattoos be more than just body art? Join us for an eye-opening conversation with Cody Tolmie, who shares his deep connection to Indigenous tattoo artistry and cultural practices. From his involvement in the Nlaka'pamux Blackwork project to spontaneous skin stitch experiences, Cody's journey unveils the profound trust and excitement of becoming a canvas for these sacred markings. We discuss the historical and genealogical significance of each tattoo, emphasizing the powerful bonds they create within the community.
Ever wondered about the healing power of tattoos? We explore how Indigenous tattooing offers grounding and emotional release, highlighting the physical and emotional challenges that accompany the process. Cody reflects on the sense of comfort found in natural surroundings and the personal growth unlocked through enduring pain. We also touch on the historical context of tattooing as a medical practice, offering a unique perspective on its transformative potential.
Our conversation extends beyond tattoos to contemporary Indigenous sculptural practices and the concept of visual sovereignty. Cody’s journey from formal art education to exploring cultural artifacts in museum collections reveals the importance of respecting origins and maintaining cultural heritage. We discuss the impact of natural disasters on cultural items and the importance of integrating traditional designs into modern life to ensure their relevance. This episode paints a vivid picture of how traditional art forms continue to shape and enrich our cultural narratives.
I hope you have enjoyed this episode, and I am excited to travel the world of Indigenous tattooing with you as we visit with friends and colleagues from across the globe doing the work.
You can find Cody at:
Instagram @ctolemy
Check out my tattoo work at:
https://www.consumedbyink.com
Instagram @dionkaszas
Buy me a Coffee at:
https://ko-fi.com/transformativemarks
I acknowledge the support of the Canada Council for the Arts
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