Our World In Psychedelic 1960s Acid Rock Music 1983 (A Merman I Should Turn To Be)

We Welcome You To Your Own Mind To A Mesmerizing Psychedelic Epic Psychedelic Odyssey Innovative Spirit And Artistic Vision. Acid Rock Archives. In the realm of Jimi Hendrix’s Electric Ladyland (1968), “1983… (A Merman I Should Turn to Be)” stands out as a mesmerizing psychedelic epic. This 13-minute masterpiece showcases Hendrix’s innovative use of tape loops, jazz fusion, and surreal lyrics, transporting listeners to a world of sonic experimentation.

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Anti-War and Environmental Themes

The song’s lyrics, often interpreted as an anti-war statement, allude to nuclear devastation and the desire to escape the chaos. The title, “1983… (A Merman I Should Turn to Be),” suggests a longing to transform into a sea creature, symbolizing a desire to flee the impending apocalypse and find solace in the ocean’s tranquility. This theme is reinforced by the lines “So my love Catherine and me decide to take our last walk thru the noise to the sea.”

Influences and Collaborations

The track features Chris Wood, flautist from the band Traffic, adding to the song’s ethereal quality. Hendrix’s own guitar work, with its characteristic blend of blues, rock, and psychedelia, creates a rich tapestry of sound. The song’s structure, with its use of backwards tape loops and jazz-inspired rhythms, demonstrates Hendrix’s fascination with experimentation and pushing the boundaries of rock music.

Legacy and Impact

“1983… (A Merman I Should Turn to Be)” has been praised by critics and fans alike, with many considering it a highlight of Electric Ladyland. The song’s influence can be heard in subsequent psychedelic and progressive rock movements, cementing its place as a landmark of 1960s acid rock music.

In Conclusion

“1983… (A Merman I Should Turn to Be)” is a groundbreaking psychedelic odyssey that showcases Jimi Hendrix’s innovative spirit and artistic vision. This epic track continues to captivate listeners with its haunting beauty, thought-provoking themes, and groundbreaking musical experimentation.

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We Also Love Old U.S.A. And British 1960's Psychedelic-Acid Rock-Heavy Metal Music And Old Hippie And Beatnik Movie. With Help From Are Hippie Friend Prof. Randles Psychedelic Thompkins Age 72 Now At Northwest Profiles: Acid Rock Archives A True Hippie Music Story. We Love The Outdoors And Nature And Wild Flowers And We Cool Off In The Summer Time And We Like Swimming Etc.

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Welcome To The New World Order - The Year Zero - The Real Origin of the World - National Anthem of the United States of America and Confederate States of America National Anthem and New World Order National Anthem Is "The Ostrich" Lyrics by Steppenwolf from the album 'Rest In Peace' 1967-1972 A.C.E. The Conspiracy to Rule Your Mind chronicles how the ruling elite have established global domination and the ability to effect the thoughts, decisions, and world view of human beings across the globe by systematically infiltrating the media, academia, industry, military and political factions under the guise of upholding democracy. Learn how this malevolent consortium has dedicated centuries to realize an oppressive and totalitarian rule through any means necessary, not limited to drug trafficking, money laundering, terror attacks and financial crisis within the world economy.

Worldwide tyranny is already in full effect, the food we eat and the air we breathe are not off limits. Will we be able to stop this madness before we become an electronically monitored, cashless society wherein ever man, woman and child is micro chipped? We live in the world where sex is free and love costs, where losing a phone is scarier than losing morale, where it is fashionable to get drunk and using drugs, because if you don’t do that, you’re old and out, where men cheat on their wives with girls and if they don’t, it’s for fear of being caught, where girls are more afraid of being pregnant than getting AIDS, where pizza delivery is faster than an ambulance, where clothes decide a person’s value and money is more important than friends and family... This is not my world. Where has my true world gone? The New World Order Is Upon Us - Preserve Your Liberty By Being Prepared ! - We The People of the New World Order Thank You.

Thanks For Calling and Remember the U.S. Government Leave No Witnesses Alive Behind Them. If You See Fraudulent or Criminal Activities by U.S. Government. Please Call Us (ASAP) So We Can Send Someone Out To Kill You! Thanks Again For Calling.

In 1984 Tried To Warn Us We The People About Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. If you want a picture of the future, imagine a boot stamping on a human face forever. This Information Is For Everyone To See The Real Truth Today. Thank You For Watching All Are Video's In 2024.

https://rumble.com/playlists/FNpcDiUtxZM - We Love Old U.S.A. And British 1960's Psychedelic-Acid Rock-Heavy Metal Music And Old Hippie And Beatnik Movie.

A World Wide Rumble Day Of True World Peace 2024 This Is Most Important Video You Will Ever See In Your Life Time In This World Today Let All Live In World Peace! Learn About The Most Important Things In Life And Why They Are Essential To Achieve Happiness And Fulfilment In World Of Love, Mind & Body.

In today’s digital world, many of us are thrown by social status, materialistic items and luxuries – and how can you blame us? We are constantly being shown that the image of perfection includes these things, with edited Instagram images and reality TV shows highlighting the elite. In reality, however, status, designer products and expensive items are worth nothing; they won’t make you happy nor healthy. So, regardless of where you are in the world, the most important things on your list should include the following.

1. Health
importance of health in life Being healthy is the single, most important part of our existence – without good health, our lives can be cut short. That said, it’s important not to take good health for granted and feed our bodies nutrients that they deserve by eating a balanced diet and engaging in regular physical activity. According to the US Department of Health and Human Services (HSS), by maintaining a healthy lifestyle, you can ‘reduce your risk of chronic diseases (like heart disease and cancer), and promote your overall health.’

2. Family
While you may sometimes argue and get annoyed with your family, they are your unit and the ones that you can turn to in times of happiness and sorrow. No matter what you go through with your family, they will always be there to guide and support you and to help you learn and grow as a person. The love from a family member is unconditional and should not be taken for granted. Some people go through life without truly appreciating just how important having their family’s support is and spend the majority their existence feeling unhappy. So, if you don’t usually show your family how much they mean to you, now is the time to start!

3. Friends
Just like family, friends are a vital part of our existence and happiness. They are people that can share the best parts of your life with you and will be there as a confidant when you need to talk about personal issues. While real friends are hard to come by, most will have a handful of trusted friends that they can rely on. And even though you may outgrow certain friends during different stages of your life, you will have opportunities to form new relationships with people that you come across.

4. Love
Love is the epicenter of every aspect of your life – it doesn’t just relate to having a partner. You will love your partner in a unique way, but you will also have unchangeable affection for your family and friends. Love is also the feeling that will drive you throughout your career, extracurricular activities, interests and hobbies. Moreover, you will experience love in its varying forms; you may go on holiday and fall in love with a particular city, cuisine or culture. What’s vital is that you embrace everything that you love and enjoy.

5. Purpose
Looking for purpose in life Having a purpose is a fundamental component of living a fulfilling life. Without purpose, we won’t have the motivation to achieve great things or even do something simple such as getting out of bed in the morning. According to psychologist Steve Taylor, not having a purpose ‘makes us more vulnerable to boredom, anxiety, and depression.’ Meanwhile, having a strong sense of purpose can have a positive effect on our lives. If you take a page out of the books of successful entrepreneurs, most of them made it by having a drive and a sense of purpose. They worked hard because they were confident of what they could achieve – and this purpose is something that we need to follow to feel accomplished in life.

6. Passion
Along with purpose comes passion; our desires, our dreams and our hopes in life. When you’re passionate about something, you’re going to work hard to achieve it. For example, I was a self-established makeup artist, but her passion for cosmetics pushed her to build a beauty empire that’s now worth over $600 million. That said, passion looks different for everyone; some people will be passionate about giving back to society, while others will have a passion for personal gain. Just ensure that your passion is for a good cause and that it brings joy not only to yourself but to others, too.

7. Wellness
Besides having a healthy body, it’s essential to have a healthy mind also! Luckily, we live in a time where mental wellbeing is at the forefront, and those who struggle with any mental health disorders are being given the treatment and care that they need to lead a happy life. That said, there are many ways that you can improve your wellbeing. Find activities that help you relax; whether it’s meditating daily, listening to a motivational podcast or simply going for a walk to gather your thoughts. Whatever method you choose, ensure that your wellbeing is at the forefront of each of these activities.

8. Education
Having a good education will help you progress in life. This doesn’t necessarily mean that you must complete higher education to be successful. What it does mean is that you should continue to learn new things on a daily basis. The method of education is entirely up to you – you might want to watch an education video, documentary or film; read a book or the news. What is important is the knowledge you gain from your education and how you choose to apply it within your life.

9. Time
Having the ability to value time really matters in life. Time is precious and priceless, and it should be taken advantage of. When we have a better understanding of time, we can form good habits and structure our daily activities. We can do things that will help us progress and also schedule time to spend with family, friends and hobbies.

10. Water
vital and clean water Water is the most critical part of survival – without clean water, we wouldn’t be able to live. Our bodies are made up of up to 60% of water, and it’s used in all our cells, organs, and tissues to help regulate our temperature and maintain other bodily functions. Therefore, to ensure that we aren’t dehydrated and at risk of falling ill, we need to drink at least six glasses of water per day.

11. Food
While food can be an indulgence and a hobby, it’s also a necessary part of our existence. Our body will need carbohydrates, protein, fat, minerals and vitamins to function and stay healthy. So, to maintain our health, we need to rely on a healthy and balanced diet.

12. Sleep
Sleep also plays a vital role in our physical and mental wellbeing. As reported in Healthline, ‘Sleeping less than 7–8 hours per night is linked to an increased risk of heart disease and stroke.’ But lack of sleep doesn’t only put our health at risk, as it also has a negative effect on our mood. Ever noticed how you’ve been grouchy and irritable when you’ve not had enough sleep? That’s because poor sleep quality is directly linked to mental health disorders like depression and anxiety.

13. Music
Have you ever had tears spring to your eyes when you hear a certain song? I know I have. Music, in all its forms, is beautiful. It has the ability to bring people together, as it's a universal language that everyone can understand. No matter what culture you come from, music can unite us all. It has the power to evoke emotions and memories, like making you think of your wedding or a road trip you took as a child. It can make us laugh, cry, and dance, which is why it truly is one of the most important things in life.

14. Money
Sadly, money is also one of the most important things in our lives. Money gives us the ability to buy the things we need, like food and shelter. It also allows us to purchase the things we want, like a new car or a nice vacation. Money also gives us a sense of security. For example, if you have money in the bank, you know that you can cover your basic living expenses if you suddenly lose you job. In short, money is essential for a happy and comfortable life. Granted, money isn't everything and it can't buy happiness, but it can certainly make life a whole lot easier!

15. Positivity
positive sunflower representing importance to life Positivity is contagious. When you are positive, you radiate good vibes that others around you pick up on. This creates a snowball effect of positivity, making everyone feel better. Secondly, positivity is essential for achieving your goals. A positive attitude allows you to stay focused and motivated, even when things are tough. It attracts success, as people are drawn to those who have a positive outlook on life, and this can open doors for you professionally and personally. So, if you want to live a happy and successful life, make sure to focus on the glass being half full instead of half empty.

16. Communication
Communication is one of the most important things in life because it allows people to share their thoughts, feelings, and ideas. It also allows people to connect with others and build relationships. When communication is effective, it can help people to understand each other better and resolve conflicts. It can also make people feel more connected to each other and build trust. It’s important in all aspects of life, from personal relationships to work and school. Good communication skills are essential for success in all areas of life, so it’s important to learn how to communicate effectively.

17. Memories
Why are memories so important? I think it has something to do with the fact that they are one of the few things in life that we can keep with us forever. Sure, we can hold on to material possessions, but eventually they will wear out or be lost. But, usually, our memories stay with us until the day we die. They are a part of who we are, and they help to define our identity. Think about it: when you look back on your life, what do you remember most vividly? The big moments, of course, like your wedding day, the birth of your child, or that time you won the championship game. But also, the small moments, like sitting around the campfire with friends, laughing until you cried, watching the sunset on a perfect summer day. These are the moments that make up our lives, and they are what we hold on to when everything else is gone. Creating memories is one of the most important things in life, because in the end, they are all we have left.

18. Compassion
Compassion means being able to understand and share in the feelings of another person. It's about having empathy for someone who is going through a tough time and being able to offer support. It’s a key interpersonal skill to have, as compassion is about being kind and caring, even when it's difficult. Having compassion is essential because it helps us to connect with others, and it allows us to see the world from their perspective. It also motivates us to help others, whether it's by volunteering our time or donating money to a worthy cause. In a world that can often be harsh and cruel, compassion is one of the most important things that we can possess.

19. Freedom
Imagine for a moment that you are living in a world where you are not free. You are not free to choose your own friends, or what you want to wear, or where you want to live. You are not even free to think your own thoughts. Instead, you must conform to the thinking of those in power. It would be like being trapped in a prison, with no hope of ever escaping. That is why having freedom is one of the most important things in life. Freedom gives us the ability to control our lives and make our own choices. It allows us to pursue our dreams and build the future we want for ourselves. And it’s only when we have freedom that we can truly be happy and fulfilled. That is why freedom is so important. It is the most basic human right.

20. Gratitude
Importance of gratitude Why is gratitude so important? Well, let's think about it. First of all, when we are grateful for what we have, we are more likely to take care of it and appreciate it. Secondly, gratitude helps us focus on the positive aspects of our lives, which can lead to greater happiness and satisfaction. And finally, gratitude creates a sense of abundance instead of scarcity. When we feel that we have enough, we are more likely to share with others, which creates a sense of community and connection. So, all in all, gratitude is pretty important! Why not take a moment each day to think about three things you're grateful for by practicing mindfulness? It could change your life.

Final thoughts While it’s easy to get wrapped up in the material things that we think make us happy, science has shown that it’s actually the intangibles that have the biggest impact on our well-being. Being compassionate and grateful, having the support of loved ones, and living a meaningful life all contribute to our happiness in ways that are difficult to put a price tag on. By focusing on material things, we lose sight of what’s really important. But by taking a step back and reframing our mindset, we can appreciate all the wonderful things life has to offer.

Freedom of speech is a principle that supports the freedom of an individual or a community to articulate their opinions and ideas without fear of retaliation, censorship, or legal sanction. The right to freedom of expression has been recognized as a human right in the Universal Declaration of Human Rights and international human rights law by the New World Order.

So We All Hope At This Channel That This True Video i hope that my attempts to help all viewers and all sex's and all races to understand without hate for each other the complex biology related to sex, gender identity, and attraction and we can stop killing each other now and maybe we can live in peace and love as we are and can be on a threshold of a dream starting today !

On a Threshold of a Dream / Question Of Balance - Music Moody Blues.

In The Beginning - First Man or Woman or AI or ?: I think, I think I am, therefore I am, I think. Establishment: Of course you are my bright little star, I've miles And miles Of files Pretty files of your forefather's fruit and now to suit our great computer, You're magnetic ink. First Man: I'm more than that, I know I am, at least, I think I must be. Inner Man: There you go man, keep as cool as you can. Face piles And piles Of trials With smiles. It riles them to believe that you perceive the web they weave And keep on thinking free.

Lovely To See You - A wonderful day for passing my way. Knock and my door and even the score With your eyes. Lovely to see you again my friend. Walk along with me to the next bend. Dark cloud of fear is blowing away. Now that you're hear, you're going to stay 'cause it's Lovely to see you again my friend. Walk along with me to the next bend. Tells us what you've seen in faraway forgotten lands. Where empires have turned back to sand. Wonderful day for passing my way. Knock and my door and even the score With your eyes. Lovely to see you again my friend. Walk along with me to the next bend.

Question Of Balance - Why do we never get an answer - When we're knocking at the door - With a thousand million questions - About hate and death and war? - 'Cause when we stop and look around us - There is nothing that we need - In a world of persecution - That is burning in its greed

Why do we never get an answer - When we're knocking at the door? - Because the truth is hard to swallow - That's what the war of love is for

It's not the way that you say it - When you do those things to me - It's more the way that you mean it - When you tell me what will be - And when you stop and think about it - You won't believe it's true - That all the love you've been giving - Has all been meant for you

I'm looking for someone to change my life - I'm looking for a miracle in my life - And if you could see what it's done to me - To lose the love I knew - Could safely lead me through

Between the silence of the mountains - And the crashing of the sea - There lies a land I once lived in - And she's waiting there for me - But in the grey of the morning - My mind becomes confused - Between the dead and the sleeping - And the road that I must choose

I'm looking for someone to change my life - I'm looking for a miracle in my life - And if you could see what it's done to me - To lose the love I knew - Could safely lead me to - The land that I once knew - To learn as we grow old - The secrets of our soul - It's not the way that you say it when you do those things to me - It's more the way you really mean it when you tell me what will be

Why do we never get an answer - When we're knocking at the door - With a thousand million questions - About hate and death and war? - When we stop and look around us - There is nothing that we need - In a world of persecution - That is burning in its greed

Why do we never get an answer - When we're knocking at the door?

So Deep Within You - Talk to me baby, I want to sleep at night - My heart is heavy, it's weighed down by the night. - And now I'm lonely, I want to see the light - So deep within you.

Cool wind is blowing through your crazy hair. - Warm colours flowing, this feeling we have shared. - And now I'm lonely I want to feel the love - So deep within you.

Your love's a never-ending dream - A castle by a stream of sweet understanding - I know you're thinking of me too, the messages - From you are my inspiration.

Love's incense lingers, it never fades away. - Like you I'm waiting for our special day. - And now I'm lonely I want to feel the love - So deep within you

My love is burning, like a forest fire - My heart is yearning, I feel a warm desire. - And now I'm lonely I want to touch the fire - So deep within you.

The Dream - When the white eagle of the North is flying overhead
The browns, reds and golds of autumn lie in the gutter, dead.

Remember then, that summer birds with wings of fire flaying
Came to witness springs new hope, born of leaves decaying.

Just as new life will come from death, love will come at leisure.
Love of love, love of life and giving without measure

Gives in return a wonderous yearn of a promise almost seen.
Live hand-in-hand and together we'll stand on the threshold of a dream.

Have You Heard (Part 1/2) - Part 1 - Now you know that you are real, - Show your friends that you and me - Belong to the same world, - Turned on to the same word, - Have you heard? - Now you know that you are free, - Living all your life at ease. - Each day has its always, - A look down life's hallways, doorways, - To lead you there.

(The Voyage) No Words

Have You Heard (Part 2/2) - Part 2 - Now you know how nice it feels, - Scatter good seed in the fields. - Life's ours for the making, - Eternity's waiting, waiting, - For you and me. - Now you know that you are real, - Show your friends that you and me - Belong to the same world, - Turned on to the same word, - Have you heard? - Have you heard? - Have you heard? - Have you heard? - Have you heard?

The Word & Om Spoken:
This garden universe vibrates complete - Some, we get a sound so sweet - Vibrations reach on up to become light - And then through gamma, out of sight - Between the eyes and ears there lie - The sounds of color and the light of a sigh - And to hear the sun, what a thing to believe - But it's all around if we could but perceive - To know ultra-violet, infra-red, and x-rays - Beauty to find in so may ways - Two notes of the chord, that's our full scope - But to reach the chord is our life's hope - And to name the chord is important to some - So they give it a word, and the word is OM

"OM" - The rain is on the roof - Hurry high butterfly - As clouds roll past my head - I know why the skys all cry - OM, OM, Heaven, OM

The Earth turns slowly round - Far away the distant sound - Is with us everyday - Can you hear what it say - OM, OM, Heaven, OM

The rain is on the roof - Hurry high butterfly - As clouds roll past my head - I know why the skys all cry - OM, OM, Heaven, OM

Moody Blues' song "Om" features the chanting of the word "Om," which represents Aum, a sacred mantra in Hindu, Jain, Sikh, and Buddhist religions.

https://youtu.be/2gsqrqsNsf8 - On a Threshold of a Dream

https://youtu.be/uZCzH8q1hcY - Days of Future Passed

https://youtu.be/26YzvbkbSDU - Question Of Balance

The Moodys were so far ahead of their time and so underrated - their songs were simply brilliant and transcended all other bands. The Moodies were the most influential musicians of my teenage years. Their songs touched me profoundly, and while some of my friends felt they were boring musicians, I believed the Moodies were almost preaching with their lyrics. To me each song had a profound message that literally touched my soul, and to me that produced what I felt was a real spiritual high. Starting with Days of Future Passed, each succeeding album was eagerly anticipated and every single one released did not disappoint. Still to this day I get a tingle in my chest when I play some of my favorite Moodie ballads. I know that there are many of you out there who feel the same way about our beloved Moody Blues. The ideas in their first seven albums (the sacred 7) were the messages I needed to hear at the time. I still live my life by them. So far ahead of their time. And like the difference between shoot-em-up games and Myst, the Moodies are a unique and shining example of excellence.

The Electric Prunes - Mass in F Minor - Om is the Primordial Sound of the Universe

https://rumble.com/v2iaxe2-the-electric-prunes-mass-in-f-minor-om-is-the-primordial-sound-of-the-unive.html

Om is the seed of transcendental sound, and it is through transcendental sound one can transform the mind and the senses. By chanting Om, the mind becomes aligned with the breath, which enables a person to get into an elevated state of consciousness called samadhi. So Rock Mass in F Minor is this Transcendental Sound of your Real Mind. The album was planned to combine religious and classical elements with psychedelic rock, in a religious-based rock-opera concept album.

Samadhi is the highest state of mental concentration that people can achieve while still bound to the body and which unites them with the highest reality.

Om is the seed of transcendental sound, and it is through transcendental sound one can transform the mind and the senses. By chanting Om, the mind becomes aligned with the breath, which enables a person to get into an elevated state of consciousness called samadhi. So Rock Mass in F Minor is this Transcendental Sound of your Real Mind. This the third studio album by American rock band The Electric Prunes, released in 1968. It consists of a musical setting of the mass sung in Latin and Greek and arranged in the psychedelic style of the band, and was written and arranged by David Axelrod. Following the limited commercial success of the Electric Prunes' previous album, Underground, the band's manager Lenny Poncher and their producer Dave Hassinger, whose company owned the rights to the band name, agreed with Reprise Records that their third album would be written and arranged by David Axelrod, a classically trained musician. The album was planned to combine religious and classical elements with psychedelic rock, in a religious-based rock-opera concept album. Axelrod was given carte blanche by Hassinger to do what he wanted with the Electric Prunes.

Samadhi is the highest state of mental concentration that people can achieve while still bound to the body and which unites them with the highest reality.

LP-Side A-1. Kyrie Eleison (David Axelrod) - 2. Gloria (David Axelrod) - 3. Credo (David Axelrod)

LP-Side ​B-1. Sanctus (David Axelrod) - 2. Benedictus (David Axelrod) - 3. Agnus Dei (David Axelrod)

When the existing band – singer James Lowe, guitarists Ken Williams and Mike Gannon, bassist Mark Tulin, and drummer Michael "Quint" Weakley – came to record the album, it became apparent that the complex arrangements largely outstripped the band's ability to perform them to the standards expected by Axelrod, or within the time set aside for recording. Although Lowe, Tulin (the only band member who could read music) and Weakley appeared on all the tracks, and Williams and Gannon also appeared on the first three tracks ("Kyrie Eleison", "Gloria" and "Credo"), the album was finished by studio musicians working with engineer Richie Podolor on guitar, and a Canadian group, the Collectors. The choral-style vocals were by Lowe, double-tracked. Hassinger was credited with producing the album.

LINER NOTES FOR THE ELECTRIC PRUNES' MASS IN F MINOR
By Richie Unterberger - The background to the bizarre twist of events leading to the Electric Prunes' 1968 album Mass in F Minor needs some explanation. The Prunes' previous LP, Underground, had been the most accurate representation of their growing experimental psychedelic vision, particularly as they wrote the majority of the material. However, it had not sold too well or yielded a hit single. The producer that had signed the group to his independent production company, Dave Hassinger, was not interested in experimentation as much as he was in commercial records. With Electric Prunes manager Lenny Poncher and arranger David Axelrod, a new strategy was hatched in which Axelrod would write and arrange an album combining classical music, the sort of Gregorian vocals heard in some religious music, and freakout psychedelia. It would be sung entirely in Latin, no less.

Whether the Electric Prunes were a suitable vehicle for the experiment is questionable. "They wanted a sound from us to hang the mass on," says lead singer James Lowe. "We came in and there are these charts. We were slow and only Mark [Tulin, Electric Prunes bassist] read music." Although it is the band you hear on the three songs that comprised side one of the album ("Kyrie Eleison," "Gloria," "Credo"), the group were going too slow for Axelrod's tastes. As a consequence members of a Canadian group, the Collectors (later Chilliwack), were enlisted to help complete the album, although Lowe did all of the lead vocals, and Tulin and drummer Quint from the Prunes do play on every track. (Engineer Richie Podolor assisted on guitar as well.) "I like and respect Dave Axelrod," comments Tulin. "I think he's a brilliant musician and he greatly helped expand my musical knowledge. However, he wasn't us. We were a 'known entity' plugged into an outside concept; a means to someone else's end. Trouble was, we were a band, not an inorganic artificial product that could be manipulated at will." For all its apples-and-oranges conception, the record is a nifty psychedelic curio, with its unusual mixture of searing acid rock guitar and subdued, harmonized Gregorian singing. The quasi-choral effect, incidentally, was achieved by having Lowe double-track most of the vocals.

Undoubtedly, the most famous track on the record -- and the best one, to most ears -- is the opener, "Kyrie Eleison." The Electric Prunes were always masters of the psychedelic guitar reverb, and the first part of the song has some of their best echoed-to-infinity axework, yielding in the final section to some passages of fierce distorted sustain. This is also the only one of the six songs that features only standard rock instrumentation, without the orchestral embellishments of horns and strings Axelrod would deploy throughout the rest of the album. "Kyrie Eleison" is familiar to most listeners, of course, through its inclusion on the soundtrack to the classic 1969 counterculture film Easy Rider, starring Dennis Hopper and Peter Fonda. Somehow "Kyrie Eleison" was rescued from obscurity and used in the scenes just after Fonda and Hopper arrive in New Orleans for Mardi Gras, including the one where they visit a local brothel.

While "Kyrie Eleison" might be the Mass in F Minor cut most representative of the band, some of their character does come through via their instrumental contributions to the rest of the recording, particularly in the guitar work. There is some intense, shrieking sustain that isn't too far removed from the wildest, most distorted solos that Jorma Kaukonen was playing for the Jefferson Airplane during the After Bathing at Baxter's era. The vocal harmonies are graceful and understated, and on the whole the result is a lot less gauche than it could have been (and would be, on later rock concept albums of all stripes). Lowe, however, is understandably nonchalant when asked if there were any aspects of the experience that stuck out as highlights: "I grew up in Catholic school, my Mom was glad I was doing a mass."

The one and only live performance of the album did not go as well as it could have. Tulin: "We were on tour when we were told we would be performing the mass almost immediately upon our return. Aside from the time spent recording it, this would be the first time we played the mass; the first time we played it straight through without the stops/starts facilitated by recording. There was one rehearsal, at the Musician's Union rehearsal hall. Four celli, four French horns, six vocalists (from the Smothers Brothers show), and the band. James took charge of the vocalists and I was put in charge of the musicians. I was told I was to play bass, play the organ and conduct. Didn't work, but I believe we managed to at least talk our way through the charts. "That night, at the Santa Monica Civic Auditorium, we had the same complement of musicians/singers plus Richie Podolor (our recording engineer and a great guitarist in his own right) and Don Peake added on guitar. Don Randi was called in for the concert to play organ and conduct. Only problem was that prior to the last-minute call Don had spent the entire day on his boat. He was sunburned and burned out from the day. Everyone had to use music stands to read the charts because no one on stage knew the songs or arrangements. "From the outset the performance was a disaster. We missed the intro on the first song and it never got any better. Amp speakers blew, charts fell off music stands and everyone was, in general, in a complete state of confusion. Ended up each song turned into one long jam. I think we were, at times, all in the same key. I made my way over to the four celli and four French horns and told them to 'jam in E.' Somehow we would hit a break and James would manage a vocal. Mercifully, this all ended and as we were leaving a few 'fans' said, 'We didn't know you guys were into avant-garde jazz.'"

The Electric Prunes would break up in 1968, due to both artistic and financial frustrations. Lowe was the first to go, although one tour was done with a lineup including some of the other members and, of all people, a then-unknown Kenny Loggins. There would be two more albums that were the Electric Prunes in name only, as the name belonged to their producer, Dave Hassinger. None of the musicians on those LPs had played on the first three Electric Prunes albums, or even played in the band at all prior to 1968.

Monterey Pop Festival 1967 San Francisco's Real Summer of Love - https://rumble.com/v2d7e7g-monterey-pop-festival-1967-san-franciscos-real-summer-of-love-not-antifablm.html

On June 17-19 in 1967, the city was the venue of the three day Monterey Pop Festival. All the proceeds went to charity when all the artists (over 30 appeared), agreed to perform free, and the “Summer of Love” was born. Monterey became the template for future music festivals, notably the Woodstock Festival two years later.

“Be happy, be free, wear flowers, bring bells,” read the advertisements which summoned the young people of California to a three-day party. The flower children, the wacky clothes, the ready availability of sex and drugs – it is hard to think it all took place 40 years ago.

The festival is remembered for the first major American appearances by Jimi Hendrix (who at this time had become a star in the UK but not yet in his native U.S.), and The Who, as well as the first major public performances of Janis Joplin (Columbia Records signed Big Brother and The Holding Company on the basis of their performance at Monterey). It was also the first major performance by Otis Redding in front of a predominantly white audience, who performed a sensational set, recorded for posterity in the film of the event, Monterey Pop.

The festival was planned in seven weeks by promoter Lou Adler, John Phillips of The Mamas & the Papas, producer Alan Pariser, and publicist Derek Taylor. The festival board included Mick Jagger, Paul McCartney and Brian Wilson.

Monterey was the concert that propelled The Who into the American mainstream. At the end of their frenetic performance of “My Generation”, the audience was stunned as guitarist Pete Townshend began smashing his guitar, amid smoke bombs and explosions. Frightened roadies rushed onstage to scurry expensive microphones to safety.

Rolling Stone Brian Jones who was seen milling around with his German girlfriend, Nico, introduced Jimi Hendrix to the crowd. Few people even knew who he was when he arrived on stage in a ruffled orange shirt and crotch-strangling red trousers. The guitarist played a blinding set which ended with an unpredictable version of “Wild Thing“, which he capped by kneeling over his guitar, pouring lighter fluid over it, setting it aflame, and then smashing it.

Other major acts who appeared included: The Byrds, Grateful Dead, Simon and Garfunkel, The Steve Miller Band, Canned Heat, The Mamas And The Papas, Jefferson Airplane, Moby Grape, Quicksilver Messenger Service, Booker T. & the M.G.s, Buffalo Springfield and The Electric Flag. Tickets cost $3.50–6.50 (£2–3.80) for the three days.

John Phillips, of The Mamas and The Papas, as one of the organizers, got it together enough to write ‘If You’re Going To San Francisco’ (Be Sure To Wear Flowers In Your Hair) specifically to promote the festival, the song becoming a hit for Scott McKenzie. The song ‘Monterey’, by Eric Burdon and the Animals, (who played on the first day of the festival) was written about their experience, and mentions several other bands/individuals who were there. It was released in November, 1967 (five months later.)

The Monterey Pop Festival embodied the themes of San Francisco as a focal point for the counterculture and is generally regarded as one of the beginnings of the “Summer of Love” featuring bands that would shape the history of rock and affect popular culture from that day forward.

An estimated 200,000 attended over the three days. Within 24 hours of the festival emptying, the local mayor drafted a resolution outlawing any gathering of more than 2,000 people on the field where the Summer of Love had flowered. I wonder if those who live there now, (there is a golf course on the spot and the hillside is covered with million-dollar condominiums), know the story of what happened at the birth of The Summer of Love.

Psych-Out 1968 A Real Summer Of Love And Is A Psychedelia Master Peace Movie - https://rumble.com/v2nizq4-psych-out-1968-a-real-summer-of-love-and-is-a-psychedelia-master-peace-movi.html

The Summer of Love 1967 was a social phenomenon that occurred in San Francisco's Haight-Ashbury neighborhood, where as many as 100,000 young people, mostly wearing hippie fashions, converged. The term "Summer of Love" originated with the formation of the Council for the Summer of Love, composed of the Family Dog hippie commune, The Straight Theatre, The Diggers, The San Francisco Oracle, and approximately 25 other people, who sought to alleviate some of the problems anticipated from the influx of young people expected during the summer. The Summer of Love encompassed the hippie music, hallucinogenic drugs, anti-war, and free-love scene throughout the West Coast of the United States, and as far away as New York City. New forms of rock 'n' roll pulsed through the airwaves, psychedelic drugs were plentiful, and free love was embraced. The Summer of Love was a blast of glamour, ecstasy, and Utopianism that divided American culture into a Before and After unparalleled since World War II. The Summer of Love was billed as the Summer of Love, and its creators did not employ a single publicist or craft More broadly, the Summer of Love encompassed the hippie music, hallucinogenic drugs, anti-war, and free-love scene throughout the West Coast of the United States, and as far away as New York City.

Hippies, sometimes called flower children, were an eclectic group. Many were suspicious of the government, rejected consumerist values, and generally opposed the Vietnam War. A few were interested in politics; others were concerned more with art (music, painting, poetry in particular) or spiritual and meditative practices. While the Summer of Love is often regarded as a significant cultural event, its actual significance to ordinary young people of the time, particularly in Britain, has been disputed.

The Summer of Love Wasn’t All Peace and Hippies Articles in the underground press capture what’s missing from our romanticized memory of that fateful season. The year 1967 was designated the “Summer of Love” when somewhere between 75,000 and 100,000 youth flooded 25 blocks in San Francisco’s Haight-Ashbury district. Beforehand, the neighborhood was home to a small community of “hip” residents interested in art, music, theatre, and literature. Afterward, it was known worldwide as the center of countercultural activities. For many, the Summer of Love calls to mind an ambitious attempt at cultural revolution when America’s youth championed values like peace, love, and freedom of expression.

Fifty years later, that utopian vision of the Summer of Love prevails. But underground papers like those in Reveal Digital’s Independent Voices Collection testify to the dark underbelly of that fateful season. The June 23 edition of the Berkeley Barb, for instance, includes an advertisement for the Berkeley PROVOS, a group of people who intended to help deal with the influx of people into the area. Although embracing the spirit of the Summer of Love, the article amounts to a plea for help. It reads, “We still need food, clothes, places to stay, beds, sheets, soap, blankets, coat hangers and HELP.”

In fact, the hippie demonstrations and the publicization of hippie culture that coalesced in the Summer of Love were met with controversy rather than acceptance. Even the participants varied in what they understood the meaning of the event to be. They knew something was happening, but it was hardly the simple introduction of peace and love to American culture.

The Role of Mass Media
For many in the counterculture, the Summer of Love was an accident precipitated by the widespread consumption of music, television, and magazines. Songs, programs, and articles began documenting the activities of the countercultural community in the Haight-Ashbury district with the advent of the Human Be-In. According to Chet Helms, after the Human Be-In, a relatively small group of counterculturally minded people in the Haight issued an invitation for young people to come to San Francisco. They formed a council that they called the “Council of the Summer of Love” and attempted to organize summer activities in Golden Gate Park.

Articles on the “new” hippie lifestyle appeared in magazines like the New Yorker, and the hit song “San Francisco (Be Sure to Wear Flowers in Your Hair)” cemented the idea that something was going to happen in San Francisco in the summer of 1967. By most accounts, the arrival of so many young people was more an accident of popular culture than the result of any planning performed by the council.

As the Summer of Love progressed, it became increasingly clear to many committed participants in the community that the Summer of Love, and the idea of a “hippie,” was being defined by the media more than anything else. Many in the counterculture became deeply suspicious and then hostile toward what they considered “the media,” by which they meant photographers, magazine and daily newspaper reporters, and documentarians. Columnist Joan Didion recalls being labeled a “media poisoner” by countercultural leaders who were part of a group known as the Diggers.

Jeff Jassen of the Berkeley Barb writes nostalgically of the Haight-Ashbury district before the Summer of Love: “Nowhere was a camera visible.” Perhaps the event that highlights most clearly the role of the media in relation to the Summer of Love is the “Death of the Hippie Parade,” which was meant to conclude the Summer of Love. The event, documented in underground papers like the Berkeley Barb, included a funeral procession that marched through the Haight-Ashbury district, participants carrying a coffin filled with symbols of hippies: beads, mandalas, hair. A funeral notice was passed around the neighborhood that read, “Funeral Notice / HIPPIE / In the Haight Ashbury District of this city, Hippie, devoted son of Mass Media…” The demonstration was meant to call attention to the role that the media had played in creating a hippie stereotype and to replace the image with that of a “free man.” Jassen quipped,

I didn’t appoint the Chronicle to label me a ‘hippie.’ Similarly, I didn’t appoint the Oracle, Happening House, the Diggers, or anyone else to free me from whatever plastic coating society is trying to seal me in. If precious time has to be spent now to release people from the name of ‘hippie’ then I can only wonder about those same people who spent countless hours telling me that there is no such thing as a ‘hippie’.

Jassen’s comment reveals disdain for mass media, but also disagreements within the countercultural community over the significance of the idea of a hippie.

The media, as imagined by countercultural participants in the Haight, not only played a role in the creation of the Summer of Love, it also came to be one of its primary targets of criticism. Underground papers offer a valuable resource for examining the evolving and ambivalent relationship between participants in the counterculture and mass media. For those interested in the cultural effects of media, the Summer of Love is ripe fruit.

Performance
Countercultural disdain toward the media was complicated by another countercultural trend that participants in the counterculture were developing: guerrilla theatre. During the Summer of Love, the San Francisco Mime Troupe used street theatre to make political points. The group was known for putting on thought-provoking (and just generally provoking) theatre meant to make social and political critiques. The theatre and opinions of leaders in the mime troupe, like R.G. Davis and Peter Berg, appeared regularly in underground papers.

Movie PsychOut 1968 Psychedelic Music in the Flower Power 1965 Thru 1969 Era

https://rateyourmusic.com/list/mtopper/the_101_album_psychedelia_collection/

https://rateyourmusic.com/list/mtopper/1966-psychedelic-albums/

https://rateyourmusic.com/list/mtopper/1967_psychedelic_albums/

https://rateyourmusic.com/list/mtopper/1968_psychedelic_albums/

https://rateyourmusic.com/list/mtopper/1969_psychedelic_albums/

Flower Power Full LP In the Garden of Eden or In the Garden of Life by Iron Butterfly

https://rumble.com/v2jnvbe-flower-power-full-lp-in-the-garden-of-eden-or-in-the-garden-of-life-by-iron.html

This is a story about “In-A-Gadda-Da-Vida”, a truly classic song, and the folklore around the mysterious meaning of the song. Simply put the words “In A Gadda Da Vida” were intended to be “In the Garden of Eden” however the true translation of “Vida” is “Life” putting the mistaken translation to “In the Garden of Life”. That is an important distinction that will accompany this story about the song’s true meaning. The In-a-Gadda-Da-Vida album has been certified multi-platinum, reportedly selling more than 30 million copies total. (Iron Butterfly was, in fact, the first-ever group to receive an RIAA platinum album award.) With its endless, droning minor-key riff and mumbled vocals, "In-A-Gadda-Da-Vida" is arguably the most notorious song of the acid rock era. According to legend, the group was so stoned when they recorded the track that they could neither pronounce the title "In the Garden of Eden" or end the track, so it rambles on for a full 17 minutes, which to some listeners sounds like eternity. But that's the essence of its appeal -- it's the epitome of heavy psychedelic excess, encapsulating the most indulgent tendencies of the era. Iron Butterfly never matched the warped excesses of "In-A-Gadda-Da-Vida," either on their debut album of the same name or the rest of their catalog, yet they occasionally made some enjoyable fuzz guitar-driven psychedelia that works as a period piece. The five tracks that share space with their magnum opus on In-A-Gadda-Da-Vida qualify as good artifacts, and the entire record still stands as the group's definitive album, especially since this is the only place the full-length title track is available.

Suddenly That Summer
It was billed as “the Summer of Love,” a blast of glamour, ecstasy, and Utopianism that drew some 75,000 young people to the San Francisco streets in 1967. Who were the true movers behind the Haight-Ashbury happening that turned America on to a whole new age?

In a 25-square-block area of San Francisco, in the summer of 1967, an ecstatic, Dionysian mini-world sprang up like a mushroom, dividing American culture into a Before and After unparalleled since World War II. If you were between 15 and 30 that year, it was almost impossible to resist the lure of that transcendent, peer-driven season of glamour, ecstasy, and Utopianism. It was billed as the Summer of Love, and its creators did not employ a single publicist or craft a media plan. Yet the phenomenon washed over America like a tidal wave, erasing the last dregs of the martini-sipping Mad Men era and ushering in a series of liberations and awakenings that irreversibly changed our way of life.

The Summer of Love also thrust a new kind of music—acid rock—across the airwaves, nearly put barbers out of business, traded clothes for costumes, turned psychedelic drugs into sacred door keys, and revived the outdoor gatherings of the Messianic Age, making everyone an acolyte and a priest. It turned sex with strangers into a mode of generosity, made “uptight” an epithet on a par with “racist,” refashioned the notion of earnest Peace Corps idealism into a bacchanalian rhapsody, and set that favorite American adjective, “free,” on a fresh altar.

“It was this magical moment … this liberation movement, a time of sharing that was very special,” with “a lot of trust going around,” says Carolyn “Mountain Girl” Garcia, who had a baby with Ken Kesey, the man who helped kick off that season, and who then married Jerry Garcia, the man who epitomized its fruition. “The Summer of Love became the template: the Arab Spring is related to the Summer of Love; Occupy Wall Street is related to the Summer of Love,” says Joe McDonald, the creator and lead singer of Country Joe and the Fish and a boyfriend of one of that summer’s two queens, Janis Joplin. “And it became the new status quo,” he continues. “The Aquarian Age! They all want sex. They all want to have fun. Everyone wants hope. We opened the door, and everybody went through it, and everything changed after that. Sir Edward Cook, the biographer of Florence Nightingale, said that when the success of an idea of past generations is ingrained in the public and taken for granted the source is forgotten.” Well, here is that source, according to the people who lived it.

Certain places, for unknowable reasons, become socio-cultural petri dishes, and between 1960 and 1964 the area of Northern California extending from San Francisco to Palo Alto was one of them.

San Francisco’s official bohemia was North Beach, where the Beats hung out at Lawrence Ferlinghetti’s City Lights bookstore, and where espresso was sipped, jazz was worshipped, and hipsters did not dance. North Beach was not unique, however; it had strong counterparts, for example, in New York’s Greenwich Village, L.A.’s Venice Beach and Sunset Strip, and Cambridge, Massachusetts.

What was unique was happening across town, where a group of young artists, musicians, and San Francisco State College students became besotted with the city’s past. “There was a huge romanticism around the idea of the Barbary Coast, about San Francisco as a lawless, vigilante, late-19th-century town,” says Rock Scully, one of those who rented cheap Victorian houses in a run-down neighborhood called Haight-Ashbury. They dressed, he says, “in old, stiff-collared shirts with pins, and riding coats and long jackets.”

“Old-timey” became the shibboleth. Guys wore their hair long under Western-style hats, and young people decorated their apartments in old-fashioned castoffs. Scully recalls, “Michael Ferguson [an S.F. State art student] was wearing and living Victoriana in 1963”—a year before the Beatles came to America, and before costuming-as-rebellion existed in England. They were not aping the British. “We were Americans!,” insists musician Michael Wilhelm. Architecture student George Hunter was yet another in the crowd, and then there were the artists Wes Wilson and Alton Kelley, the latter an émigré from New England who frequently wore a top hat. “Kelley wanted to be freeze-dried and set on his Victorian couch behind glass,” says his friend Luria Castell (now Luria Dickson), a politically active S.F. State student and the daughter of a waitress. Castell and her friends wore long velvet gowns and lace-up boots—a far cry from the Beatnik outfits of the early 60s.

Chet Helms, a University of Texas at Austin dropout who had hitchhiked to San Francisco, also joined the group and dressed old-timey. He had come to San Francisco with a friend, a nice, middle-class girl who had been a member of her high school’s Slide Rule Club and who had also left the university, hoping to become a singer. Her name was Janis Joplin.

Helms, Castell, Scully, Kelley, and a few others lived semi-communally. “We were purists,” says Castell, “snooty” about their left-wing politics and esoteric aesthetic. All their houses had dogs, so they called themselves the Family Dog. As for Wilhelm, Hunter, Ferguson, and their friends Dan Hicks and Richie Olsen, they took up instruments that most of them could barely play and formed the Charlatans, which became the first San Francisco band of the era. Wes Wilson, distinct for keeping his hair short, became the eventual scene’s first poster artist, creating a style that would be epoch-defining.

Soon they came to share something else: LSD. It had been more than a decade since Sandoz Laboratories made the first batches of lysergic acid diethylamide, the high-octane synthetic version of two natural consciousness-altering compounds, psilocybin and mescaline, when, in 1961, the Harvard psychology professor Timothy Leary had his life-changing experience with psilocybin mushrooms, in Mexico. Leary, a charismatic womanizer, and Richard Alpert, a colleague at Harvard and a closeted bisexual, would invite friends and a few grad students to drop acid with them off campus, and they endeavored to apply scholarly methodology to the sense-enhancing, cosmic-love-stimulating, and sometimes psychosis-abetting properties of LSD.

While Leary and Alpert were raising consciousness in their way on the East Coast, Ken Kesey, a young Oregonian, was doing it on the peninsula south of San Francisco far more outrageously—by buying a school bus, painting it in jubilant graffiti, and driving around in it, stoned, with a group he called the Merry Pranksters. In 1959, Kesey had been a volunteer in a C.I.A.-sponsored LSD experiment at the Veterans Administration Hospital in Menlo Park. His 1962 novel, One Flew over the Cuckoo’s Nest, was the result of his work there. In 1963 he assembled the Pranksters, including Stewart Brand, later famous as the author of the Whole Earth Catalog, and Neal Cassady, Jack Kerouac’s best friend and the model for Dean Moriarty in On the Road.

Koyaanisqatsi Is A Hopi Prophecy Total Disintegration Pink Floyd Atom Heart Mother

https://rumble.com/v2i8f44-koyaanisqatsi-is-a-hopi-prophecy-total-disintegration-pink-floyd-atom-heart.html

Prophecy Hopi Indians Warned America For Year And Yet Nobody Listens ? It warn us that we are entering a dangerous period in our lives, as governments have abrogated native title and the time of plenty is coming to an end. Koyaanisqatsi is a Hopi prophecy that marks the total disintegration of the life of harmony and balance. According to Hopi Dictionary: Hopìikwa Lavàytutuveni, koyaanisqatsi is defined as “life” or “chaotic” life. In Lockdown Revisiting Koyaanisqatsi Revisiting Koyaanisqatsi in Lockdown explores this mythological destruction. Koyaanisqatsi is a Hopi Prophecy It is an apocalyptic vision that warns us that if we dig precious things from the land, we will invite disaster. Near the Day of Purification, cobwebs spun back and forth in the sky and a container of ashes might one day be thrown from the sky which could burn the land and boil the oceans.

In-A-Gadda-Da-Vida or In the Garden of Eden Recorded Live Rare by Iron Butterfly

https://rumble.com/v2jnepo-in-a-gadda-da-vida-or-in-the-garden-of-eden-recorded-live-rare-by-iron-butt.html

The following will walk you through the 17-minute-long song and provide the sync up to the story in a beat-by-beat fashion. Since the majority of this song is an instrumental, much of the story is told through the music (verse the lyrics). Not many bands put out 17+ minute songs, so there had to be a greater motive to their madness! Open your minds and enjoy.

The song can be played using the YouTube link below and the below commentary will take you step-by-step through the story and call out events at different time intervals during the song.

Iron Butterfly In A Gadda Da Vida 1968 (Original Full Version)

https://youtu.be/ZCkHanF4v1w this one from lp or album and

https://youtu.be/UIVe-rZBcm4 and this one is live video with lp in sink to live video pics.

In-A-Gadda-Da-Vida (Live in San Diego, CA, May 1969) https://youtu.be/jbogE8UD1jg and

Iron Butterfly - In-A-Gadda-Da-Vida - full lp or album all 6 songs wow - https://youtu.be/vAT4nIg00t0

IN-GADDA-DA-VIDA MEANING TO YOU
Music is a feeling. It exults emotions and links those emotions to our memories. Music can take you back to another time and bring out all kinds of feelings. Songs certainly mean different things to different people. The folklore around In-A-Gadda-Da-Vida, whether true or not, brings me back to my youth. As I am now a dad, I hope my kids look back on their youth and can tie songs to fun memories we have had. Hopefully my kids’ memories won’t be about a song reenacting a person being buried alive, but I guess it is what got me here!

We would love to hear your take on this and any other musical folklore you would like to share in the comments. If you are looking to get your young kids into music that you like and they are not ready for Iron Butterfly yet, read our article about kids and the Beatles. Happy listening!

Originally published in 1968, In-A-Gadda-Da-Vida is the best known album by Psychedelic Rock group Iron Butterfly. The first album to ever go platinum, In-A-Gadda-Da-Vida is one of those albums nearly every every aging hippie either has, or used to have. For most of these people though, it probably hasn't been played in decades. Heavy on the distortion guitar and the electric organ, this album would be right at home in an old van with large amounts of ceremonial substances.

How do we escape the woke matrix? new world order offers a guide. The woke movement could be the next great U.S. cultural export and it is going to do many other countries some real good.

Electric Kool-Aid Government Mind LSD-25 Testing A 60s Psychedelic Revolution Etc. - https://rumble.com/v2orpku-electric-kool-aid-government-mind-lsd-25-testing-a-60s-psychedelic-revoluti.html

Electric Kool-Aid Government Mind LSD-25 or lysergic acid diethylamide, is a hallucinogenic drug that was first synthesized a Swiss scientist in the 1930s. During the Cold War, the CIA conducted clandestine experiments with LSD (and other drugs) for mind control, information gathering and other purposes. Over time, the drug became a symbol of the 1960s counterculture, eventually joining other hallucinogenic and recreational drugs at rave parties.

New World Order National Anthem The Ostrich Lyrics By Steppenwolf 1968 A.C.E. ! - https://rumble.com/v3yl8xx-new-world-order-national-anthem-the-ostrich-lyrics-by-steppenwolf-1968-a.c..html

Welcome To The New World Order - The Year Zero - National Anthem of the United States of America and Confederate States of America and New World Order National Anthem "The Ostrich" Lyrics in 1968 A.C.E. Yes The Conspiracy to Rule Your Mind chronicles how the ruling elite have established global domination and the ability to effect the thoughts, decisions, and world view of human beings across the globe by systematically infiltrating the media, academia, industry, military and political factions under the guise of upholding democracy. Learn how this malevolent consortium has dedicated centuries to realize an oppressive and totalitarian rule through any means necessary, not limited to drug trafficking, money laundering, terror attacks and financial crisis within the world economy.

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